Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Rekha


This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4268 Post No. : 15495 Movie Count :

4270

hullo Atuldom

Under Sudhirji’s current series “Songs repeated in hindi films” he posted Ek Ladki Bheegi Bhaagi Si on March 17th, that reminded me that Farooque Sheikh’s Birth anniversary was round the corner. he would have turned 72 today (25 march 2020).

I was reading up about Farooque Sheikh ((25 March 1948 – 28 December 2013) and discovered he was the son of a lawyer and was a law graduate himself. He had leanings towards theatre and met his future wife Roopa and future co-star Shabana Azmi on the stages of St. Xavier’s College in Mumbai.

His first released movie was M.S. Sathyu’s “Garam Hawa”. What followed was a list of movies that represented the meaningful cinema of the 70s and 80s, movies that were neither ART or COMMERCIAL but more of the MIDDLE-OF-THE-ROAD kind; movies that the middle class audiences of those times identified with. We saw him in Chashme Baddoor, Katha, Rang Birangi, Ek Baar Chale Aao, Faasle, Ab Aayega Maza, Biwi Ho Toh Aisi etc.
Today we shall have a song from “Biwi Ho Toh Aisi” which had an unusual pairing. We were used to seeing Farooque with Deepti Naval in most films back then, but “BHTA” had Farooque pairing with Rekha romantically, and Kadar Khan and Bindu played his parents and Salman Khan (this was Salman Khan’s debut movie) played his brother.

This was not the first time that Rekha teamed up with Farooque Sheikh. He had played a Nawaab who was in love with Umrao in Umrao Jaan. There was one other movie with the same pairing but we see Farooque Sheikh playing the typical romantic Bollywood hero here.
Here is today’s song.


Song-Phool gulaab ka (Biwi Ho To Aisi)(1988) Singers-Md Aziz, Anuradha Paudwal, Lyrics-Anjaan, MD-Laxmikant Pyarelal
Both

Lyrics

phool gulaab ka
phool gulaab ka
laakhon mein hazaaron mein
ek chehra janaab ka aa aa
phool gulaab ka
haan jhonke suroor ke
jhonke suroor ke ae
aisi taareefen taareefen
aisi taareefen karna
seekhe koyi huzoor se ae ae

phool gulab ka
haan jhonke suroor ke ae

gore gore haathon mein mehandi mehakti hai
gore gore haathon mein mehandi mehakti hai
phool si kalaayi mein choodi khanakti hai ae
choodi khankati hai ae ae
maujen chenaab ki
maujen chenaab ki ee
maathhe pe chamakti hai bindiya hijaab ki ee ee
phool gulaab ka

khushbuon ke saaye mein
kya kya gul boote hain
khushbuon ke saaye mein
kya kya gul boote hain
prem rang sachcha hai
baaki rang jhoothhe hain
baaki rang jhoothhe hain ae ae
mausam jawaan hai
mausam jawaan hai ae
tauba boloon kya boloon
mushkil mein jaan hai ae ae
jhonke suroor ke ae ae

thhami thhami lehren hain
ruka ruka paani hai
thhami thhami lehren hain
ruka ruka paani hai

teri meri aankhon mein
raat ki kahaani hai
teri meri aankhon mein
raat ki kahaani hai
raat ki kahaani hai ae ae
waada bahaar ka
waada bahaar ka aa
umrr bhar gaayenge
naghma yeh pyaar ka aa aa

phool gulaab ka
laakhon mein hazaaron mein
ek chehra janaab ka aa aa
jhonke suroor ke
aisi taareefen karna seekhe koyi huzoor se ae ae

phool gulab ka
laakhon mein hazaaron mein
ek chehra janaab ka aa aa
phool gulaab ka
laakhon mein hazaaron mein
ek chehra janaab ka


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4210 Post No. : 15407

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 5
——————————————————————————

Welcome all to this post, where, under the ‘Blog ten-year challenge’, we have another movie which has completed a ‘decade’ on the blog with only one of its song posted on the blog.

This movie is ‘Prem Bandhan-1978’*. And the song ‘main tere pyaar mein paagal’ from this movie was posted on the blog exactly ten years back i.e. on 27.01.2010.

Two more songs were posted on that day and the three songs posted that day were as given below;

Song Movie title-Year Remarks
Door papeeha bola raat aadhi rah gayi Gajre-1948
Husn bhi hai udaas udaas Fareb-1953
Main tere pyaar mein paagal Prem Bandhan-1978

Browsing other songs from ‘Prem Bandhan-1978’ it is clear that only the above-mentioned song of this movie was the most popular song from this movie. It ranked at number 14 in the ‘annual list’ of ‘Binaca Geetmala’ of the year ‘1979’. Since the movie was passed by the Censor Board on 26.12.1978 it must have been released in theatres in around year end 1978 or around first week of January’1979 I guess.

The title song from ‘Ankhiyon Ke Jharokhon Se-1978’ topped the annual list of ‘Binaca Geetmala’ of that year followed by ‘aadmi musaafir hai’ from ‘Apnaapan-1977’.

The other movies released in 1978 and where music was composed by Laxmikant-Pyarelal are as given below;

SNo Movie Passed by Censor Board on
01 Aahuti 25.04.1978
02 Amar Shakti 16.09.1978
03 Badalte Rishtey 03.11.1978
04 Chakravyuha 22.07.1978
05 Daakoo Aur Jawaan 22.11.1978
06 Dil Aur Deewaar 08.09.1978
07 Kaalaa Aadmi 23.02.1978
08 Main Tulsi Tere Aangan Ki 14.07.1978
09 Phaansi 04.03.1978
10 Phool Khile Hain Gulshan Gulshan 04.09.1978
11 Prem Bandhan 26.12.1978
12 Saawan Ke Geet 16.02.1978
13 Satyam Shivam Sundaram 22.03.1978

Songs from ‘Satyam Shivam Sundaram’(two songs), ‘Phaansi’(one song), ‘Main Tulsi Tere Aangan Ki’(two songs) made it to the annual list of ‘Binaca Geetmala-1978’.

Coming back to today’s movie, ‘Prem Bandhan-1978’ was directed by Ramanand Sagar for ‘Gouri Films Pvt. Ltd, Bombay’. It was produced by R.R. Nanda. It had Rajesh Khanna, Rekha, Moushami Chatterjee, Vikram, Keshto Mukherjee, Prema Narayan, A.K. Hangal, Lalita Pawar, Helen with Sheetal, Janki Dass, Bhagwan, Gopi Krishna, Mumtaz Begam, Birbal, V. Suri, Brahm Bharadwaj, Satyadev Dubey, Bhakatani, Surinder Bhatia, Manmauji, Ramlal, Kanwar Sarhadi, Dr. Jayant Abhyankar, Narbada Shankar, Chandru Atma, Sunder Taneja, Ram Avtar, Javed Khan.

This movie introduced Rippy Singh, Arvind Trivedi and Madhu Shah. Story of this movie was written by Suhridkar.

The screenplay was written by Ramanand Sagar, Satish Bhatnagar, Suhridkar. Satish Bhatnagar also wrote the dialogues of this movie. Editing of this movie was done by Lachmandass while C.L. Kavish wrote the script of this movie.

Lyrics of this movie were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

HFGK Vol-V (1971-1980) lists total six number of songs in this movie. The voices of Lata Mangeshkar, Kishore Kumar, Asha Bhosle, Mahendra Kapoor, Manna Dey and Chandru Atma were used for the songs in this movie).
(HFGK Vol V mentions the voice of Pankaj in today’s song however in the movie credits his name is not appearing among the list of Singers).

This movie was passed by Censor Board on 26.12.1978.

Only one song from this movie has been posted earlier and the today’s song is the second song from this movie to be posted on the blog.

Today’s song is sung by Pankaj, Asha Bhonsle, and Kishore Kumar. Rajesh Khanna and Rekha are lip syncing in the voices of Kishore Kumar and Asha Bhonsle respectively. Prema Narayan and many others are also seen in the picturization of this song.

The song is interesting and nice to listen to and watch. (I think if the video of the full song would have been available it would have been more enjoyable to watch. None the less we can still listen and enjoy this beautiful composition).

As mentioned above I could not locate the full video of this song. However, the audio of the full song is available and the lyrics are noted as per the audio link of this song. I guess that this song was also edited in the movie or maybe it is edited in the online version of this movie.

