Posts Tagged ‘Anjaan’
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5751 | Post No. : | 18275 |
“Kashish”(1980) was directed by Amin Chaudhary for Film Art International, Bombay. The movie had Naveen Nishchol, Reena Roy, Vinod Mehra, Chris Macliod, A.K. Hangal, Dr Shreeram Lagoo, Achala Sachdev, Narendra Nath, Sashikala, Patrick Macclo, Johny Whisky, Mitthu Sen, Sheli Desai, Bhim Sen, O.P. Malhotra, Lalit Kohli, Manohar Rathod, Pradeep Kochar, Jo Chiramont, Rin Chin, Michael O’ Brian, Fan Rizo, Mister Batra etc in it.
Rajni Sharma and Rama Vij made special appearances in the movie.
“Kashish”(1980) had three songs in it. Two songs have been covered in the blog.
Here are the details of the songs covered so far:-
| SNo in Blog | Song Title | Singer/s | Lyrics | Posted On | Remarks |
|---|---|---|---|---|---|
| 7615 | Kisi aasmaan pe to saahil milega | Rafi | Gulzar | 6 March 2013 | Lyrics by Avinash Scrapwala. Picturised on Navin Nischol |
| 16921 | Do pardesi anjaane se | Kishore Kumar, Suman Kalyanpur | Anjaan | 11 April 2022 | Post by Avinash Scrapwala. Picturised on Navin Nischol and Reena Roy |
Here is the third and final song from the movie to appear in the blog. The song is sung by Asha Bhonsle. Anjaan is the lyricist. Music is composed by Kalyanji Anandji. Only audio of this song is available. It is in contrast to the earlier covered songs whose video were available.
I request our knowledgeable readers to throw light on the picturisation of the song. My guess is that this song is a dance song which may have been picturised on a secondary character.
With this song, all the songs of “Kashish”(1980) are covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
Song-Pardes mein jaa ke tu piyaa pardesi bhayaa (Kashish)(1980) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-Kalyanji Anandji
Lyrics
pardes mein jaa ke tu u
piya pardesi bhaya
ho pardes mein jaake tu
piya pardesi bhaya aa
tu kaahe pardesi bhaya
meri janam janam ki preet
tu kaise bhool gaya aa
tu kaahe pardesi bhaya
ho o
o o o
o o o
jaana thha humse door
to kaahe preet badhhaai
o humse preet badhhaai
hua dil ka ye sheesha choor
ye kaisi thhokar lagaai ee
ye toone thhokar lagai
haar ke tere pyaar mein ye dil
maine jaan lutaai
haar ke tere pyaar mein ye dil
maine jaan lutaai
mere pyaar ki kadar na jaani
tu nikla harjaai
jhoothhe sapne dikha ke tu
piya pardesi bhaya aa
tu kaahe pardesi bhaya
meri janam janam ki preet
tu kaise bhool gaya aa
tu kaahe pardesi bhaya
dekha videsi roop
to desi rang na bhaaye
ye desi rang na bhaaye
ho gorey badan ki dhoop tere dil ko jalaaye ae
haaye re haaye dil ko jalaaye
raat raat bhar gori sautan ke sang raas rachaaye
raat raat bhar gori sautan ke sang raas rachaaye
teri saanwri teri yaad mein jal jal ke mar jaaye
mujhe jogan bana ke tu
piya pardesi bhaya aa
tu kaahe pardesi bhaya
meri janam janam ki preet
tu kaise bhool gaya aa
tu kaahe pardesi bhaya
aa aa aa
aa aa
aa aa aa
meri lagan mere meet
tujhe bhi tadpaayegi
haan tujhe tadpaayegi
meri kashish meri preet
tujhe waapas laayegi ee
tujhe waapas laayegi
reet rasam ke laaj sharam ke
saare bandhan todoon
reet rasam ke laaj sharam ke
saare bandhan todoon
main jatti punjab di
bainya thhaam ke phir na chhod u
kaahe daaman chhuda ke
tu piya pardesi bhaya
tu kaahe pardesi bhaya
pardes mein jaake tu
piya pardesi bhaya aa
tu kaahe pardesi bhaya aa
tu kaahe pardesi bhaya
Hum tum ye rang roop ye raaten
Posted on: January 13, 2024
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5657 | Post No. : | 18158 |
Today, January 13, 2024, is 94th birth anniversary of music director, Sardar Malik. In his childhood, he had wished to be a singer, but the fate turned him toward music direction. He did not have a prolific career. He never got opportunity to work with top film banners in spite of talents which was reflected in most of the songs he composed. Recently, I had gone through his interview on Vividh Bharati which was probably conducted after his ‘retirement’ from the film world. From his talk, I could visualize him to be a man of principles, a man of least resistance and a man of self-respect which will not allow him to indulge in networking. Lastly, he was a sensitive person who refrained from hurting anyone even if he had suffered from wrongdoings.
Sardar Malik (13/01/1930 -27/01/2006) was born in Kapurthala in a middle-class family. From the childhood, he developed interest in singing. Seeing his interest in music, his father put him under the tutelage of Ustad Mubarak Ali who was a percussionist. One day, he saw an advertisement in the newspaper from Uday Shankar’s India Cultural Center, Almora, inviting applications for admission to the Center. He was keen to join but his parents could not afford the fees. Knowing his interest in music, Maharaja of Kapurthala sponsored him to the Center.
In India Cultural Center, Almora, Sardar Malik learnt from visiting faculties which consisted of poet Sumitra Nandan Pant, Shankaran Namboodiri (Kathakali), Guruji Pillai (Bharatanatyam), Amobi Singh (Manipuri), apart from ballet dance from Uday Shankar. He also learnt music from Ustad Allauddin Khan and Vishnudas Shirali. Mohan Saigal and Guru Dutt were his classmates. Guru Dutt was his room mate also. After the completion of 5-year course, they joined Uday Shankar’s dance troop and traveled all over India performing dances. Sometimes, Sardar Malik gave solo dance performance in place of Uday Shankar whenever the latter was not available due to his illness.
During 1945, due to the after-effect of the World War II, the financial strain compelled Uday Shankar to close down his dance academy. Sardar Malik along with Mohan Saigal and Guru Dutt came to Mumbai to become choreographers in Hindi films. While Prabhat Films took Guru Dutt as choreographer, both Sardar Malik and Mohan Saigal jointly become choreographer for Nanabhai’s Bhatt’s film ‘Chaalis Karod’ (1945). After this, they both decided to give up choreography. While Mohan Saigal become director, Sardar Malik decided to pursue his interest in singing.
Jayant Desai and Ramesh Sehgal, the producer and director, respectively for ‘Renuka’ (1947) heard Sardar Malik singing in a programme. Impressed with his singing and his background, they offered him to compose songs for the film. So, Sardar Malik debuted as the music director for the film, ‘Renuka’ (1947) besides singing 4 songs. The film failed at the box office. But his song compositions for the film got attention from other film makers. His next two films, ‘Raaz’ (1949) and ‘Stage’ (1951) did not fare well either. By this time, Sardar Malik realised that Mohammed Rafi, Mukesh and Talat Mehmood were far superior singers than him. So, he gave up singing and concentrated on Music Direction.
In 1953, Sardar Malik came into limelight with his song, “Ae Gham-e-Dil Kyaa Karoon in ‘Thokar’ (1953) and “Bahaaron Ki Duniya Pukaare Tu Aa Ja” in ‘Laila Majnu’ (1953). In ‘Chor Baazaar’ (1954), “Hui Hai Humse Naadaani Teri Mehfil Mein Aa Baithhe” and in ‘Aab-e Hayaat’ (1955), “Main Gareebon Ka Dil Hoon Watan Ki Zabaan” became very popular. Sardar Malik was getting 2-3 film every year till about 1960. Sardar Malik got real recognition as a music director in ‘Saaranga’ (1960) and ‘Mera Ghar Mere Bachche’ (1960). The songs, “Saaranga Teri Yaad Mein” and “Bahaaron Se Poochho Mere Pyaar Ko Tum” from respective films became very popular. He signed a good number of films after these two films’ musical successes.
While everything was going fine in his career, an incident involving the heated arguments between a top lyricist and a top female playback singer at the time of recording of a song under his baton, destroyed his musical career. The female singer left the recording studio in a huff. Her entire anger fell on Sardar Malik because she felt that he had not supported her during her arguments with the lyricist. Suddenly, he stopped getting booking for recording studios. In the circumstances, he lost almost all the films which either he was working on or were lined up.
Sardar Malik never revealed the names of the top lyricist and the top female singer involved in the arguments. But it was apparent that they were Sahir Ludhianvi and Lata Mangeshkar. Both of them continued to work together but Lata stopped working with Sardar Malik after this episode. During 1960-65, he got mostly B Grade films in the genre of mythology, fantasy and action. During this period, Suman Kalyanpur and Asha Bhosle were his main female singers.
During his two decades of active musical career in films, Sardar Malik composed songs in about two dozen films. ‘Panch Ratan’ (1965) was virtually his last film though he later did ‘Gyaani ji’ (1977) jointly with Premnath.
Post 1965, when Sardar Malik had no work, he faced financial hardship. In a fit of depression, he threw all his collections of 78 RPM gramophone records of his songs in the Arabian Sea. He became a recluse and avoided going out of his house. Hasrat Jaipuri, his brother-in-law and Vishnudas Shirali, his music teacher at India Cultural Center helped him. He started music classes for young children, including his three sons, Anu Malik, Daboo Malik and Abu Malik.
With his eldest son, Anu Malik’s musical career taking off in the 90s, Sardar Malik was a satisfied person. After many years, Sardar Malik traveled outside Mumbai to witness his son, Anu Malik getting National Film Award for the best music director for the film, ‘Refugee’ (2001) in New Delhi.
Sardar Malik passed away on January 27, 2006 at the age of 76 as a happy person with all his sons and grandchildren, Anmol Malik, Armaan Malik and Amaal Malik doing well in their respective music fields.
As I mentioned earlier, ‘Panch Ratan’ (1965) was Sardar Malik’s virtually the last film for which he composed songs. The film was produced by Vinod Doshi and was directed by Kamran. The cast included Randhawa, Parveen Chaudhary, Kamran, Kamal Mehra, Shyam Kumar, Amarnath, Randhir, Meenaxi, Joginder Singh, Saudagar Singh, Madhumati, Laxmi Chhaya, Aruna, Jeevankala etc.
The film had an usual story which most of the ‘B’ grade costume action-drama films would have in Hindi. The film has all the ingredients of this genre of films like sword fights, free style wrestling, horse riding chase and a host of dancers for entertainments. Additionally, this ‘B” grade film had some ‘C’ grade antics by some of the side actors. The gist of the story of the film is as under:
After overthrowing the king of Shamgarh with the help of a treacherous Senapati (Amarnath) of the king, Sangram Singh (Kamran) becomes the ruler with a brutal force. The people are fed up with his oppressive rule. The people of Shamgarh under the leadership of Raja (Randhawa) rise against his rule. Sangram Singh has not only to crush the rebellion led by Raja, he has to settle his personal score also as Raja is in love with his sister, Chandralekha (Parveen Chaudhary).
