Posts Tagged ‘Rekha’
Mausam Na Koi Bahaar Jaisa
Posted on: July 24, 2018
- In: 10th Anniversary Celebration Song | Celebration Song | Dance song | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Group Dance | Guest posts | Happy song | Kishore Kumar songs | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Avinash Scrapwala | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1979 | Yearwise breakup of songs
- 6 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3658 | Post No. : | 14521 |
ASAD 10th Anniversary Celebrations – 18
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#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 70 #
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Congratulations to Atul ji and all team members on this tenth anniversary of this wonderful musical blog!!! Our beloved blog – ASAD – has completed ten years now and as expected the celebration has to be bigger and bigger. And other than this being a great achievement, it’s also the time to gear up for the next bigger celebrations i.e. 15000 posts, 20000 next and more. . .
For this special occasion, and as it was expected of, all members were asked to share their joy and happiness through write ups and songs. So, when the ‘circular’ 😊 to this effect was received in mail and the deadline was given I started to look for those special subjects close to heart, which can be shared here on the blog with songs on this special occasion. I started thinking over the main reason for me to be associated with this blog – which is nostalgia and specifically related to the movies of the ‘seventies’, and the years when I was growing.
When my association with this blog started, and I started sending contribution for lyrics, they were mainly the songs which have over the years been in my memory since childhood and/or those which I have been looking for all the years during which I grown up – songs that used to be there and were listened to during those years – the seventies. . . and continuing to the initial years of the ‘eighties’. . .
There was something special there in those years. I think that the decade of seventies, from the point of view of ‘History of Hindi Cinema’ was a very important decade since it has many things happening in those years. But since it is subject of a different post I will not go into the detail (which I wish to write) in today’s article here.
Next, I started thinking about the movies which made news or hits or were popular in those years, then the stars, and the directors who ruled the roost and enthral the audiences with their charisma and talent. . . If we look back now on this decade the very first thing that comes to our mind is the rise of Superstardom of Rajesh Khanna. But then in those years I was not the fan of Rajesh Khanna which I became much in the later years of the decade and in the starting years of the eighties.
And the movie watching years those bring back memories for me I think are 1973 (when I was five years old) to 1980 or 1981 to 1982 till I get into tenth standard. These years are very ‘nostalgic’ years for me I think, because many memories of movies and songs for me are from these years. So, what were the specialities of these years – ‘multi starrer movies’, ‘lost and found’ stories, ‘revenge stories’, ‘mythological movies too’, then we have ‘movies with dacoits looting the ‘gaon’ and the poor villagers’, etc. We were not the fan of any actor or actresses, we just loved to watch the movies whatever be the cast.
In my childhood, movies were the biggest entertainment other than outdoor sports, plays, then orchestras, radio and then there were movies. I vaguely remember that I always use to think the stars acting in movies were from a different planet and not like us. Then I used to think how a person who dies in a movie came back again in another movie?😊 And it took me sometime to understand the reality and come to know that the ‘stars’ are actually normal human beings like us.
Movies were the biggest fascination for us then and may be for many like me. From buying tickets for a movie and getting entry into the theatre and then the darkness surrounding gradually and starting the ‘newsreel’ everything was mesmerizing. Sometimes if we got delayed we had to enter in the darkness and then the gate-keeper will come and guide us the way signalling with a torch. And after the ‘newsreel’ (always in black and white 😊) finally the censor certificate of the movie which we eagerly await to the titles of the movie – all fascinating and spellbinding.
Then as I have mentioned earlier we brothers used to collect the cut pieces of films of movies and try to watch them after magnifying from a small mirror (sometimes a piece of mirror) to reflect the sunlight and finally projecting on a piece of cloth (preferably white) in a room which was covered to create darkness even in a daylight outside. I also remember that there was the advertisement for the 16mm projectors in newspapers and magazines which always attracted me and I was always thinking of buying one 😊 (which was not possible and never became possible) 😊.
Reading about movies and stars in print media and discussions about movies and the personal likes and dislikes among friends/groups was almost a routine. And yes, the ‘booklets’ for the songs of the movies, though I don’t remember to have bought many but yes we used to buy them and sing the songs reading from it 😊
Every summer vacation was special and awaited because of movie watching only. It was the main attraction of the vacations as we used to travel to stay with paternal grandparents and cousins would also gather from different places and together we used to watch movies in theatres – ah, how wonderful those were the days!!!
Sometimes on Sundays or a holiday we would even watch back to back movies to utilise the time as we have to travel back to our colony around 25 kms from the district place. The today’s movie we are discussing was passed by the Censor Board on 06.04.1979 and in all possibility, I am sure that I watched it in that ‘summer vacation’ that year. We children were very crazy about watching movies and I think this continued so far till ‘Laawaaris’ (1982) where I remember to get the tickets I joined the long queue which was I think around 500 metres from the ticket window, and it was already on the road where we sat in the queue for a long time 😊.
Recollecting it now all that happened seems to be very crazy and exciting. And I had to share this one incident when I was beaten up by my father as I was disappointed and started shedding tears for not getting ticket to watch a movie as it became house full. The movie was ‘Jaani Dushman’ from 1979. It was directed by Rajkumar Kohli who has given us many multi starrer movies and I have watched many of them viz. ‘Nagin’ (1976), ‘Jaani Dushman’ (1979), ‘Naukar Biwi Ka’ (1983), ‘Raaj Tilak’ (1984), ‘Jeene Nahin Doonga’ (1984), and ‘Insaniyat Ke Dushman’-1987’. After that I think I have not watched any movies from this production house.
At first, for this post I was thinking of a song from a Manmohan Desai movie or a song from a ‘multi starrer movie’, but selected this movie because to watch it I had to first undergo my father’s fury 😊. How is that possible? Was the movie was not for children? Yes, it was not for us – children – then to watch this movie, because it was released with an ‘A’ certificate (released with restricted viewing) 😊. But, I can now guess that may be on my insistence my father may have been somehow agreed to allow us to watch the movie.
However, we could not get the tickets as the show was house full and we – me and my younger brothers were standing watching movie posters – I got disappointed and tears rolled my eyes and the next moment was darkness in front of my eyes because my father had slapped me since I started crying for watching a movie. Later on, my father called me separately and told me to go alone next day to watch the movie and don’t take my younger brothers with me since they will be frightened, as the movie was said to be a ‘HORROR’ movie 😊. Next day I watched the movie and never feel scared while watching the movie, as the movie was making news as a ‘horror’ movie or like that. I was just above eleven years old then 😊.
