Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Zindagi


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4804 Post No. : 16571

Today’s song is from a Saigal film- Zindagi-1940. The film was made by New Theatres, Calcutta.

At one time New Theatres (NT) was the most successful film production company in India. It was not only prestigious,but it also shaped up and discovered many artistes who made their marks in the Hindi film industry. New Theatres, Calcutta was one of the top 5 film companies in India – the others being Imperial, Prabhat, Ranjit and Bombay Talkies.

The rise and fall of the giant company was a glorious yet a sad chapter. Besides other factors, I feel the ego-conflicts and the obstinate and adamant behaviour of the people coupled with false prestige led the artistes to desert the company leading it to its end. Of course other reasons were equally responsible.

New Theatres operated from 1931 to 1955 and made 177 films, slightly more than Ranjit film co.-with 175 films. B.N.Sircar established New Theatres in Tollygunge, Calcutta on 10-2-1931, as a family concern, where all shares were held by the family members and He was the managing Director. Same year it built its studios in the same area. It had 3 fully equipped units for shooting, with the best technicians and musicians. Like other studios they had salaried staff in all departments, on a monthly basis. In this period there were other studios also in Calcutta, like Bharat Laxmi pictures, Devdutt films, East India Film company, Kali Films and Radha Film co.

Their first talkie film was in Bangla-Chandidas-32. For the North Indian market Hindi film Puran Bhagat-32 was made. NT had markets in East India, North, North west and South, but none in Bombay or western India. Sircar, along with I.A. Hafis ji, toured the unrepresented areas himself and appointed distributors in Madras, Madurai,Trichannapally,Erode, Bangalore, Poona, Bombay, Ahmedabad, Kanpur, Lucknow, Kangra Valley and Lahore. Puran Bhagat-32 and Yahudi ki ladli-33 were distributed here.

NT became popular in Non Bangla areas due to its Music, which became their main strength. They popularised Robindra Sangeet, with songs by Pankaj Mullick. Miss Panna Rai ji, the first ever woman to do Ph.D in Indian Cinema, wrote on NT films without knowing Bangla language. WB, EB, Burma and Eastern states were their strongholds.

1940 was the Best year for the company with films Doctor, Zindagi and Nartaki. It was an year of beginning of the end also. The first to leave was director P.C.Barua. The Second World war gave a big jolt with the quota system for Raw film. NT was allowed only 6 films per year. Income reduced. Their monthly salary bill was 45000 rupees. Communal riots in 1946 and Partition in 1947 were great setbacks. Due to Partition, NT’s markets were shrunk and due to curfew, huge losses incurred. In the early 40’s many artistes left for Bombay.

By 1951, son Dilip Sircar said,” people left, finance lost, court cases. My father virtually closed the shop.” Liquidation of Calcutta National Bank, NT’s chief financer, was the last shock. The company was handed over to Arora Film company between June to December-1954. From Jan 55 to Aug 55, it was managed by Deluxe Film company. Then a Court Receiver was appointed. In Jan-56, NT was closed down. In Mar-62 NT went into liquidation. The Liquidation was revoked and NT revived by Dilip Sircar on 8-8-1991. However, no activity was seen except that a 5 part serial on NT was made.

B.N.SIRCAR-Birendranath Sircar( 5-7-1901 to 28-11-1980 ), was the son of Shri Nripendranath Sircar-a well known Jurist and a member of the Viceroy’s committee. B.N.Sircar was a Civil Engineer from U.K. who developed an interest in film making. He left his very lucrative job at Martin Burn and Co. in 1928-29 and made 2 silent films,under the banner of International Film Craft.These were Directed by his First colleague Premankur Atorthy. After testing the film market this way, he founded New Theatres.

NEW THEATRES ( NT ) was established by B.N. Sircar, on 10-2-1931,in Tollygunge, Calcutta. It had 3 studio floors for shooting. It had the best Technicians, the best actors and the best Musicians. He acquired the Tanar equipment and services of Wilfred Denis,imported from Hollywood by Ardeshir Irani. New Theatres attracted major Technical and creative talents from silent studios,which were on collapse now. Thus,”Indian Kinema” provided Directors Nitin Bose and Premankur Atorthy and stars Durgadas Bannerjee,Amar Mullick,Jiban Ganguly etc,” Barua Pics ” gave P.C.Barua and Sushil Mujumdar,” British Dominion Films ‘ gave Dhiren Ganguly etc.

B.N.Sircar was a firm believer that Cinema is a medium between a Novel and a Drama,so he depended upon Bangla famous literature for his films. The first Talkie of new Theatres, “Dena Paona”-31,was based on Sharat babu’s works. Though this film was a flop,he continued to depend upon novels by Sharat babu and Tagore to make his films.His first seven films were flops in a row. Their first big film was Chandidas-1934. New Theatres had many Directors on its payroll and used technological advances with recordist Mukul Bose.

From 1931 to 1955,NT produced 177 films, a Record unlikely to be broken in future by any single production house. The nearest rival was Ranjit studios, with 175 films produced. It is not that there was no competition in Bengal. In 1935,there were 14 production houses in Calcutta and in 1938, there were 18 of them, though some , like Madon Theatres, closed down sooner.

NT was mammoth, peopled by giants. Through the 30s and early 40s,NT had the biggest names in Indian cinema, on their payrolls. K L Saigal, Pahadi Sanyal, Jamuna Devi and Leela Desai were ‘discovered’ by NT. Others like P C Barua, Kanan Devi, Umashashi, Molina and Chandrabati emerged as stars at NT. Some like Durgadas Bandopadyaya and Prithviraj Kapoor had been stars before coming to NT. They had directors like Premankur Attorthy, Debaki Bose, Madhu Bose, D N Ganguly, Nitin Bose, Hiren Bose, R C Boral (only Bangla), Profulla Roy, Phani Mujumdar, Bimal Roy, Hemchandra Chunder, sound recordist Mukul Bose and Musical giants like R C Boral, Pankaj Mullick, Timir Baran and K C Dey.

B N Sircar was the Patriarch, the disciplinarian, who held them together like in a big family. NT had a veritable galaxy and clashes between the Titans were inevitable. NT had its own share of fallouts, peer rivalries, squabbles and scandals. Due to the stern and uncompromising nature of B N Sircar, the first to leave was Pramathesh Barua, then Nitin Bose, and Kanan Devi. There was that famous spat between Debki Bose and Nitin Bose on the sets of Meerabai-1933 itself and they stopped talking to each other. Add to this the heavy drinking of Saigal and Umashashi’s elopement with the heir of Shova bazar palace. Each of these has an independent story.

The political situation in Bengal after the WWII, i.e. 1945 also caused the journey of NT towards its downfall and eventual closure in 1956. If only B N Sircar had changed his attitude, NT would not have died so soon, at least not without a fight and not so tamely, in the face of the competition. The biggest bank of Bengal, which financed NT- The National bank also went into liquidation at the same time to add to their woes further.

