Posts Tagged ‘Mala Sinha’
Sambhal to le dil deewaana
Posted on: June 3, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3972 | Post No. : | 15057 |
Yesterday (2 june 2019) was Sunday. I for some reason thought that there was lots of time available with me and so I would do things that I had not done for ages. Sunday morning is the day when DD national presents ‘Rangoli’.
I used to be a regular watcher of this programme when I was based at Bilaspur. That was four to seven years ago. I have rarely watched this programme since.
On this ‘Rangoli’ programme on 2 june 2019, This presenter announced that the programme would have songs dealing with nature. I found that most songs were from 1990s from movies such as ‘Roja’ etc, with a couple of songs from 1960s. There was no value addition from the anchor on these songs while discussing the songs. May be I was expecting her too keep us enthralled like an Ameen Sayani or Nalin Shah. But then those days and those knowledgeable presenter have become rare to find. We should at least be thankful that Vividh Bharti still has good presenters with knowledge as well as passion for old songs.
I then thought that instead of finding fault in the presentation of ‘Rangoli’, I should look in the mirror. Even my articles in the blog has become routine. It is time to bring some zing and enthusiasm in my writeups.
Just as the ‘Rangoli’ programme covered mainly songs from 1990s, I too noted down the lyrics of some songs from 1990s. Somehow those songs of 1990s did not bring the same “kuchh kuchh hota hai” feeling in me. I decided to randomly pick a song from 1960s. This random picking gave me a song from ‘Phool Bane Angaarey’ (1963).
‘Phool Bane Angaarey’ (1963) was directed by Suraj Prakash for Asiatic Arts Productions Bombay. This movie had Mala Sinha, Raj Kumar, Johny Walker, Aashish Kumar, Shammi, Mumtaz Begam, Mukri, Nasreen, Tuntun, Sarita Devi, Laxmi, Leela Mishra, Chaman Puri, Ravikant, Mansaram, Bhalla etc in it.
The movie has six songs in it. Three of the most popular songs from the movie have been covered in the past.
The song under discussion, that I picked by lottery, is one that I had never heard before. But when I listened to this song, I quickly realised that my hunch about the difference in quality of songs between golden era songs and songs of 1990s was not misplaced. This forgotten and less heard song from 1960s sounded so sweet and lovely. And I had never heard this song before !
This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Kalyanji Anandji.
It was one of the earlier songs penned by Anand Bakshi in his career. This song came in the era when classy lyrics were being written by several established lyricists. So Anand Bakshi, in a bid to make his mark among such talented lyricists came up with this gem of a song. It is ironic that many of his lesser quality songs are better known than this song.
Even the music director duo were relatively new on the scene. And in this song they have tried to create a Salil Chaudhary like effect. The song and its picturisation is reminiscent of Salil Chaudhary compositions of those years.
The song is picturised on Mala Sinha.
Yesterday (2 June 2019) gave me a feeling that I failed to utilise it to the full. Nevertheless, I noted down the lyrics of some songs from 1990s, that I will discuss next.
Song-Sambhal to le dil deewaana (Phool Bane Angaarey)(1963) Singer-Lata, Lyrics-Anand Bakshi, MD-Kalyanji Anandji
Lyrics (Provided by Prakashchandra)
dil deewaana
zara
thehar
jaana
sambhal to le dil deewaana
zara thehar jaana aa
sambhal to le dil deewaana
zara thehar jaana
abhi na saamne aana
zara thehar jaana
sambhal to le
main guzri umr ko waapas zara pukaar to loon
main apne aap ko thhoda bahut sanwaar to loon
libaas gham ka nigaahon se main utaar to loon
samaa to ho le suhaana zara thahar jaana
abhi na saamne aana
zara thehar jaana
sambhal to le
khushi bhi itni achaanak main seh na paaungi
main apne aap mein bas aaj reh na paaungi
jo tum se kehna hai mujhko
wo keh na paaungi
main yaad kar loon fasaana
zara thehar jaana
abhi na saamne aana
zara thehar jaana
sambhal to le
sataane waale
tumhen main bhi thhoda tadpaaun
talaash karte phiro tum mujhe
main chhup jaaun
hazaar kehne pe bhi saamne na main aaun
banaa loon koi bahaana
zara thehar jaana
abhi na saamne aana
zara thehar jaana
sambhal to le dil deewaana
zara thehar jaana
sambhal to le
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
दिल दीवाना
ज़रा
ठहर
जाना
संभल तो ले दिल दीवाना
ज़रा ठहर जाना
संभल तो ले दिल दीवाना
ज़रा ठहर जाना
अभी ना सामने आना
ज़रा ठहर जाना
संभल तो ले
मैं गुज़री उम्र को वापस ज़रा पुकार तो लूँ
मैं अपने आप को थोड़ा बहुत संवार तो लूँ
लिबास ग़म का निगाहों से मैं उतार तो लूँ
समा तो हो ले सुहाना ज़रा ठहर जाना
अभी ना सामने आना
ज़रा ठहर जाना
संभल तो ले
खुशी भी इतनी अचानक मैं सह ना पाऊँगी
मन अपने आप में बस आज रह ना पाऊँगी
जो तुमसे कहना है मुझको
वो कह ना पाऊँगी
मैं याद कर लूँ फसाना ज़रा ठहर जाना
अभी ना सामने आना
ज़रा ठहर जाना
संभल तो ले
सताने वाले तुम्हें भी थोड़ा तड़पाऊँ
तलाश करते फिरो तुम मुझे
मैं छुप जाऊँ
हज़ार कहने पे भी सामने ना मैं आऊँ
बना लूँ कोई बाहाना ज़रा ठहर जाना
अभी ना सामने आना
ज़रा ठहर जाना
संभल तो ले
संभल तो ले दिल दीवाना
ज़रा ठहर जाना
संभल तो ले
- In: "Swimming Pool" song | Asha Bhonsle songs | Club song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Geeta Dutt songs | Geeta Dutt-Asha Bhonsle duet | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Mixed Genre Songs | mother-child song | Post by Arunkumar Deshmukh | Songs of 1950s (1951 to 1960) | Songs of 1958 | Yearwise breakup of songs
- 4 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3819 | Post No. : | 14817 |
Today’s song is from film ‘Ek Shola’ (1958). It is sung by Asha Bhosle and Geeta Dutt. The lyricist was Majrooh Sultanpuri and the music director was Madan Mohan. The film was produced by Deep and Pradeep Productions – a joint venture of Deep Khosla and Pradeep Kumar. The film was directed by Chander Sehgal. Not much is known about Chander Sehgal, except that he directed only 2 films – ‘Ek Shola’ and ‘Mitti Mein Sona’ (1960). He died on 29-5-1960. The cast of the film is Pradeep Kumar, Mala Sinha, Jawahar Kaul, Leela Mishra, Nazir Hussain, Shubha Khote etc.
