Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Sameer


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5024 Post No. : 16932

‘Pyaar Ka Rishtaa-1973’ was directed by Sultan Ahmed for ‘Golden Films, Bombay’. It was produced by Tony Walker. It had Mumtaz, Sameer, Vinod Khanna, Shatrughan Sinha, Balraj Sahni, Nirupa Roy, Nadira, with Jayshree T., Malka, Randhir, Yunus Parvez, Master Ripple, Baby Deepali, Moolchand Kapoor, Master Ejaz and Chaman Puri and Johny Walker.

This movie was written by Mushtaq Jalili and editing of this movie was done by M.S. Shinde.

This movie was passed by Censor Board on 301.01.1973.

‘Pyaar Ka Rishtaa’ had total five songs that were composed by Shankar-Jaikishan. Mohd Rafi, Kishore Kumar, Asha Bhonlse and Sharda had given their voices to the songs in this movie.

The songs in this movie were penned by Shakeel Badayuni (who by the time of release of this movie had passed away on 20.04.1970). He wrote three songs for this movie and the two remaining songs were written by Indeevar.

Today 20th April’ 2022 is the fifty-second ‘Remembrance Anniversary’ of Shakeel Badayuni (3 August 1916 – 20 April 1970).

As a tribute to him I am presenting a song from the movie ‘Pyaar Ka Rishtaa’.

A per statistics on the blog Shakeel Badayuni had written lyrics for around 766 songs. Out of these 766 we have 644 songs covered on the blog.

I had not gone through these details earlier. I was under the impression that most of the songs written by Shakeel Saab had already been covered on the blog. But 122 songs pending is a big number. I wonder if all these remaining songs are available.

It would be interesting to go through the ‘filmography’ of Shakeel Badayuni to know the movies from which the songs are yet to be posted. (I hope to do it in the future as possible).

For today we have a song sung by Kishore Kumar and Asha Bhonsle which on screen is performed by Sameer (hope I am correct) and Mumtaz. Today’s song is a ‘chhed-chhaad & nok-jhonk’ type song.

Lyrics are by Shakeel Badayuni. And music is composed by Shankar-Jaikishan.

None of the songs composed by Shankar-Jaikishan featured in the annual list of ‘Binaca Geetmala-1973’. However, two songs composed by them one from ‘Aaj Ki Taazaa Kabhar-1974’ (mujhe meri biwi se bachaao) and one from ‘Chori Chori-1974’ (waastaa hi na jab rahaa tumse) appeared in the list of ’32 next rung songs’ of 1973 Binaca Geetamala.

Let us now listen to today’s song … and pay our tributes to Shakeel Badayuni …

Video


Song-O nakhrewaali (Pyaar Ka Rishta)(1973) Singers-Kishore KUmar, Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Shankar Jaikishan

Lyrics

o nakhrewaali ee
o o nakhrewaali ee
o de de
de de
de de
o dil mera aa
paagal deewaane ae
paagal deewaane ae
arey jaa jaa

naa
jaa jaa
naa
jaa jaa
naa
o nakhrewaali ee

meri jaan hai tujhpe bhaari
tere husn ki adaayein
na ye bojh le ke chal tu
tere paanv dukh naa jaayen
arey jaanwar
anaadi

aan
toone dekha mera sapnaa
haan haan
tujhe pyaar aur mujhse
zaraa munh to dho le apnaa aa
paagal deewaane ae
paagal deewaane ae
arey jaa jaa

aan
jaa jaa
aan
jaa jaa
aan
arey jaa jaa
o o nakhrewaali ee

ye haseen teri zulfein
mujhe inmein tu chhupaa le
arey itni berukhi kya
zaraa aankh to milaa le ae
mere saamne se hat jaa
badaa aaya ishqwaalaa aa
main mazaa chakhaa hi doongi
mujhe toone gar sataayaa
paagal deewaane ae
paagal deewaane ae
arey jaa jaa

nahin
jaa jaa
nahin
jaa jaa
nahin
arey jaa jaa
o o nakhrewaali ee

tere dil mein
main hi main hoon
teri mujhpe hain nigaahein
idhar aa
mere galey mein
zaraa daal de ye baahein ae
na milegaa zindagi mein
koyi tujhsa dheethh mujhko
tu hazaar kar khushaamat
tera dil na doongi tujhko o
paagal deewaane ae
ho paagal deewaane ae
arey jaa jaa

naa
jaa jaa
naa
jaa jaa
naa
arey jaa jaa
o o nakhrewaali ee
o nakhrewaali ee
ah de de
kya
de de
chal chal
o de de
hatt …
o dil meraa
paagal deewaane ae
o o nakhrewaali
aa aa aa
laa laa la laa
aa aa aa
aa aa aa
aa aa aa
hay


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4980 Post No. : 16862 Movie Count : 4587

Hullo Atuldom

March 7th sees Anupam Kher, the versatile actor, turn a year older. He has played characters beyond his calendar age in numerous films. He has played the archetypal villain with as much finesse as serious supporting roles. He has also tried playing characters which are comic but of course some of these have been over-the-top and mostly making faces, using odd hair-get-ups etc. would be used to create comic effect. But I think we can excuse this fine actor of these excesses as he used to balance them by doing roles as in “Daddy” (1989), Utsav (1984), Karma (1986), Rao Saheb (1985), Kaash (1987), Zevar etc.

He played Shahrukh Khan’s son-friendly father in a few movies, as also father to Salman Khan and other heroes of the 90s. But I have never been able to get over the fact that he played father to Anil Kapoor in one movie and grandfather in the next movie. Similarly, he has played friend, jija, father, grandfather etc to Rishi Kapoor. I can go on and on about the various actors with whom he played such characters. All of these just show the love this man has towards all things connected with films and movie making.

He turned producer in 2000 with “Bariwali” which was in Bengali and had his wife Kirron Kher play a lonely, sad, unfortunate, middle-aged woman. He directed ‘Om Jai Jagdish” in 2002. Additionally he has appeared in a few international television serials, and films. He has also been seen in Punjabi, Bengali, Tamil, Malayalam, Marathi films.

His brother Raju Kher is an actor as also his wife and her son (his step-son) Sikandar Kher are actors.

This was a song that I posted in 2020 on Anupamji’s birthday. There are so many choices available to go with today’s post. I have zeroed in on a song where we have Rishi Kapoor playing Anupam Kher’s ‘chela’ reminding us of Joy Mukherjee and I.S Johar in “Shaagird”.

This movie “Shreemaan Aashique” (1993) was directed by Deepak Anand and produced by Shakeel Noorani. The film starred Urmila Matondkar, Rishi Kapoor, Anupam Kher, Bindu, Reema Lagoo, Mehmood, Annu Kapoor etc. Music was by Nadeem-Shravan, Sameer and Noor Kaskar (never heard this name before) were the lyricists. I recently discovered that Anupam Kher has sung a few songs in movies and today’s song is one of them. The other voice in the song is Ahmed Mirza (never heard this name too).