I have not watched this movie and I would request knowledgeable readers to throw more light on the movie and its songs …

This song is also a nice one and I am sure readers will also like this song like me.
Let us now enjoy the today’s song …

Audio (Full)

Video (Partial)

Song-Hoti hai kisi se jab preet (Prem Bandhan)(1978) Singers- Pankaj, Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Asha Bhonsle+Kishore Kumar
Chorus
Male chorus
Female Chorus

Lyrics

Hoti hai kisi se ae jab preet
Janam leta hai ae koi nayaa geet

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Didhim naatim didhim naatim
didhim naatim
Daiyya

(Haiyya haiyya
Haiyya ho
Haiyya haiyya
)

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Ho o o o o o naiyya ka maanjhi
Maanjhi ki naiyya

(Haiyya haiyya
Ho ho
Haiyya haiyya
)

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Hoti hai kisise jab preet
Janam leta hai koi nayaa geet
Jise gaate hain galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Hoti hai kisise jab preet
Janam leta hain koi nayaa geet
Jise gaate hai galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Ghar mein gali mein ae ae ae ae ae ae
jee nahin lagtaa
Jee nahin lagtaa
Achchha buraa kuchh nahin lagtaa
Jee nahin lagtaa
Oye
Jee nahin lagtaa
Kuchh iska kaaran
Hota hai saajan
Kaahe lete hai
Kaahe lete hai jogi jog
Rama

Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Ho ho ho o
Ho ho ho ho o
Ho ho ho o
Ho ho ho ho o

Aa haa aa aa

Ho ho ho o
Ho ho ho ho o
Ho ho ho o
Ho ho ho ho o

Ho ho ho o o o o o

Aa

Ho ho ho o
Ho ho ho ho o

Aa
Aa

Ho ho ho o
Ho ho ho ho o

Aa haa

Ho ho ho o
Ho ho ho ho o

Aa haa

Jaane kahaan se chalti hai dhaaraa
Jaane kahaan se chalti hai dhaaraa
O ho o o
Jaane kahaan se chalti hai dhaaraa
Jaane kahaan milta hai kinaaraa
Kab kaise dekho do premiyon ko
O o o o

Milaa dete hain
Milaa dete hain ye sanjog
Ramaa
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Sach kehti hai duiyaa ye saari
Sach kehti hai duiyaa ye saari
Ye preet aisi ek chingaari
Ye preet aisi ek chingaari
Lagti nahin ye
Bujhti nahin ye
Jal jaate hai
Jal jaate hain isme log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog
Hoti hai kisise jab preet
Janam leta hai koi nayaa geet
Jise gaate hain galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Lagtaa hain ae ae ae ae
O lagtaa aa aa aa aa
Rog
Lagtaa hai ae ae
Ishq ka aa aa aa rog
Ho ishq ka rog
Rama aa haan aa
Ho o Rama
Ho o Rama


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4205 Post No. : 15395

Memories that are pure gold – the mention of his name brings to mind a limited set of memories. Ah but these memories are pure gold.

Remembering Vijay Anand today, on his birth anniversary. He would have been 86 today.

Without any doubts, the best and the most remarkable sense of visualization of music. Not just thinking of films with Navketan – ‘Nau Do Gyaarah’ (1957), ‘Kaala Bazaar’ (1960), ‘Tere Ghar Ke Saamne’ (1963), ‘Guide’ (1965), ‘Jewel Thief’ (1967), ‘Johnny Mera Naam’ (1970) and more, his films outside of Navketan are also as memorable for their songs. ‘Teesri Manzil’ (1966) being the most popular and loved film for its songs, and their presentation. Of course, no one counters the wholesome effect of “O Haseena Zulfon Waali”. But then, see “O Mere Sona Re Sona Re Sona Re”. The superb performances in this song by both Shammi Kapoor and Asha Parekh are the handiwork of a most capable director, who knows how to bring out the maximum impact of everything that goes into presenting a song – the ambience, the words, the music, the facial expressions, the body language, crafting the merger of actions with music, the give and take between the two protagonists – everything brought together to convey this latent feeling in the heart, bringing it to the lips, and then expressing it with an un-tethered exuberance on the part of the lady, and a coy displeasure (to start with) on part of the gentleman. The end result – as Atul ji has often pointed out – after three stanzas, all is well and the lovers are seen walking hand in hand.

Take ‘Black Mail’ (1973) and the wonderfully soft rendition of a surreal presence of the loved one – felt through the written word, the voice of lover echoing through the letters, and the presence is so real that the lady wakes up with a start having felt the reality of a kiss on her forehead. Yes, the song is “Pal Pal Dil Ke Paas, Tum Rehti Ho”. I am never tired of replaying this song, the video I mean. Just the song itself is great, but its presentation on screen has enhanced its beauty and impact many folds.

Vijay Anand has also appeared in a handful of films. In some of the films that he directed himself, and he is not in the list of actors, one can catch a glimpse of him in very brief cameo appearances. However, he has appeared in bigger roles, and also as a hero. The first film in which he made his debut in a meaty role is ‘Joru Ka Bhai’ from 1955, a comedy film in which the lead pair was Balraj Sahni and Sheela Ramani.

His next major appearance is as the hero of the 1957 film ‘Agra Road’, a cops and robbers type of story. Next we see him on screen along with his two elder brothers, Chetan and Dev, in the 1960 film ‘Kala Bazaar’ which he also directed. In this film he plays the role of the ex-boyfriend of Waheeda Rehman, who has gone for higher studies to France, and returns with his amorous loyalties shifted elsewhere.

After a gap of four years, he is seen once again in a supporting role in ‘Haqeeqat’ (1964), a film that had a large ensemble of main line stars. The next gap is much longer – 7 years. And he makes his screen appearance once again in the 1971 film ‘Tere Mere Sapne’, a film that he has directed himself. His role in this film as Dr. Jagannath Kothari, a famous gynecologist (in film), is very impressive and effective.

The next film is ‘Chhupa Rustom’ in 1973. Dev and himself, are police agents who go undercover to capture a gang of smugglers. Once again, this film is directed by him. His role, masquerading as a shady, brash, small time, two-timing con man brings out the comedian in him – in my opinion one of his best screen appearances. This film is an Indianized version of the famous novel by Alistair MacLean – ‘Fear Is The Key’.

Parallel to ‘Chhupa Rustam’ in 1973, he also appeared in the film ‘Double Cross’. In this, he appears in a double role as the hero and his twin brother who is on the wrong side of the law. He was not yet 40, but he looked quite overage for this twin brothers roles. He appears to be trying very hard to be the role, but was not convincing. The con-man role in ‘Chhupa Rustam’ was a great act, but in ‘Double Cross’ he did not quiet click. It is interesting to note that in the role of the brother on the right side of the law, Vijay is a professional photographer. That rang a bell in my mind and I checked. Very much so, the film ‘Heera Panna’ in which Dev Anand plays the role of a professional photographer also, was released in 1973 itself. As one compares the two performances, they are quite similar in mannerism, attire and body language. Now who was copying from whom? 🙂

In 1973 came another good film, produced and directed by his elder brother Chetan – ‘Hindustan Ki Kasam’. He played the role of a fighter pilot, coming from a family of soldiers and pilots. There is a brief but a great monologue by him in this film – “Saathiyo, Dosto, Hum Hi To Aaj Ke Arjun Hain. . .”. (It can be viewed at 39:40 on the timeline at the link for the film ‘Hindustan Ki Kasam‘.) He presents this monologue, takes to the skies and then does not return. A short role, albeit an impressive one.

A year later he produced the film ‘Chor Chor’ (1974), but did not direct it himself. It is a suspense thriller that did not make it good on the box office, however, it was praised by the critics and reviewers. The film had no songs, and its star cast was very interesting. Vijay had assembled many actors of yesteryears for this film – Trilok Kapoor, Jairaj, and Ranjan. The female lead opposite to Vijay himself is Leena Chandawarkar. I have not seen this film, but it seems interesting enough to merit a view.

In 1974, he appeared in another film, in a very impressive performance once again. The film ‘Kora Kaagaz’, and he is cast with Jaya Bhaduri as the leading pair. The film is about an idealistic romance that transforms into matrimony. And the matrimony cannot withstand the reality of social relations and issues of personal choices – it breaks apart. Alas, there is a happy ending as the estranged spouses meet and make up in railway waiting room. Another very impressive performance.

Then, after a gap of another 4 years, Vijay appeared in another very good role – that of a rich landlord, very well performed. The film is ‘Main Tulsi Tere Aangan Ki’. A gem of a film by Raj Khosla, Vijay is pitted against two seasoned performers – Nutan as his first and legally wedded wife and Asha Parekh as his second companion in life, whom he brings home much to the dislike of the first lady of the house.