Personally, I would not hold B N Sircar alone responsible for the decline of NT, which was Hindi cinema from Bengal itself in reality. Another very important factor was,while many stalwarts like Saigal, Prithviraj Kapoor, Kidar Sharma, R C Boral, etc made a beeline for Bombay, Hindi cinema music in Calcutta remained the same, where it was in 1931,without any change. On the other hand, Bombay had enriched its music by adapting to the changing times with a mix of music from Goa, Maharashtra, Gujarat, Rajasthan, UP, Himachal Pradesh, Punjab, Lahore and the south. The music of the 40s in Bombay had become Vibrant, whereas there was no change whatsoever in Bengal Hindi music. It kept on hankering on Robindra Sangeet and Nazrul Geeti. Maybe, the extreme variety of Regional pride of Bengal came in the way of adopting and adapting to the changes. (This Pride has, even Today, kept Bengal much behind the rest of India.) Thus Bombay became the undisputed capital of Hindi Cinema and Music.

New Theatres was established in 1931,as a family business, with B.N. Sircar as the Managing Director. Once NT started growing, the local regional pride almost forced Madan Theatres-belonging to a Parsee family from the western India-to pack up. By 1938,Madan Theatres had produced over 154 films-silent and Talkie. They made their last Talkie, ” Khatarnak Aurat”-1938 and the company closed down.

New Theatres had the Best actors, best Directors, Best composers and the very best Technical staff in India. They had 4 distinct strengths….

1. Right from the beginning, Bengal had an edge over Bombay and Lahore etc in that the Educated and Respectable family members did not hesitate to join the Film Industry in Bengal. In fact, over 90% of its people were educated-some of them even Foreign educated too. In this ,Bengal was very Progressive. On the contrary, the western centres of film making were confined to Courtesans, Tawayafs and uneducated run-aways in its film industry.

2. NT or the Bengali film industry had a very wide market spread out over the entire West and East Bengal, Bihar, orissa, Assam, the N-E states and Burma. Their Distribution network included Madras,Madurai,Erode,Trichannapally,Bangalore,Mysore,Poona,Bombay,Cawnpore(Kanpur),Kangra valley and Lahore circuits.

3.People who worked for NT were like a united family. Feelings of Goodwill and Happiness permeated the studio. Workers came in the morning and worked till it was finished. Discipline and adherence to deadlines and principles regulated their lives. projects were, therefore, completed always as planned and in time.
( Only Madras of the 40s and 50s came near this. Bombay and Lahore were exactly the opposite, where discipline and punctuality were never a Virtue (Tradition continues…)

4. Almost all films made in Bengal by NT or any other company, were based on either stories or dramas or Novels, by renowned authors from the East(read Bengal). Thus, the film’s story content was so solid that they did not need appendages of comedians or a CSP (comic side plot) or too many songs.
( IN other parts like Bombay and Lahore, studios had what was called “The Story Departments”, consisting of 4-5 writers, the owners, directors, who would work up a story in unison !)

NT popularised a new brand of Music.i.e. Rabindra Sangeet, which was hitherto confined to only Shantiniketan. With all this in place,NT was on its peak in 1940,when their slide started. One of their pillars P.C.Barua left NT. This was the beginning. Debki Bose left. Nitin Bose left after completing ‘Kashinath’ in 1943. Kanan Devi left to join Barua and Uma Shashi eloped with her lover.
Pankaj Mallick, though unhappy over the treatment meted out to him in NT, did not leave till the end. He did Bombay film music at Calcutta-like Kasturi or Zalzala etc. He always considered NT as his Alma Mater.
The ongoing II world war, the communal riots of 1946.the Partition of 1947 and the deteriorating civil conditions of Bengal (specially Calcutta),due to the influx of Refugees, broke NT completely. The Govt. had regulated supply of Raw Film, East Bengal market was lost totally, artistes left for Dhaka or Bombay…all this took NT to its end rapidly.

In such worsening conditions in 1944/45,Sircar tried to mend things by replacing the II and III level artistes to fill up gaps left by departed people. Thus, Bimal Roy, who was a Cinematographer and an Editor, got an opportunity to sit in the Director’s Chair. They made an ambitious film ” Udayer Pathe” -44. A Hindi version was made as ‘ Hamraahi”-45. It was Bimal Roy’s First brush with a Hindi Film Direction. Both versions were successful. But with major things remaining the same for years, without any changes, the house of New Theatres became a dilapidated, colourless, tattered big empty Palace. It’s sad to write about the fall of an Empire- a Giant !
(Article is based on information from “The glory that was New Theatres” by Sharmishtha Gooptu, ” सुंदर ती दुसरी दुनिया ” a Marathi book by Ambarish Mishra, The Encyclopedia of Indian Cinema, with thanks, along with my old writings and my notes.)

Today we will know for the first time more about an artiste who was with NT from almost the beginning. The name is strange and uncommon-NEMO.

Nemo (Mirza Muhammad Begg) was born on 27th December 1903 at Calcutta. He passed his Senior Cambridge. One day he, along with some friends, visited New Theatres to see a film shooting. Mirza Muhammad Begg merely wanted to watch the shooting of ‘Yahoodi Ki Larki’ (1933) but, as luck would have it, his visit to the New Theatres studio in Calcutta led to a small role in the same film. The part was that of a Roman king and little did Begg know back then that he’d soon be turning to Latin to fish out a lasting identity.

A year later, he was invited by New Theatres’ founder B.N. Sircar to work as the production manager of ‘Karwan-e-Hayat’ (1935) and another chance role beckoned. A female actor who was supposed to play an old witch in the film failed to turn up for the shooting and Begg volunteered for the part. The make-up department stepped up to the challenge and Begg, unrecognisable in the get-up, did the job (and always considered it his best effort). What happened next is even more interesting. Once the film was ready, the makers felt apprehensive about revealing to the public that a man had played the witch’s role. Begg came up with a solution – a gender-ambiguous screen name for himself. And in a delightfully wacky move, he picked a name that means ‘nobody/nothing’ in Latin – ‘Nemo’.

The name stuck on and this was the beginning of Nemo’s steadfast association with New Theatres – one that resulted in a string of features like ‘Karodpati’, ‘Dushman’, ‘Doctor’ and ‘Zindagi’. He was Vidushak, the royal jester, in ‘Vidyapati’, a rigid but caring father in ‘Jawani Ki Reet’ and the devoted caretaker Dharamdas in P.C. Barua’s ‘Devdas’. These diverse characters earned him appreciation from audiences and critics alike. Further, the story of the Saigal hit ‘The President’ (1937) was based on his idea and he was duly credited for the same. Alongside his work in films, he also edited and published ‘Akkas’ – a very popular Urdu (and later, Urdu-English bilingual) film magazine in those days. Its surviving copies now serve as an important archive of the early talkies. His last film with New Theatres was Kashinath. When Calcutta was bombed by Japan in late 1942, Nemo migrated with his family to his ancestral hometown, Lucknow. He later went over to Bombay for a short while to work in Mazhar Khan’s ‘Pehli Nazar’ (1945), and then returned to Lucknow to settle into a life far removed from the studio lights.

