Posts Tagged ‘Hasrat Jaipuri’
O husn o wafa ke deewaanon…main lute huye pyaar kee kahaanee sunaane aaya hoon
Posted on: January 7, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6382 | Post No. : | 19793 |
“Raam Bharose”(1977) was produced by Subhash Sagar directed by Anand Sagar for Sagar Art (International) Films, Bombay. The movie had Randhir Kapoor, Rekha, Amjad Khan, Dara Singh, Keshto Mukherjee, Kanan Kaushal, Madan Puri, Nazir Hussain,Sujit Kumar, Raza Murad, Tom Alter, Shailesh Kumar, Jagirdar, Jagdish Raj, Chaman Puri, Master Baboo, Javed Khan, Shiv Raj, Sole, Shahid Bijnori, Ram Murthy, Deepak Raj,Shetty etc in it.
“Raam Bharose”(1977) had six songs in it. Two songs from this movie have been covered in the past.
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6378 | Post No. : | 19777 |
“Santaan”(1959) was produced by Mahesh Kaul and directed by Jyoti Swaroop for Anupam Chitra Production. The movie had Rajendra Kumar, Kamini Kadam, Nazir Hussain ,Rita Roy (Bindu), Dulaari, Leela Mishra, Manorama, David Abraham etc in it.
“Santaan”(1959) had seven songs in it. Five songs from the movie have been covered in the past.
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Mere rasiyaa mere man basiyaa
Posted on: December 29, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6373 | Post No. : | 19765 |
‘Naya Kaanoon’ (1965) was produced by Girdharilal Manchanda and was directed by R C Talwar. The cast included Ashok Kumar, Vyjayantimala, Bharat Bhushan, Om Prakash, Purnima, Nishi, Leela Mishra, Badri Prasad, Kamal Mehra etc.
The film’s director, R C Talwar (full name: Raghubir Chandra Talwar) was born in Talagang near Rawalpindi (now in Pakistan) on April 21, 1910 in an affluent family. He completed his graduation from Lahore. Knowing that he was interested in pursuing a career in filmmaking, his father sent him to New York to get trained in film photography and sound engineering. After completing the courses, Talwar returned to India via London where he studied the working of the studio system.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6369 | Post No. : | 19752 |
Today, December 25, 2025, is the 10th Remembrance Day of Sadhana, the fashion icon of Hindi cinema in the 1960s. She was also called the ‘mystery girl’ because she acted in three mystery genre of films one after another. In her short filmy career of about 15 years, she had a high success ratio in terms of hit films. She worked with top directors like Bimal Roy, Raj Khosla, Yash Chopra, Hrishikesh Mukherjee and H S Rawail. Her co-stars included Dev Anand, Shammi Kapoor, Rajendra Kumar, Raj Kapoor, Raj Kumar, Sunil Dutt, Rajesh Khanna and Dharmendra. Sadhana came and conquered the Hindi film industry in the 1960s and by the end of 1970s, she virtually vanished from the film industry.
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Dil ka sun le tu afsaana
Posted on: December 22, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6366 | Post No. : | 19741 |
Today’s song is from a dubbed Hindi film -Piya Milan-1958.
This costume film was directed by Raghunath and the music was by P Ramesh Naidu, who was assisted by S.L.Merchant. The cast of the South indian dubbed film was Vyjayantimala, Raja Sulochana, Shri Ram, M.N.Rajam, Helen, Reeta, V.Nagiah, T.S.Baliah, P.L.Veerappa, Thangvellu, Chandra babu, G.A.K.Devar and many others. Lyricists were Harsha (3) and Hasrat Jaipuri (6). These 9 songs of the film were sung by P.Susheela, Lata mangeshkar, Usha Mangeshkar, Om Verma and jagmohan Bakshi. Actually, the film was produced by Jubilee Films, but was sold to R.R. Productions for releasing it.
Film Piya Milan-1958 was originally a Tamil film MARMAVEERA-1956, dubbed in Hindi. Most songs were having the same tune as given by the Tamil original’s composer S.Vedhu. The greatest attraction of this film was the Guest appearance by N.T.Rama Rao, Sivaji Ganeshan and Gemini Ganeshan. They were the heavyweight actors of the Southern films.
The 50’s decade was full of a deluge of films from the south. After S.S.Vasan proved that it was possible to capture the All India Hindi Audience market for South-made films, there was a mad rush and almost all major and minor film companies from south tried to get at least a small piece of the “Hindi Audience Cake” for their films. Films came in the shapes of Bilinguals, remakes and dubbed ones. Bilinguals – when a film is made in 2 languages at a time, one language being Hindi, remakes were new Hindi films made on old Hit films of South Indian languages. Dubbed films were films made in the southern language, with a sound track of Hindi language. In 1958 alone there were 7 films from the South, dubbed in Hindi, for All India markets.