In 1981, came the film ‘Ghungroo Ki Awaaz’ – a tale of haunting and intrigues. Once again, Vijay finds himself out of his depth. Is that a reflection of being a very good director and then come to act under the direction of another director who may not be as well capable. Don’t know whether we should draw this comparison. But then this film is not in my list of impressive performances by Vijay.

In 1984, Chetan Anand produced and directed ‘Hum Rahe Na Hum’ in which Vijay and Shabana Azmi played the lead pair. Then in 2001, he produced and directed ‘Jaana Na Dil Se Door’ in which he and brother Dev played senior roles in a film with an impressive star cast that includes Kamini Kaushal, Mohnish Behl, Moushumi Chatterji, Indrani Bannerjee, Dinesh Hingoo and Vikram Gokhale.

Vijay also appeared in a mini series on TV in 1994, titled ‘Tehkikaat’, in the role of Sam D’Silva, an investigator.

Readers would remember that Alfred Hitchcock always made it point to appear in his own films in a fleeting cameo appearance. That was his signature mark in his films, and the audiences would eagerly await to catch his appearance as they viewed his films for the first time. Vijay Anand has also a similar reputation, albeit we are not sure we have tracked down his cameos in all the films that he directed. A brief list of what I have been able to compile.

He appears in ‘Funtoosh’ (1956) as a young out-of-work writer, who meets Funtoosh (Dev Anand) after he is released from the mental hospital. Funtoosh gifts him a pen to write.

Then in ‘Tere Ghar Ke Saamne’ (1963) he appears in the stairwell of Qutab Minar, wearing spectacles, walking down the stairs with two other persons, as Dev and Nutan are busy with their amorous inclinations singing “Dil Ka Bhanwar Karey Pukaar”.

In ‘Guide’ (1965), we hear his voice, as an unknown stranger is asking about Raju guide on the railway platform. Just a very brief dialogue.

In ‘Jewel Thief’ (1967), we hear his voice on the phone, in a brief conversation with Helen.

In ‘Prem Pujari’ (1970) he appears very briefly in the role of a spy, a fleeting cameo.

Again in 1970 ‘Johnny Mera Naam’, we hear his voice very briefly as an officer of Nepal Police greets Iftekhar at the Kathmandu airport, welcoming him to Nepal.

Here is a very interesting on screen appearance trivia. Hollywood producer and director, Mike Judge of the ‘Beavis And Butthead’ fame, was a great fan of Vijay Anand. In fact, in his animated film ‘Beavis And Butthead Do America’, there is a song being played in a casino in Las Vegas. On stage, among the musicians, there is a guitar player accompanying the singer. Mike Judge had based this character on Vijay Anand. The song in that film is ‘Love Roller Coaster’, available on YouTube; just click on the link.

A brief list of shelved films of Vijay Anand.

After ‘Rajput’ (1982) and before ‘Main Tere Liye’ (1988), Vijay Anand launched ‘Dekha Jaayega’ with Anil Kapoor and Jackie Shroff. Anil backed out at last moment. After a brief gap, the film was planned again with Saif Ali in place of Anil, but was later shelved.

In 1988, he planned the film ‘Dosti Ka Taqaaza’ starring Mithun and Govinda. It was later shelved.

He appeared in the film ‘Insha Allaah’ as the hero opposite to Zarina Wahab. The film was later shelved.

He directed ‘Chura Lenge Ankhon Se Kajal’ (1992) with Akshay Kumar and Kareena Karishma Kapoor. This film was also shelved.

In 1997 he starred in and directed the NFDC (National Film Development Corporation) film ‘Nyaymurty Krishnamurty’. This film also did not see the light of the day.

In the 1990s, he also started working on another film ‘Pal Pal Dil Ke Paas’, which could not be completed, probably did not go beyond the planning stage.

OK, so today’s song. It is contributed by Avinash ji. The film is ‘Ghungroo Ki Awaaz’. The story is of a family conspiracy with shades of reminders from the film ‘Mera Saaya’. The protagonist falls in love, the lady dies in confusing circumstances, then she returns as a ghost to haunt the man. The plot finally nails down another family member, who is attempting to get rid of the protagonist, for the sake of inheritance. There are maybe some more films that are based on this scenario.

The music is by RD Burman, the words are from the pen of Vijay Anand himself and Kishore Kumar is the playback voice.

A heartfelt salute to this celluloid artist who donned many a hat in his career, and had left behind a memorable legacy.

 

Video

Audio

Song – Tere Ghungroo Ki Awaaz  (Ghungroo Ki Awaaz) (1981) Singer – Kishore Kumar, Lyrics – Vijay Anand, MD – RD Burman

Lyrics (Provided by Avinash Scrapwala)

ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghunghroo ki aawaaz

ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghunghroo ki aawaaz

sitaaron ne sajaayee thhi dagar
hawaaon ne jhulaaya bhi magar
hmm hmm hmm
sitaaron ne sajaayee thhi dagar
hawaaon ne jhulaaya bhi magar
jalaa daaley
jalaa daaley
pankh naseebon ne
reh gayee hasrat e parwaaz
tere ghunghroo ki aawaaz
ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghunghroo ki aawaaz

andheron mein chhupi hai kiran
milan hai par ye kaisa milan
hmm hmm hmm
hmm hmm hmm
andheron mein chhupi hai kiran
milan hai par ye kaisa milan
adhura hai
adhura hain
geet jeewan ka
aur toota toota saaz
tere ghunghroo ki aawaaz

ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghoonghroo ki aawaaz
tere ghoonghroo
ki aawaaz

————————————————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————————————-

हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़

हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़

सितारों ने सजाई थी डगर
हवाओं ने झुलाया भी मगर
हं हं हं
सितारों ने सजाई थी डगर
हवाओं ने झुलाया भी मगर
जला डाले
जला डाले
पंख नसीबों ने
रह गयी हसरत ए परवाज़
तेरे घुँघरू कि आवाज़
हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़

अंधेरों में छुपी है किरण
मिलन है पर ये कैसा मिलन
हं हं हं
हं हं हं
अंधेरों में छुपी है किरण
मिलन है पर ये कैसा मिलन
अधूरा हैं
अधुरा हैं
गीत जीवन का
और टूटा टूटा साज़
तेरे घुँघरू कि आवाज़

हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़
तेरे घुँघरू कि आवाज़
तेरे घुँघरू ..
कि आवाज़


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4101 Post No. : 15249

Hullo Atuldom

The 80s was a period when there were a whole set of “Made in South” movies. Movies essentially remakes of popular and successful Telugu, Tamil and Kannada movies. Movies with nearly same formula- one hero and two heroines, both ladies loving the hero equally with the hero behaving courteously with one and loving the other passionately. To add further twist, the heroines will be sisters (as in Tohfa), childhood best friends (as in Raaste Pyar Ke), or meet accidentally and become good friends (as in Maang Bharo Sajna and Asha Jyoti).

All the movies would have good songs which used to be popular in the 80s and 90s but may have been forgotten since. The most important aspect of these movies used to be that one of the heroines would sacrifice her love or never reveal her love so that the other can lead a happy life with her partner/ husband etc. The hero in most of these South-made movies was Jeetendra and the heroines were mostly Rekha, Reena Roy, Shabana Azmi, Moushumi Chatterjee, Jaya Prada or Sridevi. Taking note of the success of Jeetendra in these movies Rajesh Khanna also acted in a few South-made movies.

Asha Jyoti was one of them. The movie had five songs with Anuradha Paudwal, Asha Bhonsle and Kishore Kumar as playback singers. Anjaan was the lyricist and Laxmi Pyare were the music directors. One song has been posted from the movie. In that post Atulji has speculated about the status of the relations between the main cast. I have seen this movie a long time back and here is the story of the movie, hope that it clears all speculations. 🙂

Asha Jyoti (1984) had Rajesh Khanna, Reena Roy and Rekha as the main cast. The film was directed by Dasari Narayana Rao, who had also directed Aaj Ka M.L.A. Ram Avtar with Khanna in the lead role and music was given by Laxmikant Pyarelal. The film is remake of Telugu Movie Srivari Muchatlu (1981).

