Posts Tagged ‘Pran’
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4988 | Post No. : | 16879 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # # A tribute to lyricist Verma Malik#
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Today 15th March’2022 is the thirteenth Remembrance anniversary of lyricist Verma Malik (13 April 1925 – 15 March 2009).
As a tribute to him here is a song from the ‘1972’ movie ‘Be-imaan’. All songs for this movie were written by Verma Malik.
For today’s presentation I was looking for a song specially from the seventies and the year ‘1972’, as we are already celebrating ‘fifty’ years of the year ‘1972’.
‘Be-imaan’ had all the songs penned by Verma Malik and had also brought him his second ‘Filmfare’ award too.
Secondly, other than its songs the movie was also the most ‘controversial’ movie of that year because of the way it was adjusted the winner of best movie award at the filmfare awards function at the expense of other more desrving movies.
“Beimaan-1972” was directed by Sohan Lal Kanwar for his home productions ‘Filmnagar, Bombay’.
It had Manoj Kumar, Rakhi, Nazeema, Snehlata, Prem Chopra, Prem Nath, Pran, Murad, Sulochana, Raj Mehra, Brahm Bharadwaj, Gulshan Bawra, Rajpal, Sahbeena, Dulari, Sudarshan Sethi, Aarti, Vishal Dutt, O.P. Kohli, Tun Tun, V. Gopal, Rajrani, Sheikh, Ravi Thakur, Kamaldeep, Lata Bose, Kedar Sehgal, Deepak, Sikander Lamba, Parvez, Ayyub, Shankar, Ramesh, Khodu Baba, Mustafa, Uma, Neeta, and others.
(HFGK Vol-V (1971-981) mentions 05.06.1972 as the date of certification by Censor Board of this movie. However, the version of this movie available on internet mentions 28.11.1972 as the certification date by Censor Board.)
“Beimaan” had seven songs written by Vermal Malik and composed to music by Shankar-Jaikishan.
Following is the list of songs of this movie as given in HFGK Vol-V (1971-1980).
SNo | Song Title | Singer/s | Posted On |
---|---|---|---|
01 | Na izzat ki chinta…jai bolo beimaan ki | Mukesh, chorus | 07.02.2013 |
02 | Ye raakhi bandhan hai aisa | Lata, Mukesh | 24.08.2010 |
03 | Neela neela kurta, chudidar pajama | Mahendra Kapoor, Asha Bhonsle, Chorus | |
04 | Chali saj ke hai dil ko mila ke | Sharda, Asha Bhonsle, chorus | |
05 | Dekho ji raat ko zulam ho gaya | Asha Bhonsle | 23.09.2016 |
06 | Bam ragad… ham do mast malang pilaayen bhar bhar thhande jaam | Kishore Kumar, Mahendra Kapoor | Being discussed today |
07 | Kitni kism ki beimaani… jai bolo beimaan ki | Mukesh | 07.02.2013 |
The title song of this movie ‘Jai bolo beimaan ki’ stood sixth in the annual ‘Binaca Geetmala’ list of 1972. Other than this the ‘raakhi’ song of the movie was also a very popular song.
I had a big nostalgia of the songs of this movie because one of my uncles had brought the Record Player and he had a LP record of this movie songs. When I started my own music collection, I had a big attraction for the songs of this movie and the other Manoj Kumar movie ‘Pehchaan-1970’. Audio cassettes were generally available for ‘Pehchaan-Beimaan’ songs in one cassette.
I think the songs of ‘Pehchaan-1970’ were also very popular and heard frequently on ‘Radio’ then. My Uncles used to remind me of the ‘ye gangaram ki samajh’ song every time during a family ‘get-together’. They said that they used to tease me with this song when I was a child and was ‘quite’ a healthy child 😊 (I don’t know why I used to be annoyed then on people calling me ‘Gangaram’ 😊)
Coming back to today’s song from ‘Beimaan-1972’, the picturisation shows Pran and Manoj Kumar lip-sync the song in the voices of Kishore Kumar and Mahendra Kapoor respectively.
The situation and context of the song is anybody’s guess.
Other than Manoj Kumar and Pran, the picturisation shows one actress whom I am unable to identif. Many other artists are visible in the picturisation of this song.
Let us now listen to today’s entertaining song and pay our tributes to lyricist Verma Malik.
This song also reminds me another song of Manoj Kumar-Pran ‘jodi’ in the similar situations in the movie ‘Dus Numberi’ and the song is ‘na tum ho yaar aalu naa ham hai yaar gobhi’ .
Video
Audio
Song-Hum do mast malang pilaayen bhar bhar thhande jaam (Beimaan)(1972) Singers-Mahendra Kapoor, Kishore Kumar, Lyrics-Verma Malik, MD-Shankar Jaikishan
Lyrics
bruurr
bruurr
bruurr
bruurr
bruurr
bruurr
bam ragad ragad ragad
bam bam bam
bam ragad ragad ragad
bam bam bam
bam bam bam bam aa ….