In Hindi films, there have been three actors who were very handsome and very lucky but zero in acting – Karan Dewan, Pradeep Kumar and Bharat Bhushan. They all appeared in leading roles opposite all leading actresses of their times. They had the best films, best songs and best roles. Karan Dewan had about 25 Silver Jubilees to his credit and was considered a lucky star. Bharat Bhushan had the most musical films to his credit like ‘Baiju Bawra’ (1952), ‘Shabaab’ (1954) and ‘Mirza Ghalib’ (1954) etc. Pradeep Kumar had ‘Anarkali’ (1953) and ‘Taj Mahal’ (1963).
All three had their brothers producing films for them. Gemini Dewan made films for Karan Dewan, R. Chandra made films for Bharat Bhushan and Kalidas for Pradeep Kumar. Unfortunately, in later years, all three lost everything and died in poverty and neglectful anonymity. Karan Dewan was a manager with BR Chopra’s production company. When he died no one came for his funeral except for Chandrashekhar and Manmohan Krishan from the Cine Artist’s Association. Bharat Bhushan even worked as a watchman in a film studio, in his last days. He too died unsung and only the men from the Association were present at the cremation.
Pradeep Kumar’s case is the saddest. He lay seriously ill in the ICU of a Calcutta nursing home, abandoned by his relatives. The hospital was not discharging him, unless the bills were paid. Luckily one Mr. Pradeep Kondaliya, an estate agent, recognised him, despite his grown beard. He paid the huge outstanding bill of the hospital and took Pradeep Kumar to his home, where he passed away after a few days. He was cremated by his fan. Such is the film industry – cruel and ruthless, where the recognition lasts only till one is successful, and even close relatives desert you in bad times.
Pradeep Kumar aka Sital Batabyal was born on 4 January 1925. When he was 17 years old, he started as assistant cameraman. Later he decided to take up acting. He started his film career in Bengali films. His notable roles in Bengali films were in ‘Alaknanda‘ (1947), directed by renowned filmmaker Debaki Bose, and in ’42‘ (1951). It was Debki Bose, who gave him the filmy name Pradeep Kumar.
Pradeep Kumar then shifted to Bombay and Filmistan studios, and had an important role in the film ‘Anand Math‘ (1952). He played the lead role with Bina Rai in ‘Anarkali’ (1953) and with Vyjayanthimala in ‘Nagin’ (1954). Both films were very popular and had songs that added to the movies’ success. He had a spate of releases in the second half of the 1950s. He did not enjoy as much success in the 1960s, though ‘Ghoonghat’ (1960), ‘Aarti’ (1962) & ‘Taj Mahal’ (1963) were successful. He worked with Meena Kumari in seven films; ‘Adil-E-Jahangir’, ‘Bandhan’ (1956), ‘Chitralekha’, ‘Bahu Begum’, ‘Bheegi Raat’, ‘Aarti’ and ‘Noorjehan’; and with Mala Sinha in eight films; ‘Naya Zamana’, ‘Hamlet’, ‘Baadshah’, ‘Detective’ (1958 movie), ‘Fashion’ (1959 film), ‘Ek Shola’, ‘Duniya Na Maane’, and ‘Mitti Mein Sona’.
He did not get to act in lead roles with the newer heroines of the 1960s such as Sadhana, Saira Banu, Babita or Sharmila Tagore, though he did work with Asha Parekh in ‘Ghoonghat’ and ‘Meri Surat Teri Aankhen‘ and with Waheeda Rehman in ‘Raakhi‘ (1963). In 1969, he moved to character roles with ‘Sambandh’ and ‘Mehboob Ki Mehndi’, but did not have many visible roles till ‘Jaanwar’ and ‘Razia Sultan’ in 1983.
He won the Kalakar Award-Lifetime Achievement Award (1999).
Pradeep Kumar died in Calcutta on 27 October 2001, at the age of 76. He is survived by his daughters Reena, Meena and Beena Banerjee who plays character roles in movies and TV serials including ‘Uttaran’, son Debiprasad and granddaughters Tanisha, Suparna, Riya and Hrishita. Beena Banerjee’s son Siddharth Banerjee worked as assistant director in Sajid Khan’s ‘Housefull 2’ (2012) and ‘Himmatwala’ (2013).
Mala Sinha was an educated, hard working actress. Though she worked with leading banners and was heroine to well known heroes, she was never counted among the class I heroines of her times. She worked with many newcomers, like Dharmendra etc. Her career spanned a long time but she never got a single Filmfare Award, though nominated 4 times.
Mala Sinha was born in a Bengali Nepalese Christian family in Calcutta, on 11-11-1936. Mala Sinha claimed herself a Bengali descent Nepali many years ago in a TV interview Her parents named her Alda. Her friends at school used to tease her by calling her Dalda (a brand of vegetable oil), so she changed her name to Mala. In her childhood she learnt dancing and singing. Although she was an approved singer of All India Radio, she has never done playback singing in films. But as a singer she has done stage shows in many languages from 1947 to 1975.
Mala started her career as child artist in Bengali films ‘Jai Vaishno Devi’ followed by ‘Shri Krishan Leela’, ‘Jog Biyog’ and ‘Dhooli’. Noted Bengali director Ardhendu Bose saw her acting in a school play and took permission from her father to cast her as a heroine in his film ‘Roshanara’ (1952) – Bangla film, her cinematic debut.
After acting in a couple of films in Calcutta, Mala had to go to Bombay for a Bengali film. There she met Geeta Bali, a noted Bollywood actress, who was charmed by her and introduced her to film director Kidar Sharma. It was Sharma who cast her as a heroine in his ‘Rangeen Ratein‘ (1956). Her first Hindi film was ‘Baadshah’ (1954) opposite Pradeep Kumar. Then came ‘Ekadashi’ (1955), a mythological film. Both failed, but her lead role in Kishore Sahu’s ‘Hamlet’ (1954), paired opposite Pradeep Kumar, fetched her rave reviews in spite of it failing at the box office. Films like ‘Lai Batti’ (actor Balraj Sahni’s only directorial venture), ‘Nausherwan-E-Adil’ where she starred as the fair maiden Marcia in Sohrab Modi’s romance about forbidden love and ‘Phir Subah Hogi’, which was director Ramesh Saigal’s adaptation of Dosteovsky’s novel Crime and Punishment, established Mala Sinha’s reputation as a versatile actress who took the maximum career risks by accepting unconventional roles.
Mala was a singer of some repute and used to sing for All India Radio; she was not allowed to sing playback (even for herself) in the movies with the lone exception being 1972’s ‘Lalkar’. In the 1950s, she had string of hits opposite Pradeep Kumar like ‘Fashion’ (1957), ‘Detective’ (1958), ‘Duniya Na Maane’ (1959) though their first two ventures had failed. The films she did with Pradeep Kumar were men-oriented. In 1957, noted Bollywood actor and film director Guru Dutt (the husband of Geeta Dutt) cast Mala in his film ‘Pyaasa‘ (1957) in a role originally intended for Madhubala. Mala gave a memorable performance as the relatively unsympathetic part of an ambitious woman who chooses to marry a rich man (played by actor Rehman) and have a loveless marriage rather than a poor, unsuccessful poet and her impoverished lover (played by Guru Dutt) whom she ditches. ‘Pyaasa‘ remains to this day a classic in the history of Indian cinema and a turning point for Mala Sinha.