I don’t remember having watched this movie again after that, either on TV or in theatre. Watching a suspense thriller again doesn’t generate the same interest and thrill. However, I think I should watch it for nostalgia and to enjoy its beautiful songs again. This movie has some very good songs and so far, only two of its songs have been posted on the blog. And when I go through these two posts by Atul ji I find he also had expressed similar feelings about this movie and he had also watched it as a ‘non-adult’, but still he was elder than me then 😊.
The song I present today is a ‘happy song’ to suit our celebration mood and reviving the nostalgia. In the movie too it occurs in celebration after Bindiya Goswami’s marriage and her ‘doli’ not being looted and the ‘dulhan’ not getting killed by the ‘Jaani Dushman’ 😊. The pitcturisation of this song has some typical specialities of that period – the village, the celebration, the grandeur and the music and the multi star cast. . . And over and above all we have Sanjeev Kumar and Shatrughan Sinha in their ‘own style’ 😊 and with so many other artists present in this song. The orchestra music by Laxmikant-Pyarelal makes it very special and nostalgic to revive those memories. . .
So, let us enjoy this song and revive some ‘bhooli bisri yaadein’. . . on this special occasion 😊
And actually, in the flow of the song I was thinking,
blog nahin koi ASAD jaisa
leader nahin koi mere ‘leader’ jaisa
editor nahin koi hamaare ‘editor’ jaisa
aur ‘contributor’. . .
nahin koi hamaari team jaisa 😊
Song – Mausam Na Koi Bahaar Jaisa (Jaani Dushman) (1979) Singer – Kishore Kumar, Mahendra Kapoor, Asha Bhosle, Lyrics – Verma Malik, MD – Laxmikant Pyaarelal
Female Chorus
Male Chorus
Lyrics
arey sun bhai sadho
bol re madho
sun bhai sadho
arey bol re madho
ho ho ho ho ho o
ho ho ho ho ho o
chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o
chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o
mausam na koi bahaar jaisa
tohfa na phoolon ke haar jaisa
saaz na koi sitaar jaisa
raag na koi malhaar jaisa
haan aa
heera nahin kohinoor jaisa
haan
parbat nahin koh-e-toor jaisa
haan
meethha na koi khajoor jaisa
haan
meva na dekha angoor jaisa
jaanch liya parakh liya
soch liya
gaur kiya
rishte bhi dekhe
naate bhi dekhe
naata naa koi pyaar jaisa
suraj bhi dekha
chanda bhi dekha
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
roop tera kaagaz ki paati
dhoop lage murjhaaye
hey roop tera kaagaz ki paati
dhoop lage murjhaaye
aa tujhko palkon mein rakh loon
daal baahon ke saaye
roop gori tera patang jaisa
arey ang nahin tere ang ang jaisa
he rang nahin hothon ke rang jaisa
haan
sang nahin sajna ke sang jaisa
jaanch liya parakh liya
soch liya
gaur kiya
dil bhi dekhe dilwaale bhi dekhe
dil nahin dekha dildaar jaisa
raje bhi dekhe
mahaaraje bhi dekhe
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
ho
ho ho ho ho
ho
ho ho ho ho o o
ho
ho ho ho ho o o
ban ke main sapna suhaana
teri neendon mein kho jaaun
he ban ke main sapna suhaana
teri neendon mein kho jaaun
main pyaar ki chandni mein ji chaahe so jaaun
kyunki
dukh naa judaai ki maar jaisa
sukh nahin dil ke qaraar jaisa
yaar nahin koi mere yaar jaisa
haan
jantar bhi dekhe mantar bhi dekhe
jaadoo naa koi pyaar jaisa
preet bhi dekhi
preetam bhi dekhe
par dekha na saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
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Hindi script lyrics (Provided by Avinash Scrapwala)
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अरे सुन भाई साधो
बोल रे माधो
सुन भाई साधो
अरे बोल रे माधो
हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ
मौसम न कोई बहार जैसा
तोहफा न फूलों के हार जैसा
साज़ न कोई सितार जैसा
राग न कोई मल्हार जैसा
हाँ आ
हीरा नहीं कोहिनूर जैसा
हाँ
परबत नहीं कोह ए तूर जैसा
हाँ
मीठा न कोई खजूर जैसा
हाँ
मेवा न देखा अंगूर जैसा
जांच लिया
परख लिया
सोच लिया
गौर किया
रिश्ते भी देखे
नाते भी देखे
नाता ना कोई प्यार जैसा
सूरज भी देखा
चंदा भी देखा
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
रूप तेरा कागज़ कि पाती
धुप लगे मुरझाये
हे धुप लगे मुरझाये
आ तुझको पलकों में रख लूं
डाल बाहों के साए
रूप गोरी तेरा पतंग जैसा
अरे अंग नहीं तेरे अंग अंग जैसा
हे रंग नहीं होठों के रंग जैसा
हाँ
संग नहीं सजना के संग जैसा
जांच लिया परख लिया
सोच लिया
गौर किया
दिल भी देखा दिलवाले भी देखे
दिल नहीं देखा दिलदार जैसा
राजे भी देखे
महाराजे भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
हो
हो हो हो हो
हो
हो हो हो हो हो ओ
हो
हो हो हो हो हो ओ
बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
हे बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
मैं प्यार कि चांदनी में जी चाहे सो जाऊं
क्यूंकि
दुःख ना जुदाई कि मार जैसा
सुख नहीं दिल के करार जैसा
यार नहीं कोई मेरे यार जैसा
हाँ
जंतर भी देखे
मंतर भी देखे
जादू ना कोई प्यार जैसा
प्रीत भी देखि
प्रीतम भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
- In: Asha Bhonsle songs | Dance song | Devnagri script lyrics by Avinash Scrapwala | Duet | Feelings of heart | Group Dance | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lover's tête-à-tête | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Post by Raja | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1970s (1971 to 1980) | Songs of 1980 | Street singing | Yearwise breakup of songs
- 5 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3652 | Post No. : | 14505 |
Today is the death anniversary of one of India’s biggest superstars, Rajesh Khanna, affectionately referred to as Kaka. He passed away on the 18th of July 2012. I remember being shocked to hear of his death – and even wrote an emotional post on my blog on the occasion. Although I did know that he had been suffering from cancer, the news hit me hard. Today, it is already 6 years since his death. How time flies!