ham do mast malang pilaayen
bhar bhar thhande jaam
dus paise mein pee ke jaana
kaabul ke baadaam
ham do mast malang pilaayen
bhar bhar thhande jaam
dus paise mein pee ke jaana
kaabul ke baadaam
o bhaiyya
le le chhotaa aa
o ho o laala
de de ghotaa aa
hey he o khaalaa aa
pee le lota
ae o khaala ji
arey ho ja motaa
ae aa haa aa
sheeshe ki doli mein leti
dekho ye baadaam ki beti
thhandi aur meethhi hai aisi
gangaa jamuna ke jal jaisi
kya baat kahi ee
bahu saas ko agar pilaaye
saas kabhi naa garmi khaaye
mil ke piye devar Bhabhi
ghar mein ho naa kabhi kharaabi
arey waah bhaiyya
waah aa
ik pyaale se
wajan badhegaa
poore chhah sau graam
dus paise mein pee ke jaana
kaabul ke baadaam
ham do mast malang pilaayen
bhar bhar thhande jaam
dus paise mein pee ke jaana
kaabul ke baadaam
o bhaiyya
le le sotaa aa
ae ho o laala
de de ghotaa aa
arey o laalaa
pee le lota
oye khaala
arey ho ja motaa
ae aa haa aa
bammak
bam bambak
bam bambak
ho bam bammak
ho bam bammak
ho bam bammak oo
hema malini aur Sharmila
pee ke kaam kare furteelaa
saira bano raakhi Rekha
sabne isko pee kar dekha aa
oye qurbaan jaawaan
ragde raj Kapoor Rajinder
rajesh Khanna aur dharmender
chhaane mohd rafi Mahendar
piye dev anand jeetender
arey waah bhaiyya
waah bhai
Rustom e hind banaa darasingh
Pee pee iske jaam
dus paise mein pee ke jaana
kaabul ke baadaam
ham do mast malang pilaayen
bhar bhar thhande jaam
dus paise mein pee ke jaana
kaabul ke baadaam
o bhaiyya
le le chhotaa aa
oye oye o laala
de de ghotaa aa
oye laala idhar aa re
arey pee le lota
arey le le lota pee le
arey ho ja motaa
ae aa haa aa
hurr
kidhar gayi bhai
hoye hoye
khabar nahin bhai
kidhar gayi bhai
khabar nahin bhai
haa aa
hey aankhen moti
patli naak
lambi gardan
laal frock
kabse tujhko rahe pukaar
khol de khidki
de deedaar
de ke jalwaa
maar ishaaraa
khatm ho jaaye
jhagdaa saaraa
samajh le ab tu pakdi gayi hai
aaja kaamini kahaan chhupi re ae
kahaan gayi kaamini ee
teri gali mein aaj hamen
koyi aur nahin hai kaam
dus paise mein pee ke jaana
kaabul ke baadaam
ham do mast malang pilaayen
bhar bhar thhande jaam
dus paise mein pee ke jaana
kaabul ke baadaam
o bhaiyya ji
le le chhotaa aa
oye oye o laalaji
de de ghotaa aa
oye oye khaala
arey laala akele
arey pee le lota
arey ho ja motaa
ae aa haa aa
bam bammak
bam bammak
ho bam bammak
ho bam bammak
ho bam bammak oo
bam bammak
bam bammak
bam bammak
bam bammak
bam bammak
bam bammak
bam bam bam oo k
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4981 | Post No. : | 16864 |
Today 8th March, 2022 is the 101st birth anniversary of poet-lyricist Sahir Ludhianvi (08.03.1921 – 25.10.1980).
As per statistics available he has written around 717 to 730 songs in Hindi Films. On our blog we have so far covered 704 songs penned by Sahir Ludhianvi. Around six to eight songs from the remaining songs seems to be difficult to find or they may not be available at all. Following is the details of movies and the number of songs from these movies yet to be posted on the blog.
Sl. No. as per Sahir’s Filmography | Movie Name | Year | Music Director | Remaining Songs |
1 | Aazadi Ki Raah Pe | 1948 | GD Kapoor | 3 |
7 | Laal Kunwar | 1952 | SD Burman | 3 |
53 | Dilli Ka Daada | 1962 | N Dutta | 1 |
58 | Gumraah | 1963 | Ravi | 1 |
78 | Nanha Farishta | 1969 | Kalyanji-Anandji | 1 |
85 | Bhaai Ho To Aisa | 1972 | Sonik Omi | 3 |
101 | Jaagriti | 1977 | Laxmikant-Pyarelal | 2 |
104 | Hum Tere Aashiq Hain | 1979 | Ravindra Jain | 4 |
106 | Chambal Ki Qasam | 1979 | Khayyam | 2 |
107 | Chehre Pe Chehra | 1980 | N Dutta | 4 |
115 | Chingaari | 1989 | Ravi | 3 |
TOTAL | 27 |
Today I present here a song from the movie ‘Nanha Farishta’ (1969). ‘Nanha Farishta’ was directed by T Prakash Rao for Vijaya International, Madras. It was produced by B Nagi Reddi and Chakrapani. This movie was presented by B Nagi Reddi.
The star cast of the movie lists Pran, Ajit, Anwar Hussain, Padmini, Balraj Sahni and Baby Rani, supported by Suresh, Mukri, Raj Mehra, Sundar, Maruti, Prem Kumar and Johnny Walker.
Story of this movie was written by Thuraiyoor K Moorthy, and dialogues were written by Inder Raj Anand. Editing of this movie was done by BS Glaad.
This movie had four songs written by Sahir Ludhianvi and music composed by Kalyanji-Anandji.
The playback singers for this movie are Lata Mangeshkar, Mohd Rafi, Asha Bhonsle, Kishore Kumar, Manna Dey, Mahendra Kapoor and Manhar. [Author’s Note: The titles of the movie also mentioned the name of S Balbir in the list of playback singers, however HFGK has not mentioned Balbir’s name for any song of this movie.]
HFGK mentions the following four songs from this movie.
Song | Posted On |
O Natkhat Nanhi Laadli Tujhe Dekhen | 26.12.2020 |
Chandaa Kaahe Ka Tera Maama | 08.03.2021 |
O Re O, Sharaabi Tujhme Ek Kharaabi | Being discussed today |
Bachche Mein Hai Bhagwaan | 14.11.2014 |
Kalyanji-Anandji have worked with Sahir Ludhianvi in two movies, as per following details.
Movie | Year | MD | Songs by Sahir (in blog) |
Songs by Sahir (per HFGK) |
Songs by Sahir (per – The People’s Poet) |
Nanha Farishta | 1969 | Kalyanji-Anandji | 3 | 4 | 4 |
Shankar Shambhu | 1976 | Kalyanji-Anandji | 5 | 5 | 5 |
From the above table we can see that only one song from the movide ‘Nanha Farishta’ which is also the last song of ‘Sahir – KA’ association remains to be posted on the blog. This is also the final song from this movie to be posted on the blog.
This song is sung by Asha Bhonsle and on-screen Padmini is lip-syncing for Asha Bhonsle’s voice. Also seen in the picturization of the song are Pran, Ajit, and Anwar Hussain.
The song happens when the three criminals Pran, Ajit and Anwar Hussain got drunk and request Gauri (Padmini) to sing a song for them. Gauri is the caretaker of the little girl Baby (Baby Rani) whom the three have abducted after killing her father. Later the three criminals develop a soft corner for the baby girl and kidnapped her caretaker Gauri as well when the little girl fall sick.
Gauri has a plan for the criminals and that is why she readily agrees to sing and dance for the drunken criminals. But that is not to be disclosed here and that is something we have to leave intact for those who are interested in watching this movie. I have also not watched this movie and the above storyline in short is from what I got to read on internet.
With this post, the film ‘Nanha Farishta’ (1969) now joins the list of Yippeee’d movies on the blog.
Let us listen to the today’s song now.
