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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mala Sinha


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 1
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘अ’ – अब जीने का मौसम आया

kya kahoon
kuchh kahaa nahin jaaye. . .

Really so – our utterances and our thoughts well nigh come to a helpless pause. The more I want to substantiate these thoughts, the more difficult I find to avoid repeating myself. And yet, the voice of Rafi Sb, the limitless nuances of emotions it carries, the multitude of expressions carried in thousands of songs – that voice, that divinity descended from the heavens, continues to perpetuate afresh, with every song that is played. There seems no end to this variety.

Another year has passed without him. Over the years, many imitators have come, but none have lasted. Month in and month out, there are stage shows arranged by music lovers, in many cities and abroad too. Aspiring singers continue to sing his songs, trying to find that matching groove, that may bring their voice closer to the original sound. But alas, that is a bridge too far.

His voice is the genuine sound of the soul itself. No manner of training, no amount of practice, will bring that quality into the emotions of singing. It can only be a gift – it IS a gift, only a gift. A gift that stays and sustains only with a soul that has the humility to acknowledge it as such. And a thought comes to mind; what would be antecedents of this soul, that God chose him to bestow this divine gift. The incomparable goodness of being, the profound purity of the mind, the connected-ness with what may be termed as divinity. . . we may think up so many such epithets and yet will not be able to define and measure the totality of the personality that is Rafi Sb. In all His creation over all the aeons, He chose him to be this voice. And thence ends, our ability to delineate any more.

– – – – –

Coming to the song for today. A while back, I had posted a series of Rafi Sb songs from ‘अ’ to ‘ह’. In the closing episode of that series, I had reiterated that there still are such very lovely songs of Rafi Sb that are awaiting their entry here. And that, as I had conducted my search for solo songs for that series, I had come across a sizeable body of duet songs of Rafi Sb, that could well make up another series. And Raja ji had immediately taken me up on this remark, and wrote that he would be eagerly awaiting its publication.

Been a while now to the previous series. (Interested readers can find the summary list of songs in that series, in its last song at “Hum To Pehli Hi Nazar Mein De Chuke Hain Dil Tumhen“). It got initiated on Rafi Sb’s birth anniversary in 2015 and was completed in April 2017 – 37 songs in all. Today, it is another similar anniversary, and maybe a good time to initiate the proposed (and requested) series.

So here we are, with the first song of the this new series of Rafi Sb duets –from ‘अ’ to ‘ह’. I have done some more filtering and selection, and I hope to bring to you some of the very best of the as yet un-posted and maybe even unheard duets of Rafi Sb.

Today’s superb song is from the 1966 film ‘Dillagi’. The words are from the pen of Majrooh Sb, and the music is from the then very new duo of composers – Laxmikant Pyaarelal. The singing voice accompanying Rafi Sb is Asha Bhosle. The song is kind of a regular ‘in-the-park-and-around-the-tree’ genre. The young lovers are expressing their feelings to each other – that the time for living has now come, that they have met.

The intonations are lovely, the pace is unhurried, the words by Majrooh Sb are just so beautiful. This is a song that I remember having heard on the radio. But searching for this online, when I found its video, I simply fell more in love with this song. Maybe the HD quality of the clip has something to do with it. But more than that, it is also the on screen performances rendered by Mala Sinha and Sanjay.

A wonderful love song – to fall in love with. Listen and enjoy.

 

Song – Ab Jeene Ka Mausam Aaya (Dillagi) (1966) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – Laxmikant Pyaarelal
Mohammed Rafi + Asha Bhosle