Maybe it’s a reflection of the person he was, but it seems to me that any conversation about Kaka invariably goes beyond his films, and delves into his personal life and relationships. His, admittedly none too positive, image seems to take over – at the cost of discussion about his films. This is unfortunate – but, to some extent, Kaka probably brought this on himself.
We all know he let success go to his head – and paid a heavy price for it. Like I’ve said before, maybe that was one of his roles here on this earth. To NOT be a role model, to be someone that can be held up as an example by parents to children of how NOT to let success get to your head. Anyway, later in life, Kaka did admit to the mistakes he’d made – and, on this Remembrance Day, I think I’d like to not talk about his mistakes. I’ve discussed them at length in previous posts – I don’t want to repeat myself.
Today, as I remember him, all I want to do is to thank him for the performances he gave me when I was just a young boy, growing up in the late 60s / early 70s. I’m going to pause just a bit here to remember those performances.
There were many – his filmography of that period and his success rate would put any other actor in the shade. Not even the big 3 (Dilip, Raj Kapoor and Dev Anand) who came before him could deliver that many hits in that short a time frame. Or the biggie who followed right after. But personally I couldn’t care less about the box-office success of those films. I was just a young boy – what did I know about the box-office? All I knew was, there was this “hero” on screen who, through his smile, or tilt of the head, or “guru” kurta, or dialogue delivery had me mesmerized in film after film, singing one blissful song after another (at that time I didn’t know about playback).
I didn’t always understand the storyline, or even all the dialogues, but everytime he would be romancing the heroine, whether it was Sharmila or Mumtaz or Tanuja or Hema or another, it felt like all was just perfect with the world. It wasn’t as if other heroes didn’t have romantic scenes with the heroines, but somehow it seemed different in Kaka films. Later, when I thought about this, I felt it was possibly because romance was usually intrinsic to Kaka films. It formed part of the main plot itself. Whereas for others, it was an important element no doubt, but the storyline often had a crime-related plot – like smuggling. Note that wherever romance IS the plot, the film seems very Kaka-like. For example, ‘Aa Gale Lag Ja’ (1973) could very well have been a Kaka film, though it had Shashi Kapoor in the main lead.
Of course, it was not always a happy ending. Kaka would often die in the film, breaking my heart. This only made the film a bigger hit, so storylines were devised accordingly.
I thoroughly enjoyed those films – have fond memories of ‘Aradhana’, ‘Aan Milo Sajna’, ‘Kati Patang’, ‘Dushman’, ‘Apna Desh’, ‘Haathi Mere Saathi’, ‘Mere Jeevan Saathi’, and so many others. Whether it was “Mere Sapnon Ki Rani”, “Yahaan Wahaan Saare”, “Ye Shaam Mastaani”, “Waada Tera Waada”, “Rona Kabhi Nahin Rona”, “Dilbar Jaani”, “O Mere Dil Ke Chain” or any of his numerous hits of the time, I knew them all by heart – all stanzas. We’d often sing these songs amongst friends.
At that time I had no idea about Kaka beyond his screen presence. Ignorance was truly bliss.
Then things began changing.
Suddenly he didn’t seem to have the same magic anymore. I tend to associate this with his “long hair” phase but, to be fair to him, that was just the fashion of the time. Hamming seemed to have set in – even the films seemed to lack that romantic feel about them. The last couple of movies I remember of that era that I saw, and could accept, were ‘Aap Ki Kasam’ (1974) and ‘Prem Kahaani’ (1975).
Mehbooba (1976) was probably the first big shock for me. It was highly hyped at the time – what with the two biggest names, Kaka and Hema, as the lead actors. Not to mention RD Burman’s music. I remember the film being a big flop. Later I read that the decline started even earlier but for me, at that age, Mehbooba was the marker.
That was a terrible period for him. Flop after flop. I clearly remember ‘Bundalbaaz’, ‘Chalta Purza’, ‘Aashiq Hoon Baharon Ka’, even BR Chopra’s ‘Karm’ (another much-awaited film) – all failed. But there were more.
Oh, one thing. I said I didn’t know about box-office but there was one indicator for me. I used to travel by school bus to school, 30 km away. En-route there was a film theatre. From the bus, we could see which film was running. That gave us a pretty good idea of hit or flop. I remember ‘Yaadon Ki Baaraat’ running for many weeks, whereas ‘Bundalbaaz’ and ‘Chalta Purza’ just came and went.
After watching ‘Aashiq Hoon Baharon Ka’, I really couldn’t take it anymore. What had happened to my “Ye Shaam Mastaani” Rajesh Khanna? How had he morphed into this “I am in love, you are in love, he is in love, she is in love” Rajesh Khanna? I stopped seeing his movies. I couldn’t bear to.
Later, in the mid-80s, I did watch a few – but only because they were on Doordarshan. ‘Thodisi Bewafai’ (1980), ‘Avtaar’ (1983) and ‘Aakhir Kyon’ (1985). I quite liked them. But only these.
For the next 25 years, I stayed away from Kaka films that I had not watched. Sure, I watched the old ones to relive their magic. But none of his post-1977 films. Only a few years ago, I mustered the courage to watch this category. I think it had to do with his death. Maybe I felt I was doing him grave injustice by avoiding these films. After all, he must have worked just as hard in them, as in his early films. So why not at least give them a shot? For Kaka’s sake.
I started with the more successful ones – at least those with popular songs. Like ‘Agar Tum Na Hote’ (1983), ‘Kudrat’ (1981), ‘Rajput’ (1982). I kept my expectations very low. I quite liked all these films. And I was quite impressed by Kaka too. I don’t recall seeing much of the hamming that I had dreaded. Sure they were very different from his early 1970s films – but that’s to be expected.
Recently I got into the mood again – and did a Kaka binge. I watched ‘Amrit’ (1986), ‘Dhanwaan’ (1981), ‘Dard’ (1981), ‘Aanchal’ (1980), ‘Janta Hawaldar’ (1979) and ‘Amar Deep’ (1979), all within the last month. As usual, keeping expectations low. I liked some more than the others, of course. But what I realized is each of their story lines is very different from the rest. That also made me realize that Kaka’s movies often had that – different story lines. This, at a time in the late 70s or in the 80s, when usually you had formulaic dhishum-dhishum films, either as multi-starrers, or hero taking revenge on the villain.
