Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6388 Post No. : 19812

#the Decade of Eighties – 1981 – 1990 #
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‘Beqaraar-1983’ was directed by V.B. Rajendra Prasad for ‘Jagpati Art Pictures, Madras’. V.B. Rajendra Prasad was also the producer of this movie. He also wrote the screenplay of this movie. The cast of this movie has Ashok Kumar, Sanjay Dutt, Mohnish Behl, Padmini Kolhapure, Supriya Pathak, Om Shivpuri, Satyen Kappu, Asrani, Mohan Choti, Tez Sapru, Chand Usmani, Poornima, Dulari, Seema, and Yasmeen Khan, Sangeeta Behl, Tulsi Devi, Kirti Singh, Aslam Farshauri, Manmood Khan, Master Manoj, Master Dambu and others.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6388 Post No. : 19811

Naa to kaarwaan ki talaash hai,
naa to hamsafar ki talaash hai

Clickbait?

Not really.

The above qawwali couplet from Barsaat ki Raat (1960) is quite viral these days. This post is however on the genius music director who composed the well-known qawwali.

Roshan Lal.

I have provided the qawwali link above, so that readers can enrich their knowledge regarding the origins and making of the popular number. There are many comments by knowledge readers in the article which give a lot of information.

And, as is my habit, here is a digression.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6388 Post No. : 19810

Today’ song is from an early film of Talat Mehmood – Samapti-1949.

Talat has sung some memorable songs. He worked in 3 films in Calcutta and 9 films in Bombay as an actor. Today’s film is his 3rd and last film done in Calcutta. His first film as an actor was Raj laxmi-1945, the second was Tum aur Hum-1947. For this film, he had taken a new name – Tapan Kumar. The reason, presumably, was that there was another actor with a similar name – Talaaq Mehmood, working in this film. To avoid any confusion, he probably took this name. During the period 1947 to 1949, he sang many Bangla NFS in the name of Tapan Kumar.

Today’s song was composed by Music Director Timir Baran Bhattacharya. It was directed by Amar Mullick and the star cast was Bharati Devi, Heeralal, Sunder, Talat mehmood and others. I have neither seen this film nor know of its story. The film had 8 songs. 2 Solos and 2 Duets of Talat and Puprabha Sarkar and 2 solos of Suprabha are mentioned in HFGK. 2 remaining songs do not show a singer’s name. The HFGK also mentioned the title of this film as Sampatti instead of Samapti. This was , however, corrected in subsequent editions.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6387 Post No. : 19809

#The Decade of Fifties – 1951 – 1960 #
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This song is from a 1956 movie ‘Aastik’. I had listened to this song in the past and then forgot about it. Recently I came across an audio link of this song mentioning it as from the movie ‘Shyaam Ki Jogan’. It is then that when I looked for other links of this song. That is when I realised that this song is from the movie ‘Aastik-1956’ and not from the other movie.

This movie ‘Aastik-1956’ was directed by S.P. Kalla for ‘Rani Productions, Bombay’. It was produced by Gordhan Das Kakkad and it was passed by Censor Board on 15.05.1956. The cast of this movie has Shahu Modak, Paro, Meenakshi, B.M. Vyas, Nagpal, Anand Joshi, Praveen Pal, Lotan, Ramesh, Micky, Dinanath, M.S. Phatak, Nazi, Shanti, Mithaailal, Master Dabboo, Master Babu and others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6387 Post No. : 19808

Today’s song is from a Remake film from the south – Mangala-1950.

By 1950, it was just about 3 years after we got our Independence. Many talented and gifted artistes from Film industry – composers, actors, directors, lyricists and technical people, chose to leave India, which once was their Motherland, to start a new life in a new born country, their country! The vacuum created by their exit was soon filled up by the then current, and the upcoming and aspiring artists in India. For that point in the history of India cinema, I would list the following as upcoming and aspiring artists :

– Composers: Shankar-Jaikishan, SD Burman, Madan Mohan, Roshan, Khayyam etc.
– Lyricists: Shailendra, Hasrat Jaipuri, Shakeel Badayuni, Majrooh, Rajendra Krishan, Raja Mehdi Ali Khan, Sahir Ludhianvi etc.
– Singers: Rafi, Mukesh, Kishore, Talat, Manna Dey etc.
Female singers like Lata, Asha, Geeta etc filled up the void created by the departure of Noorjehan, Khursheed etc. And of course, many new actors and actresses also came up shining.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6387 Post No. : 19807

‘Daasi’ (1944) was produced under the banner of Pradhan Pictures and was directed by Hiren Bose. The cast included Najam-ul-Hasan and Ragini in the lead roles supported by Kalavati, Khairati, G N Butt, Charlie, Om Prakash, Gyani, Fazal Shah, Manzoor etc. The story of the film was written by Dalsukh Pancholi. I have strong reason to believe that Pradhan Pictures was Dalsukh Pancholi’s ‘ghost’ banner as I find his name on the Censor Certificate as applicant.