Since the 1950’s decade, every south artist’s dream was to shine in the Hindi film industry, because Hindi films meant All India fame and an honour. In this dream many actresses achieved success, but comparatively actors were almost nowhere. The only name perhaps could be taken was that of actor Ranjan and few more. However, Jamuna, Vaijayantimala, Hema malini, Ragini, Padmini, Rekha and many more actresses from South became famous in Hindi films. Likewise when the Tamil and Telugu industry became a big one, many actresses like Khushbu etc from the Hindi land became famous in South films. Somehow males could not achieve this.
One of the major problems for south Indian artists is the Hindi language. The actresses like Vaijayantimala, Hema Malini and Rekha became experts, but Southern actors could not cross this hurdle. N.T.Ramarao ( 28-5-1923 to 18-1-1996) tried hard. He featured in 23 Hindi films which were mostly dubbed films barring few. One film Brahmarshi Vishwamitra-1991 was even directed by him. Sivaji Ganeshan (1-10-1927 to 21-7-2001) a winner of the prestigious ” Dadasaheb Phalke Award” in 1996, also featured in 19 Hindi films. Gemini Ganesan-real name R.Ganesan ( 17-11-1920 to 22-3-2005) was actress Rekha’s father. He acted in 24 Hindi films.
Similarly many music directors also had the same desire to shine in Hindi films, but had the same problem of language. One of these MDs was P.Ramesh Naidu who gave music to the Hindi film Piya Milan-1958.
Pasupuleti Ramesh Naidu (Born 18-10-1933, Died 2-9-2005) was born in Kondapalli in Krishna District (Andhra Pradesh). He was so obsessed with music that he ran away and landed in Bombay when he was 17 year old. B R Chopra took him under his wings and Ramesh learnt Instrumentation and orchestration in HMV at Bombay.
Here he learned music and also got opportunities to interact with Hindi and Marathi directors. His debut as a music director was for a Marathi Movie ” Bhandawal Paahije” 1950, produced, Directed and acted by Kishore Sahu, when he was 17 years old. He was first introduced to Telugu movies in Dampatyam by Actress Krishnaveni. He moved back to Bombay and gave music for Kishore Sahu’s Hamlet 1954, Waheeda Rahman’s DUBBED Telugu movie Jai Singh (1959). He later went to Calcutta, married a Bengali woman and worked for about ten years for Bengali, Nepali and Oriya films before returning to Telugu films with the movie Amma Mata in 1972. He composed music mainly for the directors Dasari Narayana Rao, Vijaya Nirmala and writer Jandhyala. His other major works are Srivariki, Premalekha, Sivaranjani, Ananda Bhairavi and Swayamkrushi.
After a few years he went back to Andhra and got married. He got a son also and then he came to Bombay, on his way to Calcutta. he spent 10 years there giving music to Bangla, Oriya and Nepali films.
He was invited to Madras and he gave music to Amma mata-72. He settled there with his family. He gave music in Tamil, Telugu and Kannada films. He came to Bombay from time to time to give music to Dubbed and Remade films from the South. He also gave music in a few Bhojpuri films. His Hindi films were Hamlet-54, Jaisingh-59, Piya Milan-58, Nartaki Chitra-65, Ganga Bhavani-79, Azaadi ki Oar-86,and Hum bhi kuch kam nahin-1983.His first south film was Dampatyam-57 and last was Ish Gup chup-1993. He surpassed Salil Chaudhari by giving music in 10 Indian languages( Salil da gave music in 9 ). Ramesh Naidu got the National Award for the film ‘Megh Sandesham’. Naidu left this world on 2-9-2005, at Hyderabad.
The story of the film Piya Milan-1958 was…..
Maharaja Kulasekhara is the king of Kurni Empire. He has a beautiful daughter Vijaya (Vyjayanti mala), who is in love with a young rich boy, Mahinder (Shri Ram).
Maharaja Parakram Bahu of the neighbouring kingdom comes calling and before going back proposes to Vijaya. He is told that she is already engaged and this alliance is not possible.
Parakram goes back enraged. He consults his vazir, Nari and they decide to destroy Kulasekhara. They tempt Srimantha, the commander of Kulshekar and then attack Kurni, capture the Maharaja and abduct Vijaya. The kingdom is then given to Shrimantha. Shrimantha and his cronies torture the poor Janata and loot them.
