Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Jayshree T


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4263 Post No.: 15490

“Deedaar”(1970) was produced and directed by Jugal Kishore. The movie had Dheeraj Kumar, Anjana Choudhary, Premendra, K N Singh, Badri Prasad, Wasi, Jay Shree T, Leela Mishra, Habib, Kumud, S N Tripathi etc in it.

The movie had seven songs in it. Three songs have been covered in the past.

Here is another song from “Deedaar”(1970) to appear in the blog. This song is sung by Usha Khanna and Kishore Kumar. Verma Malik is the lyricist. Music is composed by Usha Khanna.

The song is picturised as a club dance/ cabarat dance song on Jayshree T and Dheeraj Kumar, with others looking on.


Peene se pilaane se(Deedaar)(1970) Singers-Usha Khanna, Kishore Kumar , Lyrics-Verma Malik, MD-Usha Khanna

Lyrics

Qasam hai tujhe mehfil ki
main naachoon tu pee
main naachoon tu

hic bili bili bappa ba ba bili bili bappa
ba ba ba billi billi bappa
ba ba ba billi billi bappa
ba ba ba billi billi bappa
hic
peene se pilaane se paimaane se maykhane se
begaane se zamaane se
tu bach bacha
tu bach bacha
peene se pilaane se
paimaane se maykhane se
begaane se zamaane se
tu bach bacha
tu bach bacha
hi

he jawaani mein kabhi kis kabhi kis kabhi kis
he he ho ho he he
javani mein kabhi kisi se aankh na lada
aankh lad jaaye bhi to dil na mila
hoo
dil mil jaaye bhi to shor na macha
meethhe-meethhe waadon pe tu sabko nacha

kyun
kyun kya
yahaan dil bhi bura hai dildaar bhi bura
ikraar bhi bura hai inkaar bhi bura
inkaar bhi bura

peene se pilaane se paimaane se mayakhaane se
begane se zamaane se tu bach bacha
tu bach bacha

bili bili bappa ba bappa
bili bili bappa ba bappa
bili bili bappa ba bappa bili bili bappa ba bappa

arre
arre dil de koi to
koi to
koi to
he he ho ho he he
arre dil de koi to dil tod do beshaq
aankh jo milaaye aankh phod do beshaq
hu hu
phool na miley to tahni mod do beshaq
buri duniya hai ise chhod do beshaq

kisliye
kisliye kya
nek naam bhi bura hai badnaam bhi bura
aagaaz bhi bura hai anjaam bhi bura
anjaam bhi bura
peene se pilaane se paimaane se mayakhane se
begaane se zamaane se
tu bach bacha
tu bach bacha

bili bili bappa ba bappa
bili bili bappa ba bappa
bili bili bappa ba bappa
bili bili bappa ba bappa

yeh duniya toh hai
hai
hai
heh heh ho ho he
yeh duniya toh hai paglon ka shehar
chaahta nahi koi kisi ki bhi khair
hi hi
ik haath dosti toh ik haath bair
upar se apne toh andar se gair

kaise
arre kaise kya
kaamyaab bhi bura hai naakaam bhi bura
mehfil bhi buri hai aur jaam bhi bura
jaam bhi bura
peene se pilaane se paimaane se maykhaane se
begaane se zamaane se
tu bach bacha
tu bach bacha
hey
peene se pilaane se paimaane se maykhaane se
begaane se zamaane se
tu bach bacha tu bach bacha
hic hic


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3652 Post No. : 14501

ASAD 10th Anniversary Celebrations – 9
———————————————————————

My last post on our blog has been sometime back. I have been meaning to write about this song which has a couple of rare occurrences in the Hindi Film and Music world and was waiting for an opportune moment.

Recently, I have been fighting my own battles on my health front, having been hospitalised for surgical and advanced interventional pain management procedures, more than a couple of times in the last one year. I have diabetes, which is under control, however it has caused neuropathy in both my feet causing severe pain with tingling and burning sensations. I would like to take this opportunity to create awareness amongst all the readers of this blog that diabetes can be very dangerous and draining and that one should take care of their feet. One’s feet bear the entire weight of one’s body but always fail to get the attention and good care, as with other parts of the body.

Well, coming back to today’s post. Late last month, we, the regular (and irregular) contributors of this blog were told by our beloved SudhirJi, that the blog was to celebrate the 10th anniversary of its creation and that song posts were expected from all the contributors. However, as hard as I tried, I couldn’t stick up to the deadline of sending in our contributions. However, Sudhir Ji would not relent and sent me another request to send in my post. This made me very embarrassed and I made a promise to myself that come what may, I will write my post and send it today, three days after my second extended deadline.

My association with this blog actually started around two years after I started my Facebook group – Rare Hindi Film Songs in 2010. In searching for old and rare songs to post, I would often visit the blog and later I came to know that even Atul Ji, the creator of this blog was a member and a regular visitor of my group. However, it took me almost 4 years to write my first post – for the song “Chup Chup Chup Kyon Baithe Ho” – and send it to Atul Ji for moderation and posting. Since then, I have been sending in my posts in bursts, start and stop.

Till date I have just posted about 20 odd songs, but I feel so much drawn to the Atulites group that I feel I have come to my home group amongst these various people across the world, who share similar passion and views. In particular, Avinash Ji and Sudhir Ji seem to like my kind of songs from movies of the 70s and early eighties, not that others are not encouraging.

My heartiest congratulations to Atul Ji, ASAD, Atulites and all the people who love HFM, on the 10th anniversary of this endeavour !!!

Now coming to today’s song. As I have mentioned above, this is a special song for me as it has a few rare characteristics associated with it, in the HFM world and also since it is quite a rare song. It is from the Pran, Navin Nischol and Rekha starrer ‘Dharma’ released in 1973. Two other songs from this movie have been posted earlier on the blog. For those who haven’t seen the movie or have forgotten it, the plot summary can be read here on IMDB.

Now, coming to this song with ‘Two Rare Occurrences’ for a Hindi movie!

It is an almost eight minute long song, starting with a straight cut and paste of the song “Aur Mera Naam Hai Jameela” sung by Lata Mangeshkar from the 1967 film ‘Night in London’ (composed by Laxmikant Pyarelal and penned by Anand Bakshi). In both the films, Helen is the dancer performing this song on screen. But of course, the choreography is different in the two films. In this clip from ‘Dharma’, only one stanza of the original song from ‘Night In London’ is included and it is about 2 minutes in duration. Well this is one rare thing.