After ‘Pyaasa’ her major success were ‘Phir Subah Hogi’ (1958) and Yash Chopra’s directorial debut ‘Dhool Ka Phool’ (1959) that elevated her into a major dramatic star. There was no looking back for Sinha then as she was part of many successful movies from 1958 to the early ’60s like ‘Parvarish’ (1958), ‘Ujaala’,’ Main Nashe Main Hoon’, ‘Duniya Na Maane’, ‘Love Marriage’ (1959), ‘Bewaqoof’ (1960), ‘Maya’ (1961), ‘Hariyali Aur Rasta’ and ‘Dil Tera Deewana’ (1962), ‘Anpadh’, ‘Bombay Ka Chor’ (1962). Critics believe her career best performance was in ‘Bahurani’ (1963), ‘Gumrah’, ‘Gehra Daag’, ‘Apne Huye Paraaye’ and ‘Jahan Ara’. Apart from pairing with Pradeep Kumar, her pairing opposite Raaj Kumar, Rajendra Kumar, Biswajit and Manoj Kumar in woman-oriented films were appreciated by audiences, with her films opposite Biswajit being the most popular. She did 10 films with Biswajit. In 2007, they won the Star Screen Lifetime Achievement Award, calling them on stage together giving due respect to their popularity as a pair who have tasted box office success.
The most remarkable feature of career of Mala Sinha was that most of her 1960s and 1970s hits were fueled by her own star power as much as the heroes and most of the times her role was more powerful than the hero. Though she was pitted opposite her seniors like Raj Kapoor, Dev Anand, Kishore Kumar, Pradeep Kumar and when she acted opposite the emerging stars from late 1950s like Shammi Kapoor, Rajendra Kumar and Raaj Kumar, she made sure her role was as good as theirs.
In 1966, Sinha went to Nepal to act in a Nepali film called ‘Maitighar‘ when the Nepali film industry was still in its infancy. This was the only Nepali film she did in her career. Her hero in the film was an estate owner called Chidambar Prasad Lohani. Soon after, Mala Sinha married CP Lohani with the blessings of her parents. From the beginning theirs was a long-distance marriage with Lohani based in Kathmandu to look after his business and Sinha living in Bombay with their daughter Pratibha. She continued acting after her marriage.
From 1974, she cut down on her assignments as the lead actresses. She accepted strong character roles in films like ’36 Ghante‘ (1974), ‘Zindagi‘ (1976), ‘Karmayogi‘ (1978), ‘Be-Reham’ (1980), ‘Harjaee’ (1981), ‘Yeh Rishta Na Tootay’, ‘Babu’ (film) and ‘Khel’, which were popular.
In the early ’90s Madhuri Dixit was promoted as new Mala Sinha in magazines. But, after 1994, she completely withdrew from industry and has given very few public appearances. In ‘Dhool Ka Phool’ and BR Chopra’s ‘Gumrah’, she played the first unwed mother and adulterous wife respectively in Hindi cinema. As she grew older, she gracefully moved on to doing character roles that befitted her age. She was last seen in ‘Zid’ (1994). Though Mala Sinha evinced as much interest in her daughter Pratibha’s career as her father did in her career, she was unable to achieve the same success for her daughter. (Adapted from wiki).
Mala Sinha came from Calcutta to make a career in Bombay films. In Calcutta she worked in a Bilingual film ‘Chitrangada’ (1954) in Bangla and Hindi. In 1954 again, she did her first film in Bombay, ‘Baadshah’ (1954), then came ‘Hamlet’ (1954), ‘Riyaasat’ (1955) and ‘Ekadashi’ (1955).
In all her interviews, Mala Sinha always quoted ‘Rangeen Raten’ (1956) with Shammi Kapoor as her first film in Bombay. She was ashamed of revealing that in film ‘Riyaasat’ (1955), her Hero was Mahipal and in film ‘Ekadashi’ it was Trilok Kapoor. She always hid this fact. There are many heroines who want to hide their struggling days. For example, in film ‘Professor’ (1962) Shammi Kapoor’s heroine was Kalpana. Though touted as her first film, her first film was ‘Pyar Ki Jeet-62’, opposite Mahipal – a fact which Kalpana always hid from everyone.
Similarly, A grade heroine Meena Kumari also had done several mythological and costume films before ‘Baiju Bawra’ took her high up and above other heroines. Films like ‘Veer Ghatotkach’ (1949), ‘Shri Ganesh Mahima’ (1950), ‘Laxmi Narayan’ (1951), ‘Hanuman Paataal Vijay’ (1951) and ‘Alladin aur Jadui Chirag’ (1953) had Mahipal as her Hero. In her later years, she always hid her earlier film Heroes.
Even comedian Johnny walker, who is supposed to have made a beginning with ‘Baazi’ (1951), had earlier worked in ‘The Last Message’ or ‘Aakhri Paigham’ (1949). However this fact is not told by anyone.
Not only actors, but even singers do this. They hesitate to tell that the first sang for C grade films. Take the case of Sudha Malhotra, who used to declare ‘Arzoo’ (1950) as her first film, under Anil Biswas. But she never told that earlier she had sung 3 songs in film ‘Aakhri Paigham’ (1949), under the baton of Abid Hussein Khan, composer.
It is very unfortunate that once the artiste becomes famous, he tends to forget his humble beginning with less known film or a composer. This is because they are ashamed of it. I feel the blame also goes to people who take their interview, because the interview takers do not do proper homework. Many times they do not know anything and simply note down whatever is told by the artiste.
There were 8 songs in the film ‘Ek Shola’. 3 songs are already discussed. This is the 4th song. It is a long song, recorded on one side each of 78 rpm record nos. N-52832 and 52833). We present here the full song covering both sides.
Song – Chanda Se Bhi Pyaara Hai, Akhion Ka Taara Hai (Ek Shola) (1958) Singer – Asha Bhosle, Geeta Dutt, Lyrics – Majrooh Sultanpuri, Music – Madan Mohan
Lyrics (Provided by Sudhir)
mmmm mmmmm mmmm
mmm mmm mmm mmm mmm mmmmmmm
chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla
chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla
ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri
haaye.. apni dhun mein gaa
khushi se saagar jal chhalke
pakad chaley dil sambhal ke
kahen tarangen machal ke
zaraa mauj mein lehra haaye..
khushi se saagar jal chhalke
pakad chaley dil sambhal ke
kahen tarangen machal ke
zaraa mauj mein lehra haaye..
ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri
haaye.. apni dhun mein gaa
chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla..aa..aa
jab mera nannha chhaiyan chhaiyan
thummak thummak doley
tuk tuk taakey
jhuk jhuk jhaanke
gudiya ghunghat kholey
jab mera nannha chhaiyan chhaiyan
thummak thummak doley
tuk tuk taakey
jhuk jhuk jhaanke
gudiya ghunghat kholey
ho gudde sa dulaara
akhion ka taara hai
dil ka sahaara mera laadla..aa..aa
ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri..ee
apni dhun mein gaa
jo mastion mein jee’e hain
usey na ?? ?? ??
ye raaz tere liye hai magar
tu nahi samjha haaye..
jo mastion mein jee’e hain
usey na ?? ?? ??
ye raaz tere liye hai magar
tu nahi samjha haaye..
ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri..ee
apni dhun mein gaa
chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla..aa..aa
A B C D
aleef bay pay
ka kha ga gha..aa..aa
A B C D
aleef bay pay
aur bhai ka kha ga gha
ab padhne askool chala hai
ye mera shehzaada
ab padhne askool chala hai
ye mera shehzaada
ho parion ne sanwaara hai
akhion ka taara hai
dil ka sahaara mera laadla
aa..aa..aa
chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla
mmm mmm mmmmmm mmmm
mmm mmm mmmmmm mmmm
aaa aaa aaaa aaa aaa aaa
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
मम्मम मम्ममम मम्मम
मम्म मम्म मम्म मम्म मम्म मम्म मम्ममममम
चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला
चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला
घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी
हाए॰॰ अपनी धुन में गा
खुशी से सागर जल छलके
पकड़ चले दिल संभाल के
कहें तरंगें मचल के
ज़रा मौज में लहरा हाए॰॰
खुशी से सागर जल छलके
पकड़ चले दिल संभाल के
कहें तरंगें मचल के
ज़रा मौज में लहरा हाए॰॰
घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी
हाए॰॰ अपनी धुन में गा
चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला॰॰आ॰॰आ
जब मेरा नन्हा छइयाँ छइयाँ
ठुमक ठुमक डोले
टूक टूक ताके
झुक झुक झाँके
गुड़िया घूँघट खोले
जब मेरा नन्हा छइयाँ छइयाँ
ठुमक ठुमक डोले
टूक टूक ताके
झुक झुक झाँके
गुड़िया घूँघट खोले
हो गुड्डे सा दुलारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला॰॰आ॰॰आ
घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी
हाए॰॰ अपनी धुन में गा
जो मस्तीओं में जीए हैं
उसे ना ?? ?? ??
ये राज़ तेरे लिए है मगर
तू नहीं समझा हाए॰॰
जो मस्तीओं में जीए हैं
उसे ना ?? ?? ??
ये राज़ तेरे लिए है मगर
तू नहीं समझा हाए॰॰
घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी॰॰ई
हाए॰॰ अपनी धुन में गा
चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला॰॰आ॰॰आ
ए बी सी डी
अलीफ बे पे
क ख ग घ॰॰अ॰॰अ
ए बी सी डी
अलीफ बे पे
और भई क ख ग घ
अब पढ़ने अस्कूल चला है
ये मेरा शहज़ादा
अब पढ़ने अस्कूल चला है
ये मेरा शहज़ादा
ओ परियों ने संवारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला
आ॰॰आ॰॰आ
चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला
मम्म मम्म मम्मममम मम्मम
मम्म मम्म मम्मममम मम्मम
आ आ आ आ आ आ॰॰आ
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3528 | Post No. : | 14171 |
“Aankh Michauli”(1962) was directed by Ravindra Dave for Verma Productions, Bombay. This “social” movie had Mala Sinha, shekhar, S Nazir, Jagdish Raj, Mahendra, Leela Mishra, Baalam, Lal Bahadur, Kusum Thakkar, Jamal, Krishn Sharma, Himmat Dave, Naazi etc in it.
The movie had six songs in it. Five songs from the movie have been covered in the past. Here are the details of the five songs covered in the past :-
|
Song Title |
Post No. |
Post Date |
| Wo to jaate jaate hamse khafaa ho gaye | 1516 | 27-Jun-09 |
| Jalegaa jahaan sanam chup rahiye | 3565 | 26-Feb-11 |
| Suniye to zara kahaan roothh ke chaley | 7204 | 17-Dec-12 |
| Ho ik nazar idhar bhi o aan baan waale | 14157 | 12-Mar-18 |
| Chaliye jee bewafa hain ham nazren churaane waale | 14165 | 14-Mar-18 |
Sixth and final song from “Aankh Michauli”(1962) is sung by Geeta Dutt. Majrooh Sultanpuri is the lyricist. Music is composed by Chitragupta.
The song is picturised as a club dance song on Mala Sinha.
With this song, “Aankh Michauli”(1962) joins the list of movies that have all their songs covered in the blog.
Song-Tumhi ne chhup chhup ke dil ko uchhaala (Aankh Michauli)(1962) Singer-Geeta Dutt, Lyrics-Majrooh Sultanpuri, MD-Chitragupta
Lyrics
tumhi ne chhup chhup ke dil ko uchhaala
tumhi ne chhalkaaya nainon ka pyaaala
tumhi ne phir har ik se kah bhi daala
tum bade kharaab ho
tumhi ne chhup chhup ke dil ko uchhaala
tumhi ne chhalkaaya nainon ka pyaala
tumhi ne phir har ik se kah bhi daala
tum bade kharaab ho
tumhi ne chup chup ke
tum ek baar dikhla ke pyaar
haaye dil se khelte ho
gairon se mil ke aankhen badal ke
phir dil se khelte ho
rahne do
ab hum bhi
nahin tumse bolenge jaayiye
tumhi ne chhup chhup ke dil ko uchhaala
tumhi ne chhalkaaya nainon ka pyaala
tumhi ne phir har ik se kah bhi daala
tum bade kharaab ho
tumhi ne chhup chhup ke
duniya se aaj ulfat ka raaz
tumne kaha nahin hai
sab hain humaari
is mein tumhaari koi khata nahin hai
aaj samjhe
haan haan samjhe
jhoothhi kasmein humse na khaaiye
tumhi ne chhup chhup ke dil ko uchhaala
tumhi ne chhalkaaya nainon ka pyaala
tumhi ne phir har ik se kah bhi daala
tum bade kharaab ho
tumhi ne chhup chhup ke
meri sunke baat
malte ho haath
meethhi nazar ?? ho
sadqe tumhaare
kuchh bhi ho pyaare
par tum mere liye ho
jaane kya kya
keh daala
meri baaton ko bhool jaaiye
tumhi ne chhup chhup ke dil ko uchhaala
tumhi ne chhalkaaya nainon ka pyaala
tumhi ne phir har ik se kah bhi daala
tum bade kharaab ho
tumhi ne chhup chhup ke
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3526 | Post No. : | 14165 |
“Aankh Michauli”(1962) was directed by Ravindra Dave for Verma Productions, Bombay. This “social” movie had Mala Sinha, shekhar, S Nazir, Jagdish Raj, Mahendra, Leela Mishra, Baalam, Lal Bahadur, Kusum Thakkar, Jamal, Krishn Sharma, Himmat Dave, Naazi etc in it.
The movie had six songs in it. Four songs from the movie have been covered in the past.
Here is the fifth song from “Aankh Michauli”(1962) to appear in the blog. The song is sung by Lata. Majrooh Sultanpuri is the lyricist. music is composed by Chitragupta.
The song is lip synced by Mala Sinha, who is seen given a stage dance performance accomanied by several other female dancers.