Ramesh Chander (Om Shivpuri), a businessman, asks his son Deepak (Rajesh Khanna), a musician, if he would marry his childhood friend Asha (Rekha), but Deepak keeps declining this idea. Deepak falls in love with one of his fans named Jyoti (Reena Roy), a dancer, and he informs his parents by telegram that he has chosen a girl. Deepak promises to pay off the debts owed by Jyoti’s father. But when Deepak reaches his home in Bombay (now Mumbai), he finds that Ramesh has committed suicide due to bankruptcy. Ramesh expresses his last wish that his second wife and her daughter be taken care of. Deepak is delayed in Bombay and is unable to return to Kashmir.

In Kashmir, Jyoti’s creditor asks her father for money, but Jyoti expresses her inability to pay, so the creditor warns Jyoti’s father she will be in grave trouble. When Deepak does arrive at Jyoti’s house, her father lies, saying that he has married her off to the creditor. Deepak is heartbroken and returns home.

Seth Badri Prasad (Madan Puri), a rich man and childhood friend of Ramesh, bails Deepak out from bankruptcy and gets Ramesh’s creditors to not to file suit against Deepak and to auction the bungalow that he would buy. Deepak feels indebted to Prasad. Badri Prasad had been forcing his friend Ramesh Chander to ask Deepak to marry Asha, daughter of Badri Prasad. After Deepak returns to Bombay, his mother suggests to him that he should now get settled in his life and bring some happiness in his life and so he marries Asha. During the wedding, Deepak observes a woman similar to Jyoti. Deepak searches for the Jyoti lookalike and finds the woman was actually Jyoti.

Now Deepak knows that Jyoti was not married to Hukumchand (Roopesh Kumar) and that her father had lied to him. Jyoti had come to Bombay in search of Deepak and tells him that she is the mother of Deepak’s child. Deepak decides to end his marriage with Asha and to tell Asha the truth, but Jyoti insists that Asha would not be able to remarry as society might discard her. Jyoti asks Deepak to act as if they had never met and be a loyal husband of Asha, so that Jyoti can take care of Deepak’s child.

Later, Jyoti becomes a popular dance teacher in her city. Asha decides to learn dancing form Jyoti and they become close friends. Asha discloses that her husband is not loving her and he does not even come close to her. Jyoti visits Asha’s home and learns that Asha is none other than Deepak’s wife. Jyoti tells Deepak to be a true husband to Asha and give Asha the pleasures of married life.

Asha learns that Jyoti and Deepak were lovers before her marriage to Deepak and suspects they are having an affair. Asha found that Deepak and Jyoti are well-wishers of Asha, are innocent and victims of the unpredictable nature of fate. After coming to know the truth, Asha and Jyoti decide to sacrifice their respective lives to let the other live a nice happy married life with Deepak.

Sitting through the movie was not a pain. I loved the way the ladies (over) dressed in silk sarees and had extra long hair plaited in the traditional South Indian Style complete with a garden full of flowers on their hair and heavy jewellery. There was a time in my life when I yearned to have hair like my idol -Rekha- sported in these movies. These movies also showed that Rekha was an artist who followed all instructions of the choreographer and enacted the semi-classical dances that were there in the movie, as can be seen in the song of this movie that is already posted. She also had large eyes that conveyed a variety of emotions.

Today’s song comes towards the end of the movie where we have Asha dressing up Jyoti as a bride and trying to rectify the wrong that fate has delivered on Deepak and his Jyoti (the movies in this genre excelled in naming their characters). We also see that Deepak and Jyoti are not comfortable with this turn of events but Asha prevails on them and we have this Asha Bhonsle play backed song.

I am sure the readers have guessed why I chose a song that has the “oh! so beautiful!” Rekha for today’s post. Yes, she turns a year older today and it has become a compulsion for me that write atleast a small post to wish her.
Wish you a very happy birthday Rekhaji.


Song-Aayi pehli milan ki wo raat (Asha Jyoti)(1984) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-Laxmikant Pyarelal

Lyrics

aayi pehli milan ki woh raat
sajan se na sharmaana
aayi pehli milan ki woh raat
sajan se na sharmaana
kya kya huyi re piya ke sang baat
kya kya huyi re piya ke sang baat
sawere humen batlaana
aayi pehli milan ki woh raat
sajan se na sharmaana

ho o o
kitne saawan pyaase tarse
tabhi suhaagan raat aati hai
aati hai toh
pyaar se mann ka kora aanchal bhar jaati hai
kora aanchal bhar jaati hai ae
pyaase mann pe huyi kya barsaat
sawere humen batlaana
aayi pehli milan ki woh raat
sajan se na sharmaana

tan se tan ka milan nahin yeh
tan se tan ka milan nahin yeh
yeh hai do saanson ka sangam
apne jiya ko bas mein rakhna
dil ki dhadkan jaaye na thham
kaisi hoti hai
kaisi hoti hai pehli mulaakaat
sawere humen batlaana
aayi pehli milan ki woh raat
sajan se na sharmaana

madhur milan ki iss bela mein
tan mann jeewan kar de arpan
madhur milan ki iss bela mein
tan mann jeewan kar de arpan
pyaar se saajan ka mann jeete
wahi dulhan hai yahaan suhaagan
o o o o
kiski jeet huyi re kiski maat
sawere hume batlaana
aayi pehli milan ki woh raat
sajan se na sharmaana
kya kya huyi re piya ke sang baat
kya kya huyi re piya ke sang baat
sawere humen batlaana
aayi pehli milan ki woh raat
sajan se na sharmaana


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4101 Post No. : 15248

“Kabeela”(1976) was produced and directed by Bholu Khosla for Khosla Enterprises, Bombay. The movie had Feroz Khan,Rekha,Bindu(special appearance),Kamini Kaushal, Imtiaz, Premnath, V.Gopal, Sudhir, Shyamkumar, Manju Bansal, Trilok Kapoor(special appearance), Dhumal, Surendranath, Hiralal, Habib, Dumasia, Nawab, Baby Sonia, Darshan, Rammi, Madan Verley, Jagadish Joshi, Sharad Saxena etc in it.

The movie had four songs in it. One song has been covered in the past.

Today (10 october 2019) is the 65th birthday (DoB 10 october 1954) of Rekha. Daughter of Gemini Ganeshan and Pushpawalli, both well known movie actors themselves,

Rekha made her debut in Hindi movies with “Saawan Bhaadon”(1970). The movie was a hit. It was like a batsman hitting a century on debut.

Those were the days when Indian cricketers who scored century on debut failed to score another century in their career. A batsman called Gundappa Vishwanath had scored a century on debut at Kanpur in 1969. Like his predecessors, he struggled to score another century and people thought that his test career was doomed. It took him fourteen more tests and four more years before he scored his second test century in Bombay (in february 1973) and broke a big jinx for Indian test cricketers scoring a test century on debut. Subsequently, batsmen like Azharuddin, Saurav Ganguly, Sehwag, Shikhar Dhawan and Rohit Sharma scored centuries on debut and subsequently scored more centuries.

Rekha, after her smashing debut lost her way. Movie critics of those days likened her to Faryal and commented that she was squandering her career like Faryal.

It was during 1978 that Rekha reinvented her in “Ghar”(1978). It was like an ugly duckling has transformed into a swan, with this movie.

And Rekha never looked back since.

On the occasion of her 65th birthday, here is a song from her ugly duckling days, when she was still struggling in Hindi film industry.

This song is sung by Lata. Farooque Kaiser is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a background song. Rekha, Feroz Khan.Prem Nath,Hira Lal, Kamini Kaushal and Sharat Saxena are visible in the picturisation.

Lyrics of this song were sent to me by Prakashchandra.

We take this opportunity to wish Rekha a very happy birthday and many happy returns of the day.

Video

Audio

Song-Do phool zindagi ke hans kar yahaan khile thhe (Kabeela)(1976) Singer-Lata, Lyrics-Farooque Kaiser, MD-Kalyanji Anandji

Lyrics(Provided by Prakashchandra)

sajnaaa aa
o sajnaa
o o sajnaa

do phool zindagi ke ae
do phool zindagi ke ae
hans kar yahaan khiley thhe
sajnaa aa aa
o sajnaaa
sajnaa
yeh woh jagah hai
hum tum jahaan miley the ae
do phool zindagi ke
hans kar yahaan khiley thhe

tera der se woh aanaa
mera roothh roothh jaanaa
tera der se woh aanaa
mera roothh roothh jaanaa
tera pyaar se manaanaa
mera toot toot jaanaa
shiqwe thhe woh milan ke
shiqwe thhe woh milan ke
woh pyaar ke giley thhe ae
do phool zindagi ke ae
hans kar yahaan khiley thhe
sajnaa
yeh woh jagah hai
hum tum jahaan miley the ae
do phool zindagi ke
hans kar yahaan khiley thhe ae

aawaaz tere dil ki
raahon se aa rahi hai
aawaaz tere dil ki
raahon se aa rahi hai
khushboo tere badan ki
baahon se aa rahi hai
jaanaa thhaa door ham se
jaanaa thhaa door ham se
kyun pyaar se miley thhe ae
do phool zindagi ke ae
hans kar yahaan khiley thhe
sajnaa aa aa aa
sajnaa aa aa aa
sajnaaa aa
sajnaa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3996 Post No. : 15092 Movie Count :

4142

Today 27th June 2019, is the eightieth birth anniversary of Rahul Dev Burman (27th June, 1939 – 4th Jan, 1994). We fondly remember him on this occasion and will be always thankful to him for giving us all those great nostalgic songs, great music and many everlasting gems.