Sangram Singh kidnaps Raja’s mother (Meenaxi) and as a tit for tat, Raja kidnaps Chandralekha. After kidnapped persons are exchanged, Sangram Singh announces the engagement of Chandralekha with the Prince of Vijaygarh (Randhir). Now Raja has one more reason to fight Sangram Singh for the sake of Chandralekha. Raja successfully leads his fight against Sangram Singh with the help of his other four ‘ratan’ – Birju (Shyam Kumar), Tingoo (Kamal Mehra), Balwant (Saudagar Singh) and one more (I am not able to identify him), to end his brutal rule and brings back the ousted King of Shamgarh.
‘Panch Ratan’ (1965) has 5 songs written by Anjaan (4) and Upendra (1) which have been set to music by Sardar Malik. Two songs from the film have been covered on the Blog. I am presenting the 3rd song, “Hum Tum Ye Rang Roop Ye Raaten from the film to appear on the Blog. The song is rendered by Suman Kalyanpur on the words of Anjaan. It is a dance song picturised on Madhumati.
The occasion is the engagement ceremony of Princess Chandralekha with the Prince of Vijaygarh. It is a ploy by Sangram Singh (Kamran) to capture Raja (Randhawa) and his gang knowing that they would come in disguise. And they do attend the ceremony in disguise. First, Kamal Mehra dances with Madhumati followed by Shyam Kumar. Kamran and Amarnath can be seen during the dance performance.
Video Clip:
Song-Hum tum ye rang roop ye raaten (Panch Ratan)(1965) Singer-Suman Kalyanpur, Lyrics-Anjaan, MD-Sardar Malik
Lyrics:
hum tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
hum tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
haaye haaye mehfil ye suhaani
ho na jaaye koi naadaani
haaye haaye mehfil ye suhaani
ho na jaaye koi naadaani
hum tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
badli badli hai hawaayen
bahki bahki hai fizaa
badli badli hai hawaayen
bahki bahki hai fizaa aa
aaj kya hai hone waala
kyun machalti hai adaa
kyun machalti hai adaa
ham tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
haaye haaye mehfil ye suhaani
ho na jaaye koi naadaani
ham tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
kyaa qayaamat unke tewar
kyaa haseen andaaz hai
kyaa qayaamat unke tewar
kyaa haseen andaaz hai…
yaa ilaahi khul na jaaye
dil mein sau sau raaz hain
dil mein sau sau raaz hain
ham tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
ham tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
haaye haaye mehfil ye suhaani
ho na jaaye koi naadaani
haaye haaye mehfil ye suhaani
ho na jaaye koi naadaani
ham tum
ye rang roop ye raaten
dil jawaan
aur pyaar bhari ye baaten
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Hindi script lyrics (Provided by Sudhir)
—————————————-
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
बदली बदली
हैं हवाएँ
बहकी बहकी
हैं फिज़ा
बदली बदली हैं हवाएँ
बहकी बहकी हैं फिजा
आज क्या है
होनेवाला
क्यों मचलती है अदा
क्यों मचलती है अदा
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
क्या क़यामत
उनके तेवर
क्या हसीन
अंदाज़ है
क्या क़यामत उनके तेवर
क्या हसीं अंदाज़ है
या इलाही
खुल ना जाएँ
दिल में सौ सौ राज़ हैं
दिल में सौ सौ राज़ हैं
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हाय हाय महफिल ये सुहानी
हो ना जाये कोई नादानी
हम
तुम
ये रंग रूप ये रातें
दिल
जवां
और प्यार भरी ये बातें
- In: "Villain's" den song | Amit Kumar songs | Amitabh Bachchan songs | Amitabh Bachchan songs by Amit Kumar | Amitabh Bachchan songs by Kishore Kumar | Duet | Guest posts | Kishore Kumar songs | Kishore Kumar-Amit Kumar duet | Post by Peevesie's mom | Song-cum-fight | Songs of 1980s (1981 to 1990) | Songs of 1983 | Yearwise breakup of songs
- 5 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5653 | Post No. : | 18150 |
Hullo Atuldom
“Mahaan” (1983) was a film that released in my teenage years & released in the summer holidays of 1983. I have seen it then & a number of times after that. It was produced by Satyanarayana & A. Suryanarayana; directed by S. Ramanathan. Anjaan wrote the songs which were tuned by R.D. Burman. Waheeda Rehman, Amitabh Bachchan, Amjad Khan, Zeenat Aman, Parveen Babi, Shakti Kapoor, Ashok Kumar, Mac Mohan, Urmila Bhatt, Mukri, Nandita Thakur, Aruna Irani, Sujit Kumar etc. etc. & Kadar Khan were the actors/ stars in the film. The film was the official remake of the Kannada film ‘Shankar Guru’ (1978).
The film was the story of a lawyer (father Amitabh) who has an artist/ painter wife (Waheeda Rehman). He has a friend (Amjad Khan) who is sent to jail for possession of drugs by the lawyer with the intention that the friend will get reformed. The friend comes out with revenge in mind, kills his business associate (Sujit Kumar) & frames the lawyer. This forces the lawyer to run to escape arrest, but in the process he is separated from his wife who is pregnant at the time. She gives birth to twins but isn’t aware of it i.e. she doesn’t know that one of the twin has been handed over to a lady who has given birth to a still-born for the 3rd time. The boys grow up to be cop & dramatist (Nautanki should be the right word here), fall in love with beautiful girls, land up in Kathmandu. Their roads cross at the palace of their father who has taken refuge there & is the guardian of one of the beauties. The family comes together after all complications are resolved.
The film had seven songs with Jidhar dekhoon teri tasweer nazar aati hai being a multi-version song. Both the versions were in male voices of Kishore Kumar & Amitabh Bachchan. Amit Kumar, Asha Bhonsle & RD Burman were the other playback singers in the film. The following are the songs of the film are on the blog :_
| Song | Date of post | Remarks |
|---|---|---|
| Jidhar dekhoon teri tasweer nazar aati hai | 22 September 2010 | Multiple version song |
| Aadhi baat ho chuki tu aadhi baat kar le | 22 September 2020 | (post by Avinashji, part of BTYC) |
| Har chhori raani yahaan har chhora raaja | 11 October 2022 |
Today we are having the next song on the occasion of the 11th death anniversary of S. Ramanathan. He began as an assistant director in the 1950s and he became a director from 1958. He went on to direct & produce many Kannada films till 1971/72 when he directed his first Hindi film ‘Bombay To Goa’. He went on to make 10 more films in Hindi.
Today’s song is the pre-climax song where the two brothers are dancing around in a Gym owned by Amjad Khan. The family have all reached there, one after the other. I have seen the film a number of times but I can’t remember how the ladies landed there. (need to see the film again). The song is in the voices of Kishore Kumar & Amit Kumar.
Video
Audio
Song-Asli kya hai naqli kya hai inko aaj bata denge(Mahaan)(1983) Singers-Kishore Kumar, Amit Kumar, Lyrics-Anjaan, MD-R D Burman
Both
Lyrics
hey hey
brr brr
hey hey
hey hey
asli kya hai naqli kya hai
inko aaj bata denge
marte dam tak yaad rahe wo
jalwa aaj dikha denge
kyon biraadar
arre haan biraadar
arre kyon biraadar
arre haan haan biraadar
hey asli kya hai nakli kya hai
inko aaj bata denge
marte dam tak yaad rahe wo
jalwa aaj dikha denge
hey kyon biraadar
arre haan haan biraadar
arre kyo biraadar
arre haan haan haan haan biraadar
chor karenge khaak faisla
kya sach hai kya jhooth
pesha jinka khoon kharaaba chori daaka loot
chor karenge khaak faisla kya sach hai kya jhooth
pesha jinka khoon kharaaba chori daaka loot
daal ke daaka
khoon bahaake
aish karen ye maal dabaa ke
andar maal chhupa jitna hum aaj wo baahar la denge
hey kyo biraadar
arre haan haan biraadar
kyon biraadar
arre haan haan biraader
arre asli kya hai naqli kya hai
inko aaj bata denge
marte dam tak yaad rahe wo
jalwa aaj dikha denge
hey kyon biraadar
arre haan haan biraader
kyon biraadar
arre haan haan biraadar
hmmm
dekha pyaare gaur karen
kya phool se naazuk haath
phool ye shole ban jaate hain
yahaan waqt ke saath
dekha pyaare gaur karen
kya phool se naazuk haath
phool ye shole ban jaate hain
yahaan waqt ke saath
de ghumaa ke haath jamaa ke
are josh bhulaa ke hosh udaa ke
sher ki khaal mein ye geedad hain
duniya ko dikhla denge
hey kyon biraadar
arre haan biraadar
arre kyon biraadar
are haan biraader
arre asli kya hai naqli kya hai
inko aaj bata denge
marte dam tak yaad rahe wo
jalwa aaj dikha denge
hey kyon biraadar
are haan haan biraadar
chaalu raho chaalu raho
arre kyon biraadar
arre haan haan biraadar
haan
- In: "disguise" song | "Villain's" den song | Body part song | Chehra song | Devnagri script lyrics by Avinash Scrapwala | Duet | Guest posts | Kishore Kumar songs | Lyrics contributed by readers | Post by Avinash Scrapwala | qawwali | Rafi songs | Rafi-Kishore Kumar duet | Songs of 1970s (1971 to 1980) | Songs of 1978 | Yearwise breakup of songs
- 5 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5553 | Post No. : | 18018 |
#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # (Qawwalis – Part-2 – Post-9)
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Today’s song is a ‘Qawwali’ song from the 1978 movie ‘Muqaddar’!!!
I have mentioned the following in one of earlier posts on the blog, while presenting the series on ‘Qawwalis’ ‘Part-1’.
Qawwalis were common in Hindi films when I was growing up (1968-1983). As I grew watching them in the movies in my childhood, some qawwalis left lasting impression on my impressionable mind. I have a special fascination for this genre of music. It always takes me to an entirely different ‘musical world’.
In Hindi movies qawwalis are woven with the story topic of the movie. So, we have ‘’romantic qawwalis’, ‘men vs. women’, ‘husn aur ishq’, ‘celebrating a festival’, ‘devotional qawwalis’, ‘chor-police’, ‘marriage celebration’, ‘mujrim-munsif’, ‘scoring peanuts over each other’ (Atulology), ‘nok-jhonk’, ‘teasing each other’, ‘musical competition’, and other types of qawwalis in our movies.
Or it may be a competition of poetry between two groups (read men and women mostly) where ‘qawwalis’ would perfectly fit into the plot of a movie.