Song – O Re O Sharaabi Tujh Mein Ek Kharaabi (Nanha Farishta) (1969) Singer – Asha Bhosle, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Male Voice
Lyrics
o o sharaabi
tujh mein ek kharaabi
kya
huhh huhh huhh huhh
o re o sharaabi
tujh mein ek kharaabi
o re o o sharaabi
tujh mein ek kharaabi
seekha na kisi se tune pyaar karna
tujhe aa main pyaar sikha doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi
rura rara rura rara ae ae ae
ta rura rara rura rara ae ae ae
kaanch jaise badan mein
surkh sona bharaa hai
surkh sona bharaa hai
jaam se lab hataa le ae
jaam mein kya dharaa hai
jaam mein kya dharaa hai
aise na bujhegi kabhi pyaas dil ki
arey aa main pyaas bujha doon
aa main pyaar sikha doon
o o o o sharaabi
tujh mein ek kharaabi
honthh kyun kaanpte hain ae ae ae
saans kyun phoolti hai
saans kyun phoolti hai
paanv kyun dolte hain ae ae
zulf kyon jhoolti hai
zulf kyon jhoolti hai
tu jo meri aankhon ki zubaan samjhe tujhe
saare bhed bataa doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi
rura rara rura rara ae ae ae
ta rura rara rura rara ae ae ae
ho sakey to samajh le ae ae ae
raat kya keh rahi hai
raat kya keh rahi hai
ye dhadkti khaamoshi ee ee
baat kya keh rahi hai
baat kya keh rahi hai
thoda sa ishaara ho to
pal bhar mein abhi
laakhon rang lutaa doon
aa main pyaar sikha doon
o o o o sharaabi
tujh mein ek kharaabi
seekha na kisi se tu ne pyaar karna
tujhe aa main pyaar sikha doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi
huhh huhh huhh
bahot achchhe
very good very good
once more
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
ओ ओ शराबी
तुझमें एक खराबी
क्या
हुःह हुःह हुःह हुःह
ओ रे ओ शराबी
तुझ में एक खराबी
ओ रे ओ शराबी
तुझ में एक खराबी
सीखा ना किसी से तूने प्यार करना
तुझे आ मैं प्यार सीखा दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी
रुरा रुरा रुरा रुरा ए ए ए
ता रुरा रुरा रुरा रुरा ए ए ए
काँच जैसे बदन में
सुर्ख सोना भरा है
सुर्ख सोना भरा है
जाम लब से हटा ले
जाम में क्या धरा है
जाम में क्या धरा है
ऐसे ना बुझेगी कभी प्यास दिल की
अरे आ मैं प्यास बुझा दूँ
आ मैं प्यार सीखा दूँ
ओ ओ ओ ओ शराबी
तुझ में एक खराबी
होंठ क्यों काँपते हैं
सांस क्यों फूलती है
सांस क्यों फूलती है
पाँव क्यों डोलते हैं
जुल्फ क्यों झूलती है
जुल्फ क्यों झूलती है
तू जो मेरी आँखों की ज़ुबान समझे तुझे
सारे भेद बता दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी
रुरा रुरा रुरा रुरा ए ए ए
ता रुरा रुरा रुरा रुरा ए ए ए
हो सके तो समझ ले
रात क्या कह रही है
रात क्या कह रही है
ये धड़कती खामोशी
बात क्या कह रही है
बात क्या कह रही है
थोड़ा सा इशारा हो तो
पल भर में अभी
लाखों रंग लुटा दूँ
आ मैं प्यार सीखा दूँ
ओ ओ ओ ओ शराबी
तुझ में एक खराबी
सीखा ना किसी से तूने प्यार करना
तुझे आ मैं प्यार सीखा दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी
हुःह हुःह हुःह
बहुत अच्छे
वेरी गुड वेरी गुड
वांस मोर
Akkad bakkad timbaktu
Posted February 12, 2022
on:This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4957 | Post No. : | 16826 | Movie Count : |
4579 |
Hullo Atuldom
The title-cards of movies that he was present in always billed him as “And Pran”.
His was the character needed to bring out the hero in Raj-Dilip-Dev, Dharam-Rajendra-Sunil. Shammi Kapoor fooled him in “Kashmir Ki Kali”, “Bluffmaster” etc’ Kishore Kumar made him run after him in “Half Ticket”. He was unhappily-married to the girl Manoj Kumar loved in “Do Badan”.
He was a strict-rich-unbending father to Rishi Kapoor in “Bobby”. A friend to Ashok Kumar in reel and real life, they came together on-screen for the first time in “Afsana” (1951). {I hope this is correct!!! In-house encyclopediaji and other knowledgeable Atulites need to confirm this}.
He was seen along side Ashok Kumar in close to 27 movies till 1987 when Ashok Kumar played Pran’s (Thakur Satyaprakash) trusted driver, Man-Friday etc. in the Prayag Raj directed “Hifazat”. (Hope I am right here, have seen this film a long time back on television).
His association with Manoj Kumar has material for a post on its own, but I feel like mentioning that it was Manoj Kumar who thought that Pransaab (as the industry addressed him) will be able to do justice to the character of Malangbaba in “Upkaar”. The last time Pransaab acted in a Manoj Kumar was “Jai Hind” in 1999.
Additionally Pransaab was instrumental in making characters of Amitabh Bachchan, Jeetendra and various other actors of the 70s and 80s standout in numerous films.
It is very difficult to write a post about this lovable artiste, without touching on the extra touch, that he added to all his characters so that no-two villains looked same or had similar traits. He looked menacing blowing smoke-rings holding his pipe/cigar/cigarette in different styles. The mustache of Raka in ‘Jis desh mein Ganga behte hain” was different from the one he sported in “Ram aur Shyam”. If Helen experimented with her outfits for her dance numbers, Pransaab was known to play around his hair styles. I am sure that the readers will feel that I am a huge fan of this actor who was awarded the “Villain of the Millenium” by Stardust in 2000, the Padma Bhushan by the Government of India in 2001 and the Dadasaheb Phalke award in 2013.
Yes, I loved to see this actor in action. I found him adorable. There is a whole list of songs filmed on this actor and the following are the ones I loved him most in.