The film’s lead actor, Najam-ul-Hasan (in the credit title of the film, his name is spelled as Najam Hussain) became well known for an incidence while working in the Bombay Talkies film, ‘Jeevan Naiyya’ (1936) as a lead actor opposite Devika Rani, wife of Himanshu Rai, the founder of the Bombay Talkies. During the making of the film, Najam-ul-Hasan eloped with Devika Rani to Calcutta (Kolkata). While Devika Rani was convinced by Sashadhar Mukerjee to return to Bombay Talkies, Ashok Kumar who was working in the Bombay Talkies as a laboratory assistant got a chance to work as a lead actor opposite Devika Rani, replacing Najam-ul-Hasan.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6386 Post No. : 19806

“Tarzan Comes To Delhi”(1965) was directed by Kedar Kapoor for Amar Chhaaya pictures. The movie had Bhagwan, Helen, Bela Bose, Dara Singh, Mumtaz, Siddhu, Vishwa Mehra etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6386 Post No. : 19805 Movie Count :

5178

‘Bandhan Baahon Kaa’ (1988) was produced by O P Bajaj and Mahendra Mansinghka and was directed by Govind Munis. The cast included Raj Kiran, Swapna, Brahmachari, Hullad Muradabadi, Rajesh Puri, Avnish Pratap, Manoj Tiwari, Rita Katyal etc. The film was based on a short story, ‘Kariye Chhima’ by Hindi novelist, Shivani (real name: Gaura Pant). In Kumaon language, ‘Chhima’ is a derived word from ‘Kshama’ (forgiveness). It appears that the film had a delayed release as the song album was released in 1985 with the film’s original title, ‘Kariye Kshama’.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6386 Post No. : 19804

Today’s song is from a Muslim Social film Paak Daman-1957.

1957 – what a year it was ! The best year in the Golden Era! The best year in the 50s! The best year for melody and music! Such wonderful films came this year!!! The lineup of 1957 films looks like the selection of the creamy layer in everlasting music – ‘Mother India’, ‘Pyasa’, ‘Tumsa Nahin Dekha’, ‘Bhabhi’, ‘Asha’, ‘Miss Mary’, ‘Naya Daur’, ‘Do Aankhen Barah Haath’, ‘Paying Guest’, ‘Nau Do Gyarah’, ‘Dekh Kabira Roya’. ‘Nausherwaan e Adil ‘, ‘Gateway Of India’, ‘Hum Panchhi Ek Daal Ke ‘, ‘Kathputali’, ‘Sharada’ . . . Films like Baarish, Ab Dilli door nahin, Abhiman, Bada Bhai, Begunah, Beti, Chhote Babu, Coffee House, Dushman, Johnny Walker, Miss Bombay, Miss India, Mr. X, Narsi Bhagat, Paak Daman, Pawanputra Hanuman, Ustad, Zamana.

Films produced in Madras were quite popular. AVM’s ‘Bhabhi’, ‘Miss Mary’ and ‘Hum Panchhi Ek Daal Ke’, Prasad Production’s first Hindi film ‘Sharda’, and MV Raman’s film ‘Asha’ played havoc with their captive audiences. Films from south somehow have always concocted a success formula, mixing comedy, tragedy, social message, excellent production values and above all superb music, which made their films very popular everywhere.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6385 Post No. : 19803

“Cobra Girl”(1963) was directed by Nanabhai Bhatt for Rekha Chitra, Bombay. This movie had Raagini, Mahipal, Tiwari, Maruti, Ulhas. Surekha, Rajan Haksar, Gopal Sahgal, Mridula, Manorama, Nazeer Kashmiri, Abhimanyu Sharma, Madhumati, Sarika Rani, Nayna etc in it.
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