I apologize to all the purists in subjecting them to this song, but we shall see the positive side that this actor didn’t mind making himself a buffoon too.
Wishing Anupam Kher health and happiness


Song-Abhi to main jawaan hoon (Shreeman Aashique)(1993) Singer-Ahmed Mirza, Anupam Kher, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
umang hai jawaan meri
tarang hai jawaan meri
umang hai jawaan meri
tarang hai jawaan meri
ajab hai daastaan meri
jawaan dilon ki shaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon

abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
jawaani ko nikhaar le
ye zulf to sanwaar le
jawaani ko nikhaar le
ye zulf to sanwaar le
zara tu seedhi chaal chal
na ladkhada
sambhal sambhal
na ladkhada
sambhal sambhal
kamar teri kamaan hai ae
kamar teri kamaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai

payjama kurta na pahan
deewaane up to date ban
payjama kurta na pahan
deewaane up to date ban
disco mein jaakar dance kar
ab khul ke tu romance kar
ab khul ke tu romance kar
ghabraata hai naadaan hai
ghabraata hai naadaan hai
jawaani ki tu shaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai

ab doodh pee
baadaam kha
uthh ke subah jogging ko ja
ab doodh pee
baadaam kha
uthh ke subah jogging ko ja
gaalon pe hongi surkhiyaan
jaayengi saari jhurriyaan
jaayengi saari jhurriyaan
tujhmein abhi tak jaan hai
tujhmein abhi tak jaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4951 Post No. : 16817 Movie Count :

4577

Hullo Atuldom

6th February 2022. Sad day for lovers of music. The news which all music fans didn’t want to hear came through a friend’s message on Whatapp. Our dear Sur Saraswati – Nightingale – Miracle of Nature – Swar Kokila (all such epithets fell right and square on her slender shoulders) is no more. She was a power house of talent that came in a small package. She was the face of Indian film music who rode the classical music vehicle with as much ease as light music. Bhajans rendered by her were what the nation woke up to for years and were the inspiration for singers of the later generation to try their hand at classical and devotional songs.

She was a fan of cricket for the longest time and Pt. Vishwa Mohan Bhatt who was pouring his heart out on a TV channel said that she was ill yesterday or else she would have been the first to tweet a congratulatory message to the victorious Under-19 team for winning the World Cup. That is one thing that has amazed me about the Grand-Lady of Indian Film music. She took to Twitter, Facebook and other social media as if she was a person of the now-generation. She was very active on social media.

A cross section of Indians have been pouring their heart out and putting out tweets but one that struck me most was “We will miss you and hope the void left by you doesn’t fill”.

A journey which began in the 40s at the age of 13 has come to an end after giving voice to songs in close to 1884 films in Hindi and about 30 films in other languages. A person who sang for Shobana Samarth in 1949 and Kajol (Shobana Samarth’s grand daughter) in the 90s. A person who brought tears to the eyes of the then Prime Minister Pandit Jawaharlal Nehru with her rendition of “Ae Mere Watan Ke Logo“. A person who has given us songs for every mood is being bid farewell from this mortal world as I write this (those are the visuals playing on all the news channels). She has been draped in her trademark white saree with a simple border. She has been brought to Shivaji Park with full state honors and the nation is in two-day mourning for this Bharat Ratna.

Like she has said in her song “Meri Awaaz Hi Pehchaan Hai” we have her voice with us forever. And the song playing at this point is “Ae Mere Watan Ke Logo“” with Lata Didi saying “Ab Hum To Safar Karte Hain’ —-prophetic.

For this post I was looking for one of her last Bollywood song. We have covered Lata Didi’s last released songs in the course of Atul ji’s series ‘Yearwise Review’. So, the song with this post is not the absolute last but one from the last decade of her journey in Bollywood.

It is from the 2005 release ‘Lucky’ which had the tagline ‘No Time for Love’. The song is sung by Lata Mangeshkar and Adnan Sami, written by Sameer and tuned by Adnan Sami.

Like she has sung

rahen naa rahen hum,
mehkaa karenge
ban ke kali,
ban ke sabaa,
baage wafaa mein

Her mehak will be with us forever

Alvida Lata Mangeshkar

Video

Audio

Song – Ik Ajnabi Sa Ehsaas Dil Ko Sataaye (Lucky) (2005) Singer – Adnan Sami, Lata Mangeshkar, Lyrics – Sameer, MD – Adnan Sami

Lyrics (Provided by Prakashchandra)
(Based on Audio)

ik ajnabi sa
ehsaas dil ko sataaye
shaayad yahi to pyaar hai
betaabion mein
dhadkan meri chain paaye
shaayad yahi to pyaar hai

kuchh bhi kaho na
aaa aaa
kuchh bhi suno na
phir bhi
bechain dil hai hamaara
ho oo oo
behke kadam hain
aaa aaa
mushkil mein hum hain
dekho
sambhlen bhala kaise yaara
chaahe bina hi
nazdeek hum chale aaye
shaayad yahi to pyaar hai

nazren bichha den
pehre laga den
dil pe
par dil kisi ki na maane
kaanton pe chal ke
sholon mein jal ke
ro ke
mil ke rahenge deewaane
oo oo oo
chaahat ki lau to
aandhi mein bhi jhilmilaaye
shaayad yahi to pyaar hai
oo oo oo
ik ajnabi sa
ehsaas dil ko sataaye
shaayad yahi to pyaar hai

ye mulaqaaten
ye teri aankhen
baaten
aaa aaa
ek pal na main bhool paaun
kitni mohabbat
hai kitni chaahat
tum se

ho oo oo
kaise bhala main bataaun
oo oo

achha lage jo
tu saamne muskuraaye
shaayad yahi to pyaar hai
ik ajnabi sa
ehsaas dil ko sataaye
ho oo oo
shaayad yahi to pyaar hai

ho oo oo
kuchh bhi kaho na
aaa aaa
kuchh bhi suno na
phir bhi
aaa aaa
bechain dil hai hamaara
ho oo oo
behke kadam hain
mushkil mein hum hain dekho
ho oo oo
sambhlen bhala kaise yaara
chaahe bina hi
nazdeek hum chale aaye
shaayad yahi to pyaar hai
shaayad yahi to pyaar hai
shaayad yahi to pyaar hai
shaayad yahi to pyaar hai
shaayad yahi to pyaar hai
oo ra oraa
aaa haa haa aa
oo ho oho


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4940 Post No. : 16795 Movie Count :

4570

Hullo Atuldom

A very Happy Republic Day to every Indian on this earth. It is 73 years since The Indian Constitution came into effect replacing the Government of India Act and turning the nation into a newly formed Republic.

Various videos have started doing rounds on the social media over the last few days, and the one that is shared the most is this one. This video has Cyrus Broacha, the theatre and television personality who excels in tongue-in-cheek satire, quiz a few youngsters about what they think of the national holidays- 15th August and 26sup>th January. I don’t know if I should feel sad about the replies that the respondents gave or feel ashamed of how little information we have passed on to the generation that followed ours – we being the generation that followed those who had worked towards independence for India and making it a Sovereign Democratic Republic. (I myself didn’t know answers to few of the questions).

