Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Kamal Dasgupta


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The fifth decade of last century (40s) was very significant for Music lovers. It is during this period that along with film music, Non-Film Songs(NFS) also became very popular. Recording of such songs first began in Bengal. In fact many singers started cutting their records for private songs from 1937-38 onwards . The response of the people to such songs was so overwhelming that many new singers started their careers with NFS.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 30s and 40s, legendary singers like K C Dey, K L Saigal and Pankaj Mullick with their Hindi film and non-film songs mesmerized not only the people of Bengal but the whole of India. In fact,it was the K L Saigal-Pankaj Mullick duo who ruled the music scene in Calcutta (Kolkatta) in the 1940s. It was during this time that a new singer emerged in Calcutta who, with his solo song ‘o varsha ke pehle baadal meraa sandesaa le jaana’ in the film MEGHDOOT (1945) impressed the listeners very much. This song became the most popular song of the film. The singer was none other than Jagmohan Sursagar, born as Jaganmoy Mitra. The popularity of this song resulted in a collaboration of Jagmohan-Faiyyaz Hashmi-Kamal Das Gupta trio in bringing out some of the finest non-film Hindi songs which became even more popular than their filmy songs.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog.

Feroza Begum was the better-half of the famed music director Kamal Dasgupta who composed many Bangla movie and private songs and some unforgettable Hindi ones too – in particular for Jawab (1942) and Hospital (1943) which numbers are very much availableon this blog.
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Talat Mehmood is today mainly known for the songs that he sang in Hindi movies. But he began his career as a non film singer. He had gone to Calcutta in late 1930s when he was still a teenager and he began to create waves there with his ghazals.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 30s and 40s, female actor-singers like Noor Jehan, Khursheed, Rajkumari, Amirbai Karnataki and Zoharabai Ambalewali dominated the Hindi film industry. These artists were based in Lahore and Bombay (Mumbai). Kanandevi who was based in Calcutta(Kolkatta) held somewhat higher status of a superstar actor-singer for nearly two decades both in Bengali and Hindi film industries. Today, April 22nd is the birth anniversary of Kanandevi who was born in Howrah to a poor family. Her adoptive father died early which forced her to take the responsibility of looking after her family at a young age of 10 years. A well wisher introduced her to Jyoti Studios where she was given a small role in a Bengali silent film Joydeb(1926). Thereafter she worked in some more silent films. It took about 10 years for her to be noticed as an accomplished actor in the film Khooni Kaun (1936).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

One of the remembrances of my childhood days of early 50s was a song ‘kuchh yaad rahe to sun kar jaa’ which my mother used to sing quite often. It would not be an exaggeration to say that I grew up with this song. Those days, I did not remember the beginning line of this song but one line from this song – ‘tu haan kar jaa yaa naa kar jaa’ remained embedded in my mind. I had no inkling at that time that it was a filmy song.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog.

Excuse me, I am going to boast a bit here. In my last post here, on Dil ko hai tumse pyaar kyun sung by Jagmohan, I had written that I used to listen to the songs again and again till I knew them by heart. The lyrics of this song that I present today have been recounted from my memory of that song. I was checking out the robust discussion in the comments section of the previous post, and struck my head when I read in the comments that the lyrics were by Faiyyaz. It should have clicked in my head, because the song below has the line ‘Faiyyaz ki badnaam mohabbat ko dua do’.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a new contributor to this blog.

When I was 20 I moved to Delhi and stayed with my aunt’s family in Delhi. She had a large family of 6 children. Four of her older children were married and had moved out of the house. Her youngest two, a boy and a girl, became my beloved companions. Love of art and sports ran in the family. My cousin worked for and played hockey for Northern Railways, in addition to that he sang beautifully. His younger sister drew and painted beautifully and worked as a commercial artist.
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