As I was looking for a special song for this occasion and while going through his filmography, I decided to select a song penned by Nida Fazli. I thought they worked together in very few films so I was interested to introduce a new movie and I finally zeroed on this lesser known movie ‘Mangal Sutra’ (1981). I think even the song of today is a very lesser known and this might be because of this movie going unnoticed then. Even the filmography of RDB on ‘wiki’ does not have this movie in that list. (Since I could not prepare the details of RDB-Nida Fazli movies together I am deferring it for a post in the future).

‘Mangal Sutra’ was directed by B Vijay for Gaurav Films International, Madras. It was produced by Ravi Kumar. Mrs. Chandrika Shah and Mrs. Era Kalra were Associate Producers of this movie. It had Rekha, Anant Nag, Prema Narayan, Jagdeep, Madan Puri, and Om Shivpuri. The supporting cast included Keshto Mukherjee, Asit Sen, Rajendranath, BM Vyas, Chand Usmani, Jayshree T, Meena T, Guddi, Jezbel, Swaraj, NS Bedi, Shankar Singh, Vinod, Neeta, Sharma, Jailata, Baby Reema, Viju Khote and Madhu. Shashi Puri makes a guest appearance in the movie. And this movie introduced Master Vineet.

Story and screenplay of this movie was written by MD Sundar. Dialogues were written by Snehlata Verma. Editing of this movie was done by P Bhakthavathsalam. Vijaykumar Raichura was the Associate Director of this movie. The movie was passed by Censor Board on 13.03.1981.

This movie had total five songs penned by Kavi Pradeep (one song) and Nida Fazli (four songs). Asha Bhonsle, Bhupinder Singh, Dilraj Kaur, Lata Mangeshkar, Meena and SP Balasubramaniam had given their voices to the songs in this movie. Music for this film was composed by RD Burman.

One movie by the same title was also made in 1947 (as per note in HFGK-Vol-VI), however no songs from this movie seem to be available as of now.

In the movie this song happens to be on the ‘suhaag raat’ of Anant Nag and Rekha. When I listened to this song for preparation of this post I remember to have listen it somewhere earlier but I had forgotten it. This song is nice duet and as mentioned above in the movie it is on the ‘milan ki raat’ where the newlywed couple sings this song. And for that matter I think this song is for all couples even if they are not ‘just newly wed’, they can enjoy it on anniversary or anniversaries or even on the ‘silver –jubilee’ of their marriage 🙂 . The song is sung by my favourite singers Asha Bhonsle and Bhupinder Singh.

It is unbelievable that twenty five years have passed since our beloved RD Burman has left us in 1994. He left us in January 1994. I was posted at Kota then. I got married in June (on his birth anniversary) and I remember the first Hindi movie me and wife watched together at Kota was ‘1942 – A Love Story’. . .

Once again thanking Pancham Da for the lovely, beautiful, exciting music and moments its music has given to us. Let us now enjoy today’s song. With this song the movie ‘Mangalsutra’ (1981) makes its debut on the blog.

Video

Audio

Song – Raat Banoon Main Aur Chaand Bano Tum  (Mangalsutra) (1981) Singer – Bhupinder Singh, Asha Bhosle, Lyrics – Nida Fazli, MD – RD Burman
Bhupinder + Asha Bhosle

Lyrics (Provided by Prakashchandra)

hmm hmm hmm
hmm hmm hmm
ho ho oo oo

raat banoon main
aur chaand bano tum
deep banoon main
aur jyot bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao

raat banoon main
aur chaand bano tum
deep banoon main
aur jyot bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao o
raat banoon main
aur chaand bano tum

naya naya main hoon
nayi nayi tum
yoonhi naa kho jaaye raat
anjaani raahon ke raahi hai hum
chhoote na haathon se haath
naya naya main hoon
nayi nayi tum
yoonhi na kho jaaye raat
anjaani raahon ke raahi hai ham
chhoote na haathon se haath
jaaun jahaan main saath chalo tum
aao baahon mein aao

chaand banoon main
aur raat bano tum
jyot banoon main
aur deep bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao o
chaand baoon main
aur raat bano tum

aa aa aa
aa aa aa
aa aa aa aa aa

tum se hi tan hai
tum se hi mann
dil mein chhupaa lo mujhe ae
baahon mein le ke mere sanam
mujh se churaa lo mujhe
tum se hi tan hai
tum se hi mann
dil mein chhupaa lo mujhe ae ae
baahon mein le ke mere sanam
mujh se churaa lo mujhe
neend banoon main
aur khwaab bano tum
aao baahon mein aao o

raat banoon main
aur chaand bano tum
aa aa
deep banoon main
aur jyot bano tum
aa aa
kuchh naa sunoon main
kuchh naa kaho tum
aao baahon mein aao o

laa laa laa
laa laa laa aa

ho jab se basi ho aankhon mein tum
aa haa
lagti hai duniyaa haseen
aa
o main hoon safar meri manzil tum
tum jo nahin main nahin ee
ho jab se basi ho aankhon mein tum
aa aa
lagti hai duniyaa haseen
o main hoon safar meri manzil tum
tum jo nahin main nahin ee
rang banoon main
maang bharo tum
aao baahon mein aao
chaand banoon main
aur raat bano tum
deep banoon main
aur jyot bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao o
aao baahon mein aao o
hmm hmm hmm hmm hmm

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————-

हम्म हम्म हम्म
हम्म हम्म हम्म
हो हो ओ
रात बनूं मैं
और चाँद बनों तुम
दीप बनूं मैं
और ज्योत बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ
रात बनूं मैं
और चाँद बनों तुम
दीप बनूं मैं
और ज्योत बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ
रात बनूं मैं
और चाँद बनों तुम

नया नया मैं हूँ
नयी नयी तुम
यूंही ना खो जाए रात
अनजानी राहों के राही है हम
छूटे ना हाथों से हाथ
नया नया मैं हूँ
नयी नयी तुम
यूंही ना खो जाए रात
अनजानी राहों के राही है हम
छूटे ना हाथों से हाथ
जाऊं जहां मैं साथ चलो तुम
आओ बाहों में आओ

चाँद बनूं मैं
और रात बनो तुम
ज्योत बनूं मैं
और दीप बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ
चाँद बनूं मैं
और रात बनो तुम

आ आ आ
आ आ आ
आ आ आ आ आ

तुम से ही तन है
तुम से ही मन
दिल में छुपा लो मुझे ए
बाहों में ले के मेरे सनम
मुझसे चुरा लो मुझे
तुम से ही तन है
तुम से ही मन
दिल में छुपा लो मुझे ए
बाहों में ले के मेरे सनम
मुझसे चुरा लो मुझे
नींद बनूं मैं
और ख्वाब बनो तुम
आओ बाहों में आओ ओ

रात बनूं मैं
और चाँद बनों तुम
आ आ 
दीप बनूं मैं
और ज्योत बनो तुम
आ आ 
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ

ला ला ला
ला ला ला आ


हो जबसे बसी हो आँखों में तुम
आ हा 
लगती है दुनिया हसीन

ओ मैं हूँ सफर मेरी मंजिल तुम
तुम जो नहीं मैं नहीं ई

हो जबसे बसी हो आँखों में तुम
आ आ
लगती है दुनिया हसीन
ओ मैं हूँ सफर मेरी मंजिल तुम
तुम जो नहीं मैं नहीं ई

रंग बनूं मैं
मांग भरो तुम
आओ बाहों में आओ
चाँद बनूं मैं
और रात बनो तुम

दीप बनूं मैं
और ज्योत बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ

आओ बाहों में आओ ओ
हम्म हम्म हम्म हम्म हम्म

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3968 Post No. : 15052

———————————————–——————————————
Blog 10-Year Challenge (2009-19) – Song No. 33
——————————————————————————————

30th May – ten years ago. The steady pace of six songs per day is quite natural, and consistent. The six movies that were represented that day are

  • Chaandni Chowk             1954
  • Aas Ka Panchhi               1961
  • Aadhi Raat Ke Baad         1965
  • Zanjeer                          1973
  • Hamshakal                      1974
  • Bhola Bhaalaa                 1978

The first four films on this list above are already fully represented on our blog. The reprisal song for today is from the 1978 film ‘Bhola Bhaala’. This film is directed by Satpal, under the banner of Venkteshewara Pictures, Bombay. The cast of actors is listed as Rajesh Khanna, Rekha, Maushumi Chatterjee, Joginder, Satyen Kappu, Sulochana, Pinchoo Kapoor, V Gopal, Sudhir Thakkar, Jankidas, Rajkumar, Devraj, Master Chiku, Shakti, Ashu, Deven Verma, Jagdeep, Sudhir, Ratnamala, Raj Mehra, and Aruna Irani.