Here I am reminded of this post by Peevesie where she has expressed her thoughts on National pride, patriotism, and the behaviour of the citizens when such national days approach. I am sure that the thoughts in there would open no-holds and no-age barred debates, and evoke sentimental responses all around.

I don’t want to continue the lament so I just came back to the spirit of this blog which is music.

Over the last few years we have had a few films which were based on Real achievements of this vast country of ours. Atulji has written some highly educative and informative posts for songs from these movies (one reading of these posts is not enough to understand the spirit behind these National achievements).

The posts are almost like an insiders’ view, as he works for one of the largest employers of the country, the Indian Railways which is instrumental in binding the country into one whole unit. The other large employer being the Armed Forces. These two organisations of the country work relentlessly 24/7 and salute to them.
These are the posts Shubh din aayo; dil mein Mars hai which speak of modern India’s achievements that should make very Indian proud (I don’t know if every Indian knows everything about India.)

Before beginning this post, I just went over the songs posted in the blog on the very first Republic day (for the blog) and found these

Song Posted at
Ye desh hai veer jawaanon ka (posted at 7.46 a.m.)
Mere desh ki dharti sona ugle (posted at 7.54 a.m.)
Dulhan chali o pahan chali (posted at 7.59 a.m.)
Hai pree jahaan ki reet sada (posted at 8.15 a.m.)
Abke baras (posted at 8.34 a.m.)
Chhodo kal ki baaten (posted at 8.47 a.m.)

As can be seen from above, there were six patriotic songs on that date, all posted well before 9 a.m. I am sure post this activity Atulji would have left for the official flag unfurling program at his work place.

Here I would like to mention that Flag Hoisting takes place on Independence day and Flag Unfurling for Republic Day. Also the main celebrations for the country happens in New Delhi -the national capital- where the Prime Minister hoists the National flag and addresses the nation on Independence day from the ramparts of the Red fort and The President unfurls the flag on Rajpath – the venue of the Republic Day parade. The President, being the Supreme Commander of the Indian Armed Forces, presides over the Republic Day parade. The Republic Day celebrations begin with the Prime Minister paying homage (on behalf of a thankful nation) to the unknown soldiers, who laid down their lives for the country, at the memorial at India Gate. There is going to be a slight departure this year, as the Amar Jawan Jyoti -the eternal flame at the memorial – which was constructed after the 1971 Indo- Pak war and inaugurated on 26th January 1972 has been merged with the newer one at the National War Memorial on 21st January 2022.

Coming back to the songs that were posted on 26th January 2009, of the six songs posted one was from a Black and White movie (at the time of its release) “Naya Daur” having Ajit and Dilip Kumar in the song. The last song posted that day was from “Hum Hindustani” which had Sunil Dutt and we can also see some military and para-military force parades in the song. The other four songs were from Manoj Kumar starrers, each song showcasing a different aspect of patriotism. All the posts were short, crisp posts. (I must say that Atulji has become more vocal as the blog grew.)

These are my last two contributions to the blog on the occasion of Indian Republic day.

Song Date of posting
Mera mulk mera desh mera ye watan 26 January 2021
Vande Maatram 26 January 2020

Today we are having a song from Mukul S. Anand’s unfinished, unreleased 1997 movie “Dus”. The film began production in May 1997 and 40% shooting was completed by August. Songs from the movie were already released for public viewing on various music channels of satellite television. Unfortunately Mukul Anand (the director), died during the movie’s shoot on location in Utah, and the movie was shelved. The co-producer Nitin Manmohan released another movie with the same title but unrelated subject in 2005. Mukul Anand’s ‘Dus’ had a cast of Sanjay Dutt, Vinod Khanna, Salman Khan, Shilpa Shetty, Raveena Tandon etc. It had music by Shankar- Ehsaan- Loy and Sandeep Chowta. Lyrics were by Sameer and Deepak Choudhary.

Today’s song is in the voices of Udit Narayan, Shankar Mahadevan, Mahalakshmi Iyer, Dominique Cerejo and lyrics are by Sameer. It had been filmed as a stage song and tells the world that India will be “sabse aage” in the years to come. That means one of the leading nations of the world. And we can see there is a lot of good happening in the country and hope to see positive changes in the years to come.

This was the promotional video that was up on Mukul Anand’s official website.
When I see such songs I feel all is not lost and there is still some patriotic fervour among the country’s youth and they express it in their own way.
Happy Republic day once again.


Song-Suno gaur se duniya waalon (Dus)(1997) Singers-Udit Narayan, Shankar Mahadevan, Mahalaxmi Iyer, Dominique Cerezo, Lyrics-Sameer, MD-Shankar Ehsan Loy

Lyrics

suno gaur se duniya waalon
buri nazar naa humpe daalo
suno gaur se duniya walon
buri nazar naa humpe daalo
chaahe jitna zor laga lo
sabse aage honge hindustani

suno gaur se duniya waalon
buri nazar naa humpe daalo
chaahe jitna zor laga lo
sabse aage honge hindustani
hamne kaha hai
tum bhi kaho
hamne kaha hai jo
tum bhi kaho

aao ham mil jul ke bolen abb to yaara
apna jahaan hai sabse pyaara
aao ham mil jul ke bolen abb to yaara
apna jahaan hai sabse pyaara
hamne kaha hai jo
tum bhi kaho o o
o o o o
o o
o o o o
o o
o o o o
o o
o o o o
o o

jalte sharaare hain paani ke dhare hain
ham kaate katate nahin
jo waada karte hain
karke nibhaate hain
ham peechhe hatate nahin
waqt hai umr hai
josh hai aur jaan hai
naa jhuke naa mite
desh to apni shaan hai
waqt hai umr hai
josh hai aur jaan hai
naa jhuke naa mite
desh to apni shan hai
hamne kaha hai jo
tum bhi kaho
ae suno gaur se duniya walon
buri nazar naa humpe daalo
chaahe jitna zor laga lo
sabse aage honge hindustani
Hindustani

sabke dilon ko mohabbat se baandhe
jo ham aisi zanjeer hain
oonchi udaanen hain
oonche iraade hain
ham kal ki tasveer hain
jo hamen pyaar de
ham use yaar pyaar den
dosti ke liye zindagi apni vaar den
jo hamen pyaar de
ham use yaar pyaar den
dosti ke liye zindagi apni vaar den

hamne kaha hai jo
tum bhi kaho
yeah yeah
suno gaur se duniya walo
buri najar naa humpe dalo
chahe jitna jor laga lo
sabse aage honge hindustani
Hindustani

Hindustani

Hindustani

o o o o o
o o
Hindustani
o o o o o
o o
o o o o o
o o
Hindustani
o o o o o
o o
o o o o o
o o
Hindustani
o o o o o
o o
o o o o o
o o
Hindustaaani
o o o o o
o o
Hindustani


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4914 Post No. : 16735 Movie Count :

4555

Hullo Atuldom

Time for a yearly roundup!!!! 2021 coming to a close. 2022 just a sunrise away. Hope we have different experiences in 2022, experiences that make us glad and bring a smile to our lips which stays the whole year.