I now plan to watch more Kaka films of the period. Even if they’re not good, that’s ok. I keep my expectations low – and I’m watching them for Kaka. His looks aren’t what they were in the early 1970s – but that only seems to make him all the more real for me. And, worst case, the film will probably have a reasonable story line.
Moving on to today’s song.
Now having watched all these Kaka films recently, and most of them not being much represented on the blog, I was somewhat spoilt for choice today. I could have picked at least half a dozen Kaka songs from these films alone – and I do plan to write up more from these films. But for today, I’ve chosen “Paise Ka Kaajal” from ‘Aanchal’ (1980).
Firstly, this song comes in the category of “ye gaana IS film mein hai?” for me. I’d heard it all those years ago but didn’t know which film it was from. Secondly, ‘Aanchal’ is not represented yet on the blog, so it makes its debut today. Thirdly, it is a song & dance – and I quite like song & dance. 🙂 What I particularly liked about this one, apart from the song itself, is Kaka’s style. Not that he was a great dancer, but his style here reminded me of the Kaka of the early 1970s, when he’d dance similarly opposite heroines of the time. 🙂
The film stars Kaka, Rekha, Raakhee, Amol Palekar and Prem Chopra. It’s a village-based story, where Kaka and Amol Palekar are brothers, with Raakhee married to Amol Palekar. Since Kaka is her husband’s younger brother, Raakhee treats him with great affection. Kaka too has highest regard for his bhabhi. Prem Chopra, who has a score to settle with Amol Palekar, plays mischief, creating misunderstanding in his mind about the relationship between Raakhee and Kaka. Also, doing the same to Rekha, who is in love with Kaka.
To be honest, the film picks up only in the second half – the first half is rather slow. But maybe it is a build-up to show the relationships between the characters. I was rather keen for the film to get on with the plot. 🙂
In any case, do listen to this fairly catchy tune composed by RD Burman. Lyrics are by Majrooh Sultanpuri. The song is sung by Kishore Kumar and Asha Bhosle. As usual, the lyrics have been provided to me by Avinash ji. He is always very helpful in this respect, sending me lyrics for any post I plan to write.
Not only this, he is a huge Kaka fan – a much bigger fan than I am. Avinash ji did tell me that he might not be able to write a post for Kaka on this occasion. So this is our joint tribute to Kaka, as we remember him fondly today.
Kaka, hope you are at peace, wherever you are. And thanks for all the memories.
Video
Audio
Song – Paise Ka Kaajal Daike Na Lo Hamri Jaan (Aanchal) (1980) Singer – Kishore Kumar, Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – RD Burman
Chorus
Lyrics (Provided by Avinash Scrapwala)
paise ka kaajal
daike na lo hamri jaan
paise ka kaajal
daike na lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa
o o o o
nainaa hai chanchal
kaise na maarenge baan
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hain jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa
mele mein bhi ham akele hain
tum hamre sang aao naa
sang aao naa
are phir jaate jaate ye chhalla
nishaani mein de jaao naa
are de jaao naa
aa ha
chhalla mera naa mehanga pade
loot jaaoge khade hi khade
ho
bachaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
o o o o o o o o o o o
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hai jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa aa
jeewan se jaaoge sainyyaan
jo hamse nazar mil gayee
nazar mil gayee
ho kitni dafaa hamre kaaran
yahin pe chhuri chal gayee
chhuri chal gayee
are hum dilwaale bhi dikhlayenge
dekh lena tumko le jaayenge
bachaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa
o o o o
paise ka kaajal
daike naa lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa
main jo is aanchal ko chhodun to
jag me rahaa kya mera
rahaa kya mera
are duniya ko maalum kya hai
jo tumse hai naata mera
hai naata mera
sab hai jhootha taraana tera
harjaaee kya hai thikaana tera
sikhaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
o o o o o o o o o o o
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hai jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa
paise ka kaajal
daike na lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
———————————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————————————
पैसे का काजल
दैके ना लो हमरी जान
पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ
ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण
नैना है चंचल
कैसे ना मारेंगे बाण
हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ
मेले में भी हम अकेले है
तुम हमरे संग आओ ना
संग आओ ना
अरे फिर जाते जाते ये छल्ला
निशानी में दे जाओ ना
अरे दे जाओ ना
आ हा
छल्ला मेरा ना महंगा पड़े
लूट जाओगे खड़े ही खड़े
हो
बचाए तुम्हे राम
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना
ओ ओ ओ ओ ओ ओ ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण
हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ आ
जीवन से जाओगे सैंय्या
जो हमसे नज़र मिल गयी
नज़र मिल गयी
हो कितनी दफा हमरे कारण
यही पे छुरी चल गयी
छुरी चल गयी
अरे हम दिलवाले भी दिखलायेंगे
देख लेना तुम्हे जायेंगे
बचाए तुम्हरे राम
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी
ओ ओ ओ
पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ
मैं जो इस आँचल को छोडूं तो
जग में रहा क्या मेरा
रहा क्या मेरा
अरे दुनिया को मालुम क्या है
जो तुमसे है नाता मेरा
है नाता मेरा
सब है झूठा तराना तेरा
हरजाई क्या है ठिकाना तेरा
सिखाये तुम्हे राम
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना
ओ ओ ओ ओ ओ ओ ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण
हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ
पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3649 | Post No. : | 14489 |
Long long ago, K L Saigal sahab had sung about a bungalow. “Ek Bangla Baney Nyaara“. In that song Saigal sahab fantasized about living in a bungalow with his family.
Four four decades, no other hindi song coveting a Bungalow came about. It was in 1977 that another Bungalow song came about. This time it is a lady who fantasises about living in a bungalow. Unlike Saigal sahab, she is not willing to share it with her kunba though. She wants to share it only with her balma who must be anaadi enough to agree to share his bungalow and gaadi with her. 🙂
This song is from “Aap Ki Khaatir”(1977). This movie was directed by Shudhendu Roy for Indu Pictures, Bombay. This social movie had Vinod Khanna, Rekha, Nadira, Helen, Kuljeet Singh Macmohan, Tuntun, Tarun Ghosh, Piloo Wadia, Subrat Mahapatra, Birbal, V Gopal, Mamaji, Dhanna lal, Manmauji, Madhup Sharma with guest appearances by Asrani, Sonia Sahni, Om Shivpuri, Merad and Janki Das.