The six songs in this film are all penned by Anand Bakshi. Music direction is by RD Burman. This is the third song of this film to appear on our blog.

On screen, this song is lip synced by Rajesh Khanna, disguised as a sanyaasi. Rekha also appears in this song, as the main dancer attraction. She is also wearing saffron clothes, but she is not lip syncing. Apparently, a certain rich man is making an offering of a costly chhatr (‘छत्र’), as he has been blessed with a son after a very long wait.

This song seems to be a song of deception, to steal that costly offering. I have not seen this film, and so I request other knowledgeable readers to please add more information about this film and this song situation.

Video

Audio

Song – Dheere Dheere Naach Ri Jogan (Bhola Bhaala) (1978) Singer – Kishore Kumar, Lyrics – Anand Bakshi, MD – RD Burman
Chorus

Lyrics (Provided by Avinash Scrapwala)

dheere dheere naach ri jogan
paayal thhak nahin jaaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye
prabhu darshan ke samay
kisi ki 
palak jhapak nahin jaaye

dheere dheere naach ri jogan
paayal thhak nahin jaaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye

sab jaage hain
sab soye hain
sab jaage hain
sab soye hain
maaya ke jaal mein khoye hain
kaun hain saadhu oo
kaun hain daaku oo
kaun hain saadhu
kaun hain daaku
kisi pe shaq nahin jaa..aaye
teri paayal thhak nahin jaaye
prabhu darshan ke samay
kisi ki 
palak jhapak nahin jaa..aaye
prabhu darshan ke samay
kisi ki
palak jhapak nahin jaaye

teri paayal ki..ee
jhankaar kahe
teri paayal ki
jhankaar kahe
har ek bhagat taiyyaar rahe
aise samay mein..ae
dil koyi..ee
aise samay mein dil koyi
naadan dhadak nahin jaa..aaye
teri paayal thhak nahin jaaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaa..aaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye

[Dialogue: maharaj chhatra aa rahaa hain
pooja ki saamagri taiyyaar rakhiye!]

[shankar ji ki krupa se
baarah saal ke baad sethji ke ghar
ladka paida hua hai!]

[tabhi to chhatra chadhaa rahe hain
do laakh ka!]
[aayiye aayiye aayiye
aayiye aayiye!]

ab darshan honay waala hain
kuchh arpan honay waala hain
hoshiyaa..aar
ek ki baat kisi duje ke
kaanon tak nahin jaa..aaye
paayal thhak nahin jaaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaa..aaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye

dheere dheere naach ri jogan
paayal thhak nahin jaaye
prabhu darshan ke samay kisi ki 
palak jhapak nahin jaa..aaye
prabhu darshan ke samay kisi ki
palak jhapak nahin jaaye

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————-
धीरे धीरे नाच री जोगन
पायल थक नहीं जा॰॰॰ए
धीरे धीरे नाच री जोगन
पायल थक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए

धीरे धीरे नाच री जोगन
पायल थक नहीं जा॰॰॰ए
धीरे धीरे नाच री जोगन
पायल थक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए

सब जागे हैं
सब सोये हैं
सब जागे हैं
सब सोये हैं
माया के जाल में खोये हैं
कौन हैं साधू॰॰ऊ
कौन हैं डाकू॰॰ऊ
कौन हैं साधू
कौन हैं डाकू
किसी पे शक नहीं जा॰॰॰ए
तेरी पायल थक नहीं जाए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जाए

तेरी पायल की॰॰ई
झंकार कहे ए
तेरी पायल की
झंकार कहे
हर एक भगत तैयार रहे
ऐसे समय में
दिल कोई ई
ऐसे समय में
दिल कोई
नादान धड़क नहीं जा॰॰॰ए
तेरी पायल थक नहीं जाए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जाए

[संवाद-
महाराज छत्र आ रहा हैं
पूजा की सामग्री तैयार रखिये,]

[शंकर जी की कृपा से
बारह साल के बाद सेठजी के घर
लड़का पैदा हुआ हैं,
तभी तो छत्र चढ़ा रहे हैं
दो लाख का !!]
[आईये आईये आईये
आईये आईये …!!! ]

अब दर्शन होने वाला हैं
कुछ अर्पण होने वाला हैं
होशियार
एक की बात किसी दूजे के
कानों तक नहीं जा॰॰॰ए ए
तेरी पायल थक नहीं जाए
प्रभु दर्शन के समय किसी कि
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी कि
पलक झपक नहीं जाए

धीरे धीरे नाच री जोगन
पायल थक नहीं जाए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए
प्रभु दर्शन के समय किसी की
पलक झपक नहीं जा॰॰॰ए



This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3935 Post No. : 15010 Movie Count :

4112

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # 83 # Remembering Feroz Khan#
—————————————————————————–——

Welcome all to this post of today, where, once again, I am taking you back to a song from the Seventies from a movie which is part of ‘nostalgia’ of my growing years.

In this blog we fondly discuss about ‘songs which bring back memories’. Many of my posts would fall into this ‘category’ as I have tried to share them with the memories of my childhood years and growing years thereafter.

During the ‘blog’s ten thousandth song –milestone’ I had written a post here and mentioned about few songs which for me bring back memories of my childhood and /or growing years.
At that time, I had listed many ‘prominent songs’ for me falling in ‘songs that brings back memories’ category. I had also noted that in future I may come with a second list of such songs which I get reminded time to time due to the connected memories of those years and they surface from vague and dormant memories.

Recently when I was going through this ‘first list’ of mine and noting down the songs which are yet to make it to the blog, I noticed that now very few songs from this list of mine are yet to be posted on the blog. One of these songs is the song being covered today.

And the reason for posting this song today is, it is picturised on actor Feroz Khan whom we fondly remember today on his tenth ‘Remembrance Day’.
(This song also has a female version which is picturised on actress Rekha).

Feroz Khan (25 September 1939 – 27 April 2009), born Zulfikar Ali Shah Khan, was born in Bangalore and he also breath his last in the city of Bangalore on 27th April 2009.

He came to Mumbai (Bombay then) and made his debut in Hindi movies with the movie ‘Didi’ in 1960. Initially he got smaller roles or roles in the second lead. After completing almost a decade in the Hindi Film Industry he ventured into production and direction with the movie ‘Apraadh-1972’.

Though I have not watched many of his movies, but whatever movies I had watched of him have left an indelible impression on my mind since my childhood.

And whenever the Hindi movies of the seventies will be discussed Feroz Khan’s name is going to be surely there. Because he has a special place carved for him in the midst of the so many actors of that decade and his ‘aura’ is something that cannot be forgotten by the ‘fans of the seventies’.

I never forgot the movie ‘Khotey Sikkey-1974’ which I must have watched with my elders earlier and later may be on TV. And for me it is this movie which I remembered most associated with his name. I had also shared a song from this movie when I joined this blog as a lyrics contributor.

Then I remember watching ‘Nagin-1976’, ‘Shankar Shambhu-1976’, ‘Sharaafat Chhod Di Maine-1976’, ‘Kabeela-1976’ and ‘Khoon Aur Paani-1981’ which I clearly remember of watching with my brothers and cousins may be in vacations. I think we also watched ‘Kaala Sona-1975’ and ‘Chunaoti-1979-80’ later, but I don’t remember it now.

‘Qurbaani-1980’ was a big hit in those years and all family watched it together.