I am sure Atulji or Sudhirji or one of the other blog-contributors, who have the patience to go through the statistics etc., will give us a table of how many new movies debuted on the blog in 2021, and other related info about which date saw how many posts etc. But the best that happened this year, IMO, is the series that Atulji undertook to enlist all the movies, music directors etc that Lata Mangeshkar was associated with in her looonnngg career.

On the way out of 2021 here is a song from the 1993 release “Shatranj”. A movie that I saw at the time of its release on cable TV, before the Satellite TV Tsunami hit us. It was produced by Arun S. Thakur, directed by Aziz Sejawal, had music by Anand Milind, and Sameer was the lyricist. S P Balasubramaniam, Abhijeet, Udit Narayan, Jolly Mukherjee, Kumar Sanu, Sudesh Bhonsle, Jayshree (popular as Bombay Jayshri in classical music circles), Poornima, Sadhana Sargam (i.e. all the good singers of the 90s) were used in the movie.

Kadar Khan was the dialogue writer of the movie which begins like “Chalti ka Naam Gaadi” (CKNG) which means we have three brothers -bachelors- who are reared by the eldest brother Dharamraj (Kadar Khan), the other two brothers being Dino and Dinky (Jackie and Mithun). The eldest brother has a problem with the female gender of the populace (like Ashok Kumar in CKNG), the other two don’t have any such issues and Renu & Radha (Divya Bharaati and Juhi Chawla) are their girl friends. Then there is a female called Rosie (Jamuna who appeared in a few films in the 80s and 90s, not much is known about her) who is shown to like the elder brother Dharamraj since childhood (Sarfaraz Khan, Kadar Khan’s own son played the younger Dharamraj). The reason for Dharamraj’s problem with females is shown as his step-mother who was nasty to him and his brothers as children.

The story has the necessary villain in the character of Prajapati (Kiran Kumar) the manager to the brothers’ father’s (Vikas Anand) business and also his killer. He is cheating the brothers’s step-mother and step-brother (Shakti Kapoor) and using their business as a front for his illegal activities (what else). The brothers have some misunderstandings with Dharamraj when Renu & Radha enter their lives, which get resolved; then the hard-feelings towards the step-family also is sorted out and the cause of all the problems in their lives (Prajapati) is brought to his logical end. And then “The End”.

Oh I forgot to mention a few more tributes that the movie paid to CKNG. CKNG had ‘Mohan Garage’ here the brothers have ‘Dharam Garage’. There was a ‘car’ in CKNG even this movie had a ‘car’ important to the story. CKNG begins with a song on the pet car, this one too begins with a song on the car. Additionally the brothers have a pet Monkey/ Chimpanzee. So let us have the movie debuting on the blog with the film-opening song that shows us the bonding between the brothers. This song is in the voices of SPB, Abhijeet and Udit Narayan.

There used to be a show called ‘Superhit Muqabla’ on Doordarshan Metro of those years (28 years back) which was on the lines of the legendary Binaca Geetmala. The show used to retire songs from the list of popular songs, which were complied based on vinyl records and cassette sales & and viewership of the show as such, after a 25 week run to make place for newer songs, very much like Binaca Geetmala. And songs of “Shatranj” (1993) were on this show for many weeks.

With this song we also say thank you to the entertainer Kadar Khan who left us today, in 2018, in Canada, where he was staying with his sons following his retirement from Bollywood. His last release was ‘Hogaya Dimaagh ka Dahi” in 2015 October (after a gap of seven years when ‘Mehbooba’ and ‘Deshdrohi’ released). He was a recipient of three Filmfare awards viz:

Best Dialogue for “Meri Awaz Suno” in 1982.

Best Comedian for “Baap Numbri Beta Dus Numbri” in 1991.

Best Dialogue (again) for “Angaar” in 1993.

He was conferred the Padma Shri, posthumously in 2019 by the Government of India.

He was 81 when he passed away.

Video


Audio

Song-Ek se bane do do se bane teen (Shatranj)(1993) Singers-S P Balasubrahmaniam, Abhijeet, Udit Narayan, Lyrics-Sameer, MD-Anand Milind

Lyrics

ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
arre humsa koi hoga nahin
Londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen

apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
koi ye jaane na
isko pehchaane na
apni mehbooba hai yeh
hum jo bulaate hain
yeh daudi aati hai
hum jo bulaate hain
yeh daudi aati hai
jeevan ki raahon mein
khushiyan lutaati hai
aisi yahaan gaadi kahaan
sabse hai ye behtareen

chham chham
chham chham
chham chham
kaali saadi waali (chham chham)
ladki bholi bhali (chham chham)
aise na bal kha ke chal (chham chham)
gori gori baahen (chham chham)
qaatil teri adaayein (chham chham)
dil mera jaayen machal
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen

uthhte hain sote hain
hanste hain rote hain
rehte hain hum saath saath
sapne sajaate hain
masti lutaate hain
chaahe ho din chaahe raat
hum ek dooje ka
daaman na chhodenge
mar jaayenge lekin rishta na todenge
hum jo miley
toh hai wahi
tasveer aisi haseen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
hey humsa koi hoga nahin
londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum zidhar se guzrein
woh safar ho rangeen


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4886 Post No. : 16682 Movie Count :

4547

Hullo Atuldom

We are into the last month of 2021. This is my first post for the month, and we have a few super-actors celebrating their birthdays this month. Also, there are a few actors, who are no longer amidst us, whose birth anniversaries are in December. Here is hoping that I get the inspiration to write for each of those dates.

But today’s birthday is not of any well known film star. It is our very own Ben Katie’s birthday. We wish her a very Happy and Musical day. May we see more of her on the blog-space.

This post sees the 2002 released, Rahul Dholakia directed, Neeraj Vora written (dialogues), Kishore Dadlaney- Lal Dadlaney produced romantic-comedy “Kehtaa Hai Dil Baar Baar” making its debut on the blog. It had songs written by Sameer which were tuned by Jatin-Lalit.

It had a cast headed by Paresh Rawal who played an egoistic, over possessive father to two lovely daughters. There is a lot of Mayhem when he discovers that one of his daughters (Kim Sharma, a doctor in the film) declares that she is in love with a man who is not a “Patel”. Further investigation by the father reveals that the prospective son-in-law (Jimmy Shergill) is neither a property-owner nor a professional. As if that was not enough to ruffle the fuming father’s feathers it turns out that the person is a mixed-blood Indian viz. part-Punjabi, part- South Indian (“Madrasi” as people who are unaware of the different states in south of India would like to say). This leads to a lot of hot-weather between Jimmy and Paresh Rawal which is definitely entertaining and I must say that it didn’t look ‘gross’.

I remember (vaguely) that there is a scene in the movie where Patel (Paresh Rawal) is shown to be organizing the catering for his other daughter’s (Namrata- played by Toral Mehta) wedding. That scene helps establish the kind of calculative mindset of ‘Roger Patel’ possesses. By the way, ‘Roger Patel’ is the Americanized version of Ranchod Rai Patel who likes to call himself ‘The Roger Patel’.

