Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1957


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naya Zamaana”(1957) was directed by Lekhraj Bhakri for Link Films, Bombay. The movie had Pradeep Kumar, Mala Sinha, Veena, Kammo, Leela Mishra, Badri Prasad, Gope, Shukla, Poonam Kapoor, Shakuntala, Brahmdatt, Daizy Irani, Baby Naaz, Al Nasir etc in it. Pradeep Kumar and Al Nasir were guest artists in this movie.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 9
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‘औ’
“औरत के दिल पे क्या गुजरे, इंसान भला क्या जाने”

History, they say, is like the view that a traveler takes, when he decides to pause and rest, and then take a look back over the path that he has come. In literal terms, that path, and hence the view, stretches back for miles and miles. Having reached where he is, all he can see now is what is visible from a distance – the high mountains, or tall trees, or big pockets of habitation, or the large rivers, and other prominent landmarks that can still be seen from the vantage point where he now stands. What is not visible are the individual people he may have met and interacted on the way, the small roadside tea shops where he may have rested and had a snack, or the homes of friends, or even a tree, where he may have spent a peaceful night. There may be memories in the mind, but those are not now visible to the eyes. And a plethora of other small landmarks and events and experiences, that are no longer very sharp in the memory.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song can be termed as a lovely melodious song from an unknown film, composed by a lesser known Music Director. It is from a religious film “Sati Priksha-57”, a “C” grade film with less known actors in the cast. The song is sung by Asha Bhonsle and chorus and it is composed by Music Director Sanmukh Babu Upadhyaya.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The system of borrowed voice (i.e., playback singing) for actors started sometime in 1934 and playback singing was firmly in place in the Hindi film industry by the end of 1940. However, in the 40s, there were some prominent actor-singers Like K L Saigal, Noor Jahan, Suraiya, Shanta Apte, Kanan Devi etc. who continued to sing for themselves. Mukesh, Kishore Kumar, Talat Mehmood, Sulkashana Pandit etc who started as playback singers also sang for themselves whenever they acted in some films. GM Durrani who started his filmy career as an actor in the 30s switched over to playback singing and he became one of the most sought after male playback singer in 1940s. All these actor-singers/singer-actors had good voices and therefore one would normally expect them to sing for themselves while acting in films. However, there are cases where a few of such artists had to borrow voices of other playback singers.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 5
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‘ऊ’
“ऊंची एड़ी है मांग टेड़ी टेड़ी दुपट्टा रंगदार कर के”

I am glad that I posted this song when I did. As per my search, this is possibly the last song of Rafi Sb that starts with ‘ऊ’, and not yet posted on our blog. Just made it by cat’s whiskers. Otherwise, I would have been expressing regrets, just like for ‘ई’.  🙂
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Asha”(1957) was produced and directed by M V Raman. The movie had Kishore Kumar, Vyjyanti Mala, Pran, Raj Mehra, Minoo Mumtaz, Randhir, Shivraj, Chaman Puri, Dhumal, Sunder, Lalita Pawar, Om Prakash etc in it.
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This article is written by K Satish Shenoy, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

If a “Miss India “ contestant were to be asked, during the question- answer round, “What would be your next goal, if you were crowned ?”, she is unlikely to say “Mother India” :). But that is exactly what has been seen in Nargis’s celluloid journey. After her portrayal in & as ‘Miss India’ (January 1957), which cannot be described a winner at box office, she went on to portray ‘Mother India’ (October 1957) which turned out to be a land mark cinema.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Baarish”(1957) was produced by K H Kapadiya and directed by Shankar Mukherji for Alankar Chitra, Bombay. The movie had Dev Anand, Nutan, Lalita Pawar, Helen, Anwar Hussan, Nana Palsikar, Jagdish Sethi, Mehmood, Kumkum, Gope, Madan Puri, Kumud Tripathi etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I am looking for films having the same title, released in different years and I am searching for as yet undiscussed songs from the older among these same name movies.

As a result of this attempt, today we get introduced to a song from the film ‘Aadmi’ released in 1957.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 28
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It was a dark and stormy night.

OK, okay, I am just making it up.  It was not a dark and stormy night.  Delhi is well lighted in the nights these days, so it is hard to come by a dark night unless it is a power failure on a moonless night.  Plus being the month of November, and the onset of winters, no storms are likely.  Ah but how I wish I could start the story with this line. 😉
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