Posts Tagged ‘1966’
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6424 | Post No. : | 19939 |
Remembering Nalini Jayawant (18/02/1926 – 20/12/2010) on the occasion of her 100th birth anniversary today, February 18, 2026. She was one of the top actress of the golden period of 1950s of Hindi films. Unfortunately, like Suraiya, Nalini Jaywant also took early retirement from films when her films of the 1960s failed one after another. Once voted as a most photogenic face of Hindi films, she spent her post-retirement life as a recluse to such an extent that her death on December 20, 2010, got noticed only after a couple of days.
Nalini Jaywant had two distinct phases of her filmy career. The first phase began with her debut film ‘Radhika’ (1941) produced by Chimanbhai Desai and directed by his son, Virendra Desai. In this film, she sang for herself. Her second film to release was Mehboob Khan’s ‘Bahen’ (1941) where she was paired with Sheikh Mukhtar in the role of his younger sister. This was followed by ‘Nirdosh’ (1941) with Mukesh, ‘Aankh Michauli’ (1942) with Satish Batra and ‘Aadab Arz’ (1943) with Karan Diwan. These films did not work out good in the box office front but Nalini Jaywant established herself in the Hindi film industry as an accomplished actress.
Sometime in 1945, Nalini Jaywant married Virendra Desai who was already married with children. This was not liked by his father, Chimanbhai Desai who expelled Virendra Desai from the house and removed him from his film production company, Amar Films. Later, Nalini Jaywant and Virendra Desai signed a 2-year contract with Filmistan, as an actress and as a director, respectively. However, both of them did not get any assignment during the period of contract. This gap was long enough for the film industry to forget their existence. Once the contract with Filmistan came to an end, Nalini Jaywant and Virendra Desai jointly produced ‘Gunjan’ (1948) which failed at the box. Soon Nalini Jaywant divorced Virendra Desai in 1948.
The second phase of Nalini Jaywant’s filmy career started with ‘Anokha Pyaar’ (1948) with Dilip Kumar and Nargis. This film gave her new lease of life in her filmy career. Film critics praised her in the role of a flower girl. ‘Shikast’ (1953) was a milestone in her career in which she paired with Dilip Kumar. She got a rare praise from Dilip Kumar for her brilliant performance in the film.
The real take off in her filmi career came from ‘Samaadhi’ (1950) in which she paired with Ashok Kumar for the first time. This was followed by another big success for her in ‘Sangraam’ (1950), once again pairing with Ashok Kumar. The success of Ashok Kumar-Nalini Jaywant combination resulted in both working together in as many as 11 films during 1950-58.
The box office success of ‘Naastik’ (1954) in which she was paired with Ajit resulted her working with Ajit in 11 films. Her pairing with Dev Anand in ‘Munimji’ (1955) and with Shammi Kapoor in ‘Ham Sab Chor Hain’ (1956) resulted in box office success of these films. For her performance in ‘Kala Paani’ (1958) with Dev Anand, she got the Filmfare Best Supporting Actress award. But after this film, Nalini Jaywant did not have films much to talk about. From the beginning of the 1960s, film offers started declining. Many new leading actresses like Asha Parekh, Sadhana and Saira Bano had joined the film industry.
The box office failure of ‘Amar Rahe Ye Pyaar’ (1961) jointly produced by Radhakrishan and Prabhu Dayal and directed by Prabhu Dayal financially broke both of them. While Radhakrishan committed suicide, Prabhu Dayal who by that time had married Nalini Jaywant, became an alcohol addict. ‘Bombay Racecourse’ (1965) was virtually her last film in a lead role though, Toofan Main Pyaar Kahaan; (1966) was her last released film in the lead role. After the release of these two films, she had almost retired from her filmy career until she accepted character roles in two films, ‘Bandish’ (1980) and ‘Naastik’ (1983).
In a rare interview of Nalini Jaywant published in the Deccan Herald after her death in 2010, she regretted that she could get to show her acting prowess only in films like ‘Anokha Pyaar’ (1948), ‘Sangraam’ (1950), ‘Shikast’ (1953), ‘Raahi’ (1953) and ‘Kaala Paani’ (1958). She said that she was not interested in making a comeback in films when the offer came for a character role in ‘Naastik’ (1983). But she had to accept it after many requests from Pran and Promod Chakravarty.
Nalini Jayawant died of a heart attack but was found dead after 3 days of her death in her bungalow by neighbours, due to the continuing howling by her two pet dogs. She was staying alone after the death of her husband, Prabhu Dayal in 2001 and was leading a life of a recluse with a couple of pet dogs to give her the company. A distant relative of her is said to have taken her body on a municipal ambulance and cremated her.
