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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Kamal Barot


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3469 Post No. : 13925

Missing Films of 1960s – 44
– – – – – – – – – – – – – – –

There is so much to be explored and to be showcased. This journey of debut songs is taking us down the 1960s path, and almost every day we are discovering fabulous gems of song that most people have not heard.

Today’s film is ‘Flying Circus’ from 1965. The film is produced under the banner of Regal Films, Bombay and is directed by Dhanpat Rai. The star cast is led by Ranjan and Nasreen, and also includes Bela Bose, Neelofer, Rajan Kapoor, Babu Raje, Polson, Shyam, Vishwa Mehra, Shri Bhagwan and Kamini Devi etc. There are six songs listed for this film. Music is composed by Robin Bannerjee. Two lyricists are identified – Farooque Kaiser and Yogesh Gaud. This song is from the pen of Yogesh Gaud.

The singing voices are those of Suman Kalyanpur and Kamal Barot.

The music is the key. An obscure film, and a lesser known music director. But see, what wonders can be created even in these obscure circumstances. From the sound and flow of the song, I am quite sure this is a twin dance song. Also, keeping Nasreen’s name possibly for the leading role, the two names that could possibly be performing this song on screen are Bela Bose and Neelofer, but I am just guessing. I request other knowledgeable readers and friends, to add more information for this film and this song.

A lilting fast paced dance number, I am sure you are going to like.  Enjoy

 

Song – Lag Gaya Re Lag Gaya Re Teer Nishaane Pe  (Flying Circus) (1965) Singer – Suman Kalyanpur, Kamal Barot, Lyrics – Yogesh Gaud, MD – Robin Bannerjee
Suman Kalyanpur, Kamal Barot

Lyrics

lag gaya
lag gaya
lag gaya re lag gaya re
teer nishaane pe
lag gaya re lag gaya re
teer nishaane pe
jaaye kya bachke koi meri nigaahon se
lag gaya re lag gaya re
teer nishaane pe
jaaye kya bachke koi meri nigaahon se
lag gaya

aaj aalam hai ye bekhudi ka
dil ke armaan bas mein nahin hain
aaj aalam hai ye bekhudi ka
dil ke armaan bas mein nahin hain
hum ko mehsoos yun ho raha hai
jaise hum is zameen par nahin hain
jaise hum is zameen par nahin hain
lag gaya
lag gaya
lag gaya re lag gaya re
teer nishaane pe
lag gaya re lag gaya re
teer nishaane pe
jaaye kya bachke koi meri nigaahon se
lag gaya

aaj naghmon ki masti mein dekho
doob jaayige ye duniya saari
aaj naghmon ki masti mein dekho
doob jaayige ye duniya saari
jis taraf bhi nigaahen uthengi
nazar aayegi surat hamaari
nazar aayegi surat hamaari
lag gaya
lag gaya
lag gaya re lag gaya re
teer nishaane pe
lag gaya re lag gaya re
teer nishaane pe
jaaye kya bachke koi meri nigaahon se
lag gaya

aaj kadmon mein dekho mein hamaare
bijliyaan laakh bal kha rahin hain
aur sajde mein har ik ada ke
laakh nazren bichhin ja rahi hain
laakh nazren bichhin ja rahi hain
lag gaya
lag gaya
lag gaya re lag gaya re
teer nishaane pe
lag gaya re lag gaya re
teer nishaane pe
jaaye kya bachke koi meri nigaahon se
lag gaya

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

लग गया
लग गया
लग गया रे लग गया रे
तीर निशाने पे
लग गया रे लग गया रे
तीर निशाने पे
जाएगा बचके कोई मेरी निगाहों से
लग गया रे लग गया रे
तीर निशाने पे
जाएगा बचके कोई मेरी निगाहों से
लग गया

आज आलम है ये बेखुदी का
दिल के अरमान बस में नहीं हैं
आज आलम है ये बेखुदी का
दिल के अरमान बस में नहीं हैं
हमको महसूस ये हो रहा है
जैसे हम इस ज़मीन पर नहीं हैं
जैसे हम इस ज़मीन पर नहीं हैं
लग गया
लग गया
लग गया रे लग गया रे
तीर निशाने पे
लग गया रे लग गया रे
तीर निशाने पे
जाएगा बचके कोई मेरी निगाहों से
लग गया