Suddenly, a masked man called PARAMVEER appears from nowhere and protects the oppressed janata. He also punishes the cronies and Looters. Meanwhile Parakram Bahu decided to marry Vijaya forcibly. Getting this news, Paramveer attacks Parakram Bahu in the night ,captures him and rescues the princess Vijaya.
Then Param veer leads a mutiny and defeats Srimantha and rescues Maharaja Kulasekhara. Finally, it is revealed that Param Veer is no one else but Mahinder, the fiance of Vijaya.
All is well, after this.
one of the cast members was Raja Sulochana. Raja sounds like a male name, but she was a dancer cum actress. In southern films, her name is mentioned as Rajsulochana, but in Hindi it is used as Raja Sulochana. Chittajallu Rajeevalochana (15 August 1935 – 5 March 2013), better known as Rajsulochana, was a classical dancer and actress. She has acted in more than 300 Telugu, Tamil, Kannada, Malayalam and Hindi language films.
She was born on 15 August 1935 in Bezawada (now Vijayawada), in Andhra Pradesh. Her father, Pilliarchetty Bhakthavatsalam Naidu worked in Indian Railways and was transferred to Madras as PA to the General Manager of M&SM Railway. At school, her name was recorded in error as Rajasulochana. She learned Indian classical dance from Lalithamma, K. N. Dhandayuthapani Pillai, Acharyulu and Vempati Chinna Satyam, Krishnakumar, Vishnu Vysarkar, and Kalamandalam Madhavan.
The Kannada stage and screen maestro H. L. N. Simha gave her an acting opportunity in Gunasagari (Kannada, 1953), produced by Gubbi Veeranna. Subsequently, she acted in about 274 films in all South Indian languages. She acted with all the leading stars of South Indian cinema such as M. G. Ramachandran, Sivaji Ganesan, N. T. Rama Rao, Akkineni Nageswara Rao, Rajkumar, S. S. Rajendran, Prem Nazir, A. P. Nagarajan and M. N. Nambiar.
Rajasulochana was a special friend of the boss A.V.Meiyappan and he was trying to push her in Hindi films.It was rumoured that due to this only,this song and dance item with master Bhagwan was thrust in the film Chori Chori-1956, even if it did look like a patch, having no connection to the picture story in any manner !
Rajasulochana was a good dancer/actress and acted in some 80 odd Telugu,Kannada and Tamil movies.
She acted/danced in few Hindi movies like, Chori chori, Aayi phirse Bahar, Alladin ka chirag, Naya aadmi, Sitaron Se aage etc.
She founded the dance school “Pushpanjali Nritya Kala Kendram” in 1961 in Chennai. It has trained many students in Indian classical dance forms and celebrated its Silver Jubilee in 1986. She gave many dance performances in India and abroad and got critical acclaim for the dance dramas.
She had a son out of her first marriage and after it ended in a divorce, she married actor-director C. S. Rao and had twin daughters. One daughter lives in Chennai. The other twin daughter and son live in Chicago, Illinois.
Rajasulochana died in Chennai on 5 March 2013 at the age of 77. Condoling her death, the then Tamil Nadu Chief Minister Jayalalithaa had said the actress had left an imprint for herself in the film industry. She was engaged in creating artistes in her dance school “Pushpanjali Nritya Kala Kendram ” here, Jayalalithaa said.
Here is a song from today’s film, sung by Lata Mangeshkar. Enjoy….
Video (poor audio)
Audio
Song-Dil ka sun le tu afsaana (Piya Milan)(1958) Singer-Lata, Lyricist-Hasrat Jaipuri, MD-P Ramesh Naidu
Lyrics
Sun le re
man kee dhun
matwaaree moree
aa aa aa aa aa
aa aa aa
aa aa aa
sajan
jo dil le
ye man gaaye
saj kar main naachoon
dil ka sun le tu afsaana
dil ka sun le tu afsaana
haaye qaatil jaana na
haaye qaatil jaana na
dil ka sun le
dil ka sun le
sun le afsaana aa
le lo ye dil apna sainya
nain raseelon se saajan
nain raseelon se ae
jaano dil ko
o jee jaano dil ko
haarey ham to
baaton baaton se
ham to baaton baaton se
arre matwaare
hmm
arre matware mere piya
tadpe hamaara jiya
chhotee see jaan jaaye re
arre matwaare
hmm
arre matwaare mere piya
tadpe hamaara jiya
chhotee see jaan jaaye re
ho dekho
chhotee see jaan jaaye re
dil ka sun le tu afsaana
dil ka sun le tu afsaana
haaye qaatil jaana na aa
haaye qaatil jaana na aa
dil ko sun le
dil ka sun le
sun le afsaana
man ka tan ta ho ke hardam
ban na bhola re ae
ban na bhola re ae
tera mera
o jee tera mera
ab ye zaalim
saath naa chhoote re
ab to
saath na chhoote re
arre dilwaale
hmm
arre dilwaale maan zara
mujhko pehchaan zara
chhotee see jaan jaaye re
arre dilwaale
hmm
are dilwaale maan zara
mujhko pehchaan zara
chhotee see jaan jaaye re
ho moree chhotee see jaan jaaye re
dil ka sun le tu afsaana
dil ka sun le tu afsaana
haaye qaatil jaana na aa
haaye qaatil jaana na aa
dil ka sun le
dil ka sun le
sun le afsaana
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 19700th song post in the blog.This article marks Lata Mangeshkar’s 100th song in the blog from movies released in 1970.