Song-Chaliye jee bewafa hain ham (Aankh Michauli)(1962) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Chitragupta
Lyrics
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale
dhadkan pe tera hi haath nahin
laakhon hain
ik do ki baat nahin een
dhadkan pe tera hi haath nahin
laakhon hain
ik do ki baat nahin een
tum hi nahin
milte yahi saare zamaane waale
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale
jo kal thha
chalta hai daur wahi
hai apni mehfil ka taur wahi ee
jo kal thha
chalta hai daur wahi
hai apni mehfil ka taur wahi ee
chal bhi diye
aa bhi gaye baaten banaane waale
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale
chaahat se milta hai koi kahaan
dil jode
aisa hai kaun yahaan
chaahat se milta hai koi kahaan
dil jode
aisa hai kaun yahaan
jidhar chale
humko mile thokar lagaane waale
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale
chaliye ji bewafa hain hum
nazren churaane waale
tum bhi to kam nahin baabu
dil ke lagaane waale
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3515 | Post No. : | 14120 |
“Sanjog”(1972) was produced by Mohan Segal and directed by S S Balan. The movie had Amitabh Bachchan, Mala Sinha, Aruna Irani, Johnny Walker, Ramesh Deo, Malika, Madan Puri, Nazir Hussain, Sulochana Chatterji, Keshto Mukherjee, Jagdish Raaj, C. S. Dubey, Master Ratan, Chandrima Bhaduri, Indrani, Baby Indra etc in it.
The movie had four songs in it. Two of these songs have been covered in the past.
Here is the third song from “Sanjog”(1972) to appear in the blog. This song is sung by Asha Bhonsle and Lata. Anand Bakshi is the lyricist. music is composed by R D Burman.
The song is picturised on Aruna Irani and Mala Sinha who play wife and sautan as one can make out from the song. This song is a verbal duel viz. as a “tu tu main main” nok-jhonk song between the two. I musy say that I have watched/ heard a song like this for the first time ina Hindi movie. 🙂 This song is quite like the forerunner of the present day TV serial. 🙂
Song-Man mandir mein preet ka dera…ye jhoothhi baat hai (Sanjog)(1972) Singers-Asha Bhonsle, Lata, Lyrics-Anand Bakshi, MD-R D Burman
Mala Sinha
Lyrics
ho o o
man mandir mein preet ka dera aa
naahin koi dooja
ek man mein mehmaan hai do
ek preet hai dooji pooja aa aa
ye jhoothhi baat hai
ye sachchi baat hai
tum na maano na maano
tum na maano
din din hai
raat raat hai
ye jhoothi baat hai
ye sachchi baat hai
haan
haan ye jhoothi baat hai
ye sachchi baat hai
tum na maano na maano
tum na maano
din din hai raat raat hai
ye jhoothi baat hai
ye sachchi baat hai
haan ye jhoothi baat hai
ye sachchi baat hai
ek jiya mein ek piya bas ye hai kehna apna
do nainon ne milkar dekha jeevan ka har sapna
ho ek diye mein jal sakti hai dekho ek hi baati
ek baati ki ho sakti hai do patange saathi ee ee
koi akela akela
koi akela naahin re chhaaya saath hai
ye jhoothi baat hai
ye sachchi baat hai
haan ye jhoothi baat hai
ye sachchi baat hai
aur kisi ka naahin
?? kaanha kaahe bansari waala
rukmini soche krishan to saare jag ka hai rakhwaala
chup kyun ho gayi
gaaiye naa
sab log dekh rahe hain
gaaiye
ek hua hai raam
ek hua hai raam huyi hai ek hi raam ki sita
tumse jeete kaun ki tum karte ho khoob kavita
tum naa maano na maano,
tum na mano
tumne khaayi aaj maat hai
ye jhoothi baat hai
ye sachchi baat hai
haan ye jhoothi baat hai
ye sachchi baat hai
ek ped ki padti hai dharti pe ek hi chhainyya
ek shareer mein hoti hai do ankhiyaan aur do bainyya
ek saajan ki ek hi sajni dooji ka naam hai sautan
sautan bhi to hoti hai apne preetam ki jogan
sau baaton ki sakhi ri
sau baaton ki sakhi ek baat hai
ye jhoothi baat hai
ye sachchi baat hai
haan ye jhoothi baat hai
ye sachchi baat hai
Ho jee ho din holi ka aa gaya
Posted on: March 2, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3514 | Post No. : | 14115 |
Today (2 march 2018) is Holi, the festival of colours in India.
This happens to be the TENTH Holi festival for the blog. We discuss Holi songs from Hindi movies on this occasion. As many as 55 Holi festival songs have been covered during the last nine Holi festival occasions. Almost all well known Hol festival songs have already been covered. But seeing that Holi is the most popular festival for Hindi movies, ahead of the second placed festival of Deewaali, we still have a good number of Holi festival songs still left to be covered.
Take this song for instance. This movie “Ek Gaaon Ki Kahaani”(1957) had seven songs in it. The sixth and penultimate song from the movie was discussed two years ago. The seventh and final song had to be held back all these days because it happened to be a Holi festival song. It was lined up for 2017 Holi but it missed the bus on that occasion. So the next opportunity for this song being covered in the blog was the Holi of 2018 viz today.
Here are the details of the six songs of “Ek Gaaon Ki Kahaani”(1957) that have been covered in the past.
|
Song Title |
Post No. |
Post Date |
| Jhoome re neela ambar jhoome | 1948 | 19-Sep-09 |
| Raat ne kyaa kyaa khwaab dikhaaye | 1955 | 20-Sep-09 |
| O haay koyi dekh legaa | 2081 | 23-Oct-09 |
| Kaana kubda langda loola buddha doctor aayega | 9382 | 1-Feb-14 |
| Chale thhumak thhumak taare | 10514 | 19-Nov-14 |
| Boley pihoo pihoo pee papeehara | 11967 | 2-Apr-16 |
Here is the seventh and final song of “Ek Gaaon Ki Kahaani”(1957) to appear in the blog. This “holi” festival song is sung by Manna Dey, Lata and chorus. Shailendra is the lyricist. Music is composed by Salil Chaudhary.
The song is picturised on Dhumal, Bipin Gupta, Abhi Bhattacharya, Mala Sinha, Jerry,I S Johar, Moolchand etc.
Lyrics of this song were sent to me by Prakashchandra (long back).
With this song, “Ek Gaaon Ki Kahaani”(1957) joins the list of movies that have all their songs covered in the blog.
Here is wishing everyone a happy and safe Holi 2018. Let there be many more Holi festivals and many more Holi festival songs for us to cover.