Lyrics

ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya

rukh pe mere jo thi
gard e gham dhul gayi
rukh pe mere jo thi
gard e gham dhul gayi
haaye
zulfen jaana teri
har shikan khul gayi
nahin ye tan mera
tumhaari baahon mein
bahaaren balkhaati
chalin hain raahon mein
nahin ye tan mera

tumhaari baahon mein
bahaaren balkhaati
chalin hain raahon mein
raahon mein
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya

tum sadaa saath ho
yun mere pyaar ke
tum sadaa saath ho
yun mere pyaar ke
jaise rehta hai dil
mere rukhsaar pe
nasheeli aankhon ki
sadaa se peete hain
tumhin pe martey the
tumhin pe jeete hain
nasheeli aankhon ki
sadaa se peete hain
tumhin pe martey the
tumhin pe jeete hain
jeete hain
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya

teesra kyon rahe
hum pe saaya kiye
teesra kyon rahe
hum pe saaya kiye
haaye
keh do suraj se doobey
ab khuda ke liye
abhi to din aaya
khuda khuda kar ke
abhi kahaan dekha
kisi ko jee bhar ke
abhi to din aaya
khuda khuda kar ke
abhi kahaan dekha
kisi ko jee bhar ke
jee bhar ke
ab jeene ka
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya ke hum
nikle the do kadam
itne mein ae sanam
tumko miley
ab jeene ka mausam aaya

hmmm hmmm hmmm
hmmm hmmm hmmm
aa haa haa o ho ho
aa haa haa o ho ho

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया

रुख पे मेरे जो थी
गर्द ए ग़म धूल गई
रुख पे मेरे जो थी
गर्द ए ग़म धूल गई
हाए
ज़ुल्फें जाना तेरी
हर शिकन खुल गई
नहीं ये तन मेरा
तुम्हारी बाहों में
बहारें बलखाती
चलीं हैं राहों में
नहीं ये तन मेरा
तुम्हारी बाहों में
बहारें बलखाती
चलीं हैं राहों में
राहों में
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया

तुम सदा साथ हो
यूं मेरे प्यार के
तुम सदा साथ हो
यूं मेरे प्यार के
जैसे रहता है तिल
मेरे रुखसार पे
नशीली आँखों की
सदा से पीते हैं
तुम्हीं पे मरते थे
तुम्हीं पे जीते हैं
नशीली आँखों की
सदा से पीते हैं
तुम्हीं पे मरते थे
तुम्हीं पे जीते हैं
जीते हैं
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया

तीसरा क्यों रहे
हम पे साया किए
तीसरा क्यों रहे
हम पे साया किए
कह दो सूरज से डूबे
अब खुदा के लिए
अभी तो दिन आया
खुदा खुदा कर के
अभी कहाँ देखा
किसी को जी भर के
अभी तो दिन आया
खुदा खुदा कर के
अभी कहाँ देखा
किसी को जी भर के
जी भर के
अब जीने का
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया के हम
निकले थे दो कदम
इतने में ए सनम
तुमसे मिले
अब जीने का मौसम आया

हम्म हम्म हम्मम
हम्म हम्म हम्मम
हम्म हम्म हम्मम
हम्म हम्म हम्मम
आ हा हा ओ हो हो
आ हा हा ओ हो हो

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This song is the 100th duet of Rafi Sb and Geeta Dutt to be posted here on our blog.

As I was browsing the net earlier in the day, checking for articles and source material on Guru Dutt, I came across this she’er (couplet) which was written by the poet Kaifi Azmi in 1964, on hearing the news of Guru Dutt’s demise.

रहने को सदा दहर में आता नहीं कोई,
तुम जैसे गए ऐसे भी जाता नहीं कोई
माना की उजालों ने तुम्हें दाग़ दिये थे,
बे रात ढले शमा बुझाता नहीं कोई

rehne ko sadaa dehar mein aata nahin koi
tum jaise gaye aise bhi jaata nahin koi
maana ki ujaalon ne tumhen daagh diye the
be-raat dhale shama bujhaata nahin koi

It is true, no one comes in this world
To reside for ever
But the way you departed
No one even leaves that way
Granted that the brightness of flame
May have inflicted painful burns
But still, no one douses the lamp
Before the night comes to an end

Remembering Guru Dutt, the vital genius of Hindi cinema, on his anniversary today (9 july 2017). Had he been alive, he would have been 92 today.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Geet” (1970) was produced and directed by Ramanand Sagar for Sagar Art International, Bombay. The movie had Rajinder Kumar, Mala Sinha, Sujit Kumar, KumKum, Nazir Hussain, Daisy Irani, Bhagwan, TunTun, Manmohan Krishan, Ashoo, Paro, Husan Bano,HiraLal,Keshto Mukherjee, Omkar Aima, Radheshyam, Shyam Kapoor, RamAvtaar,Chaman Puri, Mirza Musharraf, Braham Bhardwaj, Dilip Dutt, Narbada Shankar, Ram Murti, H.P.Sharma etc in it.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 1
——————————————————————–