This song has six songs in it. One song “Bambai Se Aaya Mera Dost ” became a suprise hit and drowned out the other songs from the movie. That one song is the only song from the movie to appear in the blog.
Here is this second song from ‘Aap Ki Khaatir’ (1977) to appear in the blog. This song is sung by Lata with humming by Bappi Lahiri. Shailly Shailendra is the lyricist. Music is composed by Bappi Lahiri. The song is picturised on Rekha and Vinod Khanna.
Audio
Video
Song-Pyaara ek bangla ho bangle mein gaadi ho (Aap Ki Khaatir)(1977) Singers-Lata, Bappi Lahiri, Lyrics-Shaily Shailendra, MD-Bappi Lahiri
Lyrics
pyaara ek banagla ho
bangle mein gaadi ho
gadi mein mere sang
hmm
balma anaadi ho
pyaara ek bangla ho
bangle mein gaadi ho
gadi mein mere sang balma anaadi ho ho
duniya phir hum se jalegi
jhuk ke humen bhi salaam karegi ee ee
hmm
pyaara ek bangla ho
bangle mein gaadi ho
gaadi mein mere sang balma anaadi ho ho ho
saare jahaan ki khushiyaan
sainya pe ae vaar doongi
jo de sake na koi
itna aa pyaar doongi
naukaron ke hote khaana khud banaaun
chay bhi apne haathon se pilaaun oon oon oon oon
hmm
pyaara ek banagla ho
bangle mein gaadi ho
gadi mein mere sang balma anaadi ho ho ho
hey
ho
hey ae ho o
hey ae
ho
hey ae ho
garmi ke din jo hon to
kashmir chale jaayen
o o o o
garmi ke din jo hon to
kashmir chale jaayen
rangeen waadiyon mein
ja ke ae kho jaayen
jharnon ki tarah hum jhoome naache gaayen
aur phulo ke sang mein hum bhi muskurayen
aen aen aen
hmm
pyaara ek banagla ho
bangle mein gaadi ho
gadi me mere sang balma anaadi ho ho ho
lalalalaala
hmm hmm hhm hmm hm
lalalalaala
hmm hmm hhm hmmm hmm
he he
ho ho
hahaha
he he
ho ho
lalalalala
barish ka ho jo mausam chhaata aa laal le loon
chhaata bhi uddh jo jaaye paani mein kheloon
bijuri chamke main darr jaaun
saiyaa ji ki baaho mein main chhup jaaun
oon oon oon oon
hmm
pyaara ek banagla ho
bangle me gaadi ho
gaadi mein mere sang balma anaadi ho ho
duniya phir hum se jalegi
jhuk ke humen bhi salaam karegi ee ee
hmm
pyaara ek banagla ho
bangle me gaadi ho
gadi mein mere sang balma anaadi ho
lalalalalala
lalalalalala
lalalalala
lalalalalala
hmm hmm hmm hmm hmm
ho ho ho ho ho
hmm hmm hm hmm
hmm hm hm hmm
lalalalala
aahahahahah
hmm hmm hmm
Mohabbat ki mujhko saza de gaya
Posted on: April 8, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3551 | Post No. : | 14251 |
“Duniya Ka Mela”(1974) was produced by G M Roshan and directed by Kundan Kumar. The movie had Sanjay Khan, Rekha, Ajit, Mehmood, Rehman, Asrani, Mukri, Bindu, Jeevan, Ranjit etc in it.
The movie had five songs in it. Here is the first song from “Duniya Ka Mela”(1974) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a mujra song on Rekha, with Sanjay Khan playing her client.
The interesting tidbit associated with this movie is that originally Amitabh Bachchan was signed up as the hero, but he was turning out to be such a box office disaster that he was dropped and replaced by Sanjay Khan. By the time this movie was released, Amitabh Bachchan was already a star (with “Zanjeer”) on his way towards superstardom, whereas Sanjay Khan was nowhere. This movie itself turned out to be a bo office disaster.
With this song, “Duniya Ka Mela”(1974) makes its debut in the blog.
Song-Mohabbat ki mujhko saza de gaya (Duniya Ka Mela)(1971) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
koi ajnabi sa wo insaan thha
mere dil mein kal raat mehmaan thha
bada bewafa thha beimaan thha
mohabbat ki mujhko saza de gaya
mohabbat ki mujhko saza de gaya
kisi aur ka wo zaalim pata de gaya
daga de gaya
mera yaar karke pyaar
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
mohabbat ki mujhko saza de gaya
kisi aur ka wo zaalim pata de gaya
daga de gaya
mera yaar karke pyaar
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
baaton baaton mein
chandni raaton mein
chand mulaakaaton mein
mere dil pe nazar ki chhuri chal gayi
mere dil pe nazar ki chhuri chal gayi
main to is aag mein jal gayi jal gayi
main to is aag mein jal gayi jal gayi
main tadapti rahoon baddua de gaya
dil ke sholon ko aakar hawa de gaya
daga de gaya
mera yaar karke pyaar
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
aane jaane mein
aise zamaane mein
mausam suhaane mein
main to masti mein thhi
khaak main jaanti
main to masti me thi
khaak main jaanti
hosh hota to hargiz na main maanti
hosh hota to hargiz na main maanti
jaane kya le gaya aur kya de gaya
dard wo de gaya
ya dawa de gaya
daga de gaya
mera yaar karke pyaar
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
mohabbat ki mujhko saza de gaya
kisi aur ka wo zaalim pata de gaya
daga de gaya
mera yaar karke pyaar
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
kahaan dhoondhoon kahaan jaaun
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3549 | Post No. : | 14242 |
Shashi Kapoor, after the success of “Chor Machaaye Shor”(1974) was in great demand among producers. Shashi Kapoor signed up indiscriminately to work in all the movie offers that came his way. He had nearly seventy films with him at one stage. Top actors those days gave “dates” to shoot with producers by “shifts”, Shashi Kapoor used to shoot by hours, that is how busy he was.
“Chakkar Pe Chakkar”(1977) was one of those seventy odd movies that Shashi Kapoor had signed up for in the wake of the success of “Chor Machaaye Shor”(1974).