The second and most important rare thing about this song is that after Helen’s initial lip syncing to this cut-paste song, the actual song, sung by Asha Bhosle, is lip synced by four of the best cabaret dancers of that era. Of course after the Numero Uno – Helen – who’s in the first part. The subsequent segments are performed by Faryal, Sonia Sahani, Jayashree T and Bindu.

The video opens with Helen beginning the dance with some male dancers. The music has already begun. We can also see Ramesh Deo with Asit Sen, who is watching the dance wide-eyed and lecherously. They go to another dance bar and Faryal starts her part followed by Sonia Sahni performing in the third bar. In the fourth bar, Jayashree T is performing bhangra. In the last bar, they do drugs with drinks while Bindu is performing. In this film, Madan Puri and Ramesh Deo are together shown to cheat rich men by taking them to clubs and tempting them with wine and women. The song shows Seth Garib Das (Asit Sen) is being trapped by them and this cabaret number is organized for him.

I hope all of you like the interesting facts of this song as well as the song. Please comment.


Song – Arey Saaqi Jo Kal Ki Hai Bachi Baaki (Dharma) (1973) Singer – Lata Mangeshkar, Asha Bhosle, Omi, Lyrics – Verma Malik, MD – Sonik-Omi

Lyrics

yaar ki nigaahon me
pyaar ki mehfil me
saahib main rahti hoon
aashiqon ke dil me
aur mera naam hai jameela

har ek dil ko dhadakne ki aadat huyi
main jis gali se bhi guzri qayamat huyi
log nazren bichaane lage
log nazren bichaane lage
haal dil ka sunaane lage
yaar ki nigaahon me
pyaar ki mehfil me
saahib main rahti hoon
aashiqon ke dil me
aur mera naam hai jameela

arey saaqi
jo kal ki hai
bachi baaki
usi ka daur chal jaaye
arey saaqi
jo kal ki hai
bachi baaki
usi ka daur chal jaaye
utha parda
dekh jalwa
ke sheeshe mein
jawani ab utar jaaye
arey saaqi

rani hoon main raat ki
tu hai galiyon ka raaja
aa
rani hoon main raat ki
tu hai galiyon ka raaja
soyi hui jawani ko
tu chhoo ke zara jaga ja
meri nigahein, aadayen ye baahein bulaayen
veeraa. . .
hahh veeraa. . .aah
la laa la laa la laa la laa

o ho
machal ke pee
sambhal ke pee
paimane mein maikhaana doob na jaaye
machal ke pee
sambhal ke pee
paimane mein maikhaana doob na jaaye
arey saaqi

dil le ja nishaani
badi meherbaani
haaye dil le jaa nishaani
badi meherbaani
teri jiyegi
teri jiyegi jug jug jawaani
o mere dil jaani
teri jiyegi jug jug jawaani
ho mere dil jaani
haaye
ve sun sajna
ve sun makhna
tu yaad rakhna
ke yaari toot na jaaye
ve sun sajna
ve sun makhna
tu yaad rakhna
ke yaari toot na jaaye
ve sun sajana..aa..aa. . .

dum mein dum hai to dum laga
duniya kya hai nasha hi nasha
aasmaan ke baadal to
kuchh bhi nahin
mazaa to tab hai ke
zameen pe baadal bana
mere humdum
raat hai kam
ke baaton mein
ye saari
raat na jaaye
mere humdum. . .
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

यार की निगाहों में
प्यार की महफिल में
साहिब मैं रहती हूँ
आशिक़ों के दिल में
और मेरा नाम है जमीला

हर एक दिल को धड़कने की आदत हुई
मैं जिस गली से भी गुज़री क़यामत हुई
लोग नज़रें बिछाने लगे
लोग नज़रें बिछाने लगे
हाल दिल का सुनाने लगे
यार की निगाहों में
प्यार की महफिल में
साहिब मैं रहती हूँ
आशिक़ों के दिल में
और मेरा नाम है जमीला

अरे साक़ी
जो कल की है
बची बाकी
उसी का दौर चल जाये
अरे साक़ी
जो कल की है
बची बाकी
उसी का दौर चल जाये
उठा पर्दा
देख जलवा
के शीशे में
जवानी अब उतार जाये
अरे साक़ी

रानी हूँ मैं रात की
तू है गलियों का राजा

रानी हूँ मैं रात की
तू है गलियों का राजा
सोई हुई जवानी को
तू छू के ज़रा जगा जा
मेरी निगाहें अदाएं ये बाहें बुलाएँ
वीरा॰ ॰ ॰
हाहह वीरा॰ ॰ ॰ आहह
ल ला ल ला ल ला ल ला

ओ हो
मचल के पी
संभाल के पी
पैमाने में मैखाना डूब ना जाये
मचल के पी
संभाल के पी
पैमाने में मैखाना डूब ना जाये
अरे साक़ी

दिल दे जा निशानी
बड़ी मेहरबानी
हाय दिल दे जा निशानी
बड़ी मेहरबानी
तेरी जिएगी
तेरी जिएगी जुग जुग जवानी
ओ मेरे दिल जानी
तेरी जिएगी जुग जुग जवानी
हो मेरे दिल जानी
हाए वे सुन सजना
वे सुन मखना
तू याद रखना
के यारी तू ना जाये
वे सुन सजना
वे सुन मखना
तू याद रखना
के यारी तू ना जाये
वे सुन सजना॰॰आ॰॰आ॰॰आ

दम में दम है तो दम लगा
दुनिया क्या है नशा ही नशा
आसमां के बादल तो
कुछ भी नहीं
मज़ा तो तब है के
ज़मीं पे बादल बना
मेरे हमदम
रात है कम
के बातों में
ये सारी
रात ना जाये
मेरे हमदम॰ ॰ ॰


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3559 Post No. : 14273

“Do Khilaadi”(1976) was produced and directed by Jugal Kishore for Jugal Productions, Bombay. This “social” movie had Vinod Mehra, Zahira, Jaishree T, Paintal, Indrani Mukherji, Anita Guha, Mohan sherry, Shetty, Jugal Kishore, Shashi Puri (new discovery), Naaz, Jezebel, Johny Babu Qawwal, Hercules, Kumud Tripathi, Uma Khosla, Ratna, Brijendar Mohan, Baby Anuradha, Uttam Sodhi, Ram Mohan, Gurbachan Singh, Gauri Verma, Tuntun, Omi Chopra etc in it.

The movie had five songs in it. Three songs have been covered in the past.

Here is the fourth song from “Do Khilaadi”(1976) to appear in the blog. This song is sung by Amit Kumar. Asad Bhopali is the lyricist. Music is composed by Usha Khanna.