आज नग़मों की मस्ती में देखो
डूब जाएगी ये दुनिया सारी
आज नग़मों की मस्ती में देखो
डूब जाएगी ये दुनिया सारी
जिस तरफ भी निगाहें उठेंगी
नज़र आएगी सूरत तुम्हारी
नज़र आएगी सूरत तुम्हारी
लग गया
लग गया
लग गया रे लग गया रे
तीर निशाने पे
लग गया रे लग गया रे
तीर निशाने पे
जाएगा बचके कोई मेरी निगाहों से
लग गया

आज कदमों में देखो हमारे
बीजलियाँ लाख बलखा रही हैं
आज कदमों में देखो हमारे
बीजलियाँ लाख बलखा रही हैं
और सजदे में हर इक अदा के
लाख नज़रें बिछीं जा रही हैं
लाख नज़रें बिछीं जा रही हैं
लग गया
लग गया
लग गया रे लग गया रे
तीर निशाने पे
लग गया रे लग गया रे
तीर निशाने पे
जाएगा बचके कोई मेरी निगाहों से
लग गया

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, we are celebrating the 3400th day that this blog has been operating. And this song marks the 100th song of Shewan Rizvi as a lyricist

We in this blog tend to celebrate centuries. Initially, it was centuries of songs in the blog that used to get cellebrated after every 100 posts. With time, we had new concepts like “some stats” page and contributions by regulars. Soon, these things made us realise that artists and contributors too could have their centuries, and we began to celebrate their centuries as well.

Later, we had some more complex (and one could say artificial) centuries like say centuries of duets by a pair of singers.

With time, we hit upon the concept of YIPPYing on movies. so now we began to track YIPPEED movies as well and we have so far celebrated a few centuries of YIPPEED movie as well.

Of late, I have begun to keep yearwise track of songs and movies as well, so that helps us in realising when we have a century of movies or songs in a particular year.

Today, we celebrate another “new” kind of a century for the blog. Today ( 8 november 2017),the blog completes 3400 days of its existence. It has completed 33 centuries in the past but those had gone unnoticed. It is the first time we have noticed it and we are celebrating this century.

Sudhir Jee has already posted a writeup on this occasion where he discussed some amazing coincidences that were inadvertent and that can only happen if some divine forces are at work. He mentioned that for the first 40 days, the blog was a “one song a day” blog and then it became several songs a day blog from the 41st day, beginning with the suitably worded song “Aapke anurodh pe main ye geet sunaata hoon(Anurodh)“. It was very much similar to how a new mother rests and takes it easy for the first 40 days after a child is born and begans to eert only from the 41st day, Sudhir Jee has pointed out in his post.

This is not the first time such a divine scheme of things has been detected by Sudhir Jee. while discussing the massive honky tonk affair that post number 11111 of this blog (Hamko tumse ho gaya hai pyaar kya karen (Amar Akbar Anthony) )was, he had discovered that all the four singers whose voices figured in post number 11111 had figured in blogs post numbers 1, 11, 111 and 1111, singing solo songs in the same sequence in which their voices appeared in the song of post number 11111.

I assure you that such amazing coincidences, indicating that some grand and divine scheme of things are afoot, keep happenning with me even in matters that are outside the purview of this blog.

On the occasion of this special century, I thought of combining this century with one century, viz century of an artist.

Lyricist Shewan Rizvi is the suitable choice as was very close to his maiden century.

Regulars may recall that Shewan Rizvi was the lyricist of the song Hamen to loot liya mil ke husn waalon ne (Al Hilaal) which was posted as the 5000th song of the blog on 13 september 2011. Both Bulo C Rani and Shewan Rizvi were in their 20s when It was decided, with some 100 odd songs to go, that this iconic “Al Hilal” (1957) qawwaali would be the 5000th song for the blog. I wanted to combine this 5000th song for the blog with the century song of Bulo C Rani. So, an uncharacteristically high number of Bulo C Rani compositions were discussed in the blog during those days to enable him to achieve his century mark to coincide with blog’s 5000th post mark.

At that time, I had toyed with the idea that even Shewan Rizvi should be made to reach his century mark simulutaneously, but then gave up the idea as being too ambitious and unrealistic. And so I mentioned it in that writeup that Shewan Rizvi’s time too would come and we would honour him on a suitable occasion. So today, six years and 8711 songs later, Shewan Rizvi reaches his 100th post as a lyricist in the blog on the day of blogs 34th century.