Video
Song-Ho jee ho Din holi ka aa gaya (Ek Gaaon Ki Kahaani)(1957) Singers-Manna Dey, Lata, Lyrics-Shailendra, MD-Salil Chaudhary
Male chorus
Female chorus
Lyrics(Provided by Prakashchandra)
holi hai ae ae
hey hey hey hoyye
sara ra ra ra ra ra rararara
sara raaa sara raaa saraa saraa raaa saraa
haayye ae ae ae ae ae
ho o o o o
ho ho
ho o o o o o
ho ho ho
ho ho o
hojee ho o o o oho o
din holi ka aa gayaa
rang daalo
hojee ho ho o
din holi ka aa gayaa
rang daalo
hojee ho o o ho oo
din holi ka aa gayaa
rang daalo
hojee ho o o ho ooo
(ho o o o o ho o o o)
hoyye
dhimm dhimaa dhimm dhol baajey
chhannkey manjeeraa
ho jee chhannkey manjeeraa
holi hai ae ae hai ae ae hai ae ae
dhimm dimaa dhimm dhol baajey
chhannkey manjheeraa
hey thummakk thummakk naachey
meri preet adheeraa
meri preet adheeraa
hojee ho o o o o ho o o o
saanwre ki dhun mein jaisey
naachey magan meeraa
ho jee ho o o o o ho o o o
din holi ka aa gayaa
rang daalo
ho jee ho ho o o o
din holi ka aa gayaa rang daalo
ho jee ho ho o o o
kahen ki saaraa raaa raa
kahen ki aur bajegi
kehen ki saraa raa raa
kahek ki aur bajegi
kehen ki saraa raa raa saraa raaa
raaa raaa raaa raa raa raaa
hoyye ae ae
laaj ki laali pe lagaa pyaar ka gulaal
dekho pyaar ka gulaal
laaj ki laali pe lagaa pyaar ka gulaal
laal laal gaal bhaye aur laal laal
bhayo aur laal laal
ho jee ho o o o o o o ho o o
maarey sharam ke
hai gori ka buraa haal
hojee ho o o o o
din holi ka aa gayaa
rang daalo
hojee ho o o ho
din holi ka aa gayaa
rang daalo
hojee ho oo o ho
kahen ki saraa raa raa
kahen ki aur bajengi
kahen ki saraa raa raa
kahen ki aur bajengi
kahen ki saraa raa raa
saraa raaa saraa raaa raa raa
hoyye ae
hhaaa hhaa
maar pichhkaari koyee bachke na jaa paaye
koyee bachke na jaa paaye
holi hai ae ae hai ae ae
maar pichhkaari koyee bachke na jaa paaye
aisaa malo
hoyye hoyye
aisaa malo rang
poorey baras yaad aaye
poorey baras yaad aaye
hojee ho o o o o ho o
do ghadi ka mel jaane
kaun kahaan jaaye
hojee ho o o o
din holi ka aa gayaa
rang daalo
hojee ho o o o
din holi ka aa gayaa
rang daalo
hojee ho o o
din holi ka aa gayaa
rang daalo
hojee ho o o o ho ooo
(ho o oo o o o)
- In: "Please don't go" song | Asha Bhonsle solo | Asha Bhonsle songs | Comedy song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Fun lyrics song | Guest posts | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1964 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3492 | Post No. : | 14034 |
‘Pooja Ke Phool’ from 1964, is a production from AVM, Madras. It is directed by A Bheemsingh. True to the colors of the family dramas emanating from the south, this film is not much different that the regular run-of-the-mill emotionally loaded films coming from there. This film however has a slight sinister twist, in that a murder is part of the storyline. There is a certain amount of drama built around the trial in the court and the effort to nail the true culprit – a task that is made extremely challenging by the fact that the hero Shankar (roled played by Dharmendra) repeatedly asserts in the court that he admits his guilt and should be punished. The heroine Shanti (role played by Mala Sinha) who is the lawyer defending Shankar, has her work cut out for her, to get the hero freed, when he himself doesn’t want to be.
Add to that another twist, that the hero and the heroine are actually not made for each other in this storyline – the hero is already a married person. Yes, there are confusions galore, as circumstances (and the director’s writ) do not allow this fact to be known till some time into the film. Which gives the director a chance to squeeze in a romantically naughty song like this one.
Well, the song itself is a wonderful creation, in the category of ‘please-don’t-go’ songs. The highlight of this song is the superb on screen performance of Mala Sinha. Her mannerisms and the execution of the entire song sequence is definitely a hallmark performance.
The star cast of the film includes Mala Sinha, Dharmendra, Sandhya Roy, Gopikrishan, Madhumati, Nana Palsikar, Mohan Choti, Umesh Sharma, Sulochana Chatterjee, Leela Chitnis, Ashok Kumar, Nimmi, Pran, Shivraj, and Mukri. All songs are penned by Rajendra Krishan and the music for them is created by Madan Mohan.
Enjoy this lovely naughty song, as the heroine is trying to impede the departure of the hero, as he tries to make a get-away in the middle of the night. Asking of questions and checking for logic is not allowed in some such scenarios. 🙂
Song – Banda Parwar. . . Raat Ke Andhere Mein Yun Chori Chori Chale Kidhar (Pooja Ke Phool) (1964) Singer – Asha Bhosle, Lyrics – Rajendra Krishan, MD – Madan Mohan
Lyrics
banda parwar. . .
banda parwar
banda parwar
ho o o
raat ke andhere mein yun
chori chori chale kidhar
oye hoye hoye
raat ke andhere mein yun
chori chori chale kidhar
banda parwar
taar aaya dekhiye
aap ke sasuraal se
dekhiye na. .
abhi abhi ayaa hai
taar aaya dekhiye
aap ke sasuraal se
saas kunwaari aap ki
baithi hai sattar saal se
miley agar
aha ha
koi achha var
haa haa
miley agar
koi achha var
bechaari ka abaad ho ghar
banda parwar
o ho ho
raat ke andhere mein yun
chori chori chale kidhar
banda parwar
bura na maano to main poochun
jhoothon ke sardar se
ae
ae jhoothe
bura na maano to main poochun
jhoothon ke sardar se
apna sar kyon phod rahe ho
sapnon ki deewaar se
deewaane ho
ae
anjaane ho
ae ae
deewaane ho
anjaane ho
kya dekh rahe ho
aao idhar
banda parwar
o o o
raat ke andhere mein yun
chori chori chale kidhar
banda parwar
aap chhup kar
agar chale jaate
haal e dil hum
kabhi na keh paate
dil ki har baat
dil mein reh jaati
zindagi aansuon mein beh jaati
aap chhup kar
agar chale jaate. . .
haal e dil hum
kabhi na keh paate. . .