Song | Movie (Year) | Date posted | Singer | |
---|---|---|---|---|
Daaru ki bottle mein saahab paani bharta hai | Majboor (1974) | 14 Nov 2008 | Kishore Kumar | |
Aake seekhi lagi | Half Ticket (1962) | 8 Feb 2009 | Kishore Kumar, Pran | |
Kasme waade pyaar wafa waahe hain waadon ka kya | Upkaar (1967) | 1 March 2009 | Manna Dey | |
Dil ki umangen hain jawaan | Munimjee(194) | 27 April 2009 | Hemant Kumar, Geeta Dutt, Pran | |
Raaz ki baat keh doon to jaane mehfi mein phir kya ho | Dharma (1973) | 21 May 2009 | Asha Bhonsle, Rafi | |
Do bechaare bina sahaare | Victoria number 203 (1971) | 10 March 2011 | Mahendra Kapoor, Kishore Kumar | |
Yaari hai imaan mera yaar meri zindagi | Zanjeer (1973) | 12 February 2012 | Manna Dey | |
Mujhse nazren milaane ki jurrat na kar | Maan Gaye Ustaad (1981) | 26 November 2012 | Rafi, Manna Dey | |
Mera ek sawaal hai sawaal ka jawaab do | Maan Gaye Ustaad (1981) | 12 February 2018 | Rafi, Chandrani Mukherjee, Dilraj Kaur | |
Aji sunte ho | Raja Aur Rana (1983) | 12 February 2019 | Mahesh Kumar, Kishore Kumar | |
Shaam suhaani aayi khushiyaan banke pehli baar | Zinda Dil (1975) | 12 February 2020 | Lata, Shailendra Singh, Mahendra Kapoor |
The list is not complete, there are more songs where either he is simply standing and smiling benevolently or menacingly (depending on the era of the song). I remember a song from the 90s where he is seen partying on his wedding anniversary with Asha Parekh. Everytime I see this song I think of Pran and Asha Parekh from all those movies of the 60s when he played the spoke in her love-life with the hero of those films:- “Jab Pyaar kisise hota hai”, “Love In Tokyo”, “Do Badan”, and the list is long here too. What more does one expect when a person has a career starting from 1940 and going on till 2007.
Thinking of this actor today on his 102nd birth anniversary with the party song that I mentioned in the previous paragraph. The movie is the 1993 release “Bhagyawan” which had Govinda play the son of Asha Parekh & Pran, with Juhi Chawla, Ranjeet, Aruna Irani, Kirti Kumar (Govinda’s real-life brother), Johnny Lever etc forming the rest of the cast. The movie was a typical family drama. It had songs written by Sameer, M G Hashmat, and Hasrat Jaipuri. Today’s song is sung by Abhijeet. Anand Milind were the music directors of this film.
I take this as the party to celebrate two other occasions- birthday of one Atulite and wedding anniversary of another Atulite (sirf hint hi kaafi hai).
Wishing all the best to both the Atulites.
Song-Akkad bakkad timbaktu (Bhaagyawaan)(1993) Singer-Abhijeet, Lyrics-M G Hashmat, MD-Anand Milind
Pran
Unknown male voice
Chorus
All
Lyrics
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
aapne mujhko pyaar diya
maine tay kiya
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
bhool nahin paaunga
main aapke ehsaan ko
meethhi meethhi pyaari pyaari
mamta ki zubaan ko
bhool nahin paaunga
main aapke ehsaan ko
meethhi meethhi pyaari pyaari
mamta ki zubaan ko
thhandi thhandi raaton mein jab neend nahin aati thhi
loriyaan suna ke apne aanchal sulaati thhi
zindagi ke raste mein
raushani dikhaati thhi
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
arre baba
pare baba
papappa
pare baba
arre baba
pare baba
papappa
pare baba
ye maine kuchh nahin kiya beta
ye to sab upar waale ka qasoor hai
jhoothh mat boliye jee
aapka qasoor hai
aaj ke zamaane mein kya
pyaar ka dastoor hai
jhoothh mat boliye jee
aapka qasoor hai
aaj ke zamaane mein kya
pyaar ka dastoor hai
jaane kaise dukhde sah ke
bachche paale jaate hain
bade ho ke badon se wo door kyun ho jaate hain
good bye mummy bye bye papa
kah ke chale jaate hain
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
aapne mujhko pyaar diya
maine tay kiya
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
akkad bakkad
timbak tu
you love me and
I love you/font>
akkad bakkad
timbak tu
you love me and
I love you
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
- In: "disguise" song | "Diversion" song | "Villain's" den song | Duet | Guest posts | Manna Dey songs | Manna Dey-Mukesh duet | Mukesh and his co singers | Mukesh songs | Post by Mahesh Mamadapur | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
- 10 Comments
This article is written by Mahesh Mamadapur, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4416 | Post No. : | 15823 |
Mukesh and his co-singers –7
———————————————–
There is a school of thought amongst music lovers that the voice of Manna Dey suited better for Raj Kapoor than Mukesh. While technically, there could be substance to the concept, it remains a fact that the empathy evolving from the voice of Mukesh and the emotion and expressions of Raj Kapoor’s acting on screen fitted to a T. No wonder RK upon hearing Mukesh’s demise in far off Detroit city commented that he had lost his soul. I am of the firm opinion that the voice of Mukesh on Raj Kapoor suited most aptly than the actor singing himself.
As far as Manna Dey singing for Raj Kapoor is concerned, the songs from Chori Chori, Shree 420, Dil Hi Toh Hai, Mera Naam Joker etc. come to the mind instantly. Chori Chori and Shree 420, both released in 1956 were at a time when Mukesh was experimenting with many departments of films and had also signed a contract for the film Maashuqa as an actor-singer with heroine none other than Suraiya. The Contractalso had a clause that he would not be singing for anyone else till the completion of the film. The film unfortunately got delayed and so did the successful career of Mukesh.
It is for this reason that even though Mukesh has the iconic solo, a duet with Lata and a triad with Rafi saab and Lata, Manna Dey had his share of songs in the movie Shree 420 including the popular pyar hua ikraar hua hai.
It is said that Mukesh after singing 3 songs in the film conveyed to RK that he could no longer be part of the film because of the Contract that he had signed. So why didn’t Manna Dey establish himself as a permanent or a more frequent RK voice. Well, it was the year 1958, Mukesh free from the clutches of his Contract came back as a playback singer and boy what a return that was.
Madhumati, Parvarish, Phir Subah Hogi and Yahudi all under different composers and picturised on RK and Dilip Kumar were runway hits. Mukesh had found his mojo back. Raj Kapoor understood that with Mukesh giving him playback he need not look any further. The bond between them remained forever. Body and the soul’s bonding was noticed not only by Shankar Jaikishan but by other composers also. Thus, when Raj Kapoor forayed acting for other production houses, it was usually Mukesh who was summoned for playback.
Thus, we have Manna Dey singing only a few songs for Raj Kapoor in spite of the popularity of songs from Shree 420 and Chori Chori in 1956. However, all composers were also aware of the limitations of Mukesh and the versatility of Manna Day especially for the songs based on classical music. It is pertinent to mention the song from Dil Hi Toh Hai 1963. While most of the songs from this film were sung by Mukesh, Roshan the composer rightly found it prudent to have Manna Dey sing the popular Laagaa, chunri mein daag. With due respects to other stalwarts, I am of the firm opinion that no singer could have pulled off this song as elegantly as Manna Dey.
This post and the series as such is on Mukesh’s collaboration with other singers. And in this instance also, it’s not only about Mukesh and Manna Dey singing for RK camp but for all the songs that they rendered together in HFM. But then many songs sung by Manna Dey for Raj Kapoor have also become quite popular and hence I had to devote a majority of the post for their individual songs on Raj Kapoor.