In the middle of it all lies an extraordinary fact – at the time he entered the movies, M.M. Begg was a national billiards champion! He won the inaugural Indian Open Billiards Championship in 1931 and never left the game thereon, despite a busy and flourishing film career. He won the trophy again in 1937, and between the 2 wins, he was the runner-up thrice. Not to mention, he represented the country at international tournaments and also headed various administrative organisations related to the game. His contributions towards establishing and popularising billiards and snooker in India are widely mentioned, and always in glowing terms. He was also obsessed with Racing.

It was nearly a decade after ‘Pehli Nazar’ that Raj Kapoor managed to pull Nemo out of his sabbatical for 2 memorable final acts in ‘Shree 420’ and ‘Jagte Raho’. In both, Nemo played similar roles of manipulative, corrupt seths who hide their sinister designs behind a facade of respectability. If he was jittery about facing the camera after a long gap, it doesn’t show (unless Seth Sonachand’s trembling chin is not a mannerism 😄). He was particularly effective in ‘Shree 420’, where he puts on the most evil smile possible and hisses to Raj Kapoor, “Aap se mulaqaat ho gayi, is mein fayda hi fayda hai.” He also did 2 more films- Raja Vikram-57 and Naag Champa-58.

Nemo worked for 19 films of New Theatres and 4 others totalling 23 films in all. His Filmography – Yahudi ki ladki-33, Karwaan E Hayat-35, Devdas-35, Karodpati-36, Manzil-36, Vidyapati-37, Anath Ashram-37, President-37, Dushman-38, Dharati Mata-38, Abhagin-38, Jawani ki reet-39, Badi Didi-39, Zindagi-40, Haar Jeet-40, Doctor-40, Aandhi-40, Lagan-41, Saugandh-42, Shri 420-55, Jaagte Raho-56, Raja Vikram-57 and Naag Champa-55. It is believed that he died in Bombay on 18-8-1960.

Cinema, publishing, sports – Mirza Muhammad Begg distinguished himself in everything he touched. And chose to call himself NEMO – a nobody. ( based on information from Filmdom-1946, HFGK, muVyz and mainly an article by Yasir Abbasi, with thanks.)

Today’s song is sung by Aruna.


Song- Aaj mila hai bichhada saajan(Zindagi)(1940) Singer- Aruna, Lyricist- Kidar Sharma, MD- Pankaj Mullick

Lyrics

Aaj mila hai
Aaj mila hai ae
Aaj mila hai
bichhda saajan
aaj mila hai ae
Aaj mila hai
mre man ka
mere man ka
phool khila hai
Aaj mila hai
Aaj mila hai

jaag uthhi hai
aaj jawaani
yaad aayi hai
apni kahaani
jaag uthhi hai
aaj jawaani
yaad aayi hai
apni kahaani
apni kahaani
Aaj mila hai
Aaj mila hai

Aaj mila hai ae
Aaj mila hai
kaise koi dil mein aaya
kaise kuchh khoya
kuchh paaya
kaise koi dil mein aaya
kaise kuchh khoya
kuchh paaya
hamne
hamne jee ko khud banaaya
hamne jee ko khud banaaya
dil se dil ko ?? samjhaaya
Aaj mila hai ae
Aaj mila hai
mere man ka aa
mere man ka phool khila hai
bichhda saajan
bichhda saajan
aaj mila hai ae
aaj mila hai


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4624 Post No. : 16274

I have stumbled upon some very melodious and wonderful songs in recent weeks and months. I am saving all the links for various series in various folders, but don’t seem to get around to writing the posts. But my speed has reduced since I started using my new HP laptop, which is a gaming one. I had to go for this as I wanted 1 TB data with SSD, whatever that means. I am told that SSD is for higher speed. This was the only model available, without touch screen. So the games and other binge watching tendencies are hampering my blog output.

But the lure of old film songs is also strong enough, that I go to youtube frequently and end up saving a few song links every time, after checking if they are posted in the blog. This way I get to hear and sometimes see, some forgotten old melodies, known and unknown.

One of such songs is this ‘chhaaya geet’ duet by Talat Mehmood and Lata Mangeshkar from the film Zindagi (1956). The music director is Mohammed Shafi Niazi, and lyricist is Kaifi Azmi. This is the first opportunity for me to post a duet by Talat-Lata, as all well known songs by these were posted early on in the first three years of this blog inception.

Details about Mohammed Shafi are given in this post. The post also contains his filmography. This is one of the two songs posted in the blog, the other one being abhi to saji hai muraadon ki duniya. Seeing the filmography, the last film of mohammed Shafi is ‘Dayaar-e-madina’ 1975. I have seen that movie at Maratha Mandir, in one of its re-releases. I fondly remember the fabulous Rafi naat from the film:

Madad Keejiye taajdar-e-madinaa
ham aankhon se dekhen dayaar-e-madinaa

The song is posted here by Sudhir Sir, on my farmaish, no less.

28 songs composed by Mohammed Shafi are posted in the blog. Total may reach a hundred songs by him seeing that he has composed songs for 23 films, some of the them partly. There is some clarity required regarding his surname also, as everywhere that I could see including on the blog and the posts, his name is given as Mohammed Shafi, Mohammad Shafi Nagri etc. Only in the stats page on the blog, his name is mentioned as Mohammed Shafi Niazi. Having read Sudhir Sir’s post referred above, I am reasonably sure that this Mohammed Shafi, the musician is not part of the Niazi clan to which the current Prime minister of Pakistan belongs.

In this romantic duet song, I can say that there is no sign of the infamous ‘galat Mehmood’, and the singing is perfect if a bit lower than the lowest note of music. I mean Talat Mehmood, whose tally on the blog is 387 out of 450. Kaifi Azmi is not out at 211 🙂 .

The blog has 60 such duets by Talat Mehmood and Lata Mangeshkar. The last of these was posted on 31.12.2020, and the one posted prior to this was on 08/08/2017 and the third last such song was on 16.07.2015. So rare are these gems, and I am honoured to write a posts for such a rarely occurring miracle. This truly is a ‘once in a blue moon’ kind of song. This could well be the last remaining duet of Lata-Talat, but we can hope that there are 2-3 more such songs left.

My absolute favourite duet of these two is this one from Jahan Ara (1964):
Ae sanam aaj ye qasam khaayen
gayaa andhera hua ujaala
Teri chamakti aankhon ke aage
Nain miley nain huye baawre
ye nayi nayi preet hai
o dildaar bolo ek baar
Seene mein sulagte hain armaan
AAha rimjhim ke ye pyaare pyaare geet liye
Itna na mujhse tu pyaar badha

The list is not quite the perfect 10, but these are the song, I could find on the blog listed under Duets by Talat-Lata. Incidentally, this last one in the list is the song which I heard in the vegetable market last Sunday. The one I referred to in the last post of Geeta Dutt series. Lucky me to have found this song twice in 8 days. Who will miss knowing Mozart, with such songs to lose and find in a life time? Not me, for sure.