On the occasion of Nalini Jaywant’s 100th birth anniversary, I have selected a song from ‘Toofaan Mein Pyaar Kahaan’ (1966), her last film in the lead role and also her last film with Ashok Kumar in lead roles. I had already given the film’s detailed story in my article while covering one of its song, le pee zaraa aur pee. The gist of the story is as under:
Shamu (Ashok Kumar) is a truck driver of Mahajan (Tiwari), a smuggler who indulges in business of smuggled good across the border with Sikkim. He lives in a den with Mahajan and others when they are not on duty. Although Shamu feels bad about serving Mahajan for his smuggling activities, he has to do this for taking care of Rami (Achala Sachdev), a Tibetan and her daughter as promised by him at the time of the death of her husband.
In a different village, Shanta (Nalini Jaywant) is being readied to depart for her marriage with Raimohan (Tarun Bose) against her wish. She runs away from the house. Shamu gives her shelter in his den in an adjoining room with a condition that she should find a different place to stay as his den is full of bad people. Shanta finds Shamu a kind-hearted person. Next day, Mahajan visits the den, Shanta introduces herself as the wife of Shamu for her own safety. Pulma (Jayshree Gadkar), who runs a tea shop and is in love with Shamu, does not believe that Shanta is Shamu’s wife. By now Shamu has fallen in love with Shanta and has decided to propose her for the marriage. One day, Shamu visits her room to propose her for the marriage. He sees a letter written by Raimohan to Shanta about their impending marriage. He assumes that Shanta is in love with Raimohan, and he has no right to ask for hand in marriage. Next morning, before Shanta could explain to Shamu about Raimohan, she finds that Shamu has left the place with Pulma.
Raimohan with the help of Mahajan conspire to kidnap Shanta to sell her across the border at a high price. Shanta now takes shelter in Rami’s house from where she is kidnapped by Raimohan and Mahajan. When Shamu comes to know about Shanta’s kidnapping, he takes out his truck with Pulma and follows the jeep in which Shanta is being taken. While driving on a jig jag hill road, the jeep roles down from road to valley killing Shanta, Raimohan and Mahajan. While consoling Shamu, Pulma reiterates her love for him.
The film had eight songs written by Prem Dhawan which were set to music by Chitragupt. Three songs have been covered on the Blog. On the occasion of the 100th birth anniversary of Nalini Jaywant, I am presenting a song, ‘jaane kaisa hai ye pyaar’ rendered by Lata Mangeshkar and picturised on Nalini Jaywant.
The context of the song is that after Shamu (Ashok Kumar) gives shelter to a runaway girl Shanta (Nalini Jaywant) in his den, she has started liking him for his kind heartedness which soon turns into her love for him. But she is not sure whether he loves her. In this song, Shanta expresses her feelings toward Shamu and doubts whenter Shamu knows about her feelings toward him. Later, she comes to know about his reciprocal feelings toward her through Pulma (Jayshree Gadkar). With this, Shanta expects that Shamu would propose her in his next meeting. Shamu does come to her room with the intention of proposing her. However, in her room, Shamu gets a letter to read which is a letter written by Raimohan (Tarun Boase) to Shanta about their impending marriage. He assumes that Shanta is in love with Raimohan, and he has no right to ask for her hand in marriage. Before she could explain the reality, Shamu has left his place of dwelling.
Video Clip:
Audio Clip:
Song-Jaane kaisa hai ye pyaar (Toofaan Mein Pyaar Kahaan)(1966) Singer-Lata, Lyricist-Prem Dhawan, MD-Chitragupta
Lyrics:
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane na
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane na
gaaoon jiske main geet haaye
wahee meree preet dekho jaane na
naye naye rang meree ankhiyon mein chhaaye
kaisee kaisee tasveeren sapnon mein aaye
naye naye rang meree ankhiyon mein chhaaye
kaisee kaisee tasveeren sapnon mein aaye
kisee kee sadaayen mujhe door se bulaayen
chalee jaaoon main naadaan
aaye
kahaan se ye taan koyee jaane naa
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane naa
pehle to samjhee main dekha koi sapnaa
hone lagaa dheere dheere phir koi apnaa
pehle to samjhee main dekha koi sapnaa
hone laga dheere dheere phir koi apnaa
bada meethha laage ab to raaton ko tadapnaa
maara jisne ye teer
haaye
wahee meree peer pahchaane na
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane naa
gaaoon jiske main geet
haaye
wahee meree preet dekho jaane naa
Kya kahoon aaj kya baat hai
Posted on: February 14, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6420 | Post No. : | 19927 |
“Dillagi”(1966) was produced by Tony Walker and directed by S Banneerjee for Golden Films, Bombay. The movie had Mala Sinha, Sanjay ,Nazima, Vijay Kumar and Johny walker in lead roles. Others in the cast were Jagirdar, Amar, Keshav Rana, Khurshid, Hammad,Tun tun, Moolchand, Parvin Paul, Tony Walker and Bela Bose. They were supported by Zeb Sultana, Shabana, Roop Kumari, Ravikant, Ratan Gaurang, Tulsi, Aziz, Maqsood, Manjeet, Abdul Jabbar, Suresh, N Misra, Samarlal Damani, Ajay Kumar, Abdul Kader, Sherfu and Baxi.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6403 | Post No. : | 19862 |
#the Decade of Sixties – 1961 – 1970 #
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“Sher Afghan-1966” was directed by B.R. Jhingan for ‘Shankar Movietone, Bombay’. It had Prithviraj, Nishi, Premnath, Suresh, Hiralal, Maruti, Ulhas, Zeb Rahman and others. HFGK Vol-IV (1961-1970) lists six songs for this movie leaving a space indicating possibility of more songs might have recorded for this movie. Lyricist Hasrat Jaipuri wrote all the songs for this movie. And music for this movie was composed by Husnlal-Bhagatram.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6369 | Post No. : | 19752 |
Today, December 25, 2025, is the 10th Remembrance Day of Sadhana, the fashion icon of Hindi cinema in the 1960s. She was also called the ‘mystery girl’ because she acted in three mystery genre of films one after another. In her short filmy career of about 15 years, she had a high success ratio in terms of hit films. She worked with top directors like Bimal Roy, Raj Khosla, Yash Chopra, Hrishikesh Mukherjee and H S Rawail. Her co-stars included Dev Anand, Shammi Kapoor, Rajendra Kumar, Raj Kapoor, Raj Kumar, Sunil Dutt, Rajesh Khanna and Dharmendra. Sadhana came and conquered the Hindi film industry in the 1960s and by the end of 1970s, she virtually vanished from the film industry.