Whilst we are on the discussing the singers in unison, I should highlight that Mukesh has sung a comic solo under Manna Dey’s composition for the film Chamkee (1952). I have always been curious to know why this song was offered to Mukesh as Manna Dey himself was quite apt at singing such songs. One possible reason could be due to the bad phase that Mukesh had entered during this period and this was could have been some kind of help extended.
Coming to today’s post, here is the list of all songs in which Mukesh and Manna Dey featured together. Not surprisingly, most of them are with multiple singers and chorus. Quite a few of them are rare and popular.
1 under Anilda is famous song from a popular film. It is interesting to note that it is sung by four singers whose names start with the letter “M”. Needless to say, it’s the only one of its kind in HFM where they have come together.
2 had many songs by Mukesh featured on Raj Kapoor and Mahendra Kapoor and Manna Dey join in for other actors in the song. Its again rare to find Geeta Dutt in SJ camp.
3 and 4 are under Hemant Kumar who himself was an accomplished singer and composer but got to many sing songs by other singers in his compositions. Mukesh has sung about half a dozen songs under him.
5 is quite a comic song on which our Arunkumar ji has written a detailed post.
S.No | Name of the Song | Movie (Year of release) | Other co-singers if any | Music Director | Lyricist |
---|---|---|---|---|---|
1 | Kadam kadam se dil de | Chaar Dil Chaar Raahen (1959) | Mahendra Kapoor, Meena Kapoor | Anil Biswas | Sahir Ludhianvi |
2 | Hai aag hamaare seene mein | Jis Desh Mein Ganga Behti Hai (1960) | Geeta Dutt, Mahendra Kapoor, Lata Mangeshkar | Shankar Jaikishan | Shailendra |
3 | Mujhko mohabbat ho gayi hai | Biwi Aur Makaan (1966) | Talat Mehmood, Hemant Kumar, Joginder, | Hemant Kumar | Gulzar |
4 | Aa tha jab janam liya tha | Biwi Aur Makaan (1966) | Hemant Kumar | Hemant Kumar | Gulzar |
5 | Ye kaun hain ye kaun hain jo besahaara hain | Main Sundar Hoon (1971) | Asha Bhonsle | Shankar Jaikishan | Anand Bakshi |
6 | Besharmi se sharam na kar | Teen Chor (1973) | Mohammed Rafi | Sonik Omi | Rajendra Krishan |
7 | Na tum ho yaar aloo | Dus Numbri (1976) | Laxmikant Pyarelal | Majrooh Sultanpuri | |
8 | Dilruba Dilliwali | Dus Numbri (1976) | Asha Bhonsle | Laxmikant Pyarelal | Majrooh Sultanpuri |
4, 6, 7 and 8 from the above list are yet to be featured on the blog and I take up song number 7 for representation in this post.
Shri Harish Raghuwanshi of Surat, the compiler of Mukesh Geetkosh has helped me with confirming the correctness of and completeness of the above table of songs. I express my sincere thanks to him for his continued support.
Dus Numbri (1976) in which Mukesh had 04 songs was in continuation with the many songs that he was singing for Manoj Kumar during late sixties and seventies. The title song of this movie remains famous. Strangely, this title song is the only song of this film to be featured on the blog so far. Mukesh and Manoj Kumar’s combination had become quite popular with some outstanding songs. I had read somewhere that they were planning to produce a film upon the return of Mukesh from his US tour in 1976. As we are aware, Mukesh never came back from that tour as he passed away on 27 August 1976 in Detroit. This date being around the corner, my next post will be on his remembrance day and probably starting with a new series.
Audio
Video
Song-Na tum ho yaar aaloo na hum hain yaar gobhi (Dus Numberi)(1976) Singers-Mukesh, Manna Dey, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Both
Lyrics
na tum ho yaar aaloo
na hum hain yaar gobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobhi
aur hum bhi yaar dhobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
ik din ka haal suno
ae Hiralal
kya bataaun huye kya kya lafde
kya bataaun huye kya kya lafde
saaheb ka suit pahan
le kar ke apni dhoban
hum bioscope chala dekhte hai
laallaallaa oy hoy
hoy hoy
ho ho
shaamat ki maat mera
saaheb bhi yaar mila
raste mein aur laga dekhne
dekha jo suit
ho diya kas kar do boot
ho gaali de de ke pakdi gardaniya
gaali de de ke pakdi gardaniya
ho machi wo dhooma dhoom (?)
wo kahin ho gayi re gum
usi hullad mein meri dhobaniya
usi hullad mein meri dhobaniya
dhoban ko le uda re
kyaa jaane kaun lobhi
dhoban ko le uda re
kyaa jaane kaun lobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
o ho
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
apna bhi haal suno
ae Bansilal
coat maine bhi pehna kisi ka
coat maine bhi pehna kisi ka
arre kya thhi khabar
ke hai uske andar
ke photu hai mama inhi ka
hai aiyyo
ke photu hai mama inhi ka
dhoban ko sang liye
chehre pe rang liye
unhu
hotel pahunchaane bechaara
o oarkhaane ke baad
daala paackit mein haath
ke chukaa doon use daam saara
dena thha maal
diya photu nikaal
aisa dhokha hua mujh ko tagda
aisa dhokha hua mujh ko tagda
dhoban ne dekh
diye thhapad do ek
aur kar ke dhamaal
noch kar sar ke baal
kahin chal di wo kar ke jhagda
haay haay
kahin chal di wo kar ke jhagda
meri maal
ab haal mera sun kar
chup kyun ho
kuchh kaho jee
ab haal mera sun kar
chup kyun ho
kuchh kaho jee
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hai yaar gobhi
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
hum bhi dil rakhhte to hain
pyaar kar sakte to hain
ho jee ek dhoban meri
haaye mehbooban meri
ek dam thi aazaadi
nayi nayi huyi thhi shaadi
par meri jaan e jahaan
wo gayi jaane kahaan
par meri jaan e jahaan
wo gayi jaane kahaan
aise lagti thhi
aise lagti thhi
gale haaye Raam
jaise istri chale haaye Raam
ho jabse wo gayi chali haaye Raam
main phiroon gali gali haaye Raam
arre chhod gayi dil mein kaanta
maar gyi dhobi paataa
milne ka yaar uske
koi jatan karo jee
milne ka yaar uske
koi jatan karo jee
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
- In: "Get together" song | Devnagri script lyrics by Avinash Scrapwala | joie de vivre | Lata song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Mahendra Kapoor songs | One singer singing for two actors | Shailendra Singh songs | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1975 | Yearwise breakup of songs
- 6 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : | 4226 | Post No. : | 15433 |
I was aware that today is the birth anniversary of Pran, but I was not aware that today is his 100th birth anniversary !