“Chakkar Pe Chakkar”(1977) was directed by Ashok Roy for Bipin Films International, Bombay. This “social” movie had Shashi Kapoor, Rekha, Pran, Madan Puri, Naaz, Amjad Khan, Bindu, Asrani, Raza Murad, Lalita Pawar, Bhagwan, Rajesh Behl, Tarun Ghosh, Bhushan Tiwari, Maruti, Ranveer Raaj, Dhanraj, Ram Mohan, Dilip Dutt, Viju Khote, Shekhar Purohit, Sudhir, Ram Mohan, Leena Das, Paresh Nanda, Rajan Haksar etc in it.
The movie had five songs in it.
Here is the first song from “Chakkar Pe Chakkar”(1977) to appear in the blog. This song is sung by Kishore Kumar and Asha Bhonsle. Verma Malik is the lyricist. Music is composed by Kalyanji anandji.
The song is picturised on Shashi Kapoor and Rekha as an expression of love genre of song.
With this song, “Chakkar Pe Chakkar”(1977) makes its debut in the blog.
Song-Arre kahaan kahaan kis kis din kis kis waqt pe aaoge (Chakkar Pe Chakkar)(1977) Singer-Kishore Kumar, Asha Bhonsle, Lyrics-Verma Malik, MD-Kalyanji Anandji
Lyrics
arre kahaan kahaan kis kis din
kis kis waqt pe aaoge
kahaan kahaan kis kis din
kis kis waqt pe aaoge
jahaan jahaan jis jis din
jab jab mujhe bulaaoge
tum jab jab mujhe bulaaoge
ae kahaan kahaan kis kis din
kis kis wakt pe aaoge
haan jahaan jahaan jis jis din
jab jab mujhe bulaaoge
tum jab jab mujhe bulaaoge
jab mere honthon se
teri yaad lipat jaaye
jab mere honthon se
teri yaad lipat jaaye
aur pyaar dard ban ke
mere dil mein simat jaaye
ho dard tera baant loon main
dard tera baant loon main
jab jab aawaaz lagaaoge
jahaan jahaan jis jis din
jab jab mujhe bulaaoge
tum jab jab mujhe bulaaoge
meri do aankhon mein
har sapna tera ho
meri do aankhon mein
har sapna tera ho
ye raat thahar jaaye
na iska sawera ho
ho
arre sapnon ki baaton ko
sapnon ki baaton ko
kya sach kar ke dikhlaaoge
jahaan jahaan jis jis din
jab jab mujhe bulaaoge
tum jab jab mujhe bulaaoge
arre kahaan kahaan kis kis din
kis kis waqt par aaoge
haan jahaan jahaan jis jis din
jab jab mujhe bulaaoge
jab jab mujhe bulaaoge
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3547 | Post No. : | 14235 |
“Ganga Ki Saugandh”(1978) was produced and directed by Sultan Ahmad for Sultan Productions, Bombay. This movie , described as a “social” movie was a daaku-drama (as memsaab would describe it). The movie had Amitabh Bachchan, Rekha, Amjad Khan, Pran, Bindu, I S Johar, Jeevan, Farida Jalal, Iftekhar, Anwar Hussan, Jagdeep, Mukri, Satyen Kappu, Nana Palsikar, Mac Mohan, Achla Sachdev, Anju Mahendroo, Tabrez, Murad, Hercules, Keshav Rana, Dulari, Paro Devi, Reddy, Bismillah, Bishan Khanna, Nazir Kashmiri, Ghulam Hussain, Sandow, Tiwari, Kailash, Pardesi, Akbar Khan, Shetty, Sulochana, Fazlu, Gulam Sabir, Aziz, Rajni Gupta, Soni, Jani, Yogesh Chabra, Sanjana, Rishi, Amir Ali, Ramlal, Saleem, Babul etc in it.
“Ganga Ki Saugandh”(1978) had six songs in it. Five of these songs have been covered in the past. Here are their details:-
|
Song Title |
Post No. |
Post Date |
| Maano to main Ganga maa hoon | 5364 | 30-Jan-12 |
| Toone har raat muhabbat ki qasam khaayee hai | 8115 | 22-May-13 |
| Chal musaafir chal teri manzil door hai to kya huaa | 8340 | 13-Jul-13 |
| Dekho sapne saje dhol taashe baje | 11027 | 6-Apr-15 |
| Roop jab aisa mila | 14230 | 3-Apr-18 |
I had a low opinion of the movie as well as its songs. But when I listened to the last two remaining songs of the movie, I realised that these two songs were sung and picturised superbly.
The previous song was covered yesterday. Here is the sixth and final song from “Ganga Ki Saugandh”(1978) to appear in the blog. The song is sung by Kishore Kumar and Asha Bhonsle. Anjaan is the lyricist. music is composed by Kalyanji Anandji.
The song is picturised as a “teasing” or “nok jhonk” song on Amitabh Bachchan and Rekha. The lyricist Anjaan has done a superb job in penning the lyrics. The song is quite a catchy song. It was a popular song of its time. Curiously enough, the movie as well as the songs of the movie have ended up becoming “rare” by now. The movie as well as its songs were quite well known to those who lived through 1978 as a grown up/ growing up person.
With this song, “Ganga Ki Saugandh”(1978) joins the list of movies that have all their songs covered in the blog.