Song-Muskuraa ke zakhm khaana aa gaya (Zindagi)(1956) Singers-Lata Mangeshkar, Talat Mehmood, Lyrics-Kaifi Azmi, MD-Mohammed Shafi
Both

Lyrics

aaa aaa aaa
aaaa aaaa aaa
aa aa aa aa aa

naam
honthon pe teraa

aaa aaa aa aa aa
dil mein teri yaad rahe ae
aaa aaa aa aa aa
ham rahen yaa na rahen
aaa aa aaa aaa
pyaar ye aabaad rahe ae

muksuraa ke
muskuraa ke zakhm khaana aa gayaa aa
muskuraa ke zakhm khaana aa gayaa

naaz ulfat ka uthhaana
naaz ulfat ka utthhaana aa gaya aa aa aa
muskuraa ke zakhm khaana aa gayaa

aaa aaaaaa
aaa aaa aa
aa aa aa aa
aa aa aa

mud ke tera dekhnaa yeh
baar baar
jaate jaate
laut aati hai bahaar

phool kaanton mein khilaana aa gayaa aa aa aa
muskuraa ke zakhm khaana aa gayaa

ah haa haaa aaa
ah haa haa haa aaa
ah haa haaa aaa
ah haa haa haa aaa

jaan o dil sadqe kiye jaate hain ham
tum ko aankhon mein liye ae jaate hain ham
aarzoo ka ghar sajaana aa gayaa aa aa
muskuraa ke zakhm khaana aa gayaa aa aa
muskuraa ke zakhm khaana aa gayaa

naaz ulfat ka uthhaaana
naaz ulfat ka utthaaana aa gaya aa aa aa
muksuraa ke
muskuraa ke zakhm khaana aa gayaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4492 Post No. : 16019

Today (4 November 2020) is the 91st birth anniversary of Jaikishan Dayabhai Panchal (4 November 1929 – 12 September 1971), one half of the legendary Shankar Jaikishan musical duo. The golden era of HFM started in 1949. Shankar Jaikishan were there right from the beginning. They ruled the roost in HFM for two decades. After that, the duo got separated in unfortunate circumstances, with the untimely death of Jaikishan at the the age of just 41. It is unbelievable but true that he had started at the age of 19 and he had achieved so much by the time he was 41 that the body of his work has gone on the become some of the best and immortal music that the golden era of HFM had given us.

After the demise of Jaikishan, Shankar continued giving music with the same brandname of Shankar Jaikishan. But the music created without Jaikishan was not the same.

Here is the full filmography of Shankar Jaikishan as music directors in Hindi movies :-

Movie name Year Songs covered in the blog Songs in the movie
Barsaat 1949 11 11
Aawaara 1951 11 11
Baadal 1951 8 8
Kaali Ghata 1951 6 6
Nageena 1951 8 8
Daag 1952 9 9
Parbat 1952 7 7
Poonam 1952 8 8
Aah 1953 9 9
Aas 1953 7 7
Aurat 1953 9 9
Boot Polish 1953 7 7
Naya Ghar 1953 7 7
Patita 1953 6 6
Shikast 1953 11 11
Baadshah 1954 8 8
Mayurpankh 1954 6 6
Pooja 1954 9 9
Seema 1955 8 8
Shri 420 1955 8 8
Basant Bahaar 1956 9 9
Chori Chori 1956 9 9
Halaaku 1956 8 8
Kismat Ka Khel 1956 7 7
New Delhi 1956 9 9
Patraani 1956 9 10
Raajhath 1956 11 11
Begunaah 1957 6 6
Kathputli 1957 7 7
Baaghi Sipaahi 1958 8 8
Yahudi 1958 7 7
Anaadi 1959 7 7
Chhoti Behan 1959 9 9
Kanhaiyya 1959 8 8
Love Marriage 1959 8 8
Main Nashe Mein Hoon 1959 9 9
Sharaarat 1959 9 9
Ujaala 1959 8 8
College Girl 1960 7 7
Dil Apna Aur Preet Paraayi 1960 7 7
Ek Phool Chaar Kaante 1960 9 9
Jis Desh Mein Ganga Behti Hai 1960 11 11
Singapore 1960 8 8
Aas Ka Panchhi 1961 7 7
Boyfriend 1961 7 7
Jab Pyaar Kisi Se Hota Hai 1961 9 9
Junglee 1961 7 7
Krorepati 1961 9 9
Roop Ki Raani Choron Ka Raaja 1961 9 9
Sasuraal 1961 8 8
Aashiq 1962 8 8
Asli Naqli 1962 7 7
Dil Tera Deewaana 1962 7 7
Hariyaali Aur Raasta 1962 9 9
Professor 1962 6 6
Rangoli 1962 9 9
Dil Ek Mandir 1963 7 7
Ek Dil Sau Afsaane 1963 7 7
Hamraahi 1963 8 8
Aayi Milan Ki Bela 1964 7 7
Apne Huye Paraaye 1964 7 7
April Fool 1964 7 7
Beti Bete 1964 9 9
Rajkumar 1964 7 7
Saanjh Aur Sawera 1964 7 7
Sangam 1964 8 8
Zindagi 1964 11 12
Aarzoo 1965 7 7
Gumnaam 1965 8 8
Jaanwar 1965 7 7
Amrapaali 1966 5 5
Badtameez 1966 7 7
Gaban 1966 7 7
Love in Tokyo 1966 8 8
Pyaar Mohabbat 1966 9 9
Suraj 1966 7 7
Teesri Kasam 1966 12 12
Aman 1967 7 7
An Evening in Paris 1967 9 9
Around the World 1967 9 9
Chhoti Si Mulaaqaat 1967 7 7
Deewaana 1967 9 9
Gunaahon Ka Devta 1967 6 7
Hare Kaanch Ki Choodiyaan 1967 6 6
Laat Saahab 1967 6 6
Raat Aur Din 1967 9 9
Brahmchaari 1968 7 7
Duniya 1968 6 6
Jhuk Gaya Aasmaan 1968 7 7
Kanyaadaan 1968 7 7
Mere Huzoor 1968 7 7
Sapnon Ka Saudaagar 1968 6 6
Shikaar 1968 6 6
Kahin Aur Chal 1968 6 6
Bhai Bahan 1969 2 7
Chanda Aur Bijli 1969 3 6
Jahaan Pyaar Miley 1969 6 6
Prince 1969 7 7
Pyaar Hi Pyaar 1969 4 6
Sachchaai 1969 6 6
Shatranj 1969 4 8
Tumse Achcha Kaun Hai 1969 7 7
Umang 1969 6 6
Yakeen 1969 5 5
Bhai Bhai 1970 3 6
Bombay Talkie 1970 1 4
Dharti 1970 7 7
Mera Naam Joker 1970 12 12
Pagla Kahin Ka 1970 6 6
Pehchaan 1970 8 8
Tum Haseen Main Jawaan 1970 4 6
Albelaa 1970 5 5
Andaaz 1971 8 8
Balidaan 1971 3 6
Duniyaa Kyaa Jaane 1971 1 7
Ek Naari Ek Brahmchaari 1971 2 5
Elaan 1971 3 5
Jaane Anjaane 1971 7 7
Jwaala 1970 1 8
Jawaan Mohabbat 1971 8 8
Kal Aaj Aur Kal 1971 4 6
Main Sundar Hoon 1971 6 6
Naadaan 1971 6 6
Parde Ke Peeche 1971 2 6
Patanga 1971 8 8
Preetam 1971 6 6
Seema 1971 5 6
Yaar Mera 1971 2 5
Aan Baan 1972 6 6
Aankhon Aankhon mein 1972 6 6
Bandagi 1972 2 6
Beimaan 1972 3 7
Dil Daulat Duniya 1972 4 5
Jungle Mein Mangal 1972 3 7
Laal Pathar 1972 6 7
Naina 1972 5 7
Rivaaz 1972 2 6
Aaj Ki Taaja Khabar 1973 1 5
Archana 1973 1 6
Chori Chori 1973 1 6
Daaman Aur Aag 1973 1 5
Door Nahin Manzil 1973 3 5
Pyaar Ka Rishta 1973 5
Chhote Sarkaar 1974 4 4
International Crook 1974 6
Insaaniyat 1974 1 3
Reshan Ki Dori 1974 3 6
Tarzan Mera Saathi 1974 2
Vachan 1974 6 6
Do Jhooth 1975 2 6
Neelma 1975 3
Saazish 1975 5
Sanyaasi 1975 5 9
Dhoop Chhaaon 1977 2 5
Duniyadaari 1977 2 6
Mera Vachan Geeta Ki Kasam 1977 1 5
Mehfil 1978 2 5
Atmaaraam 1979 2 5
Ganga Aur Geeta 1979 4
Salaam Memsaab 1979 1 7
The Gold Medal 1979 6
Garam Khoon 1980 3 5
Chorni 1981 1 6
Naari 1981 6
Eent Ka Jawaab Patthar 1982 6
Film Hi Film 1983 3
Paapi Pet Ka Sawaal Hai 1984 7
Inteqaam Ki Aag 1986 4
Kaanch Ki Deewaar 1986 7
Gori 1991 7
Love in Bombay 2013 1 6
985 1200