It was on this day 100 years ago that Pran (12 February 1920 – 12 July 2013) was born.
Pran was born in Lahore and he made his debut in films in Lahore in early 1940s. There, he soon graduated to lead roles. In “Khaandaan”(1942), he had acted opposite Noorjehaan. . After partition, he came to Bombay where he was a nobody and so he had to start from scratch there.
It was in Bombay that Pran began to get the roles of a villain and it waas in these roles that he made his mark. He started his stint in Bombay with “Ziddi”(1948). He played villains but no two roles of his were same. In every movie he brought something new to his acting. And his acting was so convincing that ordinary movie goers dreaded and dipised his roles. Very few people in India named their sons as Pran. That is the kind of impression he had created in the minds of movie goers. 🙂
In 1960s, his dark roles gradually started to become less dark, with doses of kindness and comedy in them and a time came when he became a character artist, beginning from “Upkaar”(1967). The distributors of “Upkaar”(1967) were very nervous, unsure how this new role of Pran would be received by the moviegoers who were so used to see him as a dreaded villain. Fortunately, the movie was a big hit and Praan’s role as Malang Chaacha was loved by moviegoers.
Pran had got to sing very few songs on screen as a villain, but he started to get songs as a character artist. And this process started with “Upkaar”(1967) itself. The song Kasme waade pyaar wafa turned out to be a much loved song, much to the relief of Kalkyanji Anandji, who were dreading that their composition would flop because it was to be picturised on Pran !
Subsequently, Pran has figured in quite a few songs in Hindi movies. And these songs became surprise hits. For instance, “Zanjeer”(1973) song Yaari hai imaan mera yaar meri zindagi became the most popular song of the year in Binaca geetmala ! “Kasauti”(1974) song, Ham bolega to bologe ki bolta hai was my favourite song durings its time. Same was the case with the song Daru ki bottle me sahab paani bharta hai from “Majboor”(1974).
On the occasion of the 100th birth anniversary of Pran, here is a song from “Zindaadil”(1975). The song is sung by Lata, Shailendra Singh and Mahendra Kapoor. Verma Malik is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a get together song. It is lip synced by Rishi Kapoor, Zaahira, Neetu singh and Pran.
Lyrics of this song were sent to me by Avinash Scrapwala. Incidentally, he too shares his birthday with Pran. So we take this opportunity to wish him a happy birthday and many happy returns of the day. Today also happens to be the wedding aniversary of our regular Nitin Shah. We wish him and his better half on this occasion.
Quite a lively and appropriate song for the occasion it is.
Video
Audio
Song-Shaam suhaani aayi khushiyaan ban ke pahli baar (Zindaa Dil)(1975) Singers-Lata, Mahendra Kapoor, Shailendra Singh, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Lata Mangeshkar+ Shailendra Singh
Lyrics (Provided by Avinash Scrapwala)
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
To lekar thumkaa naachoon
Aaj main tan ke pehli baar
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar
Pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
Huyee adhoori aasha poori
Tooti door ki doori
Tooti door ki doori
Lekar thhumkaa naachoon
Aaj main tan ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Jee chaahe main ho ke saudaayee
Lutaa doon khudaayee
Milaa hai mujhe pyaar
Milaa hai beshumaar
Raat aayi hai kismatwaali
Jalaao deewaali
Milaa hai qaraar
Milaa hai sansaar
Is man ki paawan dharti se
Phoot padaa hai pyaar
Phoot padaa hai pyaar
Pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Phool khile hain dekho
Mere man ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Khaata jaa peetaa jaa
Bhar paimaana tu
Hey hey
Khaata jaa peetaa jaa
Bhar paimaana tu
Ho ho
Apnaa rang jamaata jaa
Ho deewaana tu
Hey hey
Masti mein lehraata jaa
Ban mastaana tu
Apnaa aaj banaataa jaa
Ye zamaana tu
Mere jeewan ke gulshan mein
Aayi nayee bahaar
Aayi nayee bahaar
Pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar
Ek fauji kaa beta
Chalaa hai tan ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Dekho kaise khushi ke rang chhaaye
Dupatta udaa jaaye
Patang ban ke
Umang ban ke
Main to ambar ki baahon mein jhooloon
Sitaaron ko chhoo loon
Kiran ban ke
Sapan ban ke
Aaj mere seene mein dhadkan
Meethhee kare pukaar
Meethhee kare pukaar
Pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar
Mere dil mein aajaa
Meraa ban ke pehli baar
Shaam suhaani aayi
Khushiyaan ban ke pehli baar
Aaj kayee barson mein
Paayal chhanke pehli baar
——————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————-
आ आ आ आ आ
आ आ आ आ आ
शाम सुहानी आई
खुशियाँ बन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
तो लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
हुयी अधूरी आशा पूरी
टूटी दूर कि दूरी
टूटी दूर कि दूरी
लेकर ठुमका नाचूँ
आज मैं तन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
जी चाहे मैं हो के सौदाई
लुटा दूं खुदाई
मिला है मुझे प्यार
मिला है बेशुमार
रात आयी है किस्मतवाली
जलाओ दीवाली
मिला है करार
मिला है संसार
इस मन की पावन धरती से
फूट पडा है प्यार
फूट पडा है प्यार
पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
फूल खिले है देखो
मेरे मन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
खाता जा पीता जा
भर पैमाना तू
हे हे
खाता जा पीता जा
भर पैमाना तू
हो हो
अपना रंग जमाता जा
हो दीवाना तू
हे हे
मस्ती में लहराता जा
बन मस्ताना तू
अपना आज बनाता जा
ये ज़माना तू
मेरे जीवन के गुलशन में
आयी नयी बहार
आयी नयी बहार
पहली बार
एक फौजी का बेटा
चला है तन के पहली बार
एक फौजी का बेटा
चला है तन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
देखो कैसे ख़ुशी के रंग छाये
दुपट्टा उड़ा जाए
पतंग बन के
उमंग बन के
मैं तो अम्बर कि बाहों में झूलूँ
सितारों को छू लूं
किरण बन के
सपन बन के
आज मेरे सीने में धड़कन
मीठी करे पुकार
मीठी करे पुकार
पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार
मेरे दिल में आजा
मेरा बन के पहली बार
शाम सुहानी आई
खुशियाँ बन के पहली बार
आज कई बरसों में
पायल छनके पहली बार
Aji sunte ho
Posted February 12, 2019
on:This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
3861 | Post No. : | 14877 | Movie Count : |
4068 |
Hullo to all in Atuldom
Back to writing after a break and am having a problem trying to get my thoughts in order. These last few days I have made a few posts mentally and here I am trying to write about one of my favourite actors who would have turned 99 today.