On this blog, one thing we enjoy is, celebrations.  🙂

We are always looking for an opportunity to celebrate – and every other day, we get a reason to do so. Often it is somebody’s birthday or birth anniversary, or a milestone of a 100th or 1000th song for an artiste, or for the blog. And even if it is a death anniversary, which is not really a cause for celebration, we use the occasion to pay tribute to the concerned artiste. Many of my own posts fall in this category. An occasion gives me an opportunity to reminisce and share my thoughts.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nausherwan e Adil”(1957) was directed by Sohrab Modi for Minerva Movietone. The movie had Raj Kumar, Mala Sinha, Sohrab Modi, Murad, Naseem, Bipin Gupta, Agha, Shammi, Niranjan Sharma, Sheela Vaz, Heera Sawant, Amir Banu etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nayi Roshni”(1967) was directed by Sridhar for Vasu Films, Madras. The movie had Ashok Kumar, Mala Sinha, Raj Kumar, Biswajeet, Pahadi Sanyal, Sailesh Kumar, Asit Sen, Anwar Hussain, Mahendra, Chaman Puri, Bhanumati, Tanuja, Sulochana, Jyotilaxmi, Pratima Devi, Aruna Roy etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Night in London”(1967) was directed by Brij for Kapoor Films, Bombay. the movie had Mala Sinha, Biswajeet, Johny Walker, Helen, Anwar, Shetty, Madhumati, Robert, Supariwala, Jagdeesh Bhalla etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gyaarah Hazaar Ladkiyaan”(1962) was produced by Sardar Jafri and S K Mehta and directed by K A Abbas for Film Friends, Bombay. The movie had Bharat Bhooshan, Mala Sinha, Helen, Murad, Jagdish Kamal, Ravikant, Lotan,Jugnu, J.S.Kriplani, Khatana, Haroon, Narbada Shankar, Nazir Kashmiri, S.Gill, Nirmala, Baby Sony Sultana, Nadira, Baby Ajay, David, Baby Farida, Baby Vidya Rani, Moti Bai, Noor etc in it. In addition, the movie had guest artistes viz. Achala Sachdev, David and Mukri. The movie introduced Madhavi and Imtiaz Khan.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Phir Kab Milogi” (1974) was produced by Hari Mehra and directed by Hrishikesh Mukharjee. The movie had Biswajeet, Mala Sinha, David, Deven Verma, Bipin Gupta, Vijaya Chaudhary, Abhi Bhattacharya, Parveen Paul, Ansari, Sailesh Kumar, Naaz, Uma Dutt, Neelima, Shridhar, Sujata, Bishan Khanna, Vikram etc, with Dilip Kumar is a special role.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulites

So let us have a song today(11 november 2016) to wish the Bengali/ Nepali beauty Mala Sinha on her 80th birthday. I don’t remember when was it that I became aware of this sweet smiled, doe eyed and talented actress. Must be when I saw a song where she was running around singing “Neeli aankh milalo ji, dil mein aaj chuppa lo jee” or singing “yaa allah yaa allah dil le gaya”. But I must have also seen her sing “chupke se dil dai de de nahin te shor mach jayega” alongwith our own Rajesh Khanna. She looked very cute and naughty in all these songs. Who can forget her say “hum moond ke palkon ko iss dil ko sazaa de toh”; or her “bade naa samajh ho yeh kya chahate ho”; looks like I can go on and on and on with my list of favourite Mala Sinha songs (didn’t know I knew so many!) But then she slowly graduated to roles of playing slightly senior characters not like Nirupa Roy or Indrani Mukherjee’s mother act but more like Asha Parekh or Waheeda Rehman’s wife of the senior hero who gets a song or two as in some of her 80s and 90s movies.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13900 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13930

Number of movies covered in the blog

Movies with all their songs covered =1050
Total Number of movies covered =3798

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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