Archive for the ‘Songs of 1930s (1931 to 1940)’ Category
“Prem Nagar” (1940) is the movie where Naushad made his debut as a music director. The songs of this movie are a nostalgia buff’s delight.
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Prem ki ho jai jai
Posted on: July 24, 2011
“Chandidas”(1934) was one of the earliest movies in which K L Saigal appeared. In this movie, he sang four songs. Three of them, which are relatively better known and are available on youtube have already been discussed in this blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
“Yahudi Ki Ladki” (1933) is the first movie in which K L Saigal’s voice was first heard in a Hindi movie. And this voice took the nation by storm.
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Deewaanaa hoon deewaanaa hoon
Posted on: July 20, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Movies with the name Zindagi have been made four (or maybe five) times. As per the recorded listings, the first instance of a film named Zindagi is in 1940. This is a New Theatre Productions from Calcutta, directed by PC Barua. The primary players in this film are KL Saigal, Jamuna, Pahari Sanyal, Ashalata, Sham Laha, Nemo, Manorama, Sitara, Dhruba Kumar, Bikram Kapoor, Rajnirani, and Ramkumari etc. The screenplay for this film is adapted from the novel ‘Priya Baandhabee’ by Prabodh Sanyal.
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Jagat mein prem hi prem bhara hai
Posted on: July 17, 2011
This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Krorepati (alias Millionaire) is a 1936 production from New Theatres Calcutta, directed by Hem Chander. The music compositions for this movie are shared by RC Boral and Pankaj Mullick. There is a total of 12 songs in this movie, of which 4 are composed by RC Boral and 8 by Pankaj Mullick. As fortune would have it, the recordings of all the 8 songs composed by Pankaj Mullick are not available from any source so far.
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Jo naukri dilaa de
Posted on: July 16, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The versatility of Saigal Saab never ceases to amaze. Given that only 185 recordings of his songs are available, may the history of Indian cinema have been different, had Saigal Saab lived a longer life.
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Kaun bujhaawe
Posted on: July 14, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
There are many success stories in the film world, where in un-tested and un-trained folks from common occupations and professions, came into films and made it big. Without a doubt, the earliest such story which has turned out to be the most phenomenal success ever, is Saigal Saab. Moving from Jalandhar to Calcutta, and from being the sales manager in a typewriter company, KL Saigal broke into the Bengali cinema world in 1932, and in a short career that lasted barely 15 years, he has left behind a legacy that has charmed generation after generation of music lovers. A legend and a phenomena in his own living years, with a treasure of just 185 known recordings, an unrivalled treasure that cannot be compared to any other artist since the time the sound has been electrically recorded.
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Suno suno hey Krishn kaalaa
Posted on: July 10, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
With the songs of Saigal Saab, there is an interesting phenomena; every time you listen to one of his renditions, the mind’s response is that there is nothing better than this soulful song or ghazal just heard. And then one gets to hear another song or ghazal, and the mind searches for newer adjectives now to suit another creation by this perceptive artist.
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Laakh sahi hain pee ki batiyaan
Posted on: July 9, 2011
In olden days, men used to play the roles of women because it was not very easy to get women from decent background to appear in movies (and also dramas). Hopefully, they were able to get women to sing for themselves, I hope.
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