The year 1972 saw a new genre of films wherein two actors who were past their prime – 61 and 52 was definitely not the age where actors play college students or young characters- were playing the central characters in a movie where the lead actor or the supposed- hero played second fiddle to these two. I am talking of Victoria No 203 by Brij Sadanah. Brij himself made another movie a few years later “Chori Mera Kaam” with these two seniors playing central characters. I am talking of an all-time favourite Jodi of cinelovers – Ashok Kumar and Pran.
S. K. Kapur was another producer -director who made this Jodi the centre of his stories in the moves of 70s and early 80s – Apna Khoon, Shankar Dada, Durga, Maan Gaye Ustaad. But the best tribute to the lovable Jodi was Kapur’s movie “Raja Aur Rana” – it didn’t have a regular actor playing the hero. Puneet Issar made his debut in this movie and was supposed to be a hero but “Raja aur Rana” was essentially Ashok Kumar- Pran all over. They did every antic that they were famous for from the time “Victoria No 203” became a success.
Before I go any further let me clarify one thing- Ashok Kumar and Pran did not team up for the first time in “Victoria No 203”; they have been cast together in movies since the 50s or even before that. Back then they used to play serious characters, mostly the protagonist and the antagonist. “Victoria No 203” changed all that. We saw the comic timing of these two senior actors.
I need to clarify one more thing- both these actors have performed in song situations through their career but post “Victoria 203” that also changed. The ability of these two to switch from insane characters of Raja and Rana can be gauged from the fact that about the same time Ashok Kumar played the grandfather in “Anuraag” and Pran was the grandfather in “Parichay”; Pransaab (as he used to be addressed) also played a regular cigar munching villain in “Roop Tera Mastana” that year. Such great actors and trailblazers – there are no replacements for them only actors who are inspired by them and aspire to be like them.
Today I bring to the blog a song from S. K. Kapur produced and Shibu Mitra directed “Raja Aur Rana”. The cast included Ajit, Shakti Kapoor, Puneet Issar, Madhu Malhotra, Chand Usmani, Aaloka etc etc supporting Ashok Kumar and Pran (Pran was always billed in the credits of movies as “And Pran”).
I have not seen the movie but I fell in love with this super Jodi all over again when I accidentally saw this song a few months back. We have Pransaab cross-dressing in this song and Shakti Kapoor and his henchmen playing the peeping- toms on the “loving couple”. The song was written by Varma Malik and Bappi Lahiri was the music director. We have Kishore Kumar singing for Ashok Kumar and Mahesh Kumar singing for Pransaab – the female voice belongs to Mahesh Kumar about whom our in-house encyclopaedia had written a few lines in a post of his. The post contained a song sung by Mahesh Kumar in dual voice, it seems he could sing in 32 voices.
This is such a cute husband-wife exchange with which we remember the adorable Pransaab on his 99th Birth anniversary.
I would also like to wish a fellow Atulite on his birthday today with lots of fun and music in his life. All the best to Avinashji on his birthday.
Audio
Video
Song-Aji sunte ho (Raja Aur Rana)(1983) Singers-Mahesh Kumar, Kishore Kumar, Lyrics-Verma Malik, MD-Bappi Lahiri
Both
Lyrics
haaye haaye
haaye haaye haaye
aji sunte ho
o aji sunte ho
haan sunta hoon
aji sunte ho
lekar tum akhbaar ka panna
race ke ghode ginte ho
o aji sunte ho
koi vaid bulaao
koi doctor laao
hakeem mangaao
aji sunte ho
mujhe nauwaan lagaa hai
ik dard jagaa hai
haaye yahaan se uthha
aur yahaan gayaa hai
shaadi na hoti
main aaj na roti
dulhan na banti
bacche na janti
zaalim ye mahina
mera dhadke hai seena
tu dekh le apna
ye kaarnaama
kyun mujhe phansaaya
kar kar ke drama
ki toone mujhse
kartoot hai koi
tu mard nahin hai
jinn bhoot hai koi
o aji sunte ho
o aji sunte ho
haan sunta hoon
oye
ab kyun roti hai meri dulhan
pyaari tumhen yaad nahi aati
ab kyun roti hai meri dulhan
pyaari tumhen yaad nahin aati
woh baatein saari
har roz tu kehti
mujhe sair kara de
mujhe ticket manga de
mujhe film dikha de
chal India gate mein
zara ghoom ke aayen
aur Tajmahal mein
hum khaana khaayen
tu surkhi laali
powder bhi lagaati
aur daal ke surma
tu teer chalaati
tu karke fashion
har roz aa jaati
aur kehti le chal
mujhe Juhu Chowpati
wahaan paani puri
tu khoob udaati
kabhi idli dosa
kabhi kulfi khaati
main ho gaya kadka
palle nahin paayi
tera sair sapaata
kha gaya kamaayi
o bhool gayi tu
jab maze udaati
ab dard uthha toh
phir kyun chillaati
main sunta hoon
jeb mein kitne paise reh gaye
baitha baitha ginta hoon
main sunta hoon
munnu ke paapa
tera karoon siyaapa
mujhe hichki aaye (hitchki)
mera ji machlaaye (hitchki)
mujhe saans na aaye (hitchki)
mera sar chakraaye
mera munh bedardi
kya halaat kar di
main baithhi baithhi
khaaun hichkaule
koi amma amma
ander se bole
tu roz yeh kehta
ke munda hoga
agar tujhpe gaya woh
koi gunda hoga
main aath maheene
mushqil se bitaaye
tu pyaqr se ek din
nahin poochhne aaye
o aji sunte ho
koi vaidh bulaao
koi doctor laao
hakeem mangao
o aji sunte ho
kyon taane deti
sapnon ki raani
tere dushman mar jaayen
teri jiye jawaani
pehla aur dooja
kab tumhen laga thha
na tujhko khabar thhi
na mujhko pata thha
phir teeje maheene
meri khench rajaai
toone aadhi raat ko
khushkhabri sunaai
aur chauthhe paanchve
jab tu ghabraai
aur chhathe maheene
tujhe ulti aayi
main bhaag ke aaya
tujhe paass bulaaya
tujhe maalish ki thi
tujhe tel lagaaya
chhodo ab gussa
aa tujhe sula doon
tu thhak chuki hai
tere paanv daba doon
hai hai hai hai hai hai hai hai
biwi ke har koi (some sound by Ashok Kumar)
hai paanv dabaata
tu tel lagaake
ehsaan jataata
kis baat ke liye
phir tu akadta
gharwaala hoke
mere sar pe chadhta
aurat ka farz hai
bacchon ko janna
koi toone anokha
nahin kaam ye karna
mere paass na aana
batti na bujhaana
mujhe seeti bajaa ke
nahin kabhi bulana
meri tauba tauba
kaanon ko pakdoon
hai meri galti
main naak bhi ragdoon
jhaado na bhaashan
ka milta ration
hai ye situation
karwaao operation
dono nasbandi
chal kar karwaayen
kyun apne desh ki
aabaadi badhaayen
is mehangaai mein
ek baccha kaafi
aage se tauba
aage se maafi
aage se tauba
aage se maafi
aage se tauba
aage se maafi
- In: "Panchchi" song | Aparesh Lahiri Songs | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Free Spirit Song | Guest posts | Kanan Devi - Aparesh Lahiri Duet | Kanan Devi songs | Lyrics contributed by readers | Panchhi songs | philosophical song | Post by Sudhir | Songs of 1940s (1941 to 1950) | Songs of 1947 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : | 3565 | Post No. : | 14291 |
kuchh yaad rahe to sun kar jaa. . .