Song-Arre aankh ladi hamse jo aankh ladi to(Ganga Ki Saugandh)(1978) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anjaan, MD-Kalyanji Anandji
Lyrics
arre o chhori
kya
milne aati hai chori chori
aur saare gaaon ke saamne karti hai seenaajori
ae ae ae ae ae
ye aankhen kisko dikhaata hai re tu
aankhen
arre aankh ladi humse jo aankh ladi to
arre aankh ladi humse jo aankh ladi to
aankh ladi humse jo aankh ladi to
dhanno raani teri
dhanno raani teri naani mar jaayegi
dhanno raani teri naani mar jaayegi
arre paale padi main jo tere paale padi to
paale padi main jo tere paale padi to
lambu laale teri
bol
lambu laale teri laali utar jaayegi
o lambu laale teri laali utar jaayegi
main jidhar se chaloon
main jidhar se chaloon
jis dagar se chaloon
raasta rok len gaanv ki goriyaan
raasta rok len gaanv ki goriyaan
kya
haan
kahin aanchal ude
kahin ghoonghat uthhe
har kadam pe khanakne lage choodiyaan
har kadam pe khanakne lage choodiyaan
arre jaane de
nahin nahin
arre chhod de
nahin nahin
arre jaane de jaane de
aisi jhoothhi baaten na bana
arre chodega chodega tu na deewaane paagalpana
to jawani
ye jawaani kanwaari guzar jaayegi
o lambu laale teri laali utar jaayegi
o re aankh ladi humse jo aankh ladi to
dhanno raani teri naani mar jaayegi
dhanno raani teri naani mar jaayegi
haan
meri palken uthhen
o meri palken uthhen to ghataaye juken
main hansoon to ye kaliyaan khilen jhoom ke
main hansoon to ye kaliyaan khilen jhoom ke
achcha
haan
mere kangna baje to bahaaren sajen
hawa mehke ye aanchal mera choom ke
hawa mehke ye aanchal mera choom ke
hawa ko
kya
haan haan ghata ko
achcha
hawa ko ghata ko kali ko dekho pata chal gaya
aaj tere dil pe mera jaadu chal gya
gori dil ko
jaa jaa
gori dil ko bachaa kar kidhar jaayegi
o dhanno raani teri naani mar jaayegi
arre paale padi main jo tere paale padi to
lambu laale teri laali utar jaayegi
o dhanno raani teri naani mar jaayegi
haan
sachchi sachchi
o sachchi sachchi baat bataaun
sun le
oh lambu sun le
oh tera mujhpe chalega na janter mantar
haan haan jantar mantar
haan haan jantar mantar
upar se ye kuchch bhi bole bole
haanji bole
arre
marti hai yaaron andar andar
gori andar andar
gori andar andar
tujhpe marne se achcha hai sun le
oh budhu sun le
arre
doob maroongi main beech samandar
haan haan beech samandar
ho ho beech samandar
saat samandar ke andar se
le jaaunga
dhanno le jaunga
oh dhanno le jaaunga
are main to tujhko thethh jalandhar
haan haan thethh jalandhar
na na
to porbandar
na na
to ghodbandar
nahin baaba
to boribandar
nahin
porbandar ghodbandar boribandar
waadibandar
na na na na nahin
o to phir aa jaa mere ae ae
dil ke andar
aaja aaja aaja aaja
Roop jab aisa milaa
Posted on: April 3, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3546 | Post No. : | 14230 |
“Ganga Ki Saugandh”(1978) was produced and directed by Sultan Ahmad. This movie was a daaku-drama. The movie had Amitabh Bachchan, Rekha, Amjad Khan, Pran, Bindu, I S Johar, Jeevan, Farida Jalal, Iftekhar, Anwar Hussan, Jagdeep, Mukri, Satyen Kappu, Nana Palsikar, Mac Mohan, Achla Sachdev, Anju Mahendroo, Tabrez, Murad, Hercules, Keshav Rana, Dulari, Paro Devi, Reddy, Bismillah, Bishan Khanna, Nazir Kashmiri, Ghulam Hussain, Sandow, Tiwari, Kailash, Pardesi, Akbar Khan, Shetty, Sulochana, Fazlu, Gulam Sabir, Aziz, Rajni Gupta, Soni, Jani, Yogesh Chabra, Sanjana, Rishi, Amir Ali, Ramlal, Saleem, Babul etc in it.
“Ganga Ki Saugandh”(1978) had six songs in it. Four of these songs have been covered in the past.
Here is the fifth song from the movie to appear in the blog. This song is sung by Kishore Kumar. Anjaan is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised on Amitabh Bachchan and Rekha as an expression of love song. This song was quite a well known song of its time, and it is interesting to know that the present day music lovers who were not around in 1978 consider this song as a rare song. 🙂
The movie, as well as its songs were regarded as rather low brow stuff by me those days, vis a vis other Amitabh Bachchan movies and their music. Despite not being much impressed with the movie, I had watched it twice in a Ranchi cinema hall called “Ratan Talkies” which was located quite close to my college. 🙂
While I was familiar with the first couple of lines of the song, it is only now, while noting down the lyrics, I have realised what a nice job the lyricist has done in penning this entire song. The song is picturised quite wonderfully well as well.
Song-Roop jab aisa mila (Ganga Ki Saugandh)(1978) Singer-Kishore Kumar, Lyrics-Anjaan, MD-Kalyanji Anandji
Lyrics
roop jab aisa mila
roop jab aisa mila
aisi ada kaise na ho
roop jab aisa mila
aisi ada kaise na ho
bhari bottle ho jawaani ki
bhari bottle ho jawaani ki
nasha kaise na ho
roop jab aisa mila
haaye haaye haaye
arre re teri julmi jawaani
chadhhi nadiya toofaani
arre re teri julmi jawaani
chadhhi nadiya toofaani
ude jab lat mukhde pe
ghata ho paani paani
dekh ke tujhko
julm dil pe bhala kaise na ho
haan julm kaise na ho
roop jab aisa mila
haaye haaye haaye
bagiya ki saari kaliyaan
kheton ki hariyaali
arre paanv taley bichh jaaye
jab chale yoon nakhre waali
hai mukh per subah ki laali
badan phulwa ki daali
hai mukh per subah ki laali
badan phulwa ki daali
bhara har rang mein jaadu
magar dil pyaar se khaali
aisa ho nakhra to phir piyara fida kaise na ho
haan fida kaise na ho
roop jab aisa mila
aisi ada kaise na ho
bhari bottle ho jawaani ki
haay
bhari bottle ho jawaani ki
nasha kaise na ho
roop jab aisa mila
haay haay haay
Na Rootho Hamen Paas Aane Bhi Do
Posted on: January 14, 2018
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Love song | Lyrics contributed by readers | Post by Sudhir | Romantic song | Songs of 1970s (1971 to 1980) | Songs of 1971 | Sulking-Appeasing song | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3467 | Post No. : | 13920 |
Rewind back – goodness – 46 years. This song is from 1971, and the dear melody that we all love is quite alive and well.
Two names that we remember, and honor today – Chitragupt and Kaifi Azmi. Today, it is the birth anniversary of Kaifi Azmi and it is the passing away remembrance day for Chitragupt.
Back in 1971, Chitragupt is passing through his silver anniversary in the tinsel town, and Kaifi Azmi is celebrating his 20th in the same industry.
Chitragupt, born in 1917, started his career with Hindi films in 1945-46. In 1971, his journey has thus far passed through about 130 films, and he has composed approximately 930 songs so far. Kaifi Azmi, born in 1919, started to write for Hindi films in 1951. In 1971, he has thus far written approximately 225 songs for about 50 films.