The song is picturised as a villain’s den song on Shashi Puri (I hope I have identified him correctly, with Jayshree T performing a cabaret dance. Picturisation shows our intrepid hero apeing Amitabh Bachchan’s hairstyle and mannerisms, defying Shetty to perform on the stage. Shetty dutifully waits for the song to finish before making his move. 🙂

Audio

Video


Song-Tu saat kamron mein band padi ho (Do Khilaadi)(1976) Singer-Amit Kumar, Lyrics-Asad Bhopali, MD-Usha Khanna

Lyrics

one two three four
kukuliki kukuliki
kukuliki
likiliki
lakalaka
lakalaka
ih aah aah
ih ih
uh aah
aah ih ih

tu saat kamron mein band padi ho
ho
aur aage oonchi deewaar khadi ho
taale pe taale
chaahe koi daale
le jaaunga
tujhe jab chaahoonga
main le jaaunga
tujhe jab chaahoonga
tu saat kamron mein band padi ho
ha
aur aage oonchi deewaar khadi ho
taale pe taale chaahe koi daale
le jaaunga
tujhe jab chaahoonga
main le jaaunga
tujhe jab chaahoonga

ho pahredaaron ka zor
jalne waalon ka shor
kya bigaadega mera bata jaaneman
ho tujhe mujhse hai pyaar
ab to kar le ikraar
apne aashiq se yoon to na anjaan ban
tu chaahe sapnon mein mujhse ladi ho
hey
ya phir bekaar kisi zidd pe adi ho
taale pe taale chaahe koi daale
le jaaunga
tujhe jab chaahoonga
main le jaaunga
tujhe jab chaahoonga

zug zug zuzug zujug
zizig zizig
zig zig
zuzug zizag zijag
zugulaka
zugulaka
zugulaka
zugulaka
zugulaka
chikchik chichak chichak
chuchuk chuchuk

ho mujhe rokega kaun
mujhe tokega kaun
kismein dam hai jo aaye mere saamne
saaya ban ke din raat
main bhi hoon tere saath
tere peechhe rahoon ya tere saamne
chaahe tu laakhon ke beechh khadi ho
aur tujhe chhoona bhi baat badi ho
taale pe taale chaahe koi daale
le jaaunga
tujhe jab chaahoonga
main le jaaunga
tujhe jab chaahoonga
tu saat kamron mein band padi ho
ho
aur aage oonchi deewaar khadi ho
taale pe taale chaahe koi daale
le jaaunga
tujhe jab chaahoonga
main le jaaunga
tujhe jab chaahoonga

hey hey hey hey
hey hey
chuchuk chuchuk chuchuk
chuchuk chuchuk
chichak chuchuk chuchuk
chukchuk chichaak
chik chi chaak
chuk chuk chu
chichaak chichaak chichi
zug zug zug zug zug
aah ih ih ih
hmmph hmph hmph


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3554 Post No. : 14261

So, minus 1 and plus 1, we still got to the 100th Yippeee film yesterday.

Minus 1 because on 3rd April, Atul ji had announced the Yippeee-ing of the film ‘Razia Sultan’ (1983), after posting its ‘sixth + seventh’ songs together – an announcement that turned out to be incorrect. Avinash ji pointed out that there is still one more song to be posted from this film. With some more leg work and info-search we now have more detailed info about the song list of this film. Below is the details of the songs of ‘Razia Sultan’ that I had shared with Atul ji the same day, in email.

I just checked the 1981-90  volume compiled by Jagdish Purohit and Ghulam Qureshi, with the involvement of Suman Chaurasia of Indore. This volume was published as the HFM lovers were/are waiting for Hamraaz ji to bring out his next volume.

In this volume, the compilers have listed 12 songs for this film. Since ‘Razia Sultan’ is a well known film, and a landmark in itself, I am sure lots of information sources are available and there is less chance that the compilers would be in error. In a musical film like this, number of songs certainly would not be limited to 6/7.

The list of all songs, as per this volume, is

  1. Ae Dil e Nadaan
  2. Aayi Zanjeer Ki Jhankar
  3. Naghma e Mohabbat
  4. Jalta Hai Badan
  5. Hariyala Banna
  6. Ae Khuda Shukr Tera
  7. Khwaab Ban Kar Koi Aayega
  8. Tera Hijr Mera Naseeb Hai
  9. Taraana e Jashn e Taajpsohi
  10. Shubh Ghadi Aayi Re
  11. Ae Dil e Nadaan (this may be part 2, or a reprisal)
  12. Falak Se Awaaz Hai

As per our blog listing, we have as yet covered 1, 2, 4, 5, 6, 7, 8 and possibly 11. As per the singer list, the songs 9 and 10 seem to important loaded songs; 9 has 4 singers and 10 has 6 singers. Both these songs have Ustad Faiyaaz Ahmed Khan, and Ustad Niaz Ahmed Khan in the list of singers.

Just like maybe Pakeezaah, the remaining songs are probably less heard, less popular ones, which may drop from the collective memory.  You may recall that the non-Ghalib items in Mirza Ghalib (3 in number) remained obscure for quite a long time, since the radio and the radio listening public focused on the Ghalib creations in this film.

So that was minus 1 for 3rd April.

However, Atul ji is quick to also point out that back on 16th Jan, we had actually Yippeee’d two films together on the same day. That had happened, because both Atul ji and I were separately working on two different Yippeee posts, and our communications to each other regarding the posts seemed to have crossed but not read by each other. So in quick succession, both he and I posted two Yippeee songs that day – “Gaadi Dilli Waali Chali” (‘Delhi Junction’, 1960) and “Soyi Soyi Chaandni Hai. . .” (‘Khazaana’, 1951). In his write up, Atul ji has noted that,

Coming to my observations that we need to reiterate our new year resolutions (Gregorian calender version) on new year (Hindu calender version) as well. On the first day of this year (viz Yesterday 15 january 2018), only the first half of the half the resolution (viz posting a debutant song for the day) was fulfilled till late in the night. Sudhir Ji had posted a “debutant” post for the day. I had noticed that he had planned for a “YIPPEE” post as well. But seeing that the “debutant” post had appeared so late, I was afraid that it might become a race against time to fully fulfil the new year resolution. So I decided to lend a helping hand to Sudhir Ji. I prepared this “YIPPEE” writeup and I decided to post it in case Sudhir Ji was strapped for time (which he certainly is these days).