The nectar tinged fragrance of this voice suffuses through the strings of the heart through so many wonderful renderings. The mind is left amazed by the effortless expressions of the emotions covering the full spectrum of human experience. “Loot Liyo Mann Dheer. . .” is probably the only exclamation that the mind responds with, as it passed through the shower of her musical portrayals.
Kanan Devi – the doyen, the first lady of cinema in Bengal. We remember and honour her today (22nd April), on the anniversary of her birth. During her heydays in the 1930s and 40s, her popularity was so celebrated, that in those years, security had to be arranged when she moved about in public.
She was born this day in 1916, at Howrah. As per her own account, it was a very un-remarkable beginning to a tiny life, in the hands of a couple whom she knew only as her adoptive parents. Her foster father passed away quite early. She and her mother went through some difficult years, and the young Kanan Bala was not able to complete any form of formal school education.
In 1926, a family well wisher, introduced her to the management at Madon Theatres, Calcutta. Kanan was a child of 10 years. She worked in silent films and even did the male lead roles in ‘Vishnu Maya’ and ‘Prahlad’ (both in 1932). Transition from silent films to talkie films was very smooth for her. She had a good command over the spoken word and a remarkable singing talent – it only needed guidance and direction from teachers like Allah Rakha, Anaadi Dastidar, Bhishmdev Chatterjee, and yes, RC Boral.
From Madon, she moved to Radha Films in 1933. She was growing up into a beautiful and sophisticated young woman. In 1937 she transitioned to New Theatres. A regret she carried always – in 1934-35 she was offered a role in New Theatre’s ‘Devdas’ (1935), but could not accept as she was bound by her contract with Radha Films. She worked with New Theatres till 1941, and then moved to MP Productions in 1942.
After her formative years at Madon and Radha Films, her years at New Theatres and MP Productions are the most dazzling years of her career. In both organizations, her films became hugely popular hits, film after film, year after year. The music and the songs of these films made her the first lady singing superstar of Indian cinema. Her last Hindi film was ‘Chandrashekhar’ in 1948, opposite to Ashok Kumar. After this, she turned a producer in 1949, and set up her own company – Shrimati Pictures.
The song being presented today is a such lovely gem from the 1947 film ‘Faisla’. It is a duet sung in accompaniment with Aparesh Lahiri. Music is by Anupam Ghatak; the lyricist’s name is not available. Listening to this wonderful melody, brings to mind another similar song from a decade and a half later. I refer to the Talat-Lata duet from ‘Chhaaya’ (1961) – “Itna Na Mujh Se Tu Pyaar Badha, Ke Main Ik Baadal Awaara”. Although quite different songs, the mind is taken by the similarity in the theme of the song, as the gentleman professes a spirit of freedom, unencumbered by the matters of the heart, and whereas the lady expresses her desire to be together.
As the song begins, the voice of Kanan Devi flows in, giving an expression to the free spirit of the heart – a spirit like a bird that is unaware of the amorous emotions of love. Such a pleasure to listen to this voice.
Song – Khuli Hawa Mein Udne Waala Panchhi Preet Na Jaane (Faisla) (1947) Singer – Kanan Devi, Aparesh Lahiri, Lyrics – Pran, MD – Anupam Ghatak
Both
Lyrics
khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane
khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane
kyun
wo bhanwara..aa..aa
wo bhanwara..aa ye bhi na jaane
kaliyan
kaliyan kyun muskaati
dard bhare
harne ko ye jhoom
daalon par hai gaati
koyal
daalon par hai gaati
aaa aaa aaa aaa aaa
duniya
is duniya se nyaari
khud hi chala basaane
duniya
is duniya se nyaari
khud hi chala basaane
apni dhun ka raahi kaise ho
prem dagar pehchaane
ho oo oo oo
prem dagar pehchaane
khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane
kyun udne ki aadat koi
panchhi se chhudwaaye
kyun udne ki aadat koi
panchhi se chhudwaaye
baithi hai duniya
unke raste mein jaal bichhaaye
bhola panchhi
ye na jaane
bhola panchhi
ye na jaane
aaj mujhe bandhan mein apne
kyun deti ghutaane
aaj mujhe bandhan mein apne
kyun deti ghutaane
bhola panchhi
ye na jaane
bhola panchhi
ye na jaane
khuli hawa mein udne waala
panchhi preet na jaane
haan haan
panchhi preet na jaane
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने
खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने
क्यों
वो भँवरा॰॰आ॰॰आ
वो भँवरा॰॰आ ये भी ना जाने
कलियाँ
कलियाँ क्यों मुसकाती
दर्द भरे
हरने को ये झूम
डालों पर है गाती
कोयल
डालों पर है गाती
आ आ आ आ आ
दुनिया
इस दुनिया से न्यारी
खुद ही चला बसाने
दुनिया
इस दुनिया से न्यारी
खुद ही चला बसाने
अपनी धुन का राही कैसे हो
प्रेम डगर पहचाने
हो ओ ओ ओ
प्रेम डगर पहचाने
खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने
क्यों उड़ने की आदत कोई
पंछी से छुड़वाये
क्यों उड़ने की आदत कोई
पंछी से छुड़वाये
बैठी है दुनिया
उनके रस्ते में जाल बिछाए
भोला पंछी
ये ना जाने
भोला पंछी
ये ना जाने
आज मुझे बंधन में अपने
क्यों देती घुटाने
आज मुझे बंधन में अपने
क्यों देती घुटाने
भोला पंछी
ये ना जाने
भोला पंछी
ये ना जाने
खुली हवा में उड़ने वाला
पंछी प्रीत ना जाने
हाँ हाँ
पंछी प्रीत ना जाने
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