Overall, Shankar Jaikishan composed about 1200 songs in all. 985 of these songs, including bulk of their golden era compositions from 1949 till early 1970s are already covered in the blog. The gave music in 169 movies. 112 of these movies have already been YIPPEED in the blog.

As a tribute of Jaikishan, here is a song from “Zindagi”(1964). It is one of the few unYIPPEED movies of Shankar Jaikishan from the golden era. This movie was directed by Ramanand Sagar for Gemini , Madras. This “social” movie had Vyjyanti Mala, Rajendra Kumar, Raj Kumar, Mehmood, Jayant, Jeewan, Kanhaiyalal, Dhumal, Hiralal, Master Shahid, Prithviraj Kapoor, Helen, Leela Chitnis, Mumtaz Begam, Pushpawalli etc in it.

The movie had twelve songs in it. Eleven of these songs have been covered in the past. Here is the twelfth and final song from the movie.

This song is sung by Lata and Asha Bhonsle. Hasrat Jaipuri is the lyricist.

The song is picturised as a synchronised mujra dance song at a wedding reception. I am unable to identify the two female dancers. I request our knowledgeable readers to help identify them.

The picturised version is partial. The audio version is longer. Still, the picturised version has a stanza that is not there in the audio version.

With this song, all the twelve songs from “Zindagi”(1964) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.

Video

Audio


Song-Chhoone na doongi main haath re (Zindagi)(1964) Singers-Lata, Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

chhoone na doongi main haath re
najariyon se dil bhar doongi
chhoone na doongi main haath re
najariyon se dil bhar doongi
baithhi rahoongi saari raat re
najariyon se dil bhar doongi
baithhi rahoongi saari raat re
najariyon se dil bhar doongi

main tumhaari hoon
mujhe paas bulaa kar dekho
meri raahon mein zara khud ko mitaa kar dekho
apne daaman pe koi aanch na aane doongi
chaahe har din mujhe pehlu mein bithhaa kar dekho
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa
aage badhe na koi baat re
najariyon se dil bhar doongi
chhoone na doongi main haath re
najariyon se dil bhar doongi
baithhi rahoongi saari raat re
najariyon se dil bhar doongi

meri mehfil mein ye mat aane chale aate hain
chhod(?) kar shamma ko parwaane chale aate hain
main wo baazi hoon jise koi na jeeta ab tak
khelne phir bhi ye deewaane chale aate hain
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
khaayenge ye sab maat re
najariyon se dil bhar doongi
chhoone na doongi main haath re
najariyon se dil bhar doongi
baithhi rahoongi saari raat re
najariyon se dil bhar doongi

dil ki hasrat na kabhi dil se nikalne doongi
pyaar kaa koi bhi jaadu ko na chalne dungi
ishq ki aag badi tez hai humne maanaa
dil ke moti ko main hargiz na pighalne doongi
aa aa aa aa
aa aa aa aa
hoti rahegi mulaakaat re
najariyoo se dil bhar doongi
chhoone na doongi main haath re
najariyon se dil bhar doongi
baithi rahoongi saari raat re
najariyo se dil bhar doongi


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4464 Post No. : 15947

“Zindagi”(1964) was directed by Ramanand Sagar for Gemini , Madras. This “social” movie had Vyjyanti Mala, Rajendra Kumar, Raj Kumar, Mehmood, Jayant, Jeewan, Kanhaiyalal, Dhumal, Hiralal, Master Shahid, Prithviraj Kapoor, Helen, Leela Chitnis, Mumtaz Begam, Pushpawalli etc in it.

The movie had thirteen songs in it. Ten of these songs have been covered in the past.

Here is the eleventh song from “Zindagi”(1964) to appear in the blog. This song is sung by Manna Dey. It is picturised on Raj Kumar, lip syncing this song of hasrat (longing) in front of a portrait of Vyjyanti Mala.

Hasrat Jaipuri is (quite appropriately) the lyricist. 🙂 Music is composed by Shankar Jaikishan.


Song-Dil ko baandha zulf ki zanjeer se (Zindagi)(1964) Singer-Manna Dey, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

dil ko bandha zulf ki zanzeer se
hosh loote husn ki taaseer se
hum kahan tak zapt karte dard e dil
haal e dil kehna pada tasveer se

baat dil ki zabaan pe rehti hai
lafz honthon pe thharthharaate hain
tum pe jab bhi nazar milaata hoon
mere armaan kaanp jaate hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4369 Post No. : 15701

“Zindagi”(1964) was written produced and directed by Ramanand Sagar for Gemini Productions, Madras. This movie had Raj Kumar, Rajendra Kumar, Vyjayanthimala, Helen, Mehmood, Prithviraj Chauhan, Jeevan, Dhumal, Jayant, Kanhaiyalal, Hiralal, Master Shahid, Leela Chitnis, Pushpavalli(Actress Rekha`s mother), Baby Farida & “Honey”, Mumtaz Begum, Moolchand, Nirupa Roy, Satyajeet etc in it.

The movie had 13 songs in it. Nine songs from the movie have been covered in the past.