Fortunately, I found that Sudhir Ji succeeded in posting the YIPPEE writeup just in the nick of time yesterday night, and it was that rollicking title song of “China Town”(1962), viz. Rangeen bahaaron se hai gulzaar China Town.

So the song that I had kept as the backup YIPPEE song was not required.

Today (16 january 2018), we find ourself in the same situation as yesterday. The “debutant” movie of the day was done and dusted with first thing in the morning by Sudhir Ji. Sudhir Ji then asked me for the list of YIPPiable movies, aiming to post the YIPPEE movie of today as well, while I concentrated on the O P Nayyar tribute post.

After the O P Nayyar tribute post was published late, I found that Sudhir Ji has prepared for the YIPPEE song of the day, and it was a song that was not available online as far as I can tell. But like last night, we are against racing against time and I do not find Sudhir Ji at the keyboard right now. So I feel that I need to step in and publish the backup YIPPEE song that I had prepared yesterday. That way, Sudhir Ji can publish his YIPPEE article on the next day.

In fact, as Atul ji was hastening to complete the above Yippeee post for that day, I was equally busy on my keyboard, and almost simultaneously – a difference of about 45 minutes, I too posted the Yippeee post for the day, only to realize immediately that the work is now duplicated. So I immediately went back into my post and added this footnote,

[Ed Note: It was only after this song got posted that I took a breather, only to notice that Atul ji has also already welcomed another film (the previous post) to Yippeee-land today. It most certainly seems like the ‘yippeee-ing hour’, what with two films racing to Yippeee-land, just within minutes of each other. 😀 😀 ]

So, the two miscues cancelled each other out, and we are firmly able to announce that 100 Yippeee films have happened in the first 100 days of this calendar year (Gregorian). 🙂

Now, moving beyond the century yesterday, we come to ‘IOI’ of the Yippeee train today. Atul ji had posted the penultimate song of this film yesterday. Yes, I refer to the 1965 film ‘Sangraam’ – a film that has a full list of very memorable songs. This film made its debut on our blog way back on 12th Nov, 2010. Just see the list below of the songs posted so far. Each one of these songs is a veritable gem – in a mood that is so representative of the music of the 1960s.

Main To Tere Haseen Khayaalon Mein Kho Gayaa Sangraam 1965 3195 12-Nov-10
Masti Mein Doley Jiyaa Ho Sangraam 1965 4270 25-Jul-11
Dam Dam Dam Dam Damroo Baaje Sangraam 1965 10405 25-Oct-14
O Tera Chhup Chhup Ke Chale Aana Sangraam 1965 14093 23-Feb-18
Nikla sainyya chaalbaaz re Sangraam 1965 14255 10-Apr-18

These songs represent a music that was full of verve, full of energy, full of a joyous expression of love, taking in a lot of influence of the western rock and pop genres. Rhythm was more or less the dominant temper of this music, which was made for a popular taste that was already initiated by an increasing influence of western rhythms on the young minds of this nation. The decade of the 1960s was the time when the joys of freedom and the pain of partition were both tending to fade into paler shades, getting better of the passing generations.

The film is produced under the banner of Film India, Bombay, and is directed by Babubhai Mistry. The cast of actors includes Dara Singh, Geetanjali, Randhawa, Swarn Kumari, Maruti, Aruna Irani, Uma Dutt, Ratnamala, Mridula, Vishwas Kunte, Amrit Rana, Yunus Parvez, Baijnath, Helen, and King Kong.

After his earlier cameo appearances in films of 1950s, the first lead role that Dara Singh landed was in the film ‘King Kong’ of 1962. This was followed by ‘Aawaara Abdullah’ in 1963, then ‘Ek Tha Alibaba’, ‘King of Carnival’, ‘Rustom e Baghdad’, also 1963. In 1964, we see him in ‘Aandhi Aur Toofaan’, ‘Aaya Toofaan’, ‘Hercules’, ‘Dara Singh’ (yes, a film titled after his own name), ‘Rustom e Rome’, ‘Baadshah’, ‘Veer Bhimsen’. So when we come to 1965, Dara Singh has already appeared in a lead role in 12 films in just three years. The reason I am making this observation is that when I viewed this film in preparation for this post, I found a very interesting aspect. In this film, he is accompanied in the star cast by his younger brother Randhawa. The two brothers have already appeared together in ‘Aawaara Abdullah’, ‘Hercules’ and ‘Veer Bhimsen’. This is their fourth film together. As I viewed this film, I realized that the dialogues of both are dubbed in voices other than their own. I have not had time to sample once again his earlier films (some of which I know I have seen earlier) to ascertain whether this dubbing aspect is present in any of his earlier films. I do remember reading, well a long time back, that in the initial years of his career, his diction of Hindi/Urdu dialogues was less than desirable, as his voice had a very strong Punjabi accent to it. But I did not realize that he would be going through more than a dozen films and still be required to have his dialogues dubbed. The voice of the dubbing artist is very familiar, but I am not able to place a name to it right now.

The film is a costume drama with a strong element of palace intrigues and lost and found siblings stories. The corrupt Wazir (prime minister) has the king assassinated, and usurps the throne for himself. The king has two sons. The nanny for the two children is able to escape the bloodshed in the palace, along with one of the princes. The Wazir kind of adopts the second son, and raises him on a diet of lies and misinformation, hiding the truth about the death of the king, his father. The Wazir has a daughter, whom he wants to get married to the prince-in-custody. The prince-in-custody also fancies the lady. But the lady had lost her heart to a commoner in one of the villages in the kingdom, during some interludes that are very conveniently created by the story writers. The person she fancies, is actually the other prince, who had been taken away by the nanny and was raised by her in anonymity. So the tale of this film is about how the two brothers at first are enemies on account of fancying the same lady; then some way through the film, the truth about siblings is revealed and they become a team to vanquish the scheming Wazir and reclaim their father’s kingdom. And yes, the younger sibling gracefully steps aside for his elder brother to take over. 🙂

The one more interesting thing that I note about this film is the long drawn fighting sequences. Regular fans of Dara Singh films will recall the name King Kong. Yes, we had a wrestler by this name in that era when freestyle wrestling was a hugely popular spectator sport with the likes of Dara Singh, Randhawa, Goldstein, Imam Bux, Sheikh Ali, Hamida Pehalwan and of course the Great Gama Pehalwan etc. being the big names billed for such events. Believe it or not, but that was an era when for a freestyle wrestling match between some great names, one could expect anywhere from 1 Lakh to 2 Lakh spectators to be present (a Lakh is 100,000).