Neena Kulkarni, Ranjeet, Johnny Lever were also part of the cast. Today’s song shows us Neena Kulkarni- the loving mother- leading a set that approves of the match between Kim and Jimmy. The lively song has Gujarati and Punjabi words and even the tune has flavour of both the states. We can see Paresh Rawal is unmoved (he is one versatile actor, isn’t he? 🙂

This song shows us what potential Jimmy Shergill had and could have been a success in commercial movies too considering the handsome looks and sense of rhythm as far as dance is concerned. He was very good in displaying his emotions too as could be seen in the characters he played in movies like the Gulzar directed “Maachis” (1996), Yash Chopra’s “Mohabbatein” (2000) and some more from the Yash Raj stable.

Recently I had seen him in movies like “Happy Bhag Jayegi” (2016) and its sequel “Happy Phirr Bhag Jaayegi” (2018) both of which showcased his comic timing. I must admit that I liked what little I have seen of him in movies.

Incidentally, 3rd December happens to be his 51st birthday -here is wishing him lots of luck and good movies that allow him to show his full talent. By the way, he belongs to a family of immense talent. His paternal great aunt was the famous Indian painter Amrita Sher-Gil.

This song is in the vocals of Udit Narayan and Shraddha Pandit (some sites have mentioned that Poornima is the female playback, need confirmation).

Let us also wish Udit Narayan (belated, he turned a year older on 1st December). He has been in the music industry since 1980. He has had opportunity to sing with the legends Mohd Rafi and Kishore Kumar. Success came his way after a long struggle, in 1988 to be exact, when ‘Papa Kehte Hain’ from ‘Qayamat Se Qayamat Tak’ ruled the air-waves and popularity charts.

He began his singing on Radio Nepal with Maithili and Nepali songs. He moved to Mumbai in the 80s and his debut was in the 1980 release ‘Unees Bees’ which had Rajesh Roshan wielding the baton, this was the song where he got to sing with Mohd Rafi. He has sung for even Dev Anand in ‘Swami Dada’. He is the recipient of 4 National Awards, 5 Filmfare Awards, and Padma Shri.

I am sure the followers of the blog will understand why I chose this song to go with this post. 🙂

Once again wishing our Ben Katie – naamkaran for Khyatiji done by our Sudhirji- a Very Happy Birthday.


Song-Dikri amaari Gujarat ni chhe sadda munda punjaabi(Kehta Hai Dil Baar Baar)(2002) Singers-Udit Narayan, Shraddha Pandit, Lyrics-Sameer, MD-Jatin Lalit
Female chorus
Male chorus
All chorus
Udit Narayan + Shraddha Pandit
Unknown male voice

Lyrics

turutu turutu
turututuru
turutu turutu
tuturutururu

hoy hoy
hoy hoy
hoy hoy

dikri amaari gujarat ni chhe
sadda munda punjabi
dikri amaari gujarat ni chhe
sadda munda punjabi
donon agar mil jaayen to kya ismein kharaabi
dikri amaari gujarat ni chhe
sadda munda punjabi

balle balle shaava shaava
balle balle shaava
hoy
balle balle shaava shaava
balle balle shaava
hoy

ditaana ditaana ditaa
apne sajan tame gamta(?)
apne sajan tame gamta(?)

hum jatt yamle punjab de
na ishq mein honge fail
hum dilwaali gujaratni chal ramiye prem no khel
haan rab ne karaaya hai yaaraa
tere mere dil ka ye mel haan
donon agar mil jaayen to kya ismein hai kharaabi
dikri amaari gujarat ni chhe
sadda munda punjabi

o boy
??
?? what his name ??
no check nothing
?? never been ??
I hate Indian
get out of here
I am saying now
?? is right
leaving now
??
run along

kahin bhool na jaana tu mujhe
sang le ke phere saat

chaubare se tum dekhna
le aaunga baaraat
aaa soche koi kuchh bhi soche
haathon mein le le tu haath haan

dikri amaari
hoy hoy
dikri amaari gujrat ni chhe
sadda munda punjabi
donon agar mil jaayen to kya ismein hai kharaabi
donon agar mil jaayen to kya ismein kharaabi
dikri amaari gujrat ni chhe
sadda munda punjabi

munda punjabi
ho sadda munda punjabi

hoy hoy
hoy hoy

chhik chham chham chhachham chham chham
chik chham chham chham chhachham chham chham
chik chham chham chham chhachham chham chham

hey ho
chik chham chham chham chhachham chham chham
chik chham chham chham chhachham chham chham
chik chham chham chhachham chham chham
hey ho


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4833 Post No. : 16616

Hullo Atuldom

Another date of October for which I always need to write out a post for.

It being the birth date of an actor whose work I began liking post 1975- “Sholay” to be exact. I liked the way he delivered his dialogues. Some dramatic dialogues which he had casually uttered are iconic and classic and stuff which fans quote as legendary.

Remember ‘mere paas maa hai’ it was not said forcefully or with banging of fists or any such heavy add-ons. He was also given dialogues which were comic in nature -for example the cricket commentary in English that has made “Namak Halal” a movie worth watching; he even managed to squeeze in some comedy intto the fight sequence in the climax of the movie. But I always loved the late night scene in Asrani’s office when Amitabh Bachchan calls Asrani and Dharmendra for a meeting to discus the situation between Vasudha and himself. I know I need not mention that I am talking of the Hrishikesh Mukherjee ’70s classic “Chupke Chupke” and the expression that he had when he said “for safety’s sake main woh bhi batadoonga”- priceless. He was so nice at depicting his emotions and I may have mentioned this a few times in earlier posts about how the scene between Sanjeev Kumar and AB Sr. in “Khuddar” was memorable as both the actors spoke with their eyes. An added advantage the film industry had when working with AB Sr. was he was good in action sequences too and is known to have enacted many of them without using a body-double or ‘stuntman’ (in filmy parlance). He managed to overcome his awkwardness where dance (a necessity in Indian movies) was concerned. He has also tried his hand at singing for his characters; for which initially, he was made-fun-of as he was considered to be a tuneless singer but he has sung and many of them have been very popular with his fans.

Today’s post which celebrates this all-time favorite actor of mine turning a year older or a step closer to 80 has a song from the 2003 (can’t believe this film was 18 years back, time has just flown) B R films production and Ravi Chopra directed “Baghban”. It had music by Aadesh Srivastava and Uttam Singh and songs were penned by Sameer. Alka Yagnik, Hema Sardesai, Richa Sharma, Sneha Pant, Udit Narayan, Aadesh Srivastava, Sudesh Bhonsle and Amitabh Bachchan were the playback singers used.

This song is pictured with an emotional Raj Malhotra (AB Sr.) singing, and yearning for his wife Pooja (Hema Malini) who is staying with one of their sons and he himself with another son. The story of ‘Baghban’ was something which was popular in the 60s and early 70s; but even this movie was successful with the new generation moviegoers. This song can also been seen as proof of what I stated earlier in this post viz. “actors speaking with their eyes”; here it is Hema and AB Sr. They have played the old couple so convincingly. The song is sung by Amitabh Bachchan and Alka Yagnik.

Here is wishing the (once) Angry- Youngman, Shahenshah of Bollywood, Star of the Millennium, Big B or AB Sr. (people in entertainment industry have been addressing him in this manner for a few years now) a Happy Birthday and lots of good health.