This song , which marks Shewan Rizvi’s century in the blog is from an obscure movie called “Golden Eyes”(1968). The movie, a quintessential C grade movie, was directed by Kamal Sharma for Madan Chitra, Bombay. The movie has Mumtaz, Shailesh Kumar, Helen, K M Vyas, Shabnam, Madhumati, Asit Sen, Ulhas, Rani, Rajan Haksar, Samson, Rajan Kapoor, Rameshkant, Sheikh, Jeewankala, Khursheed, Ravi Kumar, Ram Kumar, Ratan Gaurang, Nazeer Kashmiri, H Prakash, Amrit Rana, Vijaylaxmi,Narbada Shankar, Moosha Chaang, Maqbool, Bhaskar, Ganesh, Basheer, Arvind, abu Bakar, Julien, Saiyyad etc in it.

This movie, described as a spy movie was also known as “Secret Agent 077”. All this is a clear indication that the movie was inspired from some James Bond movie, may be from “Goldfinger”(1964).

While agent 007 on Her Majesty’s service only gets to romance voluptuous ladies, Indian agent 077 gets to sing romantic songs as well. The movie had two Mahendra Kapoor-Asha Bhonsle duets and one Mahendra Kapoor-Usha Balsawar duet, where our secret agent clearly sings romantic songs in Mahendra Kapoor’s voice.

The song under discussion is not one of those songs though. It is an all female duet which is sung by Asha Bhonsle and Kamal Barot. Shewan Rizvi is the lyricist. Music is composed by Baldev Nath, who I guess must be the same as Baldev Nath Bali aka B N Bali.

Only the audio of this lilting song is available. It is difficult to guess how and on whom this song is picturised. It could have been picturised on a couple of dancing ladies. The dancers could be any two (or more) out of Helen, Madhumati, Jeewankala, and even Mumtaz herself. The video of thios song and the movie is not available as of now. I request our knowledgeable readers to throw light on the picturisation of this song.

So the 3400th day of the blog sees the celebration beginning by covering two all female duets, both containing the voice of Kamal Barot in them. Both these songs are rare songs that few people may have heard before.

If the earlier song was a YIPPEE song for the blog then this movie “Golden Eyes”(1968) makes its debut in the blog with this song and becomes the 3750th song to get represented in the blog.

If today is the 3400th day for the blog, then this song is the 3400th song of 1960s in the blog ! As I mentioned, these kinds of coincidences keep happening in this blog.

For now, here is this lilting song from “Golden Eyes”(1968) to celebrate (i) the maiden century of Shewan Rizvi as a lyricist in the blog and (ii) to celebrate the 3400th day of the blog.


Song-Ulfat ki nishaani de ke chale wo chhallaa (Golden Eyes)(1968) Singers-Asha Bhonsle, Kamal Barot, Lyrics-Shewan Rizvi, MD-Baldev Nath
Asha Bhosle + Kamal Barot

Lyrics

ulfat ki nishaani de ke chale wo chhallaa
ulfat ki nishaani de ke chale wo chhallaa
we main lut gayi lut gayi main to mere alla
we main lut gayi lut gayi main to mere alla
ulfat ki nishaani de ke chale wo chhallaa
ulfat ki nishaani de ke chale wo chhallaa
we main lut gayi lut gayi main to mere alla
we main lut gayi lut gayi main to mere alla

wo shokh adaaon waala
wo shokh adaaon waala
dildaar nigaahon waala
jo pyaar ko mere kar ke chala bismillaah
we main lut gayi lut gayi main to mere alla
we main lut gayi lut gayi main to mere alla

mere peechhe peechhe aake
mere peechhe peechhe aake
mujhe aankhon mein uljha ke
mere dil ko churaaya
kheench ke mera palla
we main lut gayi lut gayi main to mere alla
we main lut gayi lut gayi main to mere alla

ulfat ki nishaani de ke chale wo chhallaa
ulfat ki nishaani de ke chale wo chhallaa
we main lut gayi lut gayi main to mere alla
we main lut gayi lut gayi main to mere alla


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, we are celebrating the 3400th day that this blog has been operating.