King Kong was a hugely bulky wrestler. His real name was Emile Czaja, and he was of mixed Indian – Australian descent, born in Hungary. He became a professional wrestler in the sub-continent and also appeared for bouts in all of south east Asia and Japan etc. Like Dara Singh he also migrated into Hindi films during the late 1950s and 60s, and appeared in many films generally as part of the villain’s team that would give a thrashing the heores to start with, and then at the end, get a beating of their lives at the hands of the lead wrestler. On YouTube, there are a few video footage clips of actual wrestling matches between Dara Singh and King Kong. Both of them appeared in many Hindi films together.

King Kong makes an appearance in this film also, as one of the henchmen of the devious Wazir. He has an additional significant presence in this film, as he also plays the father to the the young lady (Aruna Irani) who is the love interest of Maruti, the sidekick of Dara Singh in the film, making up a very detailed CSP (comic side plot). He fights on the side of the baddies, but eventually gives in to the goodies, since his daughter is in love with one of the goodies team member.

Ah yes, so I was talking about the long drawn out fight sequences in the film. They begin to appear almost from the start of the film, continue regularly throughout. Given these segments, the CSP and the songs, the actual story and dialogues have very little room to maneuver themselves. Everything other than the fight sequences seem to be in a hurry to get themselves done with. 🙂

Today’s song is the sixth song in the film. And what a rollicking dance song this one is. The trio of music directors – Lala Asar and Sattaar seem to be outdoing themselves in getting through the songs of this film. The song is filmed as a group dance song. The occasion is that the Wazir’s daughter has fled her father’s palace, choosing to come to the village where Dara Singh resides with his mother (actually his nanny from the royal babyhood days). The Wazir’s soldiers are chasing her, and they have been given a good beating by Dara Singh, Maruti and their team. This song is a celebration of their victory. We see Dara Singh and Geetanjali (Wazir’s daughter) and Dara Singh’s ‘mother’ seated prominently amongst the audience watching this performance. Maruti is part of this group dance. The video clip that is available is somewhat out of focus, on account of colors being splayed a little, as the photochemicals on the celluloid have aged. The face of the lead dancer is not very clear, and before I hazard a guess as to her identity, I request other friends and readers to please help identify this actress.

Enjoy this final song from this film to make it on to the billboard of our blog. And with that, we announce the Yippeee-dom status to this film. All aboard.

 

Song – Dhali Re Dhali Re Saanjh Dhali  (Sangraam) (1965) Singer – Asha Bhosle, Lyrics – Madhukar Rajasthani, MD – Lala Asr Sattaar
Unidentified Male Voice
Chorus

Lyrics

teek teek jhungha ka jhoonga
teek teek jhungi ki jhungi

teek teek jhunga ki jhungi
teek teek jhunga ki jhingi

dhali re dhali re saanjh dhali
chali re chali re main to chali
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule

bol sakhi
mere daaman mein kya hai
machla hua
aa ke mausam chhupa hai
meetha meetha
chhaaya mujh pe nasha hai
meetha meetha
chhaaya mujh pe nasha hai
ye to abhi
pehli pehli ada hai
chain luta
jaane kya ho gaya hai
mann ki lagan
ho ke magan
dol rahi jaise pawan
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
teek teek jhunga ki jhungi
teek teek jhunga ki jhingi

naam mera
dil pe likhte deewaane
bhanwre sadaa
aayen ras to churaane
aai badi
rang mujh pe jamaane
aai badi
rang mujh pe jamaane
uljhe agar
bolo saawan suhaane
uljhe bina
suljhe naa dil ke taraane
jawaan jawaan chhaaya samaa
husn bhara gora badan
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
teek teek jhunga ki jhungi
teek teek jhunga ki jhingi

raat nai
aai hai un se milaane
husn chala
ishq pe tan mann lutaane
chaand aaya
aaj mujhko bulaane
chaand aaya
aaj mujhko bulaane
kaun hai wo
hum se lagi tu chhupaane
preet bhare
nain batiyaan na maane
behki nazar
jaaun jidhar
aata mujhe
wo hi nazar
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule

dhali re dhali re saanjh dhali
chali re chali re main to chali
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule

aaaa aaaa aaaa aaa aaaa
(haule haule jiyara doley
hoye haule haule jiyara doley)

aaaa aaaa aaaa aaa aaaa
(haule haule jiyara doley
hoye haule haule jiyara doley)

aaaa aaaa aaaa aaa aaaa
(haule haule jiyara doley
hoye haule haule jiyara doley)

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

टीक टीक झुंघा का झूंघा
टीक टीक झुंघी का झुंघी

टीक टीक झुंघा की झुंघी
टीक टीक झुंघा की झिंघी

ढली रे ढली रे साँझ ढली
चली रे चली रे मैं तो चली
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले

बोल सखी
मेरे दामन में क्या है
मचला हुआ
आ के मौसम छुपा है
मीठा मीठा
मुझपे छाया नशा है
मीठा मीठा
मुझपे छाया नशा है
ये तो अभी
पहली पहली अदा है
चैन लुटा
जाने क्या हो गया है
मन की लगन
हो के मगन
डोल रही जैसे पवन
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
टीक टीक झुंघा की झुंघी
टीक टीक झुंघा की झिंघी

नाम मेरा
दिल पे लिखते दीवाने
भँवरे सदा
आयें रस को चुराने
आई बड़ी
रंग मुझपे जमाने
आई बड़ी
रंग मुझपे जमाने
उलझे अगर
बोलो सावन सुहाने
उलझे बिना
सुलझे ना दिल के तराने
जवां जवां छाया समां
हुस्न भरा गोरा बदन
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
टीक टीक झुंघा की झुंघी
टीक टीक झुंघा की झिंघी

रात नई
आई है उनसे मिलाने
हुस्न चला
इश्क़ पे तन मन लुटाने
चाँद आया
आज मुझको बुलाने
चाँद आया
आज मुझको बुलाने
कौन है वो
हमसे लगी तू छुपाने
प्रीत भरे
नैन बतियाँ ना माने
बहकी नज़र
जाऊन जिधर
आता मुझे
वो ही नज़र
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले

ढली रे ढली रे साँझ ढली
चली रे चली रे मैं तो चली
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले

आsss आsss आsss आsss आsss
(हौले हौले जियरा डोले
होए हौले हौले जियरा डोले)

आsss आsss आsss आsss आsss
(हौले हौले जियरा डोले
होए हौले हौले जियरा डोले)

आsss आsss आsss आsss आsss
(हौले हौले जियरा डोले
होए हौले हौले जियरा डोले)


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3540 Post No. : 14212

Hullo Atuldom

Yesterday (27 march 2018) was World Theatre Day. I learnt about this in the morning yesterday, as I was listening to the Vividh Bharati. Apparently, this was initiated in the year 1961, by The International Theatre Institute. It is celebrated annually on 27thMarch.