Audio

Video

Song-Main yahaan tu wahaan zindagi hai kahaan (Baagbaan)(2003) Singers-Amitabh Bachchan, Alka Yagnik, Lyrics-Sameer, MD-Aadesh Srivastava

Lyrics

main yahaan tu wahaan
zindagi hai kahaan

main yahaan tu wahaan
zindagi hai kahaan
main yahaan tu wahaan
zindagi hai kahaan
tu hi tu hai sanam dekhta hoon jahaan
neend aati nahin yaad jaati nahin ee ee
neend aati nahin yaad jaati nahin
bin tere abb jiya jaaye naa aa aa
main yahaan tu wahaan
zindagi hai kahaan

waqt jaise thehar gaya hai yahin
har taraf ek ajab udaasi hai
bekaraari kaa aisa aalam hai
jism tanha hai rooh pyaasi hai

teree soorat ab ek pal kyun nazar se hatati nahin
raat din toh kat jaate hain
umr tanha katati nahin
chaah ke bhi naa kuchh keh sakoon tujhse main aen aen
chaah ke bhi naa kuchh keh sakoon tujhse main
dard kaise karoon main bayaan aan aan
main yahaan tu wahaan
zindagi hai kahaan

jab kahin bhi aahat huyi
yoon laga ke tu aa gaya aa
khushboo ke jhonke ki tarah
meri saansen mehka gaya
ek woh daur thha
ham sada paas thhe ae ae
ek woh daur thha
ham sada paas thhe
ab toh hain faasle darmiyaan aan aan
main yahaan tu wahaan
zindagi hai kahaan
hmm hmm hmm
hmm hmm hmm
hmm hmm hmm

beeti baaten yaad aati hain
jab akela hota hoon main
bolti hain khaamoshiyaan
sabse chhupke rota hoon main
ek arsa huwa muskuraaye huye ae ae
ek arsa huwa muskuraaye huye
aansuon mein dhali daastaan aan aan
mai yahaan tu wahaan
zindagi hai kahaan
tu hi tu hai sanam dekhta hoon jahaan
neend aati nahin
yaad jaati nahin ee ee
neend aati nahin
yaad jaati nahin
bin tere ab jiya jaaye naa aa aa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4812 Post No. : 16582 Movie Count :

4518

Hullo Atuldom

Heard this song today in the noon program of Vividh Bharati -Desh Ki Surili Dhadkan (the channel’s tagline). And immediately recalled a 2001 release which featured the off-springs of the actors from the above song. ‘Farz’ from which today’s trigger happened is 54 years old, the off-springs of the actors are themselves 44 and 40..everything seems like yesterday but all things that I mentioned are decently in the PAST. Even a movie that released in 2001 is 20 years old, ooh!!!

I am talking of “Mujhe Kucch Kehna Hai” which was directed by Satish Kaushik, written by Rumi Jaffery, songs were by Sameer and Anu Malik. Its cast included Kareena Kapoor, Rinke Khanna, Tusshar Kapoor, Amrish Puri, Dalip Tahil, Alok Nath, Vrajesh Hirjee, Himani Shivpuri, Dinesh Hingoo etc.

I have not seen the movie as a whole but vaguely recall that the story revolved around a sensitive young adult Karan (Tusshar Kapoor) who frequently skips college. Despite his poor academic performance, he displays many other talents. He is clever, an excellent musician, and plays in a band. His father constantly expresses his disappointment in him which often leads to Karan having outbursts of frustration and anger. One day in a deserted street, he lays eyes on Pooja (Kareena Kapoor) for the first time and falls in love with her. Following this brief acquaintance, he looks all over for her but fails to find her. He slowly begins to lose hope in his quest, stops playing music and decides to move to another city with his uncle. While on his way there, his car breaks down, and he is forced to hitch a ride. To his amazement, he finds Pooja in the driver’s seat. As they introduce themselves, an accident occurs when a truck collides with their car, which subsequently falls into a valley. Karan and Pooja find themselves hanging from a cliff, and even though Karan manages to haul Pooja back up the steep cliff, he loses his grip and falls into the ravine.

When Pooja regains consciousness, she assumes responsibility for Karan’s death and offers to help in the search for his body. Meanwhile, Karan has survived the fall but is seriously injured and unconscious. He is found by a man who takes him to the hospital and soon after, Karan is reunited with his family. As he recovers, he reflects on how he should have confessed his love to Pooja in the few moments they were together. He also begins to focus on his education instead of his music. In time, Pooja arrives at his doorstep to apologize and offers her friendship. They become good friends and then Pooja tells Karan that she must leave for the United States for further studies. Devastated, he finally confesses his love for her. Pooja feels the same way and cannot deny her feelings for Karan, and promises that she will return to him once she completes her education. Karan agrees to patiently wait for her.

September 20th is the birthdate of Kareena Kapoor. The fifth generation of the Kapoor Khaandan, only the third girl from the clan to enter showbiz- the other two being Sanjana Kapoor (Shashi Kapoor’s daughter) and Karisma Kapoor. The younger daughter of Randhir Kapoor and Babita. A few other caps also fit her dainty head- cousin to Ranbhir Kapoor, wife of Saif Ali Khan, daughter-in-law to Sharmila Tagore. She is a recipient of 6 filmfare awards beginning with award for best debut for her role in ‘Refugee’ (2000). She is considered to be a style icon and has also competent in enacting a variety of characters as we have see in ‘Chameli’, ‘Yuva’, ‘Dev’, ‘Fida’, ‘Aitraaz’ -all in 2004, each character different from the other. She has been paired opposite most of the heroes of that period- Akshay Kumar, Ajay Devgan, Fardeen Khan, Shahid Kapoor, and the Khans viz. Salman, Shahrukh, Aamir, Saif. She has also acted in a few multi-heroine movies. She says she is a huge fan of the (late) Sridevi.

With this song “Mujhe Kucch Kehna Hai” (2001) makes its debut. This song is in the voices of Preethi, Pinky and Babul Supriyo. Preethi and Pinky are sisters who were very popular in the late 90s and at the turn of the millennium. I recall that a song, picturised on Rani Mukherjee and Preity Zinta, rendered by these sisters was very popular among school children and youngsters in that period.

Happy Birthday Bebo, I mean, Kareena.