And we Yippeee a film that has been waiting for more than two years for the final song to come online. 🙂

Sometimes, Atul ji springs a wonderful surprise. And at a very short notice too. It is 8.30 pm in the night (on 7th Nov). I am just casually checking my emails. Plop. There is a message from him. We have a significant and a very different type of milestone lined up for tomorrow (8th Nov). The immediate next sentence, he is quickly clarifying that no, the said milestone has nothing to do with demonetization anniversary or any other subject of Indian economy. The next sentence he clarifies, without building any suspense or delays in his words. 8th Nov is exactly the 3400th day of the continued existence of our blog. A few lights start blinking inside the head. Wow, – thanks ji, – what a surprise, – such a different type of milestone, – gosh tomorrow, – what a scramble, – and in a secret corner, another light blinks that says – अरे सर, थोड़ा एडवांस नोटिस तो देना चाहिए॰ ॰ ॰ खैर॰ ॰ ॰

Blinking lights aside, many congratulations to all members, friends and readers, and welcome to the 3400th edition of Atul Song A Day, in which, I must emphasize, at the cost of repetition, that the phrase song-a-day has been redundant for, well, let us see – 28th Aug, 2008, i.e. 40 days less, that is 3360 days – I mean the period of redundancy of this phrase. You see, 28th Aug, 2008 was the day (41st in the history of this blog) that Atul ji shifted gears and posted 3 songs in a single day, for the first time. See, that is how long his solemn promise lasted. In just forty days, he was so overwhelmed and got carried away that instead of song-a-day, it was three-songs-a-day that day.

[Tongue in cheek] – I am sure folks in all parts of this subcontinent will be aware and will agree; the tradition is to celebrate the 40th day after childbirth, as the day when the mother of the newborn child, is allowed to start moving outside the confines of the household. There is a celebration and a ceremony to mark this event. (Of course in the current times, quite a few people do not bother to abide by this tradition, which, if I may be allowed to emphasize, has very important reasons of health and well being behind it). But we note that Atul ji quite religiously followed this tradition, and stayed put on one song per day for forty days. And then he ventured out further – starting with the song “Aap Ke Anurodh Pe Main Ye Geet Sunaata Hoon” (film ‘Anurodh’, 1977), on the forty first day. I must add that Atul ji has been a very conscientious ‘mother’, for the first forty days, and for all the days thereafter. 🙂

So, in the tradition of adding new feathers to the caps, we are now adding one more dimension by which we measure the robustness of our blog and its level of enthusiasm / commitment  / entertainment value. No of days that we have been in operation. Today – it is 34 hundred days that are completed. And counting. . .

Changing the topic briefly – I would like to touch upon the query that was raised yesterday by Peevesie’s Mom, regarding the number of posts and the number of songs contained therein. Although we count one post only once, there are many occasions that a single post carries more than one song.

Yes, there are posts that have multiple songs on account of the songs being present more than once in the film, or have been sung by different singers in the same film. Sometimes the multi singer songs are exactly the same, and sometimes they have different antaraas. Same for multi part songs. In some cases, the multiple appearances of the song in the film carry the same lines, and in some cases, they carry different lines.

In cases where the multiple appearance of the song is in the voice of the same singer, and the words are unchanged, then we count them as one song only. However, if the singing voice is different then we count them as multiple songs. Also, if the singing voice being the same, if the words and lines are different, then also we count them as multiple songs.

Another criteria that we follow is to adhere to the listings in the HFGK. In the Geet Kosh, songs which are multi part, or multi singer are listed separately. And so we also follow that scheme to count the songs. An interesting aside here is that the Geet Kosh counts the different parts of the multi-lingual songs, as separate songs. And so do we, counting each part of the multi lingual song as a separate song. The case in point is the last line in the table below. This is the muti lingual song from the film ‘Teen Batti Chaar Raasta’ (1953) “Orey Oo Poraan Bondhu Re. . .”. This song is the post number 10967 (dt 24Mar2015). Geet Kost lists this song as seven separate lines, one for each language covered. And so, on our blog too, we count them as 7 songs, albeit contained in one post.

A few posts carry the original song as well as the version song, which is not carried in the film. E.g. the song “Chhupo Na Chhupo Na Chhupo Na” from film ‘My Sister’ (1944); both the versions – in the voices of KL Saigal and Pankaj Mullick – are contained in the post no. 807 (dt. 26Feb2009), although the film carries the Saigal Sb version only.

Please note that the audio and video versions of the same song are not counted as extras.

When the blog arrived at the 13700th milestone on 4th November just passed, the total number songs contained within these posts reached the number of 14200, exactly five hundred more than the number of posts.