In many movies Qawwalis have been used to keep the suspense intact where actors, actresses would disguise themselves and enter the villain’s den to rescue their partners/friends caught by the villain. Or sometimes the villain will kidnap close relatives of the hero or heroine in the movie and ask for a ‘hefty’ ransom. And the hero/heroine would plan a song or disguise as a ‘musical-troupe’ to enter the ‘villain’s den’ to rescue a ‘child’, ‘relatives’ or a ‘famous scientist’ or a ‘police commissioner’ who would have been kidnaped by the villain or his associates. In our movies we also have qawwalis where we see ‘lawful elements (police, CID) and the unlawful elements (goondas, or burglar, thieves)’ have a ‘qawwali muqaabla’ in “disguise”. Qawwalis programs or performance in the movie was also played to mis-lead the villain sometimes. The hero/heroine or their friends and well-wishers would sing a qawwali and simultaneously free the innocent ones or their near and dear ones kidnapped by the villain and hold in his ‘den’. Sometimes this would happen just before the climax of the movie.
Today’s Qawwali is one performance which happens in the movie before the climax. We can say that it is the beginning of the climax in the movie.
‘Muqaddar-1978’ was directed by Ravi Tandon for ‘Sneh Films, Bombay’.
It was produced by Ravi Anand. It had Shashi Kapoor, Sanjeev Kumar, Parikshit Sahni, Rekha, Vidya Sinha, Paintal and Amjad Khan.
Other star cast includes Mac Mohan, Yunus Parvez, Jankidas, Rajesh Behl, Bharat Kapoor, Nandita Thakur, Vikas Anand, Praveen Pal, Ranveer Raj, Chandu, Master Shaka, Master Rajeev, Baby Rani, Uma Dhawan, Sudhir, O.P. Goyal and Jayshree T.
Aruna Irani makes guest appearance in this movie. Editing of this movie was done by S.R. Kabre. Dialogues of this movie were written by Dr Balkrishna Mauj. Story and Screenplay was written by Mukul Anand. This movie had four songs (as per HFGK Vol V 1971-1980) written by Anjaan and composed by Rajesh Roshan. Asha Bhonsle, Kishore Kumar, Mohd Rafi, Usha Mangeshkar had given their voices to the songs in this movie.
Let me take you through this movie till the end (Which I watched again on YouTube for this presentation). I have in my earlier post with this movie’s song have mentioned about its story in brief and mostly covering most of the first half of this movie. Today I will take you till the end of this movie here.
This movie ‘Muqaddar-1978’ is ‘DEDICATED TO THE TWENTY-FOUR-HOUR SOLDIERS! THE UNSUNG HEROES! THE POLICE!!
We have a strict and disciplined Police Inspector – Vijay Saxena (Sanjeev Kumar). He is very tough with ‘criminals’ and so sometimes he can deliver justice ‘on the spot’ 🙂
Inspector Vijay is a bachelor and normally eats at a road side ‘dhhaabaa’ run by Abdul Bhai (Yunus Parvez). One day Vijay reach the ‘dhhaabaa’ and orders the food for him. At the same time one old woman beggar comes there and asks for food. Vijay asks Abdul Bhai to provide her food and the expenses will be borne by him.
However when the ‘bhikhari buddhiya’ is crossing the road a car hits her and run away … Inspector Vijay follows the car, and as usual taking ‘Qaanoon’ in his hands ‘beats the ‘badmaash(s)’ … but then he has to face his senior Police Commissioner ( Jairaj).Annoyed by his action the commissioner of Police Jairaj (played by Jairaj) transfers him to the area of ‘Dhaaraavi’ where the local goons and the anti-social elements are highly active and need a ‘better treatment from the Police’ so that they are under control.
So, our Inspector is now in Dharavi, and he already has a sincere and dedicated assistant there – Patil (Bharat Kapoor) … who eventually sacrifices his life since he has been asked that ‘is mujrim pe goli mat chalana’ … but mujrim fires on him …In Dharavi we have Parishit Sahni as a ‘labour leader’ working in a ‘kapada mill’ of Sampat Seth (Amjad Khan). Sampat Seth is more interested in ‘smuggling’ to become the ‘wealthiest smuggler’. Sampat Seth has a sister Seema (Rekha) – who is interested in social work and has a soft corner towards labors in the ‘basti’. We have Ramu Dada (Shashi Kapoor) as a ‘spoiled’ younger brother of Amar Babu (Parikshit Sahni). Vidya Sinha plays Savitri (wife of Parikshit Sahni), Shashi’s Bhabhi and Rekha’s friend. Jimmy (Paintal) is Shashi’s lieutenant and accompanies him whenever he is driving truck and enjoying ‘mujaras’ after the day’s hard work
After reaching ‘Dhaaraavi’ Inspector Vijay destroys many ‘daaru and matke ka addaas’ and arrests many goons and local ‘daadas’ and warns them of dire consequences if they do not stop doing illegal & anti-social activities. In this mission his trusted assistant Patil ably supports him with required information and whereabouts of the criminals ‘operating locations’.In the ‘mill’, workers are expecting ‘bonus’ as the ‘Dushehra festival’ is approaching.
Sampat Seth declares bonus to workers as he wants them to work on ‘Dushehre ki Chhutti’, and behind the holiday working he can hide the ‘smugglers’ meet’ so that no one doubts …Parikshit Sahni is first reluctant, but then agrees to convince the workers to work on the ‘festival holiday’.There is a beggar in the neighbourhood Chandu (Chandu) – deaf and dumb – always asking for money from Amar Babu (Parikshit Sahni). But on Amar Babu’s advice he gives up begging and from the money given by Amar Babu is now making pictures by Rangoli Powder of ‘Ganesh, Sai Baba’, and ‘Shri Ram’on the road side. He has a crucial role in the movie as we progress further.
Meanwhile Inspector Vijay gets Ramu Dada and Jimmy into lock-up to interrogate them, but release them soon so as to keep track of them and their contacts secretly.However on the day of ‘Dushehra ’celebrations as the Ravana’s effigy is set to fire by the arrows of Amar Babu and Ramu Dada, enters our Inspector Vijay Saxena for checking of the ‘truck’ driven by Ramu Dada from Goa suspecting that it contains smuggled items in it😊 But he do not find anything objectionable there.
It so happens that one day Amar Babu notices some unusual truck movements after closing hours at the factory so he asks Sudhir (Sudhir) the loading Inspector about it. But Sudhir tells him that there is no activity after closing hours at the factory. However, on the day of ‘Diwali’ Amar Babu follows them and caught them loading the smuggled items (illicit liquor) into the trucks. Sudhir and his accomplice Rajesh (Rajesh Behl) and Amar Babu have arguments. Thinking of to bring this illegal activity to the notice of the owner and unaware that it is done only at the behest of him, Amar Babu reaches to the owner’s house. Where Sampat Seth tries to bribe him and Amar Babu gets to know all about the game. He lefts the place but is followed by the henchmen of Sampat Seth and is killed before he can disclose this secret to anyone. The deaf and dumb Chandu has seen these two persons killing Amar Babu.
(There is a sub-plot of Shehnaaz Bai (Aruna Irani). Ramu Dada had saved her earlier from goons and is her ‘raakhi brother’ now. So, when Ramu Dada leaves his Bhaiyya’s home he is staying at Shehnaaz Bai’s house which creates ‘galatfahmii’ in the mind of Seema. However, Shehnaaz Bai clarifies and told the ‘asliyat’ to Seema when Seema reach her place to request Ramu to return to his home.)
Seema persuades Ramu Dada to return back to his home. On the day of Diwali Ramu Dada buys some gifts for his bhaiyya-bhaabhi and return back to his home only to find his elder brother’s body lying to be taken for final rites.
Soon Ramu Dada and his accomplice Jimmy sets out to search for the killers, Chandu intercepted them and draw the sketches of the killers, where Jimmy identifies one of them i.e. Sudhir.
Ramu Dada bangs into Sudhir’s place and gets hold of him but Rajesh escapes. Ramu and Sudhir have fight. During the fight Sudhir dies (It is another fact that the real reason of his death comes to know later) and Ramu Dada is arrested by Police and sent behind the bars.
Police Inspector is also looking into the case of Amar Babu and they reach Chandu but Girdhari Lal the clever confidante of Sampat Seth shoots Chandu.
Chandu is dead but Police keeps him in the hospital under treatment to reach the real culprits. Girdhari Lal falls in the trap and get into the hospital to kill Chandu where Police Inspector is already hiding there to catch him. But Mac Mohan injects himself and dies without disclosing the name of the Boss. His other accomplices sitting outside the room try to run but Police chase them and in this chase one of the goons shoots Patil.
Police found some photographs from Girdhari Lal’s house where in one picture Sampat Seth, Sudhir, and Girdhari Lal are seen together. Inspector Vijay vows …
“Main Patil ki Qurbaani bekaar nahin jaane doongaa… Policewaalon ka khoon itnaa sastaa nahin hain Sampat Seth.”Meanwhile the medical report of Sudhir reveals that he died due to drinking of poisonous liquor and not by the beating of Ramu Dada. Inspector Vijay thanks the doctor and is on the way to convey this good news to Ramu Dada. But Ramu Dada plans to run away from the jail and succeeds. One police officer tries to shoot him but Inspector stops him from doing so. Inspector is suspended on this act but now he knows the reality and wants to help Ramu Dada.
Ramu Dada gets to know from Lala that Sudhir, Rajesh, Girdhari Lal are all of Sampat Seth’s ‘aadmis’ so he goes to Sampat Seth’s bungalow where Seema tells him that her brother has gone to Goa. Sampat Seth has arranged a big get-together of all smugglers where ‘Tiger’ (Smuggler) will also be attending and there will be party and music with a ‘Qawwali ki Raat’ Inspector Vijay also follows to Goa and Abdul Bhai helps him in locating Sampat Seth’s ‘thhikaanaa’ and told him that it is difficult to enter there from the main gate and suggests that there is back door way but it is difficult. “Difficult but not impossible …” (Inspector Vijay)!!
Inspector Vijay swims the sea shores and the fights the big rocks to reach the ‘addaa’ of Sampat Seth. On the way he meets Ramu Dada. After a brief scuffle they get together to ‘treat’ Sampat Seth. Meanwhile Sampat Seth kidnaps Ramu’s bhaabhi and has kept her at the ‘addaa’ for his entertainment.Before the climax, as was customary in those years in the films, we have ‘qawwali’ where our heroes have disguised themselves, which obviously gets disclosed to Sampat before the performance ends. After usual final twists & turns Samat Seth gets his reward and dies.
Inspector Vijay submits his resignation to the commissioner but he torns it two pieces.