Song-Maine koi jaadoo nahin kiya (Mujhe Kuchh Kehna Hai)(2001) Singers-Preeti, Pinky, Babul Supriyo, Lyrics-Sameer, MD-Anu Malik

Lyrics

ankhiyon ne raat kya jaadu kiya
kya jaadu kiya
kya jaadu kiya
ankhiyon ne raat kya jaadu kiya
kya jaadu kiya
kya jaadu kiya
maine koi jaadu nahin kiya
tuhi mere peechhe aaya piya
maine koi jaadu nahin kiya aa
tuhi mere peechhe aaya piya
ankhiyaan milaake toone dil ko churaaya
loota loota loota mera jiya oh o o
maine koi jaadu nahin kiya
toohi mere peechhe aaya piya
ankhiyaan milaake toone dil ko churaaya
loota loota loota mera jiya oh o o
maine koi jaadu nahin kiya
toohi mere peechhe aaya piya

shokh haseena khushbu waali
chaand bhi tujh pe marta
itni haseen hoon chaand bechara aur bhala kya karta
chaand ki baaten chaand pe chhodo
apni baat bataao

bin bole har baat samajh lo
yoon na paheli bujaao
sona sona
main hoon sona

itna kehdo o occurs
meri hona

ankhiyaan milaake toone dil ko churaaya
loota loota loota mera jiya oh o o
maine koi jaadu nahin kiya
toohi mere peechhe aaya piya
maine koi jaadu nahin kiya aa aa
tuhi mere peechhe aaya piya

maine koi jaadu nahin kiya
toohi mere peechche aaya piya

is mehfil mein mere dil mein
kisne aag lagaayi
aag lagaane waali
tujhe tadpaane waali
mujhko nazar na aayi
chham chham paayal kyun bajti hai
mujhko zara samjhaao

baat samajhni hai jo tum ko
pass mere aa jaao
chhoona chhoona bainyya gori
dil tu de de chori chori

ankhiyaan milaake tune dil ko churaaya, loota loota loota mera jiya oh o o
maine koi jaadu nahin kiya aa aa
toohi mere peechche aaya piya

ankhiyon ne raat kya jaadu kiya
maine koi jaadu nahin kiya
kya jaadu kiya
kya jaadu kiya
maine koi jaadu nahin kiya
toohi mere peechche aaya piya
maine koi jaadu nahin kiya aa aa
toohi mere peechche aaya piya
ankhiyaan milaake toone dil ko churaaya
loota loota loota mera jiya oh o o
maine koi jaadu nahin kiya


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4802 Post No. : 16569 Movie Count :

4513

Hullo Atuldom

10th September 2021 is actually 19th day of the Bhadrapada month in the Vikrama Nama Samvat of the Hindu Calendar. It is the 4th day after the Amavasya or the New Moon. This day is very special as it is the day when the devout Hindus pray to the elephant-headed God Ganesha.

This is one festival that is celebrated through the country calling it Vinayaka Chaturthi in South India and Ganesh Chaturthi in the rest of the country. But the Lord worshipped and adored is the same and the offerings and prasad are basically the same. The flowers that are usual are the Hibiscus and the Marigold. Leaves of tender Banana plant are used to decorate the puja stands and mango leaf garlands adorn the doorways to homes. The most relevant flower or plant used to worship Lord Ganesha is said to be the Durva Grass. It is said that once while fighting a demon, Ganesha ended up swallowing him. This gave him a burning sensation in the stomach. When all else failed a group of sages placed a bunch of 21 Durva grass on him and he felt better. Another story says that Lord Ganesha suffered from a burning sensation after being cursed by a celestial woman. He became a recipient of the bane after rejecting her marriage proposal. Therefore, to rid himself of the discomfort and agony, Lord Ganesha placed a few strands of the Durva on his head. But Durva Grass is one of the offerings
Another common factor in the worship of Ganesha is the Modak – a sweet preparation made variously with Rice flour exterior and a filling made of coconut which is sweetened mostly with jaggery as in some parts of the country. Modak made from thickened milk (khova) and flavoured with saffron and cardamom are also offered specially in the Sarvajanik Ganesh Mandals. We in South India also have a savoury variation of the Modak. There is a story associated with Ganesha’s love for the Modak. Devi Parvati- the mother of Shri Ganesh and Shri Kartikeya- gave a modak to the two brothers. But both didn’t feel like sharing it with the other. So, as a way to decide who will get it, the mother asked her sons to take three rounds of the world and the winner would get the modak. Kartikeya promptly set off on his Peacook to abide with what his mother had said. Ganesha won the modak by taking three rounds of his parents as they meant the world for him. Such is the love that the lord has for the humble Modak.

As a child I used to visit my neighbour’s home when they brought beautiful clay idols of the god. That aunty taught me and other kids of the apartment all the associated aartis and bhajans which have been handed down from generations. Personally, I have no idea of who the original writers were but I keep seeing them used in films too, down the years. And each film credits a different writer as being the lyricist. Like for example, I found a movie called “Jai Ganesh” (1977) which credited “Sukhakarta dukharta varta vighnanchi” to Bharat Vyas and Visweswar Sharma. And I always thought it was a traditional aarthi; of course closer inspection brought out Hindi words and the original was possibly in Marathi. (I could be wrong about all of this though) I have myself shared two Ganesh aarathis on the blog which were credited to Mayur Puri (Riddhi siddhi vridhhi hoti) and Amitabh Bhattacharya (Deva shree Ganesha). These two displayed the feelings of the on-screen characters and relied of the original aarathi towards their end.

Today’s song is a Ganesh aarati with all the words as I have learnt it but Sameer is credited as lyricist. Music is by the duo Jatin-Lalit and is from the 1999 release “Vaastav”.

The movie had a cast headed by Sanjay Dutt, with Namrata Shirodkar, ,Mohnish Behl, Aarti Behl (also known as Ekta Behl), Reema Lagoo, Shivaji Satam, Sanjay Narvekar, Deepak Tijori, Paresh Rawal, Mohan Joshi, Ashish Vidyarthi, Himani Shivpuri etc. It was directed by Mahesh Manjrekar, produced by Sanjay Nikalje, had music by Jatin Lalit, Atul Ranade and Rahul Ranade. The movie won Sanjay Dutt a filmfare award for best actor for playing ‘an easy-going guy to a broken man’. ‘Vaastav’ had a tagline ‘The Reality’ and tried to depict the harsh realities of life in he Mumbai underworld. It also had a few good songs.

Today’s song happens just when the boys of the chawl have found that they have been used for personal gains by the underworld don, home minister etc. Raghu (Sanjay Dutt) finds out from the friendly inspector Kishore Kadam (Deepak Tijori) orders have been issued to eliminate them as they have become a thorn in the flesh of those who used them. The movie ends with Reema Lagoo shooting her (like Nargis in ‘Mother India’).

Let us welcome our ‘Pyara Ganpati/ Ganesh/ Vinayak… Ganpati Bappa…. Morya!!!!!!