The breakup of multi-songs within posts is as follows,

  • Posts containing 2 songs counted – 410 –  410 extra
  • Posts containing 3 songs counted – 34     –  68 extra
  • Posts containing 4 songs counted – 4       –  12 extra
  • Posts containing 5 songs counted – 1        –   4 extra
  • Posts containing 6 songs counted – 0
  • Posts containing 7 songs counted – 1        –   6 extra

In the above listing, the first number in the row is the number of posts for that category (2 songs or 3 songs etc.), and the second number is the number of additional songs that we count, because of this phenomena. The above list tells us that there are a total of 450 posts out of 13,700, which carry more than one song. This number is the total of the first column in the above lines. The total of the second column gives us the number of additional songs that are carried in these posts, which round figure of 500 extra songs (till 4th Nov that is).

A thought here is that we can request Atul ji to also publish the number of songs, along with the number of posts, on the home page.

Now coming to the song for today. At first, I had some courageous and wishful thoughts to try and search for a song that has something to do with ‘thirty four thousand’ or even ‘thirty four’, you know, just like we had a readymade song for the 11000th post (“Gyaarah Hazaar Ladkiyaan”). But I very soon gave up that pursuit as impractical. And so, in consultation with Atul ji, I bring on board a Yippeee song – a rare one that was not even available online so far. The film is ‘First Love’ from 1961. This film carries six songs. Five of these songs are already posted here. These are

  1. Beete Huye Din Kuchh Aise Hi Hain
  2. Maano Ya Na Maano
  3. Mujhe Mil Gayi Hai Muhabbt Ki Manzil
  4. Wo Dekho Aayi Bahaaren Laayi
  5. Mere Pyaar Mein Ya Wafa Na Thhi

The first two songs listed above, were posted in Dec 2011. The third song came on board in Jun 2012. Then after almost two years, the fourth song made its appearance in Apr 2014. Exactly a year later, the 5th song arrived in Apr 2015. After that, likely the lack of online availability of this song disallowed this film from being Yippeee’d. i.e. till now, more than two and half years later.

This last song which is a wonderful duet by Suman Kalyanpur and Kamal Barot, has now been uploaded and the Yippeee call for this film can now be made. The words are from the pen of Gulshan Bawra and the music is by Dattaram. The very prominent Dattu ‘theka’ rhythm of dholak is very prominently heard in the antaraas.

The list of actors in this film includes Mehmood, Naaz, Preetibala, Raj Mehra, Amar, SN Bannerji, amongs others. The list contains only these two names of lady actors. Possibly this song could have been picturized on Naaz and Preetibala, but that is just a guess.

So, 3400 days, 13710 posts (yes, this post is no. 13710), and 14210 songs. So many milestones and measuring dimensions, and counting. But anyway, do listen to this fantastic duet song, with such an endearing rhythm created by Dattaram. And enjoy.

Song – Kis Ko Aai Hai Tu Mil Ke Mil Ke (First Love) (1966) Singer – Suman Kalyanpur, Kamal Barot, Lyrics – Gulshan Bawra, MD – Dattaram
Suman Kalyanpur + Kamal Barot

 

Lyrics

kis ko aai hai tu mil ke
mil ke
phool bani hai kali khil ke
khil ke
ye milan bada pyaara haaye
ye milan bada pyaara. . .

kis ko aai hai tu mil ke
mil ke
phool bani hai kali khil ke
khil ke
ye milan bada pyaara haaye
ye milan bada pyaara. . . pyaara
kis ko aai hai tu mil ke
mil ke
phool bani hai kali khil ke
khil ke

dekh ke
aaina
neeche nazar jo daali
aa gai
gaalon pe
maare sharam ke laai
dekh ke
aaina
neeche nazar jo daali
aa gai
gaalon pe
maare sharam ke laali
aaj kya baat hai
dil pe kyon haath hai
kis ko aai hai tu mil ke
mil ke
phool bani hai kali khil ke
khil ke
ye milan bada pyaara haaye
ye milan bada pyaara. . .
kis ko aai hai tu mil ke
mil ke
phool bani hai kali khil ke
khil ke

zindagi
mein kabhi
yun bhi ho jaata hai
gair ki
cheez pe
apna dil aata hai
zindagi
mein kabhi
yun bhi ho jaata hai
gair ki
cheez pe
apna dil aata hai
pyaar ki
kya khabar
lad gai
kab nazar
kis ko aai hai tu mil ke
mil ke
phool bani hai kali khil ke
khil ke
ye milan bada pyaara haaye
ye milan bada pyaara. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