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Main maasoom dil maasoom
Posted on: December 16, 2025
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6360 | Post No. : | 19720 |
Kamsune/Unsune songs of Asha Bhosle – 76
“Main Masoom Dil Masoom” by Asha Bhosle is written by Javed Anwar and composed by Usha Khanna. This song is from “Alibaba And Forty Thieves” (1966).
Four out of seven songs have already been posted on the blog. Here’s the fifth song.
“Alibaba And 40 Thieves” (1966) was directed by Homi Wadia for Basant Pictures, Bombay. This movie had Sanjeev Kumar, L Vijayalaxmi, S N Tripathi, Veena, Amarnath B M Vyas, David Abraham, Indira, Tabassum etc in it.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6359 | Post No. : | 19717 |
Kamsune/Unsune songs of Asha Bhosle – 75
“Aayi Nainon Mein Kajra Daal Ke” from “Thakur Jarnail Singh” (1966), is written by Asad Bhopali and composed by Ganesh.
Three songs out of six have already been posted here. This one is the fourth song.
This movie was directed by Mohd Hussain for producer Ratan Mohan under the banner R M Art Production.
The star cast was Dara Singh, Helen, Sheikh Mukhtar, Jayant, Indrani Mukherjee, Indira Bansal, Shyam Kumar, Madan Puri, Sunder, Tun Tun, Madhumati, Bela Bose, etc
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Tum ek nazar dekho jo idhar
Posted on: December 14, 2025
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6358 | Post No. : | 19714 |
#the Decade of Sixties – 1961 – 1970 #
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In this post I am presenting a seduction song sung by Krishna Kalle. It is from a lesser known movie ‘Jaadoo-1966’.
‘Jaadoo-1966’, a Fantasy movie was directed by B. Gupta for Fine Art Pictures, Bombay. The cast of this movie included Ranjan, Chitra, Helen, Sundar, Randhir, Rajan Haksar, Shivraj, Habib, Pal Sharma, Lakshmi chhaaya, Jeewankala, B.M. Vyas and others.
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Aa jaa aa zaraa aa jaa
Posted on: November 30, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6344 | Post No. : | 19656 |
‘Main Wohi Hoon’ (1966) was produced by S A Mehmood and was directed by A Shamsheer. The cast included Feroz Khan, Kumkum, I S Johar, Madan Puri, Murad, Roopesh Kumar, Bela Bose, Lata Sinha, Mirza Musharraf etc. The film was a murder mystery.
I have watched the film for the first time only recently after reading the synopsis of the film’s story which appeared to be an interesting murder mystery. A sole daughter of a wealthy father wants to marry a middle-class man. The father has some apprehension because he has two other suitors for his daughter who are rich. But the daughter is adamant to marry her preferred man. Finally, the father has made his mind to go with his daughter’s preference but she is yet to be told of his decision. All the three suitors attend daughter’s birthday bash. Soon, the father is murdered by an unknown assailant. The main suspects are the three suitors who have met the father in the birthday bash and have indirect interest in his wealth if Asha becomes their prospective bride.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6335 | Post No. : | 19624 |
‘Dillagi’ (1966) was produced by Tony Walker under his banner, Golden Films and was directed by S Bannerjee. The cast included Mala Sinha, Sanjay Khan, Nazima, Vijay Kumar, Johny Walker, Jagirdar, Amar, Pravin Paul, Bela Bose, Zeb Sultana, Tony Walker, Bela Bose, Ratan Gurung etc. The film’s producer, Tony Walker (real name: Kamaluddin Kazi) was Johny Walker’s brother and film’s other actor, Vijay Kumar ( real Name: Waheeduddin Kazi) was the youngest brother of Johny and Tony Walker. Probably, this was the only film in which all the three brothers acted together.
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