We have a number of actors in Bollywood, both past and present, who started their acting career on stage. Many of them never miss an opportunity to go back to act in a play or theatre reading etc. “We cannot forget the immediate response that we get from the audiences” is the most heard sentiment from these actors who keep going back to do theatre. And then, we have had actors who have performed ‘in front of the camera’ as they would perform ‘in front of a live audience’ – remember Sohrab Modi and Prithviraj Kapoor (in some of his initial movies). But the later generation of actors adopted different styles for theatre and movies. Also improved sound systems in theatres must have helped in later years; when one didn’t have to speak in ‘loud booming voices’ so as to be heard in the last rows.

Today with this post I am thinking of Farooque Shaikh who also did a lot of theatre and who would have been 70 on 25th March, just two days back (he passed away in 2013). I also remember Om Puri who was a product of National School of Drama along with Naseeruddin Shah. And yes, how can one forget our dear Shashi Kapoor and his work in bringing theatre to the layman through his Prithvi Theatre also helping many theatre groups in the process by giving a platform to exhibit their art.

Yesterday’s Indian Express (online edition) has an article on how the Twitterati are celebrating the day- http://indianexpress.com/article/trending/trending-globally/what-is-world-theatre-day-twitter-reactions-5112818/. The article begins with Shakespeare’s famous quote from “As You Like It” –

“All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts.”

Strangely or coincidentally the song that I zeroed in for also says exactly the same thing. I had thought of it the moment I heard about the ‘World Theatre Day’. Then I sat through looking up articles on the internet and I referred Wikipedia for additional information and in the process landed on what Indian Express site had.

The song is written by a lyricist – Anand Bakshi – whose work I admire because he is one of the poets who puts the common man’s thoughts in poetry format (there are few more lyricists who do that but more on that later). The music is composed by Laxmi-Pyaare and playback is by Asha Bhonsle for Moushumi Chatterjee, whose presence is making Sulochana and Raj Mehra uncomfortable, while Vijay Arora and Nazeema are visibly squirming (would like to know why 😉). Then there is Jayshree T. dancing and Hari Shivdasani enjoying himself. There is also Snehlata (in white saree) who seems to be the happiest among the girls at the party. There are some more familiar faces in the party, which I am unable to name immediately. I request other readers to please help add more names to this video clip.

The film is directed by Sohanlal Kanwar and is one of the movies that has Subhash Ghai in its cast.

[Short Version – Party Song]

[Long Version – Stage Song]

Song – Zindagi Ek Naatak Hai (Naatak) (1975) Singer – Asha Bhosle, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics

(Short Version – Party Song)
mmmm mmmm

aaaaa aaa aaa
aa aaaaaaaaaa

aaa aaa aa
aaa aaa aa
aaa aaa aaaaaaaaa

zindagi ek naatak hai
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain

zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan
khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan..aa..aaaan
bhale bante hain
burey bante hain
apna naam badnaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

sach kya hai
ye humse na poochhiye
kyon ki hum log
hain bahrupiye
sach kya hai
ye humse na poochhiye
kyon ki hum log
hain bahrupiye..ey..eyy
koi jaane na
pehchaane na
aisa hum intezaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

(Long Version – Stage Song) (Lyrics Provided by Prakashchandra)

zindagi ek naatak hai
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain

zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan
khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan..aa..aaaan
bhale bante hain
burey bante hain
apna naam badnaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

ek rangmanch
ye sansaar hai
chhota bada
har ek kalakaar hai
ek rangmanch
ye sansaar hai
chhota bada
har ek kalakaar hai..ae..ae..ae
zindgaani ka
is kahaani ka
tamasha subh o shaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

chehre pe ek
chehra laga liya
laila majnu
khud ko bana liya
chehre pe ek
chehra laga liya
laila majnu
khud ko bana liya..aa..aa..aa
jhootha sachcha kya
bura achhaa kya
jaisa naam waisa kaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

(छोटा रूपांतर – पार्टी में)
म्ममम म्ममम
आssss आss आss
आss आssssssss

आs आs आ
आs आs आ
आss आss आssssssss

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां
खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां॰॰आं॰॰आं
भले बनते हैं
बुरे बनते हैं
अपना नाम बदनाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

सच क्या है
ये हमसे ना पूछिए
क्योंकि हम लोग
हैं बहरूपिये
सच क्या है
ये हमसे ना पूछिए
क्योंकि हम लोग
हैं बहरूपिये॰॰ए॰॰ए॰॰ए
कोई जाने ना
पहचाने ना
ऐसा हम इंतज़ाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

(लंबा  रूपांतर – स्टेज पर)

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां
खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां॰॰आं॰॰आं
भले बनते हैं
बुरे बनते हैं
अपना नाम बदनाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

एक रंगमंच
ये संसार है
छोटा बड़ा
हर एक कलाकार है
एक रंगमंच
ये संसार है
छोटा बड़ा
हर एक कलाकार है॰॰ऐ॰॰ऐ॰॰ऐ
ज़िंदगानी का
इस कहानी का
तमाशा सुबह ओ शाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

चेहरे पे एक
चेहरा लगा लिया
लैला मजनूँ
खुद को बना लिया
चेहरे पे एक
चेहरा लगा लिया
लैला मजनूँ
खुद को बना लिया॰॰आ॰॰आ॰॰आ
झूठा सच्चा क्या
बुरा अच्छा क्या
जैसा नाम वैसा काम करते हैं

हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3516 Post No. : 14121

“Patthar Aur Paayal”(1974) was directed by Harmesh Malhotra for K P S Films, Bombay. The “social” movie had Dharmendra, Hema Malini, Vinod Khanna, ajit, Jayshree T, Rajendranath, Ifthhikar, Sapru, Ram mohan, Shetty, Rajan Haksar, Joginder, Jankidas, S K Prem, V Gopal, Yash, Rajkumar, Rani, Rajrani, Kirti, Bachan Singh, Sheroo etc in it.

This movie had four songs in it. Indeewar had penned two of them, whereas Verma Malik and Gulshan Baawra had penned one song each.

