Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Anil Biswas


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Anil Biswas, a name that is associated with the Hindi film music, almost from its inception in the early 30s – an association that lasted all the way into the decade of 60s. It is almost as if the golden age of film music came to an end when this hugely talented composer decided to call it a day, and retired from film music in the late 60s. Today is the 98th birth anniversary of this doyen of Hindi film music.
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“Alibaba”(1940) must be one of the earliest (if not the earliest) Hindi movie based on the well known Arabian nights tale of Alibaba and the forty thieves. This movie had Surendranath, Wahidanbai, Sadra Akhtar, Ghulam Mohammad etc in it. It was produced by Sagar and directed by Mehboob.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I learnt only now on visiting this blog that today (31st may) is the death anniversary of Anil Biswas. On this occasion, I am putting together a very quick post for this blog, meant as a tribute to him.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I had heard popular songs from ‘Kismet’ (1943) in my childhood. But it took another two decades for me to know that Anil Biswas composed those immortal songs. It was during one of the sittings in my friend’s house sometime in early 70s when I listened for the first time a song from ‘Taraana’ ( 1951)- seene me sulagte hain armaan that I came to know of him as music director. Subsequently,I heard many of his songs from films of 40s and 50s and I started liking those songs. It took me another four decades to know about Anil Biswas’s detailed profile and filmography by which time I realised that he was an institution by himself.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog.

My all-time favourite Lata-Kishore duet is from the Famina Production’s Fareb (1953) ” Aa, mohabbat ki basti basaayenge hum”, in which the duo are at their soulful best in expressing the pangs of separation of the two lovers, so poignantly captured in Majrooh Sultanpuri’s breath-taking imagery “dekh dharti se aakaash hai kitni door!”
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