Last year, on 30 august 2019, we had covered an expectant mother song, viz Ek naye mehmaan ke aane ki khabar hai. Today, some ten months later, we find Vyjyanti Mala, the expectant mother in that song, seeking to abandon that child, while Prithviraj Kapoor is also visible in the picturisation. I request our knowledgeable readers to throw light on the circumstances that are depicted in the picturisation of this song,

The song is sung by Lata. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.

Lyrics of this song were sent to me by Prakashchandra.


Song-Pyaar ki dulhan sada suhaagan (Zindagi)(1964) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics(Provided by Prakashchandra)

pyaar ki dulhan sada suhaagan
kabhi na widhwa hoye
jeewan maran se upar rishta
janam janam ka hoye

pyaar ki dulhan sada suhaagan
kabhi na widhwa hoye
jeewan maran se upar rishta
janam janam ka hoye
janam janam ka hoye

o chain mere dil ke
mere ghar ki raushni
tere to maa ka doodh
ye hai aakhiri ghadi
poochhe agar zamaana
teri ma kidhar gayi
kehna ke mere baaba se milne chali gayi
kehna ke mere baaba se milne chali gayi

ab na maa hoon main kisi ki
na bahu na beti
teri jogan hoon
tere paas chali aati hoon
teri yaadon ko liye
saath chali aati hoon
teri yaadon ko liye
saath chali aati hoon


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4306 Post No. : 15578

Another wonderful discovery, another song that I had never heard before. The film is ‘Zindagi’ from 1956. The music composition is by Mohammed Shafi.

Mohammed Shafi is the name I was trying to get to also, on 30th April, which is the remembrance day for him. After getting the post in place for C Arjun that evening, I was not able to pull together this post, for remembering Mohammed Shafi Sb.

Once again, another very talented music director about whom, not much information is available. After much searching, I am able to locate a very brief article by a gentleman named Qaseem Abbaasi on the web site ‘Apnaarchives.org’. I am including some details from that article in this post.

He was born sometimes in 1920s. His father’s name was Majid Khan, who passed away when Shafi was very young. Majid Khan was the grandson of the renowned beenkar Bande Ali Khan. Bande Ali was also a master of swar-pradhan gayaki and was the brother of Abdul Karim Khan Sb’s father. As I searched for more details about Bande Ali Khan, I reached the website Swarganga Music Foundation, and a somewhat detailed article on Bande Ali Khan. Browsing through this article, I discover that one of the more famous disciples of Bande Ali Khan is Imdaad Khan of Etawah, who is none other than the grandfather of Ustad Vilayat Khan (28 Aug, 1928 – 13 Mar, 2004), the renowned Sitar maestro of India.

A little clue about his early years can be surmised from a family connection that is mentioned. Mohammed Shafi’s wife, Zeenat, was the sister of Ustad Vilayat Khan. Vilayat Khan Sb’s family came originally from Etawah (close to Agra in UP). Apparently, Vilayat Khan Sb’s grandfather, Imdaad Khan, moved from Etawah to Gouripur in Mymenshingh district in undivided Bengal (now in Bangladesh). Vilayat Khan Sb was born in Gouripur. Sitar and classical music was a family tradition with them, and the family and their music tradition is known as Etawah gharana.

It can be surmised that Mohammed Shafi Sb was also based in Bengal in his early years. One, being married to the sister of Ustad Vilayat Khan, a family based in Mymensingh at that time. Second, Mohammed Shafi started his career at New Theatres, Calcutta (now Kolkata), working as a musician and assisting RC Boral, Pankaj Mullick and KC Dey. It is suggested that he contributed as a musician to films like ‘Kapaal Kundala’ (1939) and ‘Aandhi’ (1940).

In early 1940s, along with the migration of many artists from Calcutta to Bombay (now Mumbai), Mohammed Shafi also moved to Bombay. Although not listed in Geet Kosh, Qaseem Abbaasi Sb has written that he assisted music director Bashir Dehlavi in the 1942 film ‘Ujaala’. In this film, Prithviraj Kapoor played the role of a sitar player, and apparently, some special pieces were composed by Mohammed Shafi for this film.

Later on, he had a long association with Naushad as an assistant music director. For the film ‘Mughal e Azam’, the sitar pieces were prepared/played by both Abdul Haleem Jafar Khan Sb and Mohammed Shafi. It’s said that K Asif used to send a car to pick both of them for playing Sitar for the background music.

He got his first break as independent music director 1946 with the film ‘Haqdaar’. He continued to work till mid 1970s, but has only about 22 24 films to his credit. The number maybe 23, if we consider ‘Badi Maa’ (1974) as a re-release of ‘Tanhaai’ (1961). In parallel, he continued to assist many directors as a musician and music arranger.  Following is the list of films for which has composed music,

  • 1946  Haqdaar
  • 1946  Kaango
  • 1947  Do Naina
  • 1947  Rishta (unreleased)
  • 1947  Shikaarpuri
  • 1949  Anokhi Sewa – along with Dhoomi Khan
  • 1949  Bedard – along with BN Bali and Ram Prasad
  • 1949  Gharaana
  • 1951  Hulchul – along with Sajjad Hussain
  • 1952  Annadaata
  • 1952  Krishna Kanhaiya – along with BS Kalla
  • 1953  Aabshaar – along with Ghulam Haider & Bhola Shreshtha
  • 1953  Daara
  • 1954  Baazooband
  • 1954  Mangu – 2 songs, rest by OP Nayyar
  • 1956  Zindagi
  • 1960  Mohabbat Ki Jeet
  • 1960  Shriman Balasaheb (Marathi)
  • 1961  Tanhaai – later released as Badi Maa in 1974
  • 1965  Kite Fight (Wo Kata)
  • 1967  Shrimant Mehuna Pahije (Marathi)
  • 1971  Iraada – along with Vitthal-Mumtaz
  • 1974  Bari Maa – same as Tanhai (1961)
  • 1975  Dayaar-e-Madina

To his credit – Suman Hemadi Kalyanpur sang her debut song in the film ‘Mangu’ (1954), a wonderfully soft lorie “Koi Pukaare Dheere Se Tujhe” under his music direction. And again, singer Hemlata made her debut under his music direction in the film ‘Iraada’ (1971) – the songs “Main Ankahi Kahaani, Sadiyon Ki Hoon Nishaani” and “Main Jaan Ke Badle Mein Le Loongi Dhadakta Dil”.

A connected piece of information is that he also gave music under different names – Shafi M Nagri / Shafi Nagri / Shafi. All the films that he composed under these pseudonyms are stunt / fantasy type films. The list is,

  • 1953  Shamsheerbaaz
  • 1954  Sher Dil
  • 1955  Carnival Queen
  • 1956  Baghdad Ka Jaadu
  • 1957  Diler Daaku
  • 1959  Chini Jaadugar
  • 1959  Circus Queen
  • 1966  Tarzan Aur Jaadui Chirag – along with Shaukat

[Author’s Note: The name Shaukat for the above listed film ‘Tarzan Aur Jaadui Chirag’ (1966) is most probably Shaukat Dehlavi.]
[Author’s Note: I thank dear Arun ji. His comment on two missing films by Mohammad Shafi prompted me to re check and update the list of films above.]

