Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Deewan Sharar


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5299 Post No. : 17353

#the Decade of Fifties – 1941 – 1950 #
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“Andhon Ki Duniya-1947” was directed by Keshav Rao Daate for ‘Rajkamal Kalamandir Ltd.’.It had Leela Chitnis, Manmohan Krishna, Munawwar Sultana, Mahipal, Professor Hudlikar, Vikas, Gulab, Parshuram and others.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (18 november 2014) is the birth anniversary of V Shantaram (18 november 1901- 30 october 1990). On this occasion, here is a song from “Dr Kotnis Ki Amar Kahaani”(1946). This song is sung by Jayshree and chorus. It is picturised on Jayshree, V Shantaram and others.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Parbat Pe Apna Dera (1944) is one of the more important creations of V Shantaram. The film deals with the concept of ‘maya’ the enduring allurement of the material world that spares no one. The theme also deals with the consequences fo desires, which are mostly painful and damaging. Briefly, Ulhas is an ascetic who lives alone on a hilltop, and does not allows any visitors or passersby to come to him. Once, Vanmala chances to come face to face with this ascetic, in one of her treks. She is injured, and the ascetic has some cure that relieves her of pain. She is the daughter of a rich person, probably used to having her way. She insists on continuing to meet Ulhas, against his wishes, and continues to bring him gifts, almost setting up a household on the hilltop, once where there was an abode of renunciation. One thing leads to another, and the ascetic ties the nuptial knot with this rich lady, leaves his ‘parbat’ (symbolically the high vantage point of human experience), and comes down to ‘civilization’ to live with his newfound family.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

As with many movies of that era, I saw Dr. Kotnis Ki Amar Kahaani (1946) on Doordarshan as a child. Sometimes, I am thankful for the times and the circumstances I grew up in. As teenagers, we did never have enough pocket money to spend on visits to the cinema halls. Our cinematic excursions were limited to view the weekly movie on DD, that too at a friend’s home. There was a time, many others would also remember, the weekly movie was actually shown partly on Saturday and partly on Sunday. I can recall a long list of movies from the 30s to the 50s thus viewed. This was before the time cable took over, and a black and white showing on the TV screen became a rarity. And the movies watched then, had a lasting impression and influence on my mind. The life and times were simpler; the movies and its people meant a value in social and traditional terms, and money was not the name of the game.
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I have been discussing the songs of “Parbat Pe Apna Dera” (1944) these days. This movie is a treasure of songs that have been forgotten with time, but which deserve to be much better known. And the fact that the artists singing these songs are those who were active in the pre golden era of Hindi movies, make these songs even more valuable.
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