Later I watched ‘Safar-191’, ‘Aadmi Aur Insaan-1970’ on TV. ‘Dharmatma-1975’ with friends on VCR (during the VCR days).
In between these years, around 1986-87 I watched ‘Aarzoo-1965’ in theatres in its re-re-released in end eighties.

After that I watched ‘Yalgaar-1992’ and ‘Dayaawan-1988’ in parts (on TV).

I watched ‘Apradh-1972’ again in 2008-2009 by buying its VCD because it had one my favourite songs in it i.e. ‘tum miley pyaar se’.

However I am yet watch his ‘Upaasna-1967’ and ‘Mela-1971’ which I think I should watch sometime in the future.

I will not go into more details about him and thus I will come to the today’s song thanking Feroz Khan for all the entertainment and those lovely memories of his movies he has given to us. His ‘cow boy’ image and specially his ‘dialogue deliveries’ riding on a horse 🙂 are his special features that I am always reminded of with his ‘steering eyes’:) (or may be, because of his image in my mind I am thinking that he might have spent more time sitting on the Horse’s back going by nature of roles he played in the majority of the movies) 🙂

Today’s movie ‘Kabeela-1976’ was directed by Bolu Khosla for ‘Khosla Enterprises, Bombay’. It was a ‘costume drama’ movie. Bolu Khosla was also the producer of this movie.

It had Feroz Khan, Rekha, Kamini Kaushal, Imtiaz, Premnath, V. Gopal, Sudhir, Shyam Kumar, Manju Bansal, Dhoomal, Surendranath, Heeralal, Habib, Baby Soniya, Darshan, Sharad Saxena and others. Bindu and Trilok Kapoor make a Special appearance in this movie.

Story of this movie was written by A.K. Agarwal. Screenplay was written by Jayant Dharmadhikari. Akhtar Romani wrote the dialogues of this movie and editing was done by Waman Bhonsle.

This movie had four songs, including one multiple version song (which is being posted today). All its songs were written by Farooque Qaisar and composed to music by Kalyanji-Anandji. Kishore Kumar, Lata Mangeshkar, and Mukesh had given their voices to the songs in this movie.

This movie was passed by Censor Board on 20.10.1976.

Today I am presenting a song from this movie which since years has been in my memory and it is a ‘catchy’ composition too. This song is in two versions male and female and sung respectively by Kishore Kumar and Lata Mangeshkar.

I could not find a separate video for the female version, but we have audio version for our listening pleasure. The female version is picturised on Rekha and male version is picturised on Feroz Khan and who we can see performing in his ‘dynamic-dashing’:) style on this song.

By the way this song ranked at number twenty-five in the annual list of ‘Binaca Geetmala-1977’.
With this song ‘Kabeela-1976 (or Qabeela-1976’) makes a debut on the blog !!

(I also had the opportunity to introduce ‘Shankar -Shambhu-1976’ on the blog. ‘Naagin-1976’ – I had already shared a song.
And as noted earlier I think this year ‘1976’ had the most impact on my mind relating to songs and movies of that year when I was around 8 years old 🙂 )

Let us enjoy today’s song now.

Male version
Video

Audio

Female version
Audio

Song-Arre koi maane ya na maane mere dil ki mehbooba ne (Kabeela)(1976) Singer-Kishore Kumar/Lata, Lyrics-Farooque Kaiser, MD-Kalyanji Anandji
Female voice
Chorus

Lyrics
—————————
Male version-Kishore Kumar
—————————
Arey koi maane yaa naa maane
Mere dil ki mehbooba ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool

Koi maane yaa naa maane
Meri dil ki mehbooba ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool

Aankhen teri tauba tauba
Aankhen teri tauba tauba
Zulfen allaah allaah aa aa
Zulfen allaah allaah
Chaahe kuchh ho
Thhaam liya hai
Maine tera ye pallaa
Chhodo na
Maine tera ye pallaa
Sab kuchh mera leja
Achchaa
Arey sab kuchh mera le ja
Bas ek nishaani de ja
Pyaar bharaa ye phool
De ae de ae
Ye le
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool

Vaade kya hain
Qasmein kya hain
Vaade kya hain
Qasmein kya hain
Ye to duniyaa jaane ae
Ye to duniyaa jaane
Tera mera pyaar hai sachchaa
Baaki sab afsaane ae ae
Baaki sab afsaane
Kaahe ka ye sharmaana
Arrey kaahe ka ye sharmaana
Kaahe ka ye ghabraana
Aaj mere sang jhool
Aa …
aa naa
Lo aa gayi
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool

——————————————————–
(Female version -Singer – Lata Mangeshkar, chorus)
——————————————————–
Koi maane yaa naa maane
Mere zulmi saanwariyaa ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool

Koi maane yaa naa maane
Mere zulmi saanwariyaa ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool

Jaane kab se dekh rahi thhi
Jaane kab se dekh rahi thhi
Main to sapne tere ae
Main to sapne tere
Tujh ko paa ke
Ho gaye poore
Ab ye sapne mere
Tu hi tu meri nazron mein
Tu hi tu meri nazron mein
Pyaar se tu meri zulfon mein
Hans ke sajaa de phool
Sajaa de naa
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool

Hoti hai to
Ho jaane de
Hoti hai to
Ho jaane de
Donon ki ruswaayi ee ee
Donon ki ee ruswaayi
Aaj nahin to kal baajegi
Angnaa mein shehnaayi
Dil ki duniya laayi main
Dil ki duniya laayi main
Bhool ke sab ko aayi
Tu bhi ye gussaa bhool
Bhool gaye na
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool

——————————————————-
(Lyrics in Devnagri Script provided by Avinash Scrapwala)
—————————————————-
Male version
—————-
अरे कोई माने या ना माने
मेरे दिल की महबूबा ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
कोई माने या ना माने
मेरे दिल की महबूबा ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल

आँखें तेरी तौबा तौबा
आँखें तेरी तौबा तौबा
जुल्फें अल्लाह अल्लाह आ
जुल्फें अल्लाह अल्लाह
चाहे कुछ हो
थाम लिया है
मैंने तेरा ये पल्ला आ
छोडो ना
मैंने तेरा ये पल्ला आ
सब कुछ मेरा लेजा
अच्छा
अरे सब कुछ मेरा ले जा
बस एक निशानी दे जा
प्यार भरा ये फूल
दे ए दे ए
ये ले
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल

वादे क्या है
कसमें क्या है
वादे क्या है
कसमें क्या है
ये तो दुनिया जाने ए
ये तो दुनिया जाने ए
तेरा मेरा प्यार है सच्चा
बाकी सब अफ़साने ए ए
बाकी सब अफ़साने
काहे का ये शरमाना
अरे काहे का ये शरमाना
काहे का ये घबराना
आज मेरे संग झूल
आ … आ ना
लो आ गयी
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल

————————————
(महिला स्वर)
———————–
कोई माने या ना माने
मेरे जुल्मी सांवरिया ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल

कोई माने या ना माने
मेरे जुल्मी सांवरिया ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल

जाने कब से देख रही थी
जाने कब से देख रही थी
मैं तो सपने तेरे ए
मैं तो सपने तेरे
तुझ को पा के
हो गए पूरे
अब ये सपने मेरे
तू ही तू मेरी नज़रों में
तू ही तू मेरी नज़रों में
प्यार से तू मेरी जुल्फों में
हँस के सजा दे फूल
सजा दे ना
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल

होती है तो
हो जाने दे
होती है तो
हो जाने दे
दोनों की रुसवाई ई ई
दोनों की ई रुसवाई
आज नहीं तो कल बाजेगी
अंगना में शहनाई
दिल की दुनिया लायी मैं
दिल की दुनिया लायी मैं
भूल के सब को आई
तू भी ये गुस्सा भूल
भूल गये ना
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3896 Post No. : 14938

We had this post last year on the same date by Avinashji where he has written about the background of the movie “Woh Main Nahi”(1974). He has listed all the famous songs and movies of Navin Nischol. Most of the songs which I like are in that list.

So here’s a duet by Rafi and Asha Bhonsle which was written by Verma Malik. Music direction was by Sonik Omi. Visiting the movie after a full year on the occasion of Navin Nischol’s anniversary.


