Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mala Sinha


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“Gyaarah Hazaar Ladkiyaan”(1962) was produced by Sardar Jafri and S K Mehta and directed by K A Abbas for Film Friends, Bombay. The movie had
Bharat Bhooshan, Mala Sinha, Helen, Murad, Jagdish Kamal, Ravikant, Lotan,Jugnu, J.S.Kriplani, Khatana, Haroon, Narbada Shankar, Nazir Kashmiri, S.Gill, Nirmala, Baby Sony Sultana, Nadira, Baby Ajay, David, Baby Farida, Baby Vidya Rani, Moti Bai, Noor etc in it. In addition, the movie had guest artistes viz. Achala Sachdev, David and Mukri. The movie introduced Madhavi and Imtiaz Khan.

The movie had seven songs in it. Five songs from the movie have been discussed in the past.

Here is the sixth song from “Gyaarah Hazaar Ladkiyaan”(1962) to appear in the blog. This song is sung by Lata and chorus. Majrooh Sultanpuri is the lyricist. Music is composed by N Datta.

The song is a dream song, where Bharat Bhushan is shown dreaming about this song. This is a dance song where Mala aSi9nha nd others are shown singing and dancing.

Lyrics of this song were sent to me by Prakashchandra.


Song-Pehchaano ham wahi hain (Gyaarah Hazaar Ladkiyaan)(1962) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-N Datta
Chorus

Lyrics(Provided by Prakashchandra)

aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa

pehchaano
hum wohi hain
dekho toh aankh mal ke
hum tum se ae
mil chuke hain aen
soorat badal badal ke
hum wohi hain
hum wohi hain

hum wohi ee ee
hain
pehchaano (aaaaa)
hum wohi hain(aaaaa)
dekho toh aankh mal ke(aaaaa)
hum tum se (aaaaa)
mil chuke hain(aaaaa)
soorat badal badal ke(aaaaa)

apnon mein hamko dekhogey
gairon mein hamko paaogey
socho toh phir kahaan ham se
daaman bachaa ke jaaogey
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa

apnon mein hamko dekhogey
gairon mein hamko paaogey
socho toh phir kahaan hamse
daaman bachaa ke jaaogey
aaa aaaa aaa aaa
jiss ki tumko aarzoo hai
hum wohi …eee….eee
hain
pehchaano (aaaaa)
hum wohi hain(aaaaa)
dekho toh aankh mal ke(aaaaa)
hum tum se (aaaaa)
mil chuke hain(aaaaa)
soorat badal badal ke(aaaaa)

dhaalaa tumhaari chaahat ne
hamko buton ki moorat mein
poojaa tumhaari aankhon ne
hamko sanam ki soorat mein
aaa aaa aaa
aaa aaa aaa

dhaalaa tumhaari chaahat ne
hamko buton ki moorath mein
poojaa tumhaari aankhon ne
hamko sanam ki soorat mein
aaa aaa aaa aaa aaa
ab yeh aankhein
ajanabi si
bann gayee…eeee….eeeee
hain
pehchaano (aaaaa)
hum wohi hain(aaaaa)
dekho toh aankh mal ke(aaaaa)
hum tum se (aaaaa)
mil chuke hain(aaaaa)
soorat badal badal ke(aaaaa)

sair e chaman mein hum aksar
utrenge chaandni ban ke
jis shaakh ko jhukaaogey
hans denge hum kali ban ke
aaa aaa aaa aaa
aaa aaa aaa

sair e-chaman mein hum aksar
utarenge chaandni bann ke
jiss shaakh ko jhukaaogey
hans denge hum kali bann ke
aaa aaa aaa aaa
tum ho bulbul
hum bhi gul se
kam nahin….eeen…..eeen
hain
pehchaano
hum wohi hain (aaaaa)
dekho toh aankh mal ke(aaaaa)
hum tum se (aaaa)
mil chuke hain(aaaaa)
soorat badal badal ke(aaaa)

aaa aaaa aaaa aaa
aaa aaaa aaaa aaa
aaa aaaa aaaa aaa
aaa aaaa aaaa aaa

kyaa tum na geet gaaogey
jab saaz de rahe hain hum
phir zulf ke shabistaa se
aawaaz de rahe hain hum
aaa aaa aaa…aaaa
aaa…aaaa…aaaa…aa

kyaa tum na geet gaaogey
jab saaz de rahe hain hum
phir zulf ke shabistaa se
aawaaz de rahe hain hum
aaa aaa aaa aaa…aaa
aa bhijaao
itni shamme jal rahi…eee….eeee
hain
pehchaano
hum wohi hain (aaaaa)
dekho toh aankh mal ke(aaaaa)
hum tum se (aaaa)
mil chuke hain(aaaaa)
soorat badal badal ke(aaaa)

hum wohi hain
hum wohi hain
hum wohi ee ee ee
hain
pehchaano hum wohi hain (aaaaa)
dekho toh aankh mal ke(aaaaa)
hum tum se (aaaa)
mil chuke hain(aaaaa)
soorat badal badal ke(aaaa)

aaa aaaa aaaa
aaa aaaa aaaa
aaa aaa aaa
aaaaaaa
aaaaaaa

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Phir Kab Milogi” (1974) was produced by Hari Mehra and directed by Hrishikesh Mukharjee. The movie had Biswajeet, Mala Sinha, David, Deven Verma, Bipin Gupta, Vijaya Chaudhary, Abhi Bhattacharya, Parveen Paul, Ansari, Sailesh Kumar, Naaz, Uma Dutt, Neelima, Shridhar, Sujata, Bishan Khanna, Vikram etc, with Dilip Kumar is a special role.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulites

So let us have a song today(11 november 2016) to wish the Bengali/ Nepali beauty Mala Sinha on her 80th birthday. I don’t remember when was it that I became aware of this sweet smiled, doe eyed and talented actress. Must be when I saw a song where she was running around singing “Neeli aankh milalo ji, dil mein aaj chuppa lo jee” or singing “yaa allah yaa allah dil le gaya”. But I must have also seen her sing “chupke se dil dai de de nahin te shor mach jayega” alongwith our own Rajesh Khanna. She looked very cute and naughty in all these songs. Who can forget her say “hum moond ke palkon ko iss dil ko sazaa de toh”; or her “bade naa samajh ho yeh kya chahate ho”; looks like I can go on and on and on with my list of favourite Mala Sinha songs (didn’t know I knew so many!) But then she slowly graduated to roles of playing slightly senior characters not like Nirupa Roy or Indrani Mukherjee’s mother act but more like Asha Parekh or Waheeda Rehman’s wife of the senior hero who gets a song or two as in some of her 80s and 90s movies.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Phir Kab Milogi” (1974) was produced by Hari Mehra and directed by Hrishikesh Mukharjee. The movie had Biswajeet, Mala Sinha, David, Deven Verma, Bipin Gupta, Vijaya Chaudhary, Abhi Bhattacharya, Parveen Paul, Ansari, Sailesh Kumar, Naaz, Uma Dutt, Neelima, Shridhar, Sujata, Bishan Khanna, Vikram etc, with Dilip Kumar is a special role.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jaal”(1967) was directed by Moni Bhattacharya for New World Pictures. The movie had Mala Sinha, Biswajeet,Johnny Walker,Tarun Bose, Sujit Kumar,Nirupa Roy, Helen, Asit Sen, Jagdish Raj, Niranjan Sharma, Kamran(Guest Artiste) etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jaal”(1967), not to be confused with “Jaal”(1952) was directed by Moni Bhattacharya for New World Pictures. The movie had Mala Sinha, Biswajeet,Johnny Walker,Tarun Bose, Sujit Kumar,Nirupa Roy, Helen, Asit Sen, Jagdish Raj, Niranjan Sharma, Kamran(Guest Artist) etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ek Gaaon Ki Kahaani”(1957) was directed by Dulal Guha for Basu Chitra Mandir Private Limited. The movie had Talat Mehmood, Mala Sinha, Nirupa Roy, Abhi Bhattacharya,,Bipin Gupta, Lalita Pawar, Dhumal, Dulari, Baby Honey, Bhanu Banerji, Shivji Bhai, Sailen Bose, Tanvir, Mohan Choti, Govind, Brahm Bhardwaj, Shah, Uma Khosla, Pathare, Kishan, Parvati Bai, I.S.Johar, Moolchand etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Given that today is the celebration of Holi. Also given that there is this Hindi film which has a title based on this festival name. Further given that this film has a wonderful song which celebrates this festival, and the song ‘mukhda’ is based on the title of the film, which, as I said before, is based on this festival name. Then another given that this song has been quite popular in its time, and exists in the collective memory of the music lovers. Plus also given that this film is from 1970, which is an era that is verily fresh in the minds of the bandwagon companions, and other contemporary lovers of music. Furthermore. We have been celebrating Holi on this blog for eight years in a row now.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naya Zamaana”(1957) was directed by Lukhraj Bhakri for Link Films, Bombay. The movie had Pradeep Kumar, Mala Sinha, Veena, Kammo, Leela Mishra, Badri Prasad, Gope, Shukla, Poonam Kapoor, Shakuntala, Brahmdatt, Daizy Irani, Baby Naaz, Al Nasir etc in it. Pradeep Kumar and Al Nasir were guest artists in this movie.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 15
– – – – – – – – – – – – – – – – – – – – – – – – – –

‘छ’
“छोड़िए गुस्सा हुज़ूर ऐसी नाराज़ी भी क्या”

वो बादशाह सुरों का (He, the monarch of musical notes)

This phrase is used as the intro caption by one of the fans who uploads many songs of Rafi Sb on YouTube. (His name is Ahsaan Qasim.  He is a dear friend, and part of the wide circle of collector friends).

I have discussed in one of my earlier posts, about Rafi Sb’s cognizance of the emotional intent of a song, and his ability to capture and express its exact flavor and nuance, when he would sing it. This ability made his playback voice so intensely an integral subsumed part of the on screen performance, that his voice seemed to dissolve into the persona on screen, losing its own identity. And Rafi Sb had no favorites in this regard. His voice became the voice of any and every actor who lip synced his songs on screen. No other singer in this domain has been able to emulate This remarkable and pervasive characteristic of Rafi Sb’s singing. Other singers either have a very unique characteristic of their singing voice that is identifiable in every song they have given their voice to, or the identity of their voice matches the identity of some select actors and on screen roles. As I said, the pervasiveness of this ability of Rafi Sb continues to be unmatched.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has more than 12900 song posts by now.

This blog is active and online for over 3000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

12964

Number of movies covered in the blog

Movies with all their songs covered =909 Total Number of movies covered =3641

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Blog Start date: 19 july 2008 Active for 3000 days.
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