Adding the above listed eight films, the total films by Mohammad Shafi comes to 32.

In the latter half of 1970s, Mohammed Shafi’s health deteriorated, and his last years were very difficult. He suffered a stroke, which resulted in partial amnesia. It is said that he did not receive any help or friendly hand, from the industry, except from Rafi Sb who would visit him occasionally and quietly leave money under his pillow without telling him.

He passed away after long years of illness on 30th April, 1980.

‘Zindagi’ (1956) is produced under the banner of Kesar Films, Bombay and is directed by CL Dheer. The star cast is listed as Geeta Bali, Vijaylakshmi, Jaswant, Baby Naaz, Gulab, Rasheed, Sudarshan, Krishnakant, Tuntun, and Jagdish Sethi.

There are 8 songs listed for this film. Seven songs are written by Kaifi Azmi, and one song is by Raja Mehdi Ali Khan. Today’s song is that solitary song from the pen of Raja Mehdi Ali Khan.

The singing voices are of Sudha Malhotra, S Balbir and Jagmohan Bakshi. The song is beautifully structured around a very clever use of chorus lines, with clear demarcation of male and female chorus lines. The pace and the rhythm of the song is quite energetic. It seems to be a picnic song, from the manner of singing and the words being said. I request other knowledgeable readers to please add information about this song and the film.

Listen and enjoy.

[Editor’s Note – This song is the 300th song of Raja Mehdi Ali Khan in the blog as a lyricist.]

[Acknowledgements: Sources referred to for compiling the above article are – (1) ‘Dhunon Ki Yatra’ by Pankaj Raag; (2) Article on Mohammed Shafi by Qaseem Abbaasi on Apnaarchives.org; (3) Wikipedia article on Ustad Vilayat Khan; (4) Article on Ustad Bande Ali Khan on Swarganga Music Foundation website.]

 


Song – Kaali Kaali Ye Ghata, Thandi Thandi Ye Hawa (Zindagi) (1956) Singer – Balbir, Jagmohan Bakshi, Sudha Malhotra, Lyrics – Raja Mehdi Ali Khan, MD – Mohammed Shafi
Male Chorus
Female Chorus

Lyrics

kaali kaali
ye ghata
o thandi thandi
ye hawa
kahe pyaar karo ji
kahe pyaar karo

o kaali kaali
laa laal laal
ye ghata
laa laal laal
o thandi thandi
laa laal laal
ye hawa
la la laa
kahe pyaar karo ji
kahe pyaar karo

kaali kaali
la lallall laa
ye ghata
la lallal laa
o thandi thandi
la lallall laa
ye hawa
la lallall laa
kahe pyaar karo ji
kahe pyaar karo

aankhen aankhon si mila ke
zara dekho muskura ke
aankhen aankhon si mila ke
zara dekho muskura ke
koi teer jigar ke paar karo
o kaali kaali
la lallal laa
ye ghata
la lallal laa
o thandi thandi
la lallal laa
ye hawa
la lallal laa
kahe pyaar karo ji
kahe pyaar karo

aise ghoor ghoor ke
dekha na kar mere ko
sharam mohe laage
dekh maarungi tere ko
teer e nazar chala ke
maar daalo muskura ke
teer e nazar chala ke
maar daalo muskura ke
hum par na daya sarkaar karo
kaali kaali
la lallal laa
ye ghata
la lallal laa
o thandi thandi
la lallal laa
ye hawa
la lallal laa
kahe pyaar karo ji
kahe pyaar karo

tera chehra phoola phoola omlet ki taraah
o teri gaaliyaan kha loonga chaklet ki taraah
mere saamne na chal ghaaslet ki taraah
o mere dil ko na tal poplet (?) ki taraah
teri surat tutti futti..ee..ee
pyaar kare meri jutti..ee..ee
teri surat tutti futti
pyaar kare meri jutti
kisi aur se naina chaar karo
o kaali kaali
la lallal laa
ye ghata
la lallal laa
o thandi thandi
la lallal laa
ye hawa
la lallal laa
kahe pyaar karo ji
kahe pyaar karo

laaaa
lall laaa lee laaa
lall laaa lee laaa
lee da da ri da da rum
da da ri da da rum

——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

काली काली
ये घटा
ओ ठंडी ठंडी
ये हवा
कहे प्यार करो जी
कहे प्यार करो

ओ काली काली
ला लाल लाल
ये घटा
ला लाल लाल
ओ ठंडी ठंडी
ला लाल लाल
ये हवा
ला लाल लाल
कहे प्यार करो जी
कहे प्यार करो

ओ काली काली
ल लल्लल ला
ये घटा
ल लल्लल ला
ओ ठंडी ठंडी
ल लल्लल ला
ये हवा
ल लल्लल ला
कहे प्यार करो जी
कहे प्यार करो

आँखें आँखों से मिला के
ज़रा देखो मुस्कुरा के
आँखें आँखों से मिला के
ज़रा देखो मुस्कुरा के
कोई तीर जिगर के पार करो
ओ काली काली
ल लल्लल ला
ये घटा
ल लल्लल ला
ओ ठंडी ठंडी
ल लल्लल ला
ये हवा
ल लल्लल ला
कहे प्यार करो जी
कहे प्यार करो

ऐसे घूर घूर कर
देखा ना कर मेरे को
शरम मोहे लागे
देख मारूँगी तेरे को
तीर ए नज़र चला के
मार डालो हमें मुस्कुरा के
तीर ए नज़र चला के
मार डालो हमें मुस्कुरा के
हम पर ना दया सरकार करो
काली काली
ल लल्लल ला
ये घटा
ल लल्लल ला
ओ ठंडी ठंडी
ल लल्लल ला
ये हवा
ल लल्लल ला
कहे प्यार करो जी
कहे प्यार करो

तेरा चेहरा फूला फूला आमलेट की तरह
ओ तेरी गालियां खा लूँगा चाकलेट कि तरह
मेरे सामने ना चल घासलेट की तरह
ओ मेरे दिल को ना तल पापलेट(?) की तरह
तेरी सूरत टूटी फूटी॰॰ई॰॰ई
प्यार करे मेरी जूती॰॰ई॰॰ई
तेरी सूरत टूटी फूटी॰॰ई॰॰ई
प्यार करे मेरी जूती॰॰ई॰॰ई
किसी और से नैना चार करो
ओ काली काली
ल लल्लल ला
ये घटा
ल लल्लल ला
ओ ठंडी ठंडी
ल लल्लल ला
ये हवा
ल लल्लल ला
कहे प्यार करो जी
कहे प्यार करो

ला॰॰॰
ल लल्लल ला ली ला
ल लल्लल ला ली ला
ली डा डा ली डा डा रम
डा डा री डा डा रम


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4288 Post No. : 15537

—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 20
—————————————————————————

One of the movies eligible for ‘Blog ten-year challenge’ today on 14.04.2020 is ‘Zindagi-1964’. The other movie is ‘Sardaar-1955’.