“Kal se tumhaari duty bhiwandi police station mein lagaayi gayi hai… wahaan ke kuchh gunde logon ko bahot pareshaan kar rahe hain …report for duty tomorrow”… Inspector Vijay salutes the commissioner …Ramu Dada and Seema are together and his bhaabhi is happy. The mill workers have installed a bust of Amar Babu in the mill compound and the movie ends there. Cast of the movie and other titles gets rolling on screen and in the background we have the song playing…“Sooraj se aankhen milaa…Taaron ko o dharti pe laa aa” …
So that is all from one of those movies from the seventies – they were just magic (for us who were growing 🙂 ) …
(After all is done and dusted, one question comes to mind that why Inspector Vijay has to swim across the seashore, hang on the rope on the wall to have a back door entry at Sampat Seth’s ‘addaa’. As all the smugglers attending the ‘meet’ must have come travelling from the city only. Moreover, the Inspector has to disguise himself to reach there. So, he could have easily got entry inside from the main gate. May be the director had some other thoughts??? 🙂 )
Let us now enjoy this wonderful Qawwali sung by Kishore Kumar and Mohd Rafi. Shashi Kapoor and Sanjeev Kumar lip sync in their voices respectively. We can also see Amjad Khan, Vidya Sinha and many others in the picturisation of this song. Lyrics of the song are by Anjaan. He has penned very interesting lyrics for the given situation. This entertaining composition is by Rajesh Roshan. I am sure readers will enjoy watching and listening to this song. Here we go …
Video
Audio
Song-Tere chehre se pardaa hataana bhi hai (Muqaddar)(1978) Singers-Kishore Kumar, Rafi, Lyrics-Anjaan, MD-Rajesh Roshan
Chorus
Kishore Kumar + Rafi
Lyrics
Hmm mmm mmm
Badi rangeen mehfil hai
Badaa betaab
Har dil hai
Ghataa mein hai abhi
Bijlee
Abhi parde mein
kya aa
Qaatil hai ae
Hey ae
Tere chehre se pardaa
Hataanaa bhi hai
Wallaah wallaah wallaah
Ya allaah
Wallaah wallaah wallaah
Waar teri nazar kaa
bachaanaa bhi hai
Wallaah wallaah wallaah
Teri mehfil
Teri mehfil
Teri mehfil
Teri mehfil
Arey teri mehfil ki khaatir
Tamaashaa hai ham
Tamaashaa hai ham
Tamaashaa hai ham
haan
Tamaashaa hai ham
Par tujhe ik tamaashaa
Dikhaanaa bhi hai
Wallaah wallaah wallaah
Ya allaah
Wallaah wallaah wallaah
O tere chehre se ae pardaa
Hataanaa bhi hai
Wallaah wallaah wallaah
Waar teri nazar ka bachaanaa
Bhi hai ae
Aaj dekhenge ham
Kya qayaamat hai tu
Kya ghazab
Kya qahar hai
Kaisi aafat hai tu
Arey re re re re
Jaanlevaa agar tere
Andaaz hain
Ham darenge nahin
Ham bhi jaanbaaz hain ae
Jaanlevaa agar tere
Andaaz hai
Ham darenge nahin
Ham bhi jaanbaaz hain
Faislaa ho o
Faislaa ho
Faislaa ho o
Faislaa ho
Arey faislaa aaj
Ho jaaye
Har baat kaa aa
Har baat kaa aa
Haan haan
Har baat kaa
Saamne tu bhi hai
Ye zamaanaa bhi hai
Wallaah wallaah wallaah
Ya allaah
Wallaah wallaah wallaah
O tere chehre se pardaa
Hataanaa bhi hai
Wallaah wallaah wallaah
ae waar teri nazar ka bachaanaa
Bhi hai ae
Itnaa betaab naa ho
Dil ko zaraa thhaam le ae
Ye nazaaraa hon to
Koyi sabr se kya kaam le ae
Khel hi khel mein
Har khel bigad jaaye naa aa
Ab kalejey mein koyi
Aag ye bhadkaaye naa aa
Bahot naache
Bahot naache
Bahot naache
Bahot naache
Haan aan bahot naache tere
Ishaaron pe ham
Ishaaron pe ham
Ishaaron pe ham
Naach kar
Aaj tujhko
Nachaanaa bhi hai
Hey ae
Wallaah wallaah wallaah
Ya allaah
Wallaah wallaah wallaah
tere chehre se pardaa
Hataanaa bhi hai
Wallaah wallaah wallaah
Waar teri nazar ka bachaanaa
Bhi hai
Balaa se jaan jaati hai to
Jaaye ae
Arey jee ke kya aa hogaa
Tadap kar raat din
Gham ka zehar ye
Pee ke kya aa hoga
Aaj tak tadpe ham
Ab teri baari hai
Aaj ki shab teri
Jaan pe bhaari hai
Arey re re re re re
Dil tera aaj
Zaalim ke panje mein hain
Be-reham qaatilon ke
Shikanje mein hai
Dil tera aaj
Zaalim ke panje mein hain
Be-reham qaatilon ke
Shikanje mein hain
Dilon par parde
Parde mein ye khanjar
Phenkne waale ae
Tamaashaa khud na ban jaana
Tamaashaa dekhne waale ae
?? bahaaron ko
Rang to laane de ae
Baat ban jaayegi ee
Waqt to aane de ae
Arey re re re re re
Baat dil ki hai
Honthhon pe kab se ruki
Zulm kat tak sahe
Ab to had chuki
Baat dil ki hai
Honthhon pe kab se rukee
Zulm kat tak sahe
Ab to had chuki
O sitamgar
O sitamgar
O sitamgar
O sitamgar
O sitamgar
Bade Zulm toone kiye
Haan
Toone kiye
Haan ji toone kiye ae
Aaj zulmon ka badlaa
Chukaanaa bhi hai
Wallaah wallaah wallaah
Ya allaah
Wallaah wallaah wallaah
O tere chehre se pardaa
Hataanaa bhi hai
Wallaah wallaah wallaah
Waar teri nazar ka bachaanaa
Bhi hai
Wallaah wallaah wallaah
Teri mehfil
Teri mehfil
Teri mehfil
Teri mehfil
Arey teri mehfil ki khaatir
Tamaashaa hain ham
Tamaashaa hain ham
Tamaashaa hai ham
Par tujhe ik tamaashaa
Dikhaanaa bhi hai
Wallaah wallaah wallaah
Ya allaah
Wallaah wallaah wallaah
O tere chehre se pardaa
Hataanaa bhi hai
Wallaah wallaah wallaah
Waar teri nazar ka bachaanaa
Bhi hai
Wallaah wallaah wallaah
Ya allaah
Wallaah wallaah wallaah
Wallaah wallaah wallaah
Ya allaah
Wallaah wallaah wallaah
———————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————–
हम्म म्म म्म
बड़ी रंगीन महफिल है
बड़ा बेताब
हर दिल है
घटा में है अभी
बिजली
अभी पर्दे में
क्या आ
क़ातिल है ए
हे ए
तेरे चेहरे से पर्दा
हटाना भी है
वल्लाह वल्लाह वल्लाह
या अल्लाह
वल्लाह वल्लाह वल्लाह
वार तेरी नज़र का
बचाना भी है
वल्लाह वल्लाह वल्लाह
तेरी महफिल
तेरी महफिल
तेरी महफिल
तेरी महफिल
अरे तेरी महफिल की खातिर
तमाशा है हम
तमाशा है हम
हाँ
तमाशा है हम
पर तुझे इक तमाशा
दिखाना भी है
वल्लाह वल्लाह वल्लाह
या अल्लाह
वल्लाह वल्लाह वल्लाह
ओ तेरे चेहरे से पर्दा
हटाना भी है
वल्लाह वल्लाह वल्लाह
वार तेरी नज़र का
बचाना भी है
आज देखेंगे हम
क्या कयामत है तू
क्या ग़ज़ब
क्या कहर है
कैसी आफत है तू
अरे रे रे रे रे
जानलेवा अगर तेरे
अंदाज़ हैं
हम डरेंगे नहीं
हम भी जाँबाज है ए
जानलेवा अगर तेरे
अंदाज़ हैं
हम डरेंगे नहीं
हम भी जाँबाज है ए
फैसला हो ओ
फैसला हो
फैसला हो ओ
फैसला हो
अरे फैसला आज
हो जाये
हर बात का आ
हर बात का आ
हाँ हाँ
हर बात का
सामने तू भी है
ये ज़माना भी है
वल्लाह वल्लाह वल्लाह
या अल्लाह
वल्लाह वल्लाह वल्लाह
ओ तेरे चेहरे से पर्दा
हटाना भी है
वल्लाह वल्लाह वल्लाह
ए वार तेरी नज़र का
बचाना भी है
इतना बेताब ना हो
दिल को ज़रा थाम ले ए
ये नज़ारा हो तो
कोई सब्र से क्या काम ले ए
खेल ही खेल में
हर खेल बिगड़ जाये ना आ
अब कलेजे में कोई
आग ये भड़काए ना आ
बहोत नाचें
बहोत नाचें
बहोत नाचें
बहोत नाचें
हाँ आं बहोत नाचे तेरे
इशारों पे हम
इशारों पे हम
इशारों पे हम
नाच कर
आज तुझको
नचाना भी है
हे ए
वल्लाह वल्लाह वल्लाह
या अल्लाह
वल्लाह वल्लाह वल्लाह
तेरे चेहरे से पर्दा
हटाना भी है
वल्लाह वल्लाह वल्लाह
वार तेरी नज़र का
बचाना भी है
बला से जान जाती है तो
जाये ए
अरे जी के क्या आ होगा
तड़प कर रात दिन
ग़म का जहर ये
पी के क्या आ होगा
आज तक तड़पे हम
अब तेरी बारी है
आज की शब तेरी
जान पे भारी है
अरे रे रे रे रे रे
दिल तेरा आज
ज़ालिम के पंजे में है
बे-रहम कातिलों के
शिकंजे में है
दिल तेरा आज
ज़ालिम के पंजे में है
बे-रहम कातिलों के
शिकंजे में है
दिलों पर पर्दे
पर्दे में ये खंजर
फेंकने वाले ए
तमाशा खुद न बन जाना
तमाशा देखने वाले ए
कुछ बहारों को ??
रंग तो लाने दे ए
बात बन जाएगी ई
वक़्त तो आने दे ए
अरे रे रे रे रे रे
बात दिल की है
होंठों पे कब से रुकी
ज़ुल्म कब तक सहे
अब तो हद हो चुकी
बात दिल की है
होंठों पे कब से रुकी
ज़ुल्म कब तक सहे
अब तो हद हो चुकी
ओ सितमगर
ओ सितमगर
ओ सितमगर
ओ सितमगर
ओ सितमगर
बड़े
ज़ुल्म तूने किए
हाँ
तूने किए
हाँ जी तूने किए ए
आज ज़ुल्मों का बदला
चुकाना भी है
वल्लाह वल्लाह वल्लाह
या अल्लाह
वल्लाह वल्लाह वल्लाह
ओ तेरे चेहरे से पर्दा
हटाना भी है
वल्लाह वल्लाह वल्लाह
वार तेरी नज़र का
बचाना भी है
तेरी महफिल
तेरी महफिल
तेरी महफिल
तेरी महफिल
अरे तेरी महफिल की खातिर
तमाशा है हम
तमाशा है हम
तमाशा है हम
पर तुझे इक तमाशा
दिखाना भी है
वल्लाह वल्लाह वल्लाह
या अल्लाह
वल्लाह वल्लाह वल्लाह
ओ तेरे चेहरे से पर्दा
हटाना भी है
वल्लाह वल्लाह वल्लाह
वार तेरी नज़र का
बचाना भी है
वल्लाह वल्लाह वल्लाह
या अल्लाह
वल्लाह वल्लाह वल्लाह
वल्लाह वल्लाह वल्लाह
या अल्लाह
वल्लाह वल्लाह वल्लाह
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5548 | Post No. : | 18012 | Movie Count : |
4823 |
Hullo Atuldom
On 26th September 1923, in Shakargarh Tehsil of Gurdaspur district of Punjab (undivided India) a third son was born to the well-to-do advocate Pishori Lal Anand who was named Dharamdev. Dharamdev went on to become the heartthrob of Hindi film fans as DEV ANAND.