Here is the first song from “Patthar Aur Paayal”(1974) to appear in the blog. This song is sung by Asha Bhonsle. Gulshan Bawra is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a cabarat dance song on Jayshree T. Villains are always milling around at places organising cabarat dance in Hindi movies and this song is no exception. 🙂 Such esteemed personalities as Shetty, Sapru etc are seen gracing the occasion with their presence, so this song is a villains’ den song as well. 🙂

With this song, “Patthar Aur Paayal”(1974) makes its debut in the blog.


Song-Kaun hoon main tu kya jaane (Pathhar aur Paayal)(1974) Singer-Asha Bhonsle, Lyrics-Gulshan Bawra, MD-Kalyanji Anandji

Lyrics

kaun hoon main tu kya jaane
kaun hu main tu kya jaane
are o deewaane
raaz agar ye khul jaayega
dekho sabhi ka dil jal jaayega
ban jaayenge afsaane
ho o o o
o
kaun hoon main tu kya jaane
are kaun hoon main tu kya jaane

kya mujhe kali samajhte ho
hmm hmm hmm hmm
jaante ho
kali ke saath kaante bhi hote hain

paas mere na aana
haath mujhe na lagaana
ho jaayega zakhm gahra
kaanton ka mujhpe hai pahra
paas mere na aana
haath mujhe na lagaana
ho jaayega zakhm gahra
kaanton ka mujhpe hai pahra
gesu mere
mahak rahe hain
apni dhun mein
bahak rahe hain
mere sabhi deewaane
o o o o
o
kaun hoon main tu kya jaane
kaun hoon main tu kya jaane

kya main chingaari hoon
hmm hmm
aur chingaari shola ban jaaye to

jab shola ban jaaun
kya kya rang dikhaaun
chaahoon jise jala doon
pal mein raakh bana doon
jab shola ban jaaun
kya kya rang dikhaaun
chaahoon jise jala doon
pal mein raakh bana doon
ek raat mein
haan haan
hanste hanste
jal jaate hain meri lau mein
kitne hi parwaane
o o o o
o
kaun hoon main tu kya jaane
kaun hoon main tu kya jaane
are o deewaane
raaz agar ye khul jaayega
dekho sabhi ka dil jal jaayega
ban jaayenge afsaane
o o o o
o


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3510 Post No. : 14103

“Jugnu”(1973) was produced and directed by Pramod Chakraborty for Pramod Films, Bombay. The movie had Dharmendra, Hema Malini, Pran, Prem Chopra, Manmohan, Raj Mehra, Lalita Pawar, Nazeer Hussain, Randheer, Shameem, Asha Potdar, Kamal Kapoor, Brahm Bhardwaj, Kanu Roy, Rajan Kapoor, Paresh Nanda, Khursheed, Ratan Gaurang, Birbal, Sabeena, Mona, Parwez, Master Alankar, Master Ravi, Master Satyajit, Bhanumati, Shyam Kumar, Fakira, with special appearances by Sujit Kumar, Sonia Sahni, Ajit, Dhumal, Jayshree T and Mehmood.

The movie, though described as a “social” movie, was a crime thriller.

I had seen this movie during its second run in 1973.

The movie had six songs in it. The movie had three female solos sung by Lata, two male solos sung by Kishore Kumar and one duet. The movie had a “jhumka” song and a “Paayal song”, and also a “helicopter” song.

Five of these songs have been covered in the blog. Here are the details of the earlier five songs from the movie covered in the blog.

Song Title

Post No.

Post Date

Gir gaya jhumka girne do 713 9-Feb-09
Meri paayaliya geet tere gaaye haaye 999 30-Mar-09
Deep deewaali ke jhhoothhe 3179 5-Nov-10
Pyaar ke is khel mein do dilon ke mel mein 4923 31-Oct-11
Jaane kya pilaaya toone bada maza aaya 14095 24-Feb-18

Here is the sixth and final song from “Jugnu”(1973) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by S D Burman.

The song is picturised as a roadside tamasha song which serves the dual purpose of passing on message in code to Dharmendra who is on a mission of stealing a valuable diamond. I am unable to identify the lady lip syncing this phadakta hua dance song. I request our knowledgeable readers to help identify her.
PS- (i)She is Jayshree T.
(ii) I was posting this article under duress, viz with my better half looking on disapprovingly and repeatedly ordering me to stop all this work on the computer. 🙂

With this song, “Jugnu”(1973) joins the list of movies that have all their songs covered in the blog.


Song-Chale aana peepal ke neeche (Jugnu)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-S D Burman

Lyrics

chale aana
chale aana peepal neeche piya mulaakaat ko
chale aana peepal neeche piya mulaakaat ko
jab baagon mein jugnu
jab baagon mein jugnu chamke
aadhi raat ko
jab baagon mein jugnu chamke
aadhi raat ko
jab baagon mein jugnu

laa laa laa laa laa
laa laa laa laa laa
taaron ki hai chaanv rakhna dheere dheere paanv
bairi jaag na jaaye gaanv
taaron ki hai chaanv rakhna dheere dheere paanv
bairi jaag na jaaye gaanv
chhori chhori kehna sun’na saiyya dil ki baat ko
chhori chhori kehna sun’na saiyya dil ki baat ko
jab baagon mein jugnu
jab baagon mein jugnu chamke aadhi raat ko
jab baagon mein jugnu chamke aadhi raat ko
jab baagon mein jugnu

rakhna yeh khayal tere aage peechhe jaal
upar neeche dil ka haal
arre rakhna yeh khayal tere aage peechhe jaal
upar neeche dil ka haal
chupke aana theek baara baje jumme raat ko
chupke aana theek baara baje jumme raat ko
jab baagon mein jugnu
jab baagon mein jugnu chamke aadhi raat ko
jab baagon mein jugnu chamke aadhi raat ko
jab baagon mein jugnu

dulha raaja dekh tu akela bas ek
tere dushman anek
dulha raaja dekh tu akela bas ek
tere dushman anek
dhoka deke tu nikal aana baraat ko
dhoka deke tu nikal aana baraat ko
jab baagon mein jugnu
stop it


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3466 Post No. : 13911

“Naiyya”(1979) was directed by Prashant Nanda for Chanda Pictures, Bombay. I became aware of this fact when I discussed the earlier songs from this movie. Initially I was under the impression that this movie was a Rajshree Productions movie and once again I reverted back to the same impression with passage of time 🙂

The movie had Zarina Wahab, Prashant Nanda (new discovery for Hindi movies), Baldev Khosa, Dinesh Thakur, Leela Mishra, Mohammad Mohsin (another new discovery), Jageerdaar, Dinesh Hingoo, Nandlal Sharma, c S Dubey, Shail Chaturvedi, Shivraj, Amrish Puri, Pardesi, Om Tripathi, Shankar Bhake, Manmauji, Rooplekha etc, along with guest appearances by Sulochana, Shubha Khote and Jayshree T.