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6354 | Post No. : | 19700 |
As it is, Blog century is a regular and recurring destination for the blog. after we arrive at a blog century, we do not take a pause rather keep continuing to cover more and more songs in the blog and before we realise, we are staring at the next blog century.
This has taught me a lesson that When you do not worry about the destination then you reach your destination almost painlessly and unnoticeably.When one thinks about it, one realises that we have had as many as 196 blog centuries already and now we are only blog century number 197, viz blog song post number 19700.
This blog century has been reached in 26 days, which appears quite a good pace for the blog at present. We cannot compare this rate from the last decade when we were clocking centuries in 16 days but then we were one decade younger at that time and we had far more energy.
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Mere saaqiyaa mere dilrubaa
Posted on: December 5, 2025
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6349 | Post No. : | 19676 |
To change our mood and taste from Asha Ji’s rare songs, we move towards my most favourite amongst all the playback singers in all languages, the Legend worthy of being awarded the Bharat Ratna, Mohd. Rafi Saab.
We will keep the discussion about the Bharat Ratna for another day.
‘Rootha Na Karo’ is a film from the banner of Nirmal Pictures, Bombay, directed by Sundar Dar. All the seven songs in this film are written by Hasrat Jaipuri. The star cast of the film is led by Shashi Kapoor and Nanda, along with Naaz, Rajendra Nath, Aruna Irani, Sulochana, Lakshmichaya, Jaishri Talpade, Saroj, Shobha, Tuntun, Mirza Musharraf, and Reeta amongst others.
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Mera man bhatak raha deewaana
Posted on: November 24, 2025
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6338 | Post No. : | 19637 |
Kamsune/Unsune songs of Asha Bhosle – 69
Today we will listen to a rare song by Asha Bhosle. It is “Mera Mann Bhatak Raha Deewana” from “Wohi Raat Wohi Aawaaz” (1973). This song is written by Hasrat Jaipuri and composed by Sonik Omi.
“Wohi Raat Wohi Aawaaz” (1973) was written & directed by Dev Krishan for ‘Mayur Productions’. It was produced by Vipin Desai.
It starred Radha Saluja, Sonia Sahni, Samit Bhanja, Sujeet Kumar, Manmohan Krishna, Asit Sen, Kamal Kapoor, Dev Kishan, Chandrima Bhaduri and others. This movie introduced Rohit Kumar and Ketty Irani.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6328 | Post No. : | 19598 |
#The Decade of Seventies – 1971 – 1980 #
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In this post I am presenting a duet sung by Kishore Kumar and Sharda which is composed by Sharda. I guess this is one of the very few duets they sung together and this must be the first of them to appear on this blog today.
The movie ‘Mandir Masjid-1977’ was directed by Mohammad Hussain for ‘K.K. Movies, Bombay’. Krishan Karim was the producer of this movie which was passed by the Censor Board on 20.07.1977. This movie has in its cast Nutan, Dr Shreeram Lagoo, Raza Murad, Yogita Bali, Sajid Khan, Jaya Kaushalya, Rajesh Laher, Nazir Hussain, Lalita Pawar, Madan Puri, Jagdeep, Sanjana, Praveen Paul, and Kamran. They were supported by Shivraj, Mushtaq Merchant, Shaikh, Moolchand, Sabir, Master Hussain, Master Shahid, and others. Jagirdar, Murad, Manorama and Bhawan had special appearances in this movie. Story of this movie was written by S. Raza and its screenplay and dialogues were written by Kafeel Azar. Editing of this movie was done by Moosa Mansur.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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