He followed his older brother Chetan Anand to Bombay (called Mumbai these days), did various jobs & also joined his brother’s Indian People’s Theatre Association (IPTA). Seeing Ashok Kumar in ‘Achhut Kanya’ & ‘Kismet’ inspired him to become an actor. He is said to have gate-crashed into the office of Prabhat Films (don’t recall where I read this), and Dev saab has said in an interview that Babu Rao Pai of Prabhat Films felt that this ‘boy deserved a break after seeing his smile, beautiful eyes & tremendous confidence’. That smile (which showed a missing tooth), those eyes (which depicted a hundred emotions) & confidence stayed with Dev saab forever.
Personally speaking, I was introduced to this performer by my dad who was a huge Movie buff. He used to love seeing films first-day-first-show, as a college-goer, and if the film had Dilip-Dev-Raj in the cast then those movies would be seen a few more times. So, when we used to see old movies (meaning movies of the 1950s & ’60s) on doordarshan’s evening shows, he made sure I saw “Paying Guest”, “Munimji”, “Tere Ghar Ke Saamne” and all the other Dev Anand favourites of his. Additionally, we used to hear songs on Radio Ceylon’s morning broadcast which made me fall in love with ‘jeevan ke safar mein raahi’. ‘shivji bihaane chale’, ‘maana janaab ne pukaara nahi’, ‘haay haay yeh nigaahen’, ‘ek ghar banaunga tere ghar ke saamne’, ‘hai apna dil toh awaara’ and many more. (I listened to radio Ceylon this morning too, and went down memory lane).
Some more Dev Anand songs got added to my list of ‘loved songs’ as I grew older- ‘ruk jaana o jaana humse do baatein’, ‘pal bhar ke liye koi humein pyar karle’, ‘kuch bhi karlo ek din tumko meri hona hoga’, ‘choodi nahi mera dil hain’ etc. I must confess that I started appreciating ‘kiska rasta dekhein’, ‘main zindagi ka saath nibhata chala gaya’, ‘kya se kya ho gaya’ and similar songs only over the last 10-20 years.
Dev Anand is credited with introducing many new faces to the film industry and if I am not wrong Kalpana Kartik (his wife) was also his discovery. He made a good pair with actress of later years too i.e. post 1970. Can one forget all the movies that he acted with Hema Malini, Zeenat Aman, Mumtaz, Rakhee, Tina Munim etc. Still later, when he stopped acting as a romantic main lead he introduced Tabu, Richa Sharma, Attley Brar, Bunty Behl etc. to the film industry in “Hum Naujawaan” (1985) where he played father to the teenaged Tabu.
It would have been his 100th birthday today if he was still around. I have numerous songs to choose from for this occasion. I was thinking of the song from “Hum Naujawaan” for it shows Dev Anand as a doting father. RD Burman was the music director for this film which had songs written by Anjaan & Indeevar. Peenaz Masani, Anuradha Paudwal, Mohd Aziz, and Kishore Kumar & Asha Bhonsle were the singers used. In addition to Dev Anand, Tabu, Richa Sharma, Attlet Brar, Bunty Behl, the film had Dr. Shreeram Lagoo, Anupam Kher, Zarina Wahab, Tabassum, Ramesh Deo, Bharat Kapoor, Pinchoo Kapoor etc in the cast.
Remembering the forever young-at-heart Dev Anand with this song which was written by Anjaan.
Audio
Video
Song-You are my darling tu hai meri jaan (Hum Naujawaan)(1985) Singers-Kishore Kumar, Peenaz Masani, Lyrics-Anjaan, MD-R D Burman
Both
Lyrics
ho
you are my darling
tu hai meri jaan
tu jahaan main wahaan
you are my darling
tu hai meri jaan
tu jahaan main wahaan
tujhse sunder koi hai kahaan
o o o
you are my darling
tu hai meri jaan
tu jahaan main wahaan
tujhse sunder koi hai kahaan
aa aa aa aa
you are my darling
tu hai meri jaan
chehra jo dekhe sooraj
saham saham jaaye
chham chham jhhanke ghunghru
jab kadam uthhaaye
hanse khilkhilaake jaise shama jhilmilaaye
ho ho ho ho
you are my darling
tu hai meri jaan
tu jahaan main wahaan
tujhse sunder koi hai kahaan
ho ho ho ho
you are my darling
tu hai meri jaan
halke halke chhalke jaise phoolon se shabnam
dheeme dheeme gaaye jaise hawa koi sargam
rang aise badle jaise aate jaate mausam
o o o o
you are my darling
tu hai meri jaan
tu jahaan main wahaan
tujhse sunder koi hai kahaan
o o o o
you are my darling
tu hai meri jaan
lalalaa
laalaa
laa laa laa laa laa
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5501 | Post No. : | 17942 | Movie Count : |
4797 |
While doing preparatory work for the article on the film ‘Dahek’ (1999), I came across a few names of the films where the lovers commit suicide/or get killed as their parents/society were against their relationship. One of such films was ‘Ek Baar Chale Aao’ (1983), about which I was not aware of. Probably, the film may have received a lukewarm response from the cinema audience. The film had Farooque Shaikh and Deepti Naval in the lead roles. I have watched them in ‘Chasme Baddoor’ (1981), ‘Saath Saath’ (1982) and ‘Katha’ (1983). They had also worked together in films like’ Rang-Birangi’ (1983), ‘Kisi Se Na Kahna’ (1983) etc. With these films, they had become one of the popular lead pairs in Hindi films in the 1980s. Then, how is that the film under discussion was almost forgotten? I got the answer by watching the film.
‘Ek Baar Chale Aao’ (1983) was produced by Abdul Sattar Khan and was directed by Jagdish Sidana. The cast included Farooque Shaikh and Deepti Naval in the lead roles supported by Kulbhushan Kharbanda, Girish Karnad, Asrani, Nadira, Kajal Kiran, Lakshmi Chhaaya, Bharat Bhushan, Ratna Bhushan, Krishna Dhawan, Jankidas with Padma Khanna making a special appearance.
The gist of the story of the film is as under:
The opening scene of the film shows that the marriage ceremony of Dharam Das’s (Kulbhushan Kharbanda) sister (Padma Khanna) with Deen Dayal (Girish Karnad) is about to start. However, Deen Dayal walks out of the marriage celebrations because of the non-payment the dowry amount by the bride’s family. The bride commits suicide and her father, Narayan Das (Bharat Bhushan) dies of shock. Dharam Das blames Deen Dayal for this tragedy and vows to take revenge. In the meanwhile, Deen Dayal gets married to another girl.
More than two decades have passed. Dharam Das has become rich, and Din Dayal has become financially weak. Dharam Das’ son, Kamal (Farooque Sheikh) and Deen Dayal’s daughter, Gulab (Deepti Naval) happen to study in the same college. They fall in love with each other and intend to marry. When Kamal tells his father, Dharam Das about his intention to marry Gulab, he first refuses, because of the unfortunate events happened two-decade back. Afterwards, he agrees to the marriage proposal to settle his score with Deen Dayal with a sinister plan. Kamal and Gulab get married. However, on the marriage night, Kamal was nowhere to be seen as Dharam Das, in the pretext of some urgent business matter had sent Kamal out. To, Gulab, he says that Kamal has run away to get married to Priya (Kajal Kiran). Gulab is in a quandary as she cannot believe that Kamal will cheat her.
The next day, Dharam Das takes Gulab to her father’s house and demands a high amount of dowry to accept Gulab in his house. Deen Dayal is unable to pay the dowry amount. Kamal and Gulab are separated through the misunderstanding planted by Dharam Das. The matter comes to such an extent that Gulab agrees to sign the divorce paper. Deen Dayal arranges Gulab’s marriage to Madanlal (Asrani) who is ready to marry her without dowry with the hope that he will get Deen Dayal’s shop as a sole successor. On the other side, Dharam Das arranges Kamal’s marriage with Priya.
In the meanwhile, Priya comes to know about the impending marriage of Gulab with Madanlal. She meets Gulab and reveals the sinister plan of Dharam Das to separate Kamal from her. On the other hand, Kamal also comes to know about his father’s plan. He runs away from the marriage venue, picks up Gulab from her marriage venue and tries to run away. But mobs with laathis from both sides are after Kamal and Gulab to kill them. Ultimately, Kamal and Gulab see the futility of their escape from the laathi wielding mob and decide to commit suicide by jumping from a hillock into a river.
The film is a typical formula-based one – drama, romance, obstacles by the family, separation of lovers, some fights, and finally the elopement and suicide by lovers. Many of dialogues in the film are pedestrian which I have heard in other films quite often. While watching, the film does not create the same feeling as in ‘Ek Duje Ke Liye’ (1981) which was highly successful on the box office with, more or less, on the same theme. The saving grace of the film is the good performances of Farooque Sheikh and Deepti Naval with their on-screen chemistry.
The film has 7 songs written by Mohammed Iqbal Khan (4), Sameer (2) and Anjaan (1). All the songs were set to music by Chand Pardeshi. This was the first time when Anjaan and his son, Sameer worked together in a film as lyricist. I am presenting the first song from the film, ‘main hoon tere liye tu hai mere liye’ to appear on the Blog. The song is written by Anjaan and rendered by Asha Bhosle and Nitin Mukesh. The song is picturised on Farooque Shaikh and Deepti Naval.
The background to the song is that Deen Dayal (Girish Karnad) has arranged a match for his daughter, Gulab (Deepti Naval) and a prospective groom with his family is visiting the house. Gulab is not interested in the groom as she has already in love with Kamal (Farooque Shaikh) to whom she has promised to meet. In the park. Kamal is waiting for her, but she has not reached yet because she is held up in the house. In the meanwhile, Kamal starts imagining about Gulab which is presented by way of a song. There is also a short and sad version of this song in the film with different lyrics which is a solo rendition by Nitin Mukesh when Kamal and Gulab get separated. I did not find any audio or video clips of this version online.
Not much is known about music director, Chand Pardeshi except that his first film as a music director was ‘Banjaara’ (1960) in which the song, “chanda re mori patiyaan le jaa” became very popular. He has composed music for 9 films most of which are ‘B’ grade films. The film under discussion was his last released film. Chand Pardesi seems to be a well-respected music director as almost all the top playback singers of his time like Lata Mangeshkar, Mohammed Rafi, Mukesh, Geeta Dutt, Asha Bhosle, Kishore Kumar, Manna Dey have rendered the songs under his baton.