As many as five songs were posted on this dayn ten years ago (14.04.2010) on the blog as per details given below;

Song Movie title-Year Remarks
Muskuraa laadle muskuraa Zindagi-1964 08 of 12 songs posted
Muqaddar aajmaanaa chaahtaa hoon Door Ki Aawaaz-1964 All songs covered
Barkha ki raat mein he ho haa Sardaar-1955 06 of 09 songs posted
Dil e naadaan tujhe huaa kya hai Mirza Ghalib-1954 All songs covered
Hain sabse madhur wo geet Patita-1953 All songs covered

I am presenting a song from the movie ‘Zindagi-1964’. I had watched this movie during my stay at Parli-Vaijnath from 1985 to 1988.

So far, the following songs from “Zindagi-1964” have been posted on the blog;

Song Posted On
Ham pyaar ka saudaa karte hai ik baar 29.05.2009
Muskuraa laadle muskuraa 14.04.2010
Pehle miley thhey sapnon mein 31.07.2011
Hamne Jafaa na seekhi 06.02.2012
Ghungharwaa moraa chham chham baaje 24.02.2012
Ham dil ka kanwal denge jisko 28.09.2015
Ek naye mehmaan ke aane ki khabar hai 30.08.2019

I always associate this movie name with the song ‘Hamne jafaa na seekhi’. Other songs which are familiar to me are ‘ghunghrwaa moraa chham chham baaje’ (because of Mehmood) and ‘pehle miley thhey sapnon mein’. I had forgotten the other songs of this movie.

So, when I saw this movie still pending for ‘Yippeeee’ and due for ‘Blog ten-year challenge’ I checked its pending songs in HFGK and come across the today’s song which appeared to me as ‘new’ since it is not heard frequently. It is not a full song but can be called as a ‘longer snippet’ ( 🙂 ).

This is duet song sung by Mohd Rafi and Asha Bhonsle and written by Hasrat Jaipuri.

HFGK mentioned a ‘special note’ that Hasrat Jaipuri himself had confirmed about his penning this song.

This movie had total twelve songs (including one two-part song, which is already covered on the blog).

Music is composed by Shankar-Jaikishan.

Today’s song is picturized on Rajendra Kumar and Vaijayantimala.

Let us now enjoy today’s song ….

Video

Song-Aaj Bhagwaan ke charnon mein (Zindagi)(1964) Singers-Rafi, Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Both

Lyrics

aaj bhagwan ke charnon mein
jhukaa kar sar ko
Umr bhar saath nibhaane ki qasam khaate hain
raah jeewan ki ho ya maut ki manzil saathi
har jagah saath hi jaane ki qasam khaate hain

aasmaan toote ya
phat jaaye zameen ka seenaa aa
pyaar ka mahal banaane ki qasam khaate hain …

————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————
आज भगवान् के चरणों में
झुका कर सर को
उम्र भर साथ निभाने की
क़सम खाते हैं
राह जीवन की हो या
मौत की मंज़िल साथी
हर जगह साथ निभाने की
क़सम खाते हैं

आसमान टूटे या
फट जाए ज़मीन का सीना आ
प्यार का महल बनाने की
क़सम खाते हैं …


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4060 Post No. : 15193

“Zindagi”(1964) was written produced and directed by Ramanand Sagar for Gemini Productions, Madras. This movie had Raj Kumar, Rajendra Kumar, Vyjayanthimala, Helen, Mehmood, Prithviraj Chauhan, Jeevan, Dhumal, Jayant, Kanhaiyalal, Hiralal, Master Shahid, Leela Chitnis, Pushpavalli(Actress Rekha`s mother), Baby Farida & “Honey”, Mumtaz Begum, Moolchand, Nirupa Roy, Satyajeet etc in it.

The movie had 13 songs in it. Seven songs from the movie have been covered in the past.

Today (30 august 2019) is the 96th birth anniversary of Shailendra (30 august 1923 -14 december 1966). Shailendra would have been 96 today. I know of at least one person senior to Shailendra in age who is still around. Sadly Shailendra left us at a tender age of 43.

In such a brief duration of 43 years, he had a 17 years long career as a lyricist in HFGK. His literary output during this period was enough to establish himself as an all time great lyricist in the annals of HFM.

Shailendra penned around 760 songs in HFM. This blog has as many as 676 of his songs. So only around 80 odd Shalendra songs are left to be covered in the blog.

On the occasion of the birth anniversary of Shailendra, here is a song from “Zindagi”(1964). This song is sung by Lata and chorus. Shailendra is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised as a “god bharaai rasm” song. Picturisation shows a would be mother played by Vyjyanti Mala, surrounded by ladies viz. Leela Chitnis, Mumtaz Begum and others while Helen (who rather unusually for her is seen clad in a saari)lip syncs this song.

Lyrics of this song were sent to me by Prakashchandra

Video

Audio (Longer)

Song-Ek naye mehmaan ke aane ki khabar hai (Zindagi)(1964) Singer-Lata, Lyrics-Shailendra, MD-Shankar Jaikishan
Chorus

Lyrics (Provided by Prakashchandra)

ik naye mehmaan ke aane ki khabar hai ae
dil mein leher hai
ek naye mehmaan ke aane ki khabar hai ae
dil mein lehar hai

chaand ko palne mein bulaane ki khabar hai ae
dil mein leher hai
chaand ko palne mein bulaane ki khabar hai ae
dil mein leher hai

nainon waali
kaahey ko tu nain chhuraaye ae
nain chhuraaye
baithhi hai kyun chor si
tu sar ko jhukaaye ae
sar ko jhukaaye
mukh na chhupaa
kya ye chhupaane ki khabar hai ae
dil mein lehar hai
ek naye mehmaan ke aane ki khabar hai ae
dil mein lehar hai

rotaa koyee aayegaa iss ghar ko hansaane ae
ghar ko hansaane
aas ke deepak se kayee deep jalaaney ae
deep jalaaney
naach rey mann
naachne gaane ki khabar hai ae
dil mein lehar hai
ek naye mehmaan ke aane ki khabar hai ae
dil mein lehar hai
chaand ko palne mein bulaane ki khabar hai ae
dil mein leher hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zindagi”(1976) was directed by Ravi Tandon for Vikram Movies International, Bombay. This social movie had Mala Sinha, Sanjeev Kumar, Vinod Mehra, Mausami Chatterji, Anil Dhawan, Aruna Irani, Rakesh Pandey, Alka, A K Hangal, Deven Verma, Manmohan, Yunus Parwez, Leela Mishra, Sajjan, Praveen Paul, Brahm Bhardwaj, Chaman Puri, Padmini Kolhapure, Master Abbas, H L Pardesi, Chandu, Vandana Shashtri, Vikas Anand, Baldev Trehan, Jerry Raja, Nitin , Hemant, and friendly apperances were made by Keshto Mukherji, Ifthikar and Vijay Dutt.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Deven Verma, the Actor-Comedienne-Producer-Director was 77 when he passed away last year. Unbelievable that it’s a whole year since then. How time flies but certain voids are never filled.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16587

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

Total visits so far

  • 14,752,570 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,948 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: