Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Khan Mastana


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhanwar”(1947) was directed by Madhu Patel for Chitra Bharati Limited, Bombay. This obscure movie had Shameem, Balwant Singh, Nirupa Roy, Maya Devi, Majid, Masaood etc in it. HFGK mentions mukhdas of eight songs and leaves gaps indicating that there were more songs in the movie whose details are not available.

Here is the first song from “Bhanwar”(1947) to appear in the blog. This rare song is sung by Naseem Akhtar and it is composed by Khan Mastana. There were three lyricists in the movie but who penned which song is not mentioned in HFGK. The uploader of this song mentions Ehsan Rizvi as the lyricist.

I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

I may have erred at a few places while noting down the lyrics of the song. I request our readers with keener ears to help suggest corrections as applicable in the lyrics.

With this song, “Bhanwar”(1947) makes its debut in the blog.


Song-Hai jo khizaan naseeb mein (Bhanwar)(1947) Singer-Naseem Akhtar, Lyrics-Ehsaan Rizvi, MD-Khan Mastaana

Lyrics

Hai jo khizaan
Hai jo khizaan
aan aan
Hai jo khizaan naseeb mein
aayegi phir bahaar kya
Hai jo khizaan naseeb mein
aayegi phir bahaar kya
mere liye sab ek hai
phool kkahaan ke khaar kya
Hai jo khizaan
aan aan
Hai jo khizaan naseeb mein
aayegi phir bahaar kya
aa aa aa

rote rahe jo tum yoonhi
guzregi gham mein zindagi
o o o
rote rahe jo tum yoonhi
guzregi gham mein zindagi
jaati huyi jawaaniyaan
aayengi baar baar kya
jaati huyi jawaaniyaan
aayengi baar baar kya
hai jo khizaan aan aan
Hai jo khizaan
aan aan
Hai jo khizaan naseeb mein
aayegi phir bahaar kya aa

o o o o
o o o o
shaam se raat ho chali
dil ka kamal na khil saka
shaam se raat ho chali
dil ka kamal na khil saka
kaatenge taare gin ke ham
ye shab e intezaar kya
kaatenge taare gin ke ham
ye shab e intezaar kya
hai jo khizaan aan aan
Hai jo khizaan
aan aan
Hai jo khizaan naseeb mein
aayegi phir bahaar kya aa aa

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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

NAGAD NARAYAN (1943) was produced in Hindi and Marathi by Baburao Pendharkar under the banner of New Huns Pictures. The Marathi title of the film was ‘Paisa Bolto Aahe’ (1943). Both the versions of the films were directed by Vishram Bedekar. The star cast in Hindi version included Leela Desai, Baburao Pendharkar, Kusum Deshpande, Nayampalli, Masood, Pratima Devi, Shakir etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I had never thought highly of producer-director Kishore Sahu until I read an article written in August 1942 issue of ‘Filmindia’ by Hyacinth (a pseudo name for Susheela Rani Patel) a few months back. Until then, I had come across his name as the director of ‘Dil Apna Aur Preet Paraayi’ (1960) which I had seen in the theatre. Then, I was also aware of him of his association with ‘Kaalighata’ (1951) and ‘Mayur Pankh’ (1954). But in all these films, Kishore Sahu was not in my radar as my attention was more on Shankar-Jaikishan for their melodious songs in these movies.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chaalis Karod”(1945) was directed by Nanabhai Bhatt for Chandra Art Productions, Bombay. This by now obscure movie had Nirmala, Arun, Agha, Shantarin, Gope, Gulab, S Nazeer, Sunetra, Murli, M Elizer, Vijay, Madhurika, Yaakoob etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhedi Dushman”(1946) was directed by Ramjibhai Arya for Victory Pictures, Bombay. This obscure movie had Mehrunnisa, Master Kishre, Dalpat, Mohammad Hussain, Nazira, Mitthu Miyaan, Y M Jhaweri, Vatsala Kumthekar (junior), Rafiq, Gafoor, Noor Mohammad etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I came to know about a film made in 1940 with a title ‘Intezaar’ through Filmindia magazine. Later, it was given a new title ‘Sneh Bandhan’ (1940) and was released with the same name. I did not evince much interest in knowing about the film until I came across the mp3 clip of a beautifully worded song from the film.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bairam Khan”(1946) was directed by Gajanan Jaageerdaar for Standard Pictures, Bombay. The movie had Mehtab, Jaageerdaar, Ghulam Mohammad (actor), David, Lalita Pawar, Benjamin, Hansa, Zebunnissa, Sunalini Devi, Chhotu, Shahnawaz, Latika, Akbar, Sadiq Ali, Dalpat, Zilani, Ramesh, Raman lal, Sham Lal etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There are many lyricists who joined Hindi film industry since the talkies came into being. While some of them became famous, many remained in the background though some of them were connected with the film industry for a considerable length of time. The result is we do not have much information about the latter category of lyricists as far as their their detailed profiles are concerned. In this category, the names of Dr. Safdar ‘Aah’ Sitapuri, Rammurti Chaturvedi, Bhutaram Sharma, Shams Lucknowi, Kaif Irfani, Shevan Rizvi and many more come to my mind. Among the ‘many mores’ is the lyricist Aziz Kashmiri about whom very little is known of his life before he joined Hindi film industry.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the 1930s and 1940s, there was a producer and director by the name of Kikubhai Desai. He had produced and directed many mythological films in the silent era. With the advent of talkies in 1931, Kikubhai Desai switched over to talkies. His expertise lay in producing talkies of stunt, costume and magical genres. He also directed a few of these films produced by him under these genres. Some of the films he produced under the banner of Paramount Pictures were ‘Chalta Purza’ (1934), ‘Khooni Kanjhar’ (1935), ’Jaadui Danda’ (1935), ‘Burkhawali’ (1936), ‘Guru Ghantal’ (1937), ‘Alladdin Aur Jaadui Chiraag’ (1938), ‘Aflatoon Aurat’ (1940) etc. These films were meant for mass entertainment only. The films were produced at his own Paramount Studio, now known as Filmalaya Studio.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Whenever I listen to songs rendered by Hafeez Khan Mastana, popularly known as Khan Mastana, I feel very sad and sorry for him. He was the son of Ustad Waheed Khan of Etawah Gharana who was a well-known sitar and surbahar player. The renowned sitarist Ustad Vilayat Khan was Khan Mastana’s first cousin.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13000 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13061

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Movies with all their songs covered =943 Total Number of movies covered =3664

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Blog Start date: 19 july 2008 Active for 3000 days.
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