Song-Ise patli kamar mein na daal ke lahanga khisak jaayega (Woh Main Nahin)(1974) Singers-Asha Bhonsle, Rafi, Lyrics-Verma Malik, MD-Sonik Omi
Male chorus
Female chorus

Lyrics

jhigi jhigi jhigi jhigi jhigi jhina
jhina na re

jhina re jhina ha aa
jhigi jhigi jhigi jhigi jhina re jhina
na re

jhina re jhina haa

hey jhoole jhoole jhoole re jhoole
jhoole re ae
jhool jhool jhool jhool jhool jhoole
hey hey ha haa

hey ae’
mera roop mera rang
mere chalne ke dhang
mera ik ik ang
jaise udti patang hai
aaaa
kayi tujhse malang karen ankhiyon ki jung
meri bholi si jawaani
in aashikon se tang hai
koi rakhta nazar
koi deta hai jigar
koi aahen bhar bhar kar mujhko pukaarta
haan
par tujhsa na dekha maine koi harjaayi
jo andar se marta hai
upar se maarta
arre kaisa tu mard jo hai dil ka sarad
uthh himmat dikha
zaraa saamne toh aa
aa aa
are aa na

hahahahaha
hahahaha

arri dhaai inch ki kamar hai teri
aur pandrah gaz ka lehenga aa aa
haay
chhil gayi kamar bos(?) ki jaisi
toh ye sauda padega mehanga
haan
ri isse patli kamar mein na daal
ke lehanga khisak jaayega
isse patli kamar mein na daal
ke lehanga khisak jaayega
teri umar ka naazuk saal
teri umar ka naazuk saal
uspe tu chale mor ki chaal
ke lahanga
ummm
ke lehenga khisak jaayega

haai haai
isse patli kamar mein na daal
ke lehanga khisak jaayega

arri samjhi

jaa re jaa re
tu dil ko zara sambhaal
nahin to dil michak jaayega
tu dil ko zara sambhaal
nahi to dil michak jaayega
main samajh gayi teri chaal
main samajh gayi teri chaal
ja buri nazar na daal
nahin to dil
hmmm
nahin to dil michak jaayega
ja buri nazar na daal
nahin to dil michak jaayega

nazar hai duniya ki buri
o zara sambhal ke rehna saanwri
nazar hai duniya ki buri
o zara sambhal ke rehna saanwri

o ho o o o
sambhal ke rehna aata hai
arre tu kyun jal jal jaata hai
yoon dil na todo
aji tum peechha chhodo
meri jaan idhar to aa ja
arre hatt ja ja
ja ja
isse kar de kisi ke naam
roop tera dhalak jaayega

haaye
isse kar de kisi ke naam
roop tera dhalak jaayega

ja buri nazar na daal
nahin to dil michak jaayega

bol de kya chaahta hai tu
arre milne kise aata hai tu
bol de kya chaahta hai tu
arre milne kise aata hai tu
oh ho o o
arri chaahta hoon deedaar ko
aur milne aaya yaar ko

kisne bulwaaya
o tujhko lene aaya
agar main shor machaaoon
uthha le jaaoon
jaaoon

phenkoon jo zulf ka jaal
jaal mein atak jaayega
phenkoon jo zulf ka jaal
jaal mein atak jaayega

haay haay
isse patli kamar mein na daal
ke lehenga khisak jaayega

arre hatt
rok na raahen
daal baahon mein baahen
main ungli pe nacha doon
tere chhakke chhuda doon
teri yahaan daal gale na
tera bhi zor chale na
mera gussa bura hai
mera ghoonsa bura hai
laga kar haath to dekho
chhuda kar haath to dekho
bahut dekhe hain aise
na dekhe mere jaise
tere jaise hain kaise
mere jaise hain aise
aise
aise
haan

hahahaaha


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3889 Post No. : 14921

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 15
————————————————

12th March, ten years ago. Six songs posted, and six films represented that day.  The films are ‘President’ (1937), ‘Paarasmani’ (1963), ‘Mera Gaaon Mera Desh’ (1971), ‘Elaan’ (1971), ‘Anjaana’ (1969), and ‘Mehboob Ki Mehndi’ (1971). On that day, the 1971 film ‘Elaan’ made its debut on our blog with the song “Aap Ki Rai Mere Baare Mein”.

Of the six films appearing that day, four have already been yippeee’d.  Given the set of popular and familiar songs, the films ‘Paarasmani’, ‘Mera Gaon Mera Desh’, ‘Mehboob Ki Mehndi’ and ‘Anjaana’ have all their songs posted. ‘President’ – the 1937 film featuring KL Saigal and Kanan Devi, still has some songs pending. However today, I pick up the other pending film from that date – ‘Elaan’ of 1971.

The film has 5 songs listed in the Geet Kosh. Music is by Shankar Jaikishan.  Two of the songs are already showcased here. The interesting thing about this film is that out of the five songs, one is a solo by Lata ji, one is a solo by Asha ji, and the remaining three feature Sharda as the singer. Two of these three are solos, and one is a duet with Rafi Sb.  This choice of singers underscores the then prevailing rumors about Shankar’s fancy for Sharda, and Jaikishan’s displeasure about this state of affairs.

The duet song, and the song by Lata ji are already posted. Today I bring on board the song by Asha Bhosle. Lyrics for this song are written by Farooque Kaiser. The song is presented as a cabaret dance by Rekha. The setting seems to be the villain’s den. The audience for this performance are Vinod Mehra, sporting a French beard in an effort to disguise his identity, Madan Puri playing the role of the gangster boss, and Jankidas as a senior lieutenant of the boss. A few more junior henchmen are spread out around the room.

The provocative cabaret is presented by Rekha. Back then in 1971, this was just her third film that she was appearing in. Her first film ‘Anjaana Safar’, made ready for release in 1969, ran into some problems with the Censors, and its actual release was delayed by a decade. It was released in 1979 with a change in title – ‘Do Shikaari’. Rekha played the leading lady opposite to Biswajit. Then in 1970 came the film ‘Saawan Bhadon’, opposite to Navin Nischol, which is considered as her debut film. And them in 1971, she appears in this film opposite to Vinod Mehra.

The performance, the dress up – all is very enticing and provocative. Rekha appears to be attempting to emulate Helen as she attempts to entice Vinod Mehra, who is apparently a target of something sinister. The gangster boss is seen adding some drug to the drink for Vinod Mehra. And at the end of the song, we see Vinod falling down unconscious.

The song itself is less familiar, however not unheard. Enjoy the song, and Rekha’s performance – every inch a temptress.

Song – Aaj Tumhaare Kaan Mein Keh Doon Mere Dil Mein Kya Hai  (Elaan) (1971) Singer – Asha Bhosle, Lyrics – Farooque Kaiser, MD – Shankar Jaikishan

Lyrics

aaj tumhaare kaan mein keh doon
mere dil mein kya hai

aaj tumhaare kaan mein keh doon
mere dil mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
ulajh gaye na
aaj tumhaare kaan mein keh doon
mere dil mein kya hai
samajh gaye na
na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
ulajh gaye na

kaise sajan ho
khud mein magan ho
dhadke mera mann
ab to milan ho
kaise sajan ho
khud mein magan ho
dhadke mera mann
ab to milan ho
jaan sakey na mere dilbar
is paayal mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
oy hoye hoye hoye
ulajh gaye na

kaun bhala hai
kaun bura hai
aankhon pe teri parda pada hai
kaun bhala hai
kaun bura hai
aankhon pe teri parda pada hai
hanste hanste maar jo daale
us qaatil mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
na
ulajh gaye na

aaj tumhaare kaan mein keh doon
mere dil mein kya hai
samajh gaye na
ulajh gaye na
aage chal ke pata chalega
is mehfil mein kya hai
samajh gaye na
ulajh gaye na

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है

आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है
समझ गए ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
उलझ गए ना
आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है
समझ गए ना
ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
उलझ गए ना

कैसे सजन हो
खुद में मगन हो
धड़के मेरा मन
अब तो मिलन हो
कैसे सजन हो
खुद में मगन हो
धड़के मेरा मन
अब तो मिलन हो
जान सके ना मेरे दिलबर
इस पायल में क्या है
समझ गए ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
ओय होय होय होय
उलझ गए ना

कौन भला है
कौन बुरा है
आँखों पे तेरी परदा पड़ा है
कौन भला है
कौन बुरा है
आँखों पे तेरी परदा पड़ा है
हँसते हँसते मार जो डाले
उस क़ातिल में क्या है

आज तुम्हारे कान में कह दूँ
मेरे दिल में क्या है
समझ गए ना
उलझ गए ना
आगे चल के पता चलेगा
इस महफिल में क्या है
समझ गए ना
उलझ गए ना


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15516

Number of movies covered in the blog

Movies with all their songs covered =1196
Total Number of movies covered =4277

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