The movie had five songs in it. Four of them have been covered in the past.

Here is the fifth and final song from “Naiyya”(1979) to appear in the blog. This song is sung by Hemlata. Ravindra Jain is the lyricist as well as the music director.

The song is picturised as a village nautanki song on Jayshree T and her performance is being watched by many people including a very young and lecherous looking Amrish Puri. The picturisation also shows Zarina Wahab and Leela Mishhra passing through and giving looks of disapproval to the proceedings in general and Amrish Puri in particular.

It is a rare occasion for Hemlata to sing a song like this which was the forte of Asha Bhonsle and she has done a commendable job.

With this “phadakta hua” song, all the songs of “Naiyya”(1979) have been covered and the movie joins the list of movies that have all their songs covered in the blog.


Song-Mera joban bandha rupaiyya (Naiyya)(1979) Singer-Hemlata, Lyrics-Ravindra Jain, MD- Ravindra Jain

Lyrics

mera joban bandha rupaiyya
o teri baaton mein aake sipahiya
rupaiya abhi na bhunaaoogi main
rupaiya abhi na bhunaaoogi main
mera joban bandha rupaiya
o teri baaton mein aake sipahiya
rupaiya abhi na bhunaaoogi main
rupaiya abhi na bhunaaoogi main

mohe pata hai tore man ke khot ka
kaahe dikhaawe mohe koda note ka
mohe pata hai tore man ke khot ka
kaahe dikhaawe mohe koda note ka
ankhiyan se tohpe karke totka
o o o o o
ankhiyan se tohpe karke totka
bhaag jaaungi main
rupaiya abhi na bhunaaoogi main
rupaiya abhi na bhunaaoogi main
o mera joban bandha rupaiya
teri baaton mein aake sipahiya
rupaiya abhi na bhunaaoogi main
rupaiya abhi na bhunaaoogi main

rakkha rupaiya maine mutthhi main bheench ke
kaise luta doon aise aankh meench ke
rakkha rupaiya maine mutthhi main bheench ke
kaise luta doon aise aankh meench ke
kharcha kare jo zara haath kheench ke
o o o o o
kharcha kare jo zara haath kheench ke
uspe lutaaugi main
rupaiya abhi na bhunaaoogi main
rupaiya abhi na bhunaaoogi main
o mera joban bandha rupaiya
teri baaton mein aake sipahiya
rupaiya abhi na bhunaaoogi main


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3460 Post No. : 13886

Hindi movie songs of the golden era tended to have certain standard son situations. The lyricists were asked to provide lyrics for those situations. And it must be said that the lyricists often managed to do some value additions of their own even in these routine song situations.

Take mujra songs for instance. Almost every Hindi movie of those days tended to have a mujra song situation. This blog itself has as many as 207 mujra songs as of now. And quite a few of these songs have ended up becoming memorable songs.

“Joru Ka Ghulam”(1972) was a “social” movie which was directed by A Bhim Singh for United Four, Bombay. The movie had Nanda, Rajesh Khanna, Om Prakash, Sharad Kumar, Maneesha, Achla Sachdev, Kedar Sahgal, Ramesh Deo, Gurnaam, Mridula, Jayshree T, Narbada Shankar, Kabeer, Moolchand etc with guest appearances by Komal, Manmohan Krishn, Nana Palsikar and Ifthikar.

The movie had five songs in it. Four of these songs (every song being of a separate genre) have been covered in the blog.

Here is the fifth and final song from the movie. And this song happens to be a mujra song. It is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Kalyanji Anandji.

Anand Bakshi has come up with interesting lyrics for this mujra song. The song is picturised on Jayshree T and Ramesh Deo plays her customer in the kotha.

I had never heard this song before and I must say that I liked this song right from the very firdst time that i heard it, which was today, some 46 years after this song was released. 🙂

With this song, “Joru Ka Ghulam”(1972) joins the list of movies that have all their songs covered in the blog.


Song-Jaam par jaam peene se kya faaydaa (Joru Ka Ghulaam)(1972) Singer-Lata, Lyrics-Anand Bakshi, MD-Kalyanji Anandji

Lyrics

aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa

jaam par jaam peene se kya faayda
jaam par jaam peene se kya faayda
raat bhar pi subah tak utar jaayegi
raat bhar pi subah tak utar jaayegi
meri nazron se do ghoont pi le agar
ho pi le pi le agar
meri nazron se do ghoont pi le agar
umr saari nashe mein guzar jaayegi
umr sari nashe mein guzar jaayegi
jaam par jaam peene se kya faayda
jaam par jaam peene se kya faayda

aa aa aa
aa aa aa
meri mehfil mein aaya hai to baith ja
uthh ke mehfil se jaane ki koshish na kar
meri mehfil mein aaya hai to baithh ja
uthh ke mehfil se jaane ki kosish na kar
uthh ke mehfil se jaane ki koshish na kar
ab yahaan se hai mushqil
aa aa aa
ab yahaan se hai mushqil teri waapsi
ab yahaan se teri bas khaber jaayegi
ab yahaan se teri bas khaber jayegi
jaam par jaam peene se kya faayda

raat bhar pi subah tak utar jaayegi
raat bhar pi subah tak utar jaayegi
meri nazron se do ghoont pi le agar
ho pi le pi le agar
meri nazron se do ghoont pi le agar
umr saari nashe mein guzar jaayegi
umr saari nashe mein guzar jaayegi
jaam par jaam peene se kya faayda


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3455 Post No. : 13858

 

On the first day of the year 2008, I mentioned that I was able to hold on to my previous year’s new year resolution for 40 days (introducing a debutant movie daily) and 125 days (YIPPYing a movie daily) respectively.

Our regulars, suitably inspired by my writeup, have taken it upon themselves to at least help me in introducing one debutant song daily in the year 2018. The very first song post covered in the year 2018 by Peevesie’s mom was a debutant movie viz “Kohraam” (1999). On the next day viz 2 january 2018, a song from a debutant movie “Kisaan Kanya” (1937) was discussed by Mr Sadanand Kamath. Sudhir Jee has lined up another debutant movie song for the next day. That way at least the “debutant” movie resolution has been taken care of till now.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15516

Number of movies covered in the blog

Movies with all their songs covered =1196
Total Number of movies covered =4277

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Active for more than 4000 days.

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