With such illustrious and prolific careers behind them, it is a wonder that these two stalwarts did not get together till 1970 – almost two decades and more, that both of them had been active in the industry. Their coming together film in 1970 is ‘Hamaara Adhikar’. Then, in 1971, both collaborated once again for creating the songs for ‘Saaz Aur Sanam’. And then, that’s it. These two are the only films, and a handful of songs that these two worked on together.
‘Saaz Aur Sanam’ is a production from the banner of Wadia Movietone and is directed by JBH Wadia. The list of actors reads like – Premendra, Rekha, Suresh Chatwal, Sapru, Purnima, Bhagwan, Asit Sen, Kirti Kumar, Panna Kapoor, Bismillah, Dalda, Rajni Bala, Renu, Brahmachari, Ratan Kumar, Hercules, Dayanand, and Arvind etc.
Premendra is a name that we encounter for the first time in the film ‘Deedaar’ of 1970. He appears in ‘Holi Aayee Re, again in 1970, then in two films in 1971 – ‘Duniya Kya Jaane’ and ‘Saaz Aur Sanam’. And then this name does not appear any more in the listings. Four films, and that’s it. Rekha, who has just made her debut, also in 1970 with the film ‘Saawan Bhadon’ (opposite to Navin Nischol), continues to be active in the Hindi film industry to date.
The singing voice is of Lata Mangeshkar. The song is performed on screen by Rekha. The two protagonists – Rekha and Premendra – are both in their night-wear. It is clearly a ‘roothna – manaana’ category of song. Premendra is the one who is doing the sulking, and Rekha is the one who is trying to appease him. the hints of playfulness and naughtiness that we would see more of in her subsequent films, are quite visible in this song. Plus the original analysis that Atul ji has once done – it takes about three and a half minutes to “appease” a “sulking” hero or heroine, as the case may be. 🙂
A heartfelt salute to Chitragupt and to Kaifi Azmi on this day today. And a dearly wonderful song to celebrate. Listen and enjoy.
Song – Na Rootho Hamen Paas Aane Bhi Do (Saaz Aur Sanam) (1971) Singer – Lata Mangeshkar, Lyrics – Kaifi Azmi, MD – Chitragupt
Lyrics
na rootho
hamen paas aane bhi do
na rootho
hamen paas aane bhi do
chalo hum gunehgaar jaane bhi do
jaane bhi do
na rootho
hamen paas aane bhi do
chalo hum gunehgaar jaane bhi do
jaane bhi do
nahin tum nahin
dil deewaana hua hai
nahin tum nahin
dil deewaana hua hai
tumhen pyaar karte zamaana hu hai
zamaana hu hai
lagi dil ki. . .
ladi dil ki kabhi tum bujhaane bhi do
na rootho
hamen paas aane bhi do
chalo hum gunehgaar jaane bhi do
jaane bhi do
kahaan ye kahaan
hum zyaada haseen hain
kahaan ye kahaan
hum zyaada haseen hain
na dekho ab aise
burey bhi nahin hain
burey bhi nahin hain
nigaahon se
nigaahon se nigaahen milaane bhi do
na rootho
hamen paas aane bhi do
chalo hum gunehgaar jaane bhi do
jaane bhi do
jawaan roop ka
hum khazaana luta den
jawaan roop ka
hum khazaana luta den
tumhaare kadam par zamaana luta den
zamaana luta den
ye dil kya hai
ye dil kya hai hamen dil gawaane bhi do
na rootho
hamen paas aane bhi do
chalo hum gunehgaar jaane bhi do
jaane bhi do
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
ना रूठो
हमें पास आने भी दो
ना रूठो
हमें पास आने भी दो
चलो हम गुनहगार जाने भी दो
जाने भी दो
ना रूठो
हमें पास आने भी दो
चलो हम गुनहगार जाने भी दो
जाने भी दो
नहीं तुम नहीं
दिल दीवाना हुआ है
नहीं तुम नहीं
दिल दीवाना हुआ है
तुम्हें प्यार करते ज़माना हुआ है
ज़माना हुआ है
लगी दिल की॰॰॰
लगी दिल की कभी तुम बुझाने भी दो
ना रूठो
हमें पास आने भी दो
चलो हम गुनहगार जाने भी दो
जाने भी दो
कहाँ ये कहाँ
हम ज़्यादा हसीं हैं
कहाँ ये कहाँ
हम ज़्यादा हसीं हैं
ना देखो अब ऐसे
बुरे भी नहीं हैं
बुरे भी नहीं हैं
निगाहों से॰॰॰
निगाहों से निगाहें मिलाने भी दो
ना रूठो
हमें पास आने भी दो
चलो हम गुनहगार जाने भी दो
जाने भी दो
जवां रूप का
हम खजाना लूटा दें
जवां रूप का
हम खजाना लूटा दें
तुम्हारे कदम पर ज़माना लुटा दें
ज़माना लुटा दें
ये दिल क्या है॰॰॰
ये दिल क्या है हमें दिल गवाने भी दो
ना रूठो
हमें पास आने भी दो
चलो हम गुनहगार जाने भी दो
जाने भी दो
- In: Deedar Singh Pardesi Songs | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Minu Purushottam Songs | philosophical song | Post by Avinash Scrapwala | Praising The Almighty | Prayer | Song About Religious Unity | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1974 | Spiritual song | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today, 25th of October 2017, is the thirty seventh ‘remembrance anniversary’ of the great ‘poet-lyricist’ Sahir Ludhianvi. He passed away this day in 1980 leaving behind the great legacy of his poems and leaving behind his immortal poetry which people are still enjoying, discussing, and even doing research on it and writing about his life and his poetry. And like me there will be many who will agree that Sahir and his poetry will be discussed as long as Hindi Cinema and HFM exists and his poetry will be discussed so long as humanity and human relations, emotions exists.
Read more on this topic…
Kaisi Paheli Zindgaani
Posted on: October 10, 2017
- In: Club song | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | philosophical song | Post by Peevesie's mom | Songs of 2000s (2001 to 2010) | Songs of 2005 | Sunidhi Chauhan Solo Songs | Sunidhi Chauhan Songs | Yearwise breakup of songs
- 2 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all in atuldom
The city of Calcutta–1962. A city so vibrant, so alive, so stylish, it was referred to as “The Paris of the East”. This exotic backdrop serves as the perfect locale for the tender, immortal love story about to unfold.
Read more on this topic…
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