किसको आई है तू मिल के
मिल के
फूल बनी है काली खिल के
खिल के
ये मिलन बड़ा प्यारा हाए
ये मिलन बड़ा प्यारा॰ ॰ ॰

किसको आई है तू मिल के
मिल के
फूल बनी है काली खिल के
खिल के
ये मिलन बड़ा प्यारा हाए
ये मिलन बड़ा प्यारा॰ ॰ ॰ प्यारा
किसको आई है तू मिल के
मिल के
फूल बनी है काली खिल के
खिल के

देख के
आईना
नीचे नज़र जो डाली
आ गई
गालों पे
मारे शरम के लाली
देख के
आईना
नीचे नज़र जो डाली
आ गई
गालों पे
मारे शरम के लाली
आज क्या बात है
दिल पे क्यों हाथ है
किसको आई है तू मिल के
मिल के
फूल बनी है काली खिल के
खिल के
ये मिलन बड़ा प्यारा हाए
ये मिलन बड़ा प्यारा॰ ॰ ॰
किसको आई है तू मिल के
मिल के
फूल बनी है काली खिल के
खिल के

ज़िंदगी
में कभी
यूं भी हो जाता है
ग़ैर की
चीज़ पर
अपना दिल आता है
ज़िंदगी
में कभी
यूं भी हो जाता है
ग़ैर की
चीज़ पर
अपना दिल आता है
प्यार की
क्या खबर
लड़ गई
कब नज़र
किसको आई है तू मिल के
मिल के
फूल बनी है कली खिल के
खिल के
ये मिलन बड़ा प्यारा हाए
ये मिलन बड़ा प्यारा॰ ॰ ॰

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 35
– – – – – – – – – – – – – – –

Her name is listed as the fourth lady music director in Hindi cinema. But then, that is where the comparison ends. The first three names considered are Ishrat Sultana, better known as Bibbo, then Jaddan Bai, and then we have Khorshed Minocher-Homji, more popularly known as Saraswati Devi. These stalwart composers from the earlier decades (1930s and 40s) of Indian cinema, were formally trained in Hindustani classical music, which also defined their style and the types of songs they composed.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to all on today’s festival of Rakshabandhan. I hope and pray that celebrations have been happily enjoyed in the household of all readers and friends.

As we have discussed in many posts earlier on this topic, Rakshabandhan is celebrated on the full moon day of the month of Saawan. In traditional terms, the timing of today’s celebrations got restricted due to two additional astrological events that coincided with the full moon celebration. As per the calculations of the ephemeris applicable to the Indian subcontinent, the full moon ‘tithi’ i.e. the ‘poornima’ started at 10:29 pm yesterday (6th Aug), and will be in effect till 11:41 pm tonight (7th Aug).
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaala Chashma”(1962) was directed by K Vinod for SBV Productions, Bombay. the movie had Manju, Amarnath, Madan Puri, Maruti, Jeevan Kala, Sheikh, Sheela Kashmiri, Abeela Kashmiri, Uma Dutt, Ravikant, Kundan, Ridku, Rani Kaushal, Rehana, Madan Khanna, Soni, Narinder, Prakash, Kailash etc. in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I was under the impression that “Johar Mehmood in Goa”(1965) was YIPPEED with the last song that was discussed in the blog. Now it turns out that I had incorrectly assumed that song as a multiple version song and that a song from the movie was actually left to be discussed.

So here is this missing song from “Johar Mehmood in Goa”(1965). This song is sung by Kamal Barot, Shamsdhad Begam and chorus. Akhtar Romani is the lyricist. Music is composed by Kalyanji Anandji.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nateeja”(1969) was produced by Jugal Kishore and is directed by Rajesh Nanda. The movie had Vinod Khanna and Bindu in lead roles (both making their debuts) alongwith KN Singh, Jugal Kishore, Junior Mehmood etc in it as well.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In Hindi movies, carrying out romance is considered the sole prerogative of the lead pair. Lesser characters in the movie are virtually forbidden to have any feelings, including romantic feelings and so they are not supposed to act romantic.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaahi Lutera”(1965) was produced by Nirmal Anand and directed by Akkoo for BNT Films. The movie had Chitra, Azad, Indira, B.M.Vyas, Nirmal Anand, Tiwari, Shaikh, Heera Sawant, Ram Raseela, Arvid Kumar, Jilani, Krishna, Dog Tiger, Bela Bose etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13900 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13930

Number of movies covered in the blog

Movies with all their songs covered =1050
Total Number of movies covered =3798

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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