dil ki har baat
dil mein reh jaati
zindagi aansuon mein beh jaati
phir khwaabon ka
armaanon ka
phir khwaabon ka
armaanon ka
abaad kabhi na hota ghar
banda parwar
ho o o
raat ke andhere mein yun
chori chori chale kidhar
banda parwar
ho o o
raat ke andhere mein yun
chori chori chale kidhar
banda parwar
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
बंदा परवर॰ ॰ ॰
बंदा परवर
बंदा परवर
हो ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
ओय होय होय
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर
तार आया देखिये
आप के ससुराल से
देखिये ना॰॰
अभी अभी आया है
तार आया देखिये
आप के ससुराल से
सास कुंवारी आपकी
बैठी है सत्तर साल से
मिले अगर
आहा हा
कोई अच्छा वर
हा हा
मिले अगर
कोई अच्छा वर
बेचारी का आबाद हो घर
बंदा परवर
ओ हो हो
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर
बुरा ना मानो तो मैं पूछूं
झूठों के सरदार से
ए
ए झूठे
बुरा ना मानो तो मैं पूछूं
झूठों के सरदार से
अपना सर क्यों फोड़ रहे हो
सपनों की दीवार से
दीवाने हो
ए
अंजाने हो
ए ए
दीवाने हो
अंजाने हो
क्या देख रहे हो
आओ इधर
बंदा परवर
ओ ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर
आप छुप कर
अगर चले जाते
हाल ए दिल हम
कभी ना कह पाते
दिल की हर बात
दिल में रह जाती
ज़िंदगी आंसुओं में बह जाती
आप छुप कर
अगर चले जाते॰॰॰
हाल ए दिल हम
कभी ना कह पाते॰॰॰
दिल की हर बात
दिल में रह जाती
ज़िंदगी आंसुओं में बह जाती
फिर ख्वाबों का
अरमानों का
फिर ख्वाबों का
अरमानों का
आबाद कभी ना होता घर
बंदा परवर
हो ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर
हो ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर
Main sunaati hoon ik baat
Posted on: February 3, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3487 | Post No. : | 14007 |
“Do Bhai”(1969) was directed by Brij for Dynamo International, Bombay. The movie had Ashok Kumar, Mala Sinha, Jeetendra, Jagdeep, Chaand Usmani, Malika, Sheikh Mukhtaar, Hercules, Asit Sen, Maruti, Pal Sharma, Gautam Mukherji, Vinod Sharma, Radheshyam, Ratan Gaurang etc in it.
This social movie had five songs in it. Three of the songs have been covered in the past.
Here is the fourth song from “Do Bhai”(1969) to appear in the blog. This song is sung by Asha Bhonsle and an unknown child voice. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
The playful sawaal-jawaab song is picturised on Mala Sinha, where a child (I am unable to identify her) get quite confused from the questions which have only two options viz Good/Bad. 🙂
I request our knowledgeable readers to help identify the actors seen in the picturisation.
Sonng-Main sunaati hoon ik baat (Do Bhai)(1969) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Unknown child voice
All
Lyrics
aa aa aa
main sunaati hoon ik baat
main sunaati hoon ik baat
bolo bura hua ke bhala hua
main sunaati hoon ik baat
bolo bura hua ke bhala hua
didi didi
kya hua
ho o o
mujhe neend aayi na saari raat
mujhe neend aayi na saari raat
bolo bura hua ke bhala hua
didi didi
ye to bahut bura hua
bura nahin
bhala hua
saari raat guzaari jaag ke
ek chor ko dekha bhaagte
saari raat guzaari jaag ke
ek chor ko dekha bhaagte
maine uthh ke usko pakad liya
usey hathhkadi mein jakad liya
baandhe rassi se uske haath
hi
hi
bolo bura hua ke bhala hua
ye to bhala hua
ye to bhala hua
bhala nahin
hat pagle
ye to bura hua
na wo chor thha
na wo mor thha
na wo chor thha
na wo mor thha
wo bechaara to koi aur thha
padi muft mein itni maar usey
thhaane le gaya chowkidaar usey
hua julam ye uske saath
bolo bolo bolo
bura hua ke bhala hua
didi
ye to bhala hua
nahi nahi nahin
ye to bahut bura hua
hahahahaha
pagli
bura nahin
bhala hua
ho oo oo
lalalalalaa
lalalalalaa
laalaallaa
laalaa
oo hoo
usey jaana thha kahin rail se
takra gayi jo ke mail se
usey jaana thha kahin rail se
takra gayi jo ke mail se
oo oo
dhadaam
saare shahar mein shor sa mach gaya
sabhi mar gaye wo bach gaya
didi’phir kya hua
bas hui khatam ye baat
na bhala hua
na bura hua
na bhala hua
na bura hua
lalalalalalala
lalalalalalala
Aa Hum Ahad e Wafa Kar Len
Posted on: January 21, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3474 | Post No. : | 13954 |
“Do Bhai”(1969), not to be confused with “Do Bhai”(1947) or “Do Bhai”(1961), was directed by Brij for Dynamo International, Bombay. The movie had Ashok Kumar, Mala Sinha, Jeetendra, Jagdeep, Chaand Usmani, Malika, Sheikh Mukhtaar, Hercules, Asit Sen, Maruti, Pal Sharma, Gautam Mukherji, Vinod Sharma, Radheshyam, Ratan Gaurang etc in it.
This social movie had five songs in it. Two of the songs have been covered in the past.
Here is the third song from “Do Bhai”(1969) to appear in the blog. This song is sung by Rafi and Suman Kalyanpur. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as an “expression of love” genre of song on Jeetendra and Mala Sinha.
Song – Aa Hum Ahad e Wafa Kar Len (Do Bhai) (1969) Singers – Rafi, Suman Kalyanpur, Lyrics – Anand Bakshi, MD – Laxmikant Pyarelal
Both
Lyrics
aa hum ahad e wafa kar len
ye rasm ada kar len
aa hum ahad e wafa kar len
ye rasm ada kar len
saamne aaj dono jahan ke
aa hum ahad e wafa kar len
ye rasm ada kar len
veeraanon mein bhi phool wo khil jaate hain
khilna hai jinhen
veeraanon mein bhi phool wo khil jaate hain
khilna hai jinhen
deewaaren saari tod ke mil jaate hain
milna hai jinhen
saamne
saamne is zameen aasmaan ke aa
aa hum ahad e wafa kar len
ye rasm ada kar len
dekho duaayen deta hai humko bhari bahaar ka dil
dekho duaayen deta hai humko bhari bahaar ka dil
kehta hai ban ke phool khile tere mere pyaar ka dil
saamne
saamne is haseen gulsitaan ke aa
aa hum ahad e wafa kar len
ye rasm ada kar len
o o o o
o o o o
o o o o
aa aa aa
tum ne bana diya hai mohabbat mein bas deewaana mujhe
o o o
tum ne bana diya hai mohabbat mein bas deewaana mujhe
lagta hai ek jhoothh zamaane ka har fasaana mujhe
saamne
saamne
aaj donon jahaan ke aa
aa hum ahad e wafa kar len
ye rasm ada kar len
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
आ हम अहद ए वफा कर लें
ये रस्म अदा कर लें
आ हम अहद ए वफा कर लें
ये रस्म अदा कर लें
सामने आज दोनों जहां के
आ हम अहद ए वफा कर लें
ये रस्म अदा कर लें
वीरानों में भी फूल वो खिल जाते हैं
खिलना है जिन्हें
वीरानों में भी फूल वो खिल जाते हैं
खिलना है जिन्हें
दीवारें सारी तोड़ के मिल जाते हैं
मिलना है जिन्हें
सामने
सामने इस ज़मीन आसमान के आ
आ हम अहद ए वफा कर लें
ये रस्म अदा कर लें
देखो दुआएं देता है हमको भरी बहार का दिल
देखो दुआएं देता है हमको भरी बहार का दिल
कहता है बन के फूल खिले तेरे मेरे प्यार का दिल
सामने
सामने इस हसीं गुलिस्ताँ के आ
आ हम अहद ए वफा कर लें
ये रस्म अदा कर लें
ओ ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ
आ आ आ
तुमने बना दिया है मोहब्बत में बस दीवाना मुझे
ओ ओ ओ
तुमने बना दिया है मोहब्बत में बस दीवाना मुझे
लगता है एक झूठ जमाने का हर फसाना मुझे
सामने
सामने
आज दोनों जहां के आ
आ हम अहद ए वफा कर लें
ये रस्म अदा कर लें
Ab Jeene Ka Mausam Aaya
Posted on: December 24, 2017
- In: Asha Bhonsle songs | Baag/Bagiya song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Rafi duets अ से ह तक | Rafi songs | Rafi-Asha Bhonsle duet | Romantic song | Series of articles | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 1
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
‘अ’ – अब जीने का मौसम आया
kya kahoon
kuchh kahaa nahin jaaye. . .