Video

Audio

Song-Shendur laal chadhaayo achcha gajmukh ko (Vaastav)(1999) Singer-Ravindra Sathe, Lyrics-Sameer, MD-Jatin Lalit

Lyrics

shendur laal chadhaayo achcha gajmukha ko
dondil laal biraaje sut gauri haar ko
haath liye guda laddu sai survar ko
mahima kahe naa jaaye lagat hu pad ko
jaidev jaidev
jaidev jaidev/em>

jai jai ji ganraaj vidyasukhdata
dhanya tumhaaro darshan mera
mann ramta
jaidev jaidev
jaidev jaidev

bhava bhagat se koi sharanagat aave
santati sampatti sabahi bharpoor paave
aise tum maharaaj moko ati bhaave
gosavinandan nishi din gun gaave
jaidev jaidev
jaidev jaidev
jai jai ji ganraaj vidyasukhadata
dhanya tumhaaro darshan mera
mann ramta
jaidev jaidev
jaidev jaidev

ghaalin lotaangan
vandin charan
dolyaani paahin roop tujhe
preme aalingin
aanande pujin
bhaave ovaalin mhane naama
twamev maata pita twamev
twamev bandhushch sakha twamev
twamev vidya dravinm twamev
twamev sarvam mam dev deva
kayen vach manasendriyairva
buddhyatmana va prakritiswabhava
karomi yadhyat sakalam parasmai
narayanayeti samarpayami
achyutam keshavm ramanarayanam
krishnadamodaram vasudevam hari
shridharam madhavam gopikavallabham
janakinayakam ramachandram bhaje
hare raam hare raam raam raam hare hare
hare krishna hare krishna krishna krishna hare hare
hare raam hare raam raam raam hare hare (aaaaaaaa )
hare krishna hare krishna krishna krishna hare hare (aaaaaaaa )
hare raam hare raam raam raam hare hare (aaaaaaaa )
hare krishna hare krishna krishna krishna hare hare (aaaaaaaa )
hare raam hare raam raam raam hare hare (aaaaaaaa )
hare krishna hare krishna krishna krishna hare hare (aaaaaaaa )
hare raam hare raam raam raam hare hare (aaaaaaaa )
hare krishna hare krishna krishna krishna hare hare (aaaaaaaa )


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Blog Day :

4777 Post No. : 16528 Movie Count :

4498

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLVII: Year 1993
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1993.

In 1993, 122 Hindi movies containing 748 songs were released. Lata Mangeshkar got to sing in 14 of these movies and she sang 49 songs in these movies. So Lata Mangeshkar’s voice was heard in 11 % of the movies released in 1993. Her voice was heard in 6 % of the songs appearing in the movies of 1993.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1993 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aaina Dilip Samir 0 4 1 2 0 1 Sameer
2 Aansoo Bane Angaare Rajesh Roshan 0 2 2 0 0 0
3 Anmol Ram Laxman 0 6 3 3 0 0 Dev Kohli (3) Maya Govind (2) Sameer (1)
4 Antim Nyay Ram Laxman 0 3 0 3 0 0 Dev Kohli
5 Darr Shiv Hari 1 6 0 5 1 0 Anand Bakshi
6 Dil Hi To Hai Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
7 Dil Ki Baazi Ram Laxman 0 3 1 2 0 0 Shailly Shailendra (2) Ravinder Kapoor (1)
8 King Uncle Rajesh Roshan 0 1 0 1 0 0 Indeewar
9 Kshatriya Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
10 Lutere Anand Milind 0 2 0 2 0 0 Manoj Kumar (1) Dharmesh Darshan (1)
11 Maya Memsaab Hridaynath Mangeshkar 1 5 5 0 0 0 Gulzar
12 Parampara Shiv Hari 0 6 2 2 1 1 Anand Bakshi
13 Pyaar Ka Taraana Ram Laxman 0 3 2 1 0 0 M G Hashmat
14 Rudaali Bhupen Hazarika 0 6 4 2 0 0 Gulzar
Total 14 movies 8 MDs 2 49 22 23 2 2 12 lyricists

Lata Mangeshkar worked with 8 music directors and 12lyricists in these 12 movies released in 1993. Laxmikant Pyarelal were the most prolific music directors with Lata, with 661 songs in HFM with Lata Mangeshkar by the end of 1992. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 331 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Bappi Lahiri (110), Salil Chaudhary (109), Rajesh Roshan (109) and Vasant Desai (104). Together these seventeen music directors composed 3719 songs out of 5083 songs that Lata Mangeshkar had sung in Hindi movies till end of 1993. Anand Bakshi with 693 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (155). These ten lyricists had penned 3211 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1993 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 138 157 103 35 12 7
1950 36 movies 115 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 172 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 99 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 3 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 9 38 20 16 1 1
1990 9 movies 4 12 3 9 0 0
1991 16 movies 6 57 35 20 1 1
1992 12 movies 3 25 12 13 0 0
1993 14 movies 2 49 22 23 2 2
Total upto 1993 1824 movies 3720 5083 3334 1427 208 114

It can be seen from the table of 1993 that Lata Mangeshkar sang 46 songs in 14 movies released in 1993.

2 songs sung by Lata Mangeshkar in movies of 1993 have been covered in the blog. That leaves us with 44 songs from 14 movies of 1993 that are yet to be covered.

Alphabetically “Aaina”(1993) is the first movie of 1993 that offers us a Lata Mangeshkar song to be covered in the blog.

“Aaina”(1993) was produced by Pamela Chopra and directed by Deepak Sareen for Aditya Films, Bombay. The movie had Jackie Shroff, Juhi chawla, Amrita Singh,Sayeed Jaffrey,Maya Alagh,Dina Pathak, Rajesh Kattar, and Deepak Tijori(Special appearance), Vikas anand, Virendra Saxena,Yunus Parvez etc in it.

“Aaina”(1993) had four Lata Mangeshkar songs in it. Here is he first song from the movie to appear in the blog. This song is a Lata Mangeshkar solo song. Sameer is the lyricist. Music is composed by Dilip Sen Samir Sen. The song is picturised on Amrita Singh, Jackie Shroff and Juhi Chawla.

Lyrics of the song and other details were sent to me by Prakashchandra.

With this song, “Aaina”(1993) makes its debut in the blog.

audio link:

video link:

Song-Meri saanson min tum dil ki dhadkan mein tum (Aaina)(1993) Singer-Lata, Lyrics-Sameer, MD-Dilip Sen Samir Sen

Lyrics( Provided by Prakashchandra )

meri saanson mein tum m m
dil ki dhadhkan mein tum m m
rehthey ho o o o mere khaayalon mein tum

ye raat khushnaseeb hai
jo apney chaand ko o o
kalejey se lagaaye so rahee hai ae ae
yahaan to gham ki sej par
hamaari aarzoo oo oo
akeli munh chhupaaye ro rahee hai
ye raat khushnaseeb hai
jo apney chaand ko o o
kalejey se lagaaye so rahee hai ae ae

saathi maine paa ke tujhey khoyaa aa
kaisaa hai ye apnaa naseeb
ho ho o
tujh se bichhad gayee main to o o
yaadein teri hain mere qareeb
ho o o ho o
tu meri waffaaon mein aen
tu meri sadaaon mein
tu meri duaa`on mein
ye raat khushnaseeb hai
jo apney chaand ko o o
kalejey se lagaaye so rahee hai ae ae

kat’ti naheen hai meri raatein aen aen
kat`tey naheen hain mere din
ho o o
mere saarey sapney adhoorey aey ae aey
zindagi adhoori tere bin n n
ho o o ho o o
khwaabon mein nigaahon mein aen
pyaar ki panaahon mein
aa chhupaa ley baahon mein
ye raat khushnaseeb hai
jo apney chaand ko o o
kalejey se lagaaye so rahee hai
yahaan to gham ki sej par
hamaari aarzoo oo
akeli munh chhupaaye ro rahee hai ae


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16900 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16949

Number of movies covered in the blog

Movies with all their songs covered =1313
Total Number of movies covered=4587

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