Video Clip:
Song-Main hoon tere liye tu hai mere liye (Ek Baar Chale Aao)(1983) Singers-Asha Bhosle, Nitin Mukesh, Lyrics-Anjaan, MD-Chaand Pardesi
Lyrics
meri taqdeer tu
teri taqdeer main
meri taqdeer tu
teri taqdeer main
main hoon tere liye
tu hai mere liye
main hoon tere liye
tu hai mere liye
hoke tujhse juda
jee sakoongi na main
hoke tujhse juda
jee sakoongi na main
hoke mujhse juda
tu bhi kaise jiye
main hoon tere liye
tu hai mere liye
main hoon tere liye
tu hai mere liye
hoke tujhse juda
jee sakoonga na main
hoke tujhse juda
jee sakoonga na main
hoke mujhse juda
tu bhi kaise jiye
main hoon tere liye
tu hai mere liye
o main hoon tere liye
tu hai mere liye
teri yaadon mein dhalti hai shaam-o-sahar
teri yaadon mein dhalti hai shaam-o-sahar
tan badan mein uthhe ik deewaani lahar
o tere khilte badan ki ye khusboo yahaan
tere khilte badan ki ye khusboo yahaan
saathh rehti hai main jab bhi jaaun jahaan
ik nasha dil le cha jaata hai bin piye
main hoon tere liye
tu hai mere liye
o main hoon tere liye
tu hai mere liye
tere kaajal si jab shaam dhalne lage
tere kaajal si jab shaam dhalne lage
waadiyon ki ye rangat badalne lage ae
milke mujhse bichhadne lage jab bhi tu
milke mujhse bichhadne lage jab bhi tu
ik andhera saa chhaane lage chaar su
aankhon mein jal uthhe pyaar ke sau diye
main hoon tere liye
tu hai mere liye
main hoon tere liye
tu hai mere liye
dil se ik pal nahin door jaata hai tu
dil se ik pal nahin door jaata hai tu
saans leti hoon to yaad aata hai tu u
jism do hain magar donon hain ek jaan
jism do hain magar donon hain ek jaan
main jahaan tu wahaan
tu jahaan main wahaan
saathh hi jeene marne ke waade kiye
main hoon tere liye
tu hai mere liye
main hoon tere liye
tu hai mere liye
hoke tujhse juda
jee sakoongi na main
hoke tujhse juda
jee sakoongi na main
hoke mujhse juda
tu bhi kaise jiye
main hoon tere liye
tu hai mere liye
main hoon tere liye
tu hai mere liye
main hoon tere liye
main hoon tere liye
main hoon tere liye
main hoon tere liye
main hoon tere liye
main hoon tere liye
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5479 | Post No. : | 17906 | Movie Count : |
4788 |
Mukesh and his Composers – 29
As we continue our journey of posting obscure gems of Mukesh which are relatively less heard, we come across many interesting and sometimes unfortunate stories in the making of some the films. Sudhir ji sought to know, if I would be interested in posting a song from the film Society (early 70s, 1987, 2019). I said, I am aware that the song from this film is available, but I would take it up sometime later. However, he said that it must be part of the celebration of Mukesh’s birth centenary. It was an offer I could not refuse or postpone and hence this post.
I have heard this song (in two parts in the film) long time back but had not found an opportunity or reason to get it posted. Also, recently Zafar Bhai of Delhi had posted the full film on RMIM group and that is when I started gathering more info of this film.
Discussion about this film, I am afraid, will be with a lot of assumptions. Readers must have noticed the peculiar year of release that I have written above. Nothing less, but nearly half a century of difference from the making to the release.
The film cast included Reena Roy, Rakesh Pandey, Sarita, Johnny Whisky, Manhar Desai, Abhijit Sen, Dulari, Manorama, Dilip Dutt, Prince Shakeel and others. The film was written and directed by BR Ishara and produced by Johnny Whisky under the banner of J Films.
The credit titles show that Mukesh was the sole playback singer in the entire film. The lyricist is Anjaan and the music director Narayan Naidu. This was probably the first and last film composition of the hapless music director. Narayan Naidu is not to be confused with Narayan Dutt who scored for a few films in late 60’s and 70’s including Pujarin (1969) in which Mukesh has two outstanding solos. As far as the music director is concerned, there appears to be no other trace of him trying something else. I wonder what happens to such artists who get estranged from the film world for no fault of theirs.
From the looks of Renna Roy, it appears that the film was completed in early seventies itself but was not passed by the censor board. Late eighties might the period when the Mukesh song in two parts was released in EP. There are quite a few uploads on YouTube wherein the complete film is available. It appears that the film was finally released on 28/08/2019 in digital format. The censor certificate cites Swami Films Entertainments Pvt. Ltd. as the name of the applicant. The name of the producer is retained as Johnny Whisky. So, from making of the film in early 70’s to its release in 2019 is nearly half a century. Oof.
Interestingly, myswar website gives an interesting trivia based on info from HFGK that this film was also initially titled ‘Sab Asli Sab Naqli’. From the story line that I saw in a jiffy, it appears that it could have been a possible title. It appears that the film had some bold scenes and was ahead of its times. Apparently for that reason, it did not get through the censor board. With so many untied ends to the making and the release of the film, I request more knowledge readers to add their experience and know-how of this film. I will be thankful if someone who has seen the film to write the plot in the comments section.
Fortunately for Renna Roy fans (self-included), she continued and succeeded with other films and became a craze in those days. 🙂
For the sole song in the film, the composer and the lyricist have fared well in their departments. However, it is the rendition by Mighty Mukesh that soothes and continues to linger in the mind.
For listening pleasure of the readers, onto yet another relatively less heard gem in the voice of Mukesh.
Part I
Part II
Song – Dil Mere Re, Tu Akela Tha Tu Akela Hai (Soceity) (1970s) Singer – Mukesh, Lyrics – Anjaan, MD – Narayan Naidu
Lyrics (Provided by Sudhir)
Part I
dil mere. . . ae ae ae re
dil mere. . . ae ae ae re. . .ae
tu akela tha tu akela hai
tu akela tha tu akela hai
tere liye to bas ik veeraana
tere liye to bas ik veeraana
ye bahaaron ka rangeen mela hai
tu akela tha
tu akela hai
wo phool hai tu jo kabhi na khile
wo phool hai tu jo kabhi na khile
wo diya hai tu jo kabhi na jale
us raat ka saaya hai tujh par
jo raat kahin bhi kabhi na dhaley
jo raat kahin bhi kabhi na dhaley
dil mere re
dil mere re
tu akela tha tu akela hai
tu akela tha
tu akela hai
hmmm hmmm hmmm
zulfon ki ghaneri chhaon kahan
zulfon ki ghaneri chhaon kahan
saawan ki haseen ghataaon mein
us pyar ke mehke aanchal ki
khushboo to nahin hai haawaon mein
khushboo to nahin hai haawaon mein
dil mere re
dil mere re
tu akela tha tu akela hai
tu akela tha
tu akela hai
Part II
hamraaz nahin hamdard nahin
hamraaz nahin hamdard nahin
hamraah teri sooni raahen
koi bhi nahin tera is duniya mein
jalte huye din pyaasi shaamen
jalte huye din pyaasi shaamen
dil mere re
dil mere re
tu akela tha tu akela hai
tu akela tha
tu akela hai
kya khoob tujhe taqdeer mili
kya khoob tujhe taqdeer mili
tanhaai ki jaageer mili
kya khwaab sajaaye the tu ne
kya khwaabon ki taabeer mili
kya khwaabon ki taabeer mili
dil mere re
dil mere re
tu akela tha tu akela hai
tu akela tha tu akela hai
tere liye to bas ik veeraana
tere liye to bas ik veeraana
ye bahaaron ka rangeen mela hai
tu akela tha
tu akela hai
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
भाग I
दिल मेरे॰ ॰ ॰ ए ए ए रे
दिल मेरे॰ ॰ ॰ ए ए ए रे
तू अकेला था तू अकेला है
तू अकेला था तू अकेला है
तेरे लिए तो बस इक वीराना
तेरे लिए तो बस इक वीराना
ये बहारों का रंगीन मेला है
तू अकेला था
तू अकेला है
वो फूल है तू जो कभी ना खिले
वो फूल है तू जो कभी ना खिले
वो दिया है तू जो कभी ना जले
उस रात का साया है तुझ पर
जो रात कहीं भी कभी ना ढले
जो रात कहीं भी कभी ना ढले
दिल मेरे रे
दिल मेरे रे
तू अकेला था तू अकेला है
तू अकेला था
तू अकेला है
हम्मम हम्मम हम्मम
ज़ुल्फों की घनेरी छाँव कहाँ
ज़ुल्फों की घनेरी छाँव कहाँ
सावन की हसीन घटाओं में
उस प्यार के महके आंचल की
खुशबू तो नहीं है हवाओं में
खुशबू तो नहीं है हवाओं में
दिल मेरे रे
दिल मेरे रे
तू अकेला था तू अकेला है
तू अकेला था
तू अकेला है
भाग II
हमराज़ नहीं हमदर्द नहीं
हमराज़ नहीं हमदर्द नहीं
कोई भी तेरा इस दुनिया में
हमराह तेरी सूनी राहें
जलते हुये दिन प्यासी शामें
जलते हुये दिन प्यासी शामें
दिल मेरे रे
दिल मेरे रे
तू अकेला था तू अकेला है
तू अकेला था
तू अकेला है
क्या खूब तुझे तक़दीर मिली
क्या खूब तुझे तक़दीर मिली
तनहाई की जागीर मिली
क्या ख्वाब सजाये थे तूने
क्या ख्वाबों की ताबीर मिली
क्या ख्वाबों की ताबीर मिली
दिल मेरे रे
दिल मेरे रे
तू अकेला था तू अकेला है
तू अकेला था तू अकेला है
तेरे लिए तो बस इक वीराना
तेरे लिए तो बस इक वीराना
ये बहारों का रंगीन मेला है
तू अकेला था
तू अकेला है
Dil kya chaahe kaise boloon
Posted on: July 18, 2023
- In: "Fantasy" song | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Flashback song | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | Post by Avinash Scrapwala | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1980s (1981 to 1990) | Songs of 1985 | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5478 | Post No. : | 17902 | Movie Count : |
4786 |
Rajesh Khanna – The Phenomenon – 12
– – – – – – – – – – – – – – – – – – – –- – –
Today 18th July 2023 is the ‘eleventh remembrance’ anniversary of Rajesh Khanna.
He was born on 29th December’1942 and he passed away on 18th July’2012.
Much has already been written about him in the media (print & digital) and on this blog and much has been known to movie-goers and general public too.
So I am not going to repeat it here again.
In the Indian Film Industry the Rajesh Khanna era started with ‘Aradhana’ in ‘1969’. Peoples like me, who were born in the end-sixties or early seventies and after that, were too young to witness that ‘mass hysteria’ that people with first hand experience are never tired of telling us.
Even in the reality shows nowadays on TV, guest celebrities who were co-stars of Rajesh Khanna always mention it that ‘irrespective of the controversies surrounding him and the negative aspects being talked about him he was a ‘great actor’ and nobody in the film industry have got the ‘love and affection’ from people like Rajesh Khanna got .
In this episode we are going to have a look at Rajesh Khanna movies from the year ‘1985’.
The year ‘1985’ saw as many as nine Kaka movies released during it. The list of these nine movies is as given below.
| SNo | Movie Title | Director | Passed by Censor Board | Co-artistes |
|---|---|---|---|---|
| 1 | Aakhir Kyon? | J. Om Prakash | 28.08.1985 | Smita Patil, Rakesh Roshan, Tina Munim |
| 2 | Aawaaraa Baap | Sohanlal Kanwar | 19.11.1985 | Rajan Sippy, Meenakshi Sheshadri, Madhuri Dixit |
| 3 | Alag Alag | Shakti Samanta | 20.09.1985 | Shashi Kapoor, Tina Munim |
| 4 | Bewafaai | R. Thyagarajan | 01.07.1985 | Rajinikant, Tina Munim, Padmini Kolhapure, Meenakshi Sheshadri |
| 5 | Insaaf Main Karoongaa | Shibu Mitra | 10.05.1985 | Tina Munim, Padmini Kolhapure, Shakti Kapoor |
| 6 | Masterji | K. Raghvendra Rao, B.A. | 22.08.1985 | Sridevi, Kader Khan, Anita Raj |
| 7 | Oonche Log | Brij | 06.05.1985 | Danny Denzongpa, Prem Chopra, Salma Agha, Preeti Sapru |
| 8 | Zamaana | Ramesh Talwaar | 06.04.1985 | Rishi Kapoor, Ranjeeta, Poonam Dhillon, Om Puri |
| 9 | Baayen Haathh Kaa Khel | Vijay Kaul | Unreleased | Tina Munim, Pran, Waheeda Rehman, Danny Denzongpa |
| 10 | Babu (1983) | A.C. Trilokchander | 04.10.1985 (In theatres) | Hema Malini, Mala Sinha, Rati Agnihotri |
Out of the ten movies mentioned above one movie ‘Baayen Haathh Kaa Khel’ was not released and it remains an unreleased movie till date.
The movie ‘Baabu’ was passed by Censor Board in ‘1983’ but it was released in theatres in ‘1985’.
During 1983 to 1985 I was staying in Akola with my grand-parents for my 11th-12th studying there in vocational junior college. However as I have mentioned earlier I was more on ‘cricket’ and ‘movies’ than into my studies and finally I failed in the exams (as expected by me 🙂 ).
I remember I had watched ‘Zamaana’ at Akola before moving to Parli-Vaijnath as my 11th-12th was completed (or finished 🙂 ). Overall it was an ‘average movie’ if I am correct.
After reaching at Parli-Vaijnath I had joined a company for job and was working there. However, there was a cricket tournament at Akola and so my friends called me back there and I went to participate in this tournament.
During this time I had watched ‘Masterji’ there at Akola and I remember how disappointed I was, as I do not like the movie at all.
Then I watched ‘Oonche Log-1985’ at Parli-Vaijnath which had good music by R.D. Burman and everything was good in the movie except Salma Agha so this movie of Kaka was another flop movie.
The company I was working with at Parli-Vaijnath had their head quarter at Nagpur. Once I was sent for some work at Head Office at Vijay Nagar (near Sadar) Nagpur. After finishing the official work I took time to watch ‘Aakhir Kyon?’ at ‘Panchsheel’ theatre at Nagpur. I remember I liked this movie and Kaka’s role in it very much.
Out of the remaining movies from the list now, I remember I watched ‘Alag Alag’ and ‘Baabu’ at Parli Vaijnath either in theatres or in video parlors. The reviews of ‘Baabu’ were very good and the movie had a good collection too in its first week. But it didn’t keep it further.
I do not get to watch the remaining movies further.
If we take a look at the list of ‘highest grossing movies’ of ‘1985’ on IMDB it mentions the following Rajesh Khanna movies as ‘Hits’ in this list.
| 1) | Hum Dono (of 1984) | (rank 4) |
| 2) | Bewafaai | (5) |
| 3) | Baabu | (9) |
| 4) | Masterji | (12) |
| 5) | Insaaf Main Karoongaa | (13) |
| 6) | Zamaana | (15) |
| 7) | Durgaa (of 1984) | (18) |
| 8) | Aakhir Kyon? | (20) |
| 9) | Alag Alag | (33) |
(There are 47 movies in IMDB’s list as highest grossing movies of ‘1985’ out of which the first 31 are considered as ‘super-hits’ (?) and the rest 16 as ‘average’ movies’. I hope this analysis must be supported by factual figures (?) The topper of this list is ‘Ram Teri Gangaa Maili’ about which nobody should have doubts of-course.)
Today I am presenting a song from the movie ‘Oonche Log-1985’.
‘Oonche Log-1985’ was directed by Brij for ‘Dynamo Enterprises, Bombay’.
It was produced by Sayeeda Sadanah, R.K. Kapoor, and R. P. Sharma.
It had Rajesh Khanna, Salma Agha, Prem Chopra, Preeti Sapru, Deven Verma, and Danny Denzongpa, Pradeep Kumar, Pinchoo Kapoor with Raza Murad in special appearance.
Story and screenplay of this movie was written by Surhid Kar. Dialogues of this movie were written by Ved Rahi.
Editing of this film was done by Waman Rao (I guess he is from the famous duo of Waman Rao Bhonsle-Guru Dutt Shirali).
‘Oonche Log-1985’ was passed by Censor Board on 06.05.1985.
This movie has five songs written by Anjaan and composed to music by R.D. Burman.
Kishore Kumar and Salma Agha had given playback to the songs in this movie.
The songs of this movie are very good if not great. Out of the five songs Kishore Kumar and Salma Agha have sung three solo and one solo song respectively. And one song is a duet song sung by Kishore Kumar and Salma Agha.
Here is the brief about the story of this movie…
Rai Bahadur (Pinchoo Kapoor) is big businessman and Jagdev Singh (Rajesh Khanna) is his son. Jagdev Singh gets married to a girl (I am unable to identify the actress) who has saved his life, against his Father’s wish who wants him to marry him with his friend’s daughter. Jagdev Singh leaves his father’s home with his wife and they are expecting a child.
Raju (who grows up as Rajesh Khanna later) and his mother met an accident by a car of Thakur Vikram Singh (Pradeep Kumar). In this accident Raju loses his mother while his father had already passed away earlier.
Thakur Vikram Singh brings Raju to his home to stay with them. However Vikram Singh’s son Maan (Danny Denzongpa as a grown up Maan) hates Raju while Vikram Singh’s daughter Poonam (Salma Agha as grown up Poonam) likes Raju.
Thakur Vikram Singh sends Maan to boarding school since he do not approves his habits and style of living.Thakur Vikram Singh has a brother Thakur Pratap Singh who is a womanizer and spends money on alcohol and racing too. He is eyeing on his brother’s property and gets him smothered. Raju watches this which Pratap Singh is unaware of.
After Thakur Vikram Singh’s death Raju’s life becomes more miserable. Pratap Singh calls Maan back to home and throws Raju in the stable where a good soul Khan (Raza Murad) has a soft corner for Raju and treats him kindly always.
Raju grows up on bad treatment and constant beating by Maan for reason one another but doesn’t want to leave the place because of Poonam. Many times Poonam helps him and Raju also saves Poonam on several occasions too (like during horse riding, snake biting etc).
Raju and Poonam love each other which Maan gets noticed and beats Raju black and blue.
To save Raju from Maan, Poonam tells Raju that she didn’t love him. Raju decides to leave but in between Pratap’s men caught Raju on the way to get him killed.
They tie Raju with ropes to horses and dragged him to the hills and thinking him dead throws him for the vultures.However Rai Bahadur and his accomplice Mubarak Ali (Deven Verma) with their gunmen and driver, who are on hunting around that location, save Raju.
Rai Bahadur is more than happy to meet his grandson which Raju also gets to know when Rai Bahadur shows him photographs of his father.Now Raju becomes Rai Bahadur Rajiv Singh and on the other side Maan Singh is losing financially day by day due to wine, women, horse-racing and an embezzling uncle.
Rai Bahadur Rajiv now plans for his revenge with Maan so he sends a profitable business offer to Maan through Mubarak Ali and Maan starts losing more in shares on the advice of Mubarak Ali. There is a suspicion when Maan and Pratap meets Rai Bahadur Rajiv Singh or Raju however Raju never gives them a chance and keep them suspecting and he also starts flirting with Sonia (Preeti Sapru who is fiancé of Maan Singh). (That is also to hurt Poonam more)
Finally when Raju is telling Pratap about the secret of him which he is a witness to, Maan secretly listens to their conversation and the reality of Pratap is dawned upon him. Maan plans to take revenge of his father’s killing by Pratap and took Pratap near the valley and on the gun-point he gets Pratap Singh thrown in in the ‘valley of death’.
Raju returns everything to Maan and forgives Maan for his all cruelties on him, because his father’s kindness who had given him a shelter in his childhood after he lost his mother.
While Raju leaves the ‘haveli’ Maan asks his sister Poonam to go with Raju who is her true love.
***
Now one dialogues from the movie by Rajesh Khanna which I like most …
(This is when Sonia (Preeti Sapru) asks Raju (Kaka) why he is suffering (like a ‘ghulaam’) and questions him why he does not leave and lefts this place…)
“Shaakh kaanton ko sirf isliye bardaasht karti hai memsaab, ke us par kaanton ke saath saath phool bhi khilte hain.
Main bhi usi shaakh ki tarah hoon jo pyaar ke phool ki khaatir zulm aur nafrat ke kaante bhi bardaasht kar rahaa hoon”
***
Today’s song happens when Raju is feeding horses in the stable 🙂 and starts reminiscing about his childhood days with Poonam.
We have Rajesh Khanna (in Kishore Kumar’s voice) and also Salma Agha in the picturisation of this lovely song.
***
Now we will have a look on the Kaka movies released in ‘1975’ (ten years back of 1985) that is around forty-eight years back from now, we have the following movies of Rajesh Khanna released in the year ‘1975’.
| SNo | Movie Title | Director | Passed by | Co-artistes |
|---|---|---|---|---|
| 01 | Aakraman | J. Omprakash | 14.05.1975 | Ashok Kumar, Sanjeev Kumar, Rekha, Rakesh Roshan |
| 02 | Prem Kahaani | Raj Khosla | 07.02.1975 | Shashi Kapoor, Mumtaz |
***
Today’s song is the first song from the movie ‘Oonche Log-1985’ in the movie and on this blog too. This movie makes its debut on the blog today and joins the movie with the same title which was released in the year ‘1965’.