Really so – our utterances and our thoughts well nigh come to a helpless pause. The more I want to substantiate these thoughts, the more difficult I find to avoid repeating myself. And yet, the voice of Rafi Sb, the limitless nuances of emotions it carries, the multitude of expressions carried in thousands of songs – that voice, that divinity descended from the heavens, continues to perpetuate afresh, with every song that is played. There seems no end to this variety.
Another year has passed without him. Over the years, many imitators have come, but none have lasted. Month in and month out, there are stage shows arranged by music lovers, in many cities and abroad too. Aspiring singers continue to sing his songs, trying to find that matching groove, that may bring their voice closer to the original sound. But alas, that is a bridge too far.
His voice is the genuine sound of the soul itself. No manner of training, no amount of practice, will bring that quality into the emotions of singing. It can only be a gift – it IS a gift, only a gift. A gift that stays and sustains only with a soul that has the humility to acknowledge it as such. And a thought comes to mind; what would be antecedents of this soul, that God chose him to bestow this divine gift. The incomparable goodness of being, the profound purity of the mind, the connected-ness with what may be termed as divinity. . . we may think up so many such epithets and yet will not be able to define and measure the totality of the personality that is Rafi Sb. In all His creation over all the aeons, He chose him to be this voice. And thence ends, our ability to delineate any more.
– – – – –
Coming to the song for today. A while back, I had posted a series of Rafi Sb songs from ‘अ’ to ‘ह’. In the closing episode of that series, I had reiterated that there still are such very lovely songs of Rafi Sb that are awaiting their entry here. And that, as I had conducted my search for solo songs for that series, I had come across a sizeable body of duet songs of Rafi Sb, that could well make up another series. And Raja ji had immediately taken me up on this remark, and wrote that he would be eagerly awaiting its publication.
Been a while now to the previous series. (Interested readers can find the summary list of songs in that series, in its last song at “Hum To Pehli Hi Nazar Mein De Chuke Hain Dil Tumhen“). It got initiated on Rafi Sb’s birth anniversary in 2015 and was completed in April 2017 – 37 songs in all. Today, it is another similar anniversary, and maybe a good time to initiate the proposed (and requested) series.
So here we are, with the first song of the this new series of Rafi Sb duets –from ‘अ’ to ‘ह’. I have done some more filtering and selection, and I hope to bring to you some of the very best of the as yet un-posted and maybe even unheard duets of Rafi Sb.
Today’s superb song is from the 1966 film ‘Dillagi’. The words are from the pen of Majrooh Sb, and the music is from the then very new duo of composers – Laxmikant Pyaarelal. The singing voice accompanying Rafi Sb is Asha Bhosle. The song is kind of a regular ‘in-the-park-and-around-the-tree’ genre. The young lovers are expressing their feelings to each other – that the time for living has now come, that they have met.
The intonations are lovely, the pace is unhurried, the words by Majrooh Sb are just so beautiful. This is a song that I remember having heard on the radio. But searching for this online, when I found its video, I simply fell more in love with this song. Maybe the HD quality of the clip has something to do with it. But more than that, it is also the on screen performances rendered by Mala Sinha and Sanjay.
A wonderful love song – to fall in love with. Listen and enjoy.
Song – Ab Jeene Ka Mausam Aaya (Dillagi) (1966) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – Laxmikant Pyaarelal
Mohammed Rafi + Asha Bhosle
Lyrics
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya
rukh pe mere jo thi
gard e gham dhul gayi
rukh pe mere jo thi
gard e gham dhul gayi
haaye
zulfen jaana teri
har shikan khul gayi
nahin ye tan mera
tumhaari baahon mein
bahaaren balkhaati
chalin hain raahon mein
nahin ye tan mera
tumhaari baahon mein
bahaaren balkhaati
chalin hain raahon mein
raahon mein
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya
tum sadaa saath ho
yun mere pyaar ke
tum sadaa saath ho
yun mere pyaar ke
jaise rehta hai dil
mere rukhsaar pe
nasheeli aankhon ki
sadaa se peete hain
tumhin pe martey the
tumhin pe jeete hain
nasheeli aankhon ki
sadaa se peete hain
tumhin pe martey the
tumhin pe jeete hain
jeete hain
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya
teesra kyon rahe
hum pe saaya kiye
teesra kyon rahe
hum pe saaya kiye
haaye
keh do suraj se doobey
ab khuda ke liye
abhi to din aaya
khuda khuda kar ke
abhi kahaan dekha
kisi ko jee bhar ke
abhi to din aaya
khuda khuda kar ke
abhi kahaan dekha
kisi ko jee bhar ke
jee bhar ke
ab jeene ka
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya
hmmm hmmm hmmm
hmmm hmmm hmmm
aa haa haa o ho ho
aa haa haa o ho ho
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया
रुख पे मेरे जो थी
गर्द ए ग़म धूल गई
रुख पे मेरे जो थी
गर्द ए ग़म धूल गई
हाए
ज़ुल्फें जाना तेरी
हर शिकन खुल गई
नहीं ये तन मेरा
तुम्हारी बाहों में
बहारें बलखाती
चलीं हैं राहों में
नहीं ये तन मेरा
तुम्हारी बाहों में
बहारें बलखाती
चलीं हैं राहों में
राहों में
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया
तुम सदा साथ हो
यूं मेरे प्यार के
तुम सदा साथ हो
यूं मेरे प्यार के
जैसे रहता है तिल
मेरे रुखसार पे
नशीली आँखों की
सदा से पीते हैं
तुम्हीं पे मरते थे
तुम्हीं पे जीते हैं
नशीली आँखों की
सदा से पीते हैं
तुम्हीं पे मरते थे
तुम्हीं पे जीते हैं
जीते हैं
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया
तीसरा क्यों रहे
हम पे साया किए
तीसरा क्यों रहे
हम पे साया किए
कह दो सूरज से डूबे
अब खुदा के लिए
अभी तो दिन आया
खुदा खुदा कर के
अभी कहाँ देखा
किसी को जी भर के
अभी तो दिन आया
खुदा खुदा कर के
अभी कहाँ देखा
किसी को जी भर के
जी भर के
अब जीने का
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया
हम्म हम्म हम्मम
हम्म हम्म हम्मम
हम्म हम्म हम्मम
हम्म हम्म हम्मम
आ हा हा ओ हो हो
आ हा हा ओ हो हो
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