Let us enjoy the today’s song now and pay our tributes to Rajesh Khanna on his ‘remembrance day’ today…
Video
Audio
Song-Dil kya chaahe kaise boloon (Oonche Log)(1985) Singer-Kishore Kumar, Lyrics-Anjaan, MD-R D Burman
Lyrics
dil kya aa chaahe ae
kaise ae boloon oon
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye
main kya jaanoon
dil kya aa chaahe ae
kaise ae boloon oon
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye
main kya jaanoon
dil kya aa chaahe ae
kaise ae boloon oon
chhod ke tera dar yahaan
kahaan jaaun
dil ki bebasi
kaise tujhko samjhaaun
chhod ke tera dar yahaan
kahaan jaaun
dil ki bebasi
kaise tujhko samjhaaun
arey tujhko naa dekhoon to
chain kahin naa aaye
tujhko naa dekhoon to
chain kahin naa aaye
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye
main kya jaanoon
dil kya aa chaahe ae
kaise ae boloon oon
maange dil duaa jiski
wo khushi tu hai ae
main to jism hoon
meri zindagi tu hai ae
maange dil duaa jiski
wo khushi tu hai ae
main to jism hoon
meri zindagi tu hai ae
arey tu mujhse
bichhde to
saans meri thham jaaye ae
tu mujhse
bichhde to
saans meri thham jaaye ae
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye
main kya jaanoon oon
dil kya aa chaahe ae
kaise ae boloon oon
tujhko kya pataa
tere ishq mein kya hai ae
kya junoon hai ye kya nashaa
kya mazaa hai ae
tujhko kya pataa
tere ishq mein kya hai ae
kya junoon hai ye kya nashaa
kya mazaa hai
haay tu dekhe
hanske to
dard dawaa ban jaaye ae
tu dekhe
hanske to
dard dawaa ban jaaye
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye ae
main kya jaanoon
dil kya aa chaahe ae
kaise ae boloon oon
ho baat ye dil ki
aa ke labon pe
kyun ruk jaaye
main kya jaanoon
dil kya aa chaahe ae
kaise ae boloon oon
hmm hmm hmm hmm …
————————————–
Devnagri Script lyrics(Provided by Avinash Scrapwala)
————————————-
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
छोड़ के तेरा दर यहाँ
कहाँ जाऊँ
दिल की बेबसी
कैसे तुझको समझाऊँ
छोड़ के तेरा दर यहाँ
कहाँ जाऊँ
दिल की बेबसी
कैसे तुझको समझाऊँ
अरे तुझको ना देखूँ तो
चैन कहीं ना आए
तुझको ना देखूँ तो
चैन कहीं ना आए
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
मांगे दिल दुआ
जिसकी
वो खुशी तू है ए
मैं तो जिस्म हूँ
मेरी ज़िंदगी तू है ए
मांगे दिल दुआ
जिसकी
वो खुशी तू है ए
मैं तो जिस्म हूँ
मेरी ज़िंदगी तू है ए
अरे तू मुझसे
बिछड़े तो
साँस मेरी थम जाए ए
तू मुझसे
बिछड़े तो
साँस मेरी थम जाए ए
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
तुझको क्या पता
तेरे इश्क़ में क्या हैं ए
क्या जुनून है ये
क्या नशा
क्या मज़ा है ए
तुझको क्या पता
तेरे इश्क़ में क्या हैं ए
क्या जुनून है ये
क्या नशा
क्या मज़ा है ए
हाय तू देखें
हँसके तो
दर्द दवा बन जाए ए
तू देखें
हँसके तो
दर्द दवा बन जाए ए
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
हो बात ये दिल की
आ के लबों पे
क्यूँ रुक जाए ए
मैं क्या जानूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
दिल क्या चाहे ए
कैसे ए बोलूँ ऊँ
ह्म्म ह्म्म ह्म्म ह्म्म ह्म्म ….
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5333 | Post No. : | 17489 |
“Waqt Ki Deewaar”(1981) was produced by T C Dewan and directed by Ravi Tandon for Modern Pictures, Bombay. The movie had Sanjeev Kumar, Jeetendra, Neetu Singh, Sulakshna Pandit, Amjad Khan, Pran, Kader Khan, Satyen Kappoo,Paintal, Deven Varma, Poornima, Preeti Ganguly, Rajan Haksar, Sunder, Ram Ssethi, Prem Bedi, Shivraj, Bhushan Tiwari, Master Vikas, Master Rajeev Tandon, Shaka,Roshni etc. The movie also had special appearances by Nazneen, Rajendra nath, Jayshree T and Neilu Arora.
“Waqt Ki Deewaar”(1981) had five songs in it. Three songs have been covered so far.
Here is the fourth song from the movie to appear in the song. The song is sung by Asha Bhonsle. Anjaan is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a tamaasha performance song on Neetu Singh. she is shown keeping the audience busy while master Raju, her accomplice picks the pockets of the audience. Jeetendra is also seen among the audience.
Lyrics of the song and other details are sent to me by Prakashchandra.
audio link:
video link:
Song-Kamaal mori bindiyaa kamaal mora jhumka (Waqt Ki Deewaar)(1981) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
khel tamaashey waalee ee
arrey aayee rey aayee..ee aayee..ee
oo ooo
kamaal moree bindiyaa
kamaal moraa jhumkaa
kamaal moree bindiyaa aa
kamaal moraa jhumkaa
bajaayike chaloon bichchuaa
lagaayike chaloon thhumkaa
kamaal moree bindiyaa
kamaal moraa jhumkaa
bajaayike chaloon bichchuaa
lagaayike chaloon thhumkaa
kamaal moree bindiyaa aa
kamaal moraa jhumkaa
kamaal moree bindiyaa
ho o
na karoon koyee ghulaami
na doon kisee ko salaami
haath na aaoon kisee ke
to log karein badnaami
badey gulfaam miley ae
subah aur shaam yahaan
sabhee ko mujhse koyee
kaam yahaan
kaam yahaan aan aan
huzoor main hoon tohfaa
bahaar ke mausma kaa
kamaal moree bindiyaa (aayye aey ae haayye aey aey ae ae)
kamaal moraa jhumkaa
kamaal moree bindiyaa hoyye ae ae
ek deewaaney ne poochhaa
kya teri ho gayee shaadi..ee
tu jo kanwaaree hai aa aa jaa
banke meri shehzaadee
mere sarkaar suno
soney chaandee ke liye
yahaan jo bech dey dil
main woh naheen
main woh naheen..een
muaaf karo raajaa
fareb na do hamkaa
kamaal moree bindiyaa (whistling sound)
kamaal moraa jhumkaa
kamaal moree bindiyaa
hayye aey ae
mere honthhon kee hansee
meree aankhon kaa nashaa
mere aanchal kee hawaa aa
meree zulfon kee ghataa
kisee ko maar gayee
kisee ko taar gayee
meraa dil ek magar
mere dildaar kayee ee
hhaan
koyee dey chhallaa
koyee angoothhee ee
waadaa bhi ye jhoothaa
nishaanee bhee ye jhoothee
ghunghroo bajaatee
main to jahaan jaaoon
ungli pe saarey
zamaaney ko nachaaoon
ilaaj karoon main to
har dil ke har ik gham kaa
kamaal moree bindiyaa (haayye aey ae ae haayye aey ae ae)
kamaal moraa jhumkaa
kamaal moree bindiyaa
kamaal moraa jhumkaa
bajaayike chaloon bichchuaa
lagaayike chaloon thhumkaa
kamaal moree bindiyaa
kamaal moraa jhumkaa
kamaal moree bindiyaa
hoyye aey ae ae
Aisa to socha na thhaa
Posted on: February 23, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5333 | Post No. : | 17487 |
#the Decade of Eighties – 1981 – 1990 #
————————————————————————
The song being presented in this post is from the ‘1983’ movie ‘Pasand Apni Apni’.
I have no recollection of having watched this movie anytime.
This movie had made its debut on the blog way back in ‘2012’ on 26.08.2012. So this movie has already completed its ‘ten-year’ run (and more than that) on the blog.
“Pasand Apni Apni” was directed by Basu Chatterjee for ‘Cine Eye’ Films. Basu Chatterjee also produced this movie and had written its screenplay and dialogues too.
The star cast of this movie included Mithoon Chakravarty, Rati Agnihotri, Utpal Dutt, Subiraj, Kumud Tripathi, Javed Khan, Manik Choudhury, Madhumita Das, Roopdarshini, Ranjana Sachdev, Manik Dutt, Subroto Mahapatra, Khoka Mukherjee, Reetu Saha, Meena Shrivastava, Gajendra, Dev Sharma, Azmat Khan, Sahgal, Kartik, Jemini Kumar, Sov Sen, Gautam Chakravarty, B.N. Bhattacharya, Bankey Vishwanath and Lakhan Singh.
This movie introduced Anjali Naidu and child artiste Atul Agnihotri.
Ashok Kumar, Jayshree T., Shibani, Dinesh Hingoo, and Asha Lata had a guest appearance in this movie.
Story of this movie was written by Teerth Chatterjee and Eric Martin. And editing of this movie was done by Kamal Saigal.
This movie was passed by Censor Board on 07.10.1983.
This movie has six songs. Three songs each werewritten by Anjaan and Yogesh.
As mentioned above one song from this movie – arre wo dene waala –has been posted on the blog more than ten years ago.
Today’s song is sung by Asha Bhonsle and it is background song. It is poignant song which happens in the movie when the two lovers have developed misunderstandings I guess. Part of the song is picturised in ‘local train’ (Mumbai?).
We can see Rati Agnihotri, Mithun Chakravarty, Ashok Kumar, and others in the picturisation.
Lyrics for this song are by Anjaan and music is composed by Bappi Lahiri.
Lyrics of this song were sent by Prakashchandra.
Let us listen to the song which is a nice song. I don’t think I am familiar with the other songs of this movie so I would listen to them now. 🙂
Audio
Video
Song-Aisa to socha na thhaa (Pasand Apni Apni)(1983) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-Bappi Lahiri
Lyrics(Provided by Prakashchandra)( based on audio clip)
aisaa to sochaa na thhaa aa
kaise ye kyaa ho gayaa aa aa
aisaa to sochaa na thhaa aa aa aa
kaise ye kyaa ho gayaa aa
pyaar kaa aa
woh samaa aa aa
kab kahaan aan aa
kho gayaa aa aa aa
aa aa aa
aisaa to sochaa na thhaa aa
kaise ye kyaa ho gayaa aa
anjaan raahon mein kyun…un
miltey hain do ajnabee ee
ik pal mein ban jaayein kyun..un
ik dooje ki zindagi
oo oo oo
anjaan raahon mein kyun..un
miltey hain do ajnabee ee ee
ik pal mein ban jaayein kyon..on
ik doojey ki zindagee ee
jo nahin een honaa thhaa aa
woh yahaan aan
ho gayaa aa aa aa aa
aisaa to sochaa na thhaa aa aa
kaise ye kyaa ho o o o gayaa aa
saathi bichhad jaate hain aen
kis mod pe chhod ke ae ae
sapne bikhar jaate hain aen ae
maasoom dil tod ke
ho o oo oo
saathi bichhad jaate hain aen
kis mod pe chhod ke ae ae
sapne bikhar jaate hain aen ae
maasoom dil tod ke ae
jal gaye ae
do jahaan aan aan
sab dhuaan…aan ho gayaa aa aa aa aa
aisaa to sochaa na thhaa aa aa
kaise ye kyaa ho o gayaa aa
pyaar kaa aa woh samaa aan aa
kab kahaan aan aa
kho gayaa aa aa aa
aisaa to sochaa na thhaa aa aa
aisaa to sochaa aa na thhaa aa aa aa aa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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