Posts Tagged ‘Love Marriage’
Ham jaan gaye sarkaar
Posted December 3, 2012
on:“Love Marriage” was produced and directed by Subodh Mukherji under the banner of Subodh Mukherji productions. The movie had Dev Anand, Mala Sinha, Pranoti Ghosh, Helen, Abhi Bhattacharya, Kanchan Mala, Neeta, Sarita, Kanchanmala, Wajid Khan, Sharda, Bhagwan Sinha, Gunjan, Narbada Shankar, Suresh, Bob, Sushil, Vijay Kumar, Munshiji, Mohan Modi, Rajesh, Mikki, Dubbe, Sailen Bose, Mool Chand, Master Anwar, Robert etc in it.
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Dil se dil takraaye
Posted August 27, 2010
on:When you are young, you only like to listen to “modern” songs and hate listening to old songs calling them boring. Here is a song that was old even by my standards of 1970s when I was growing up. But show me a song that could be more modern than this by now 51 year old song.
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In India, the three unifying things for Indians are Indian Railways, Bollywood movies and Cricket. We have had several rail related songs in Bollywood movies, but it is a great surprise that cricket related songs are conspicuous by their absence, even though cricket is as big a craze among Indians as movies, and it has become more so in the last few decades.
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“Love Marriage” (1959) was a movie that had some lovely songs. I have been posting the songs from this movie and I have enjoyed listening to these songs.
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Kahe jhoom jhoom raat ye suhaani
Posted August 23, 2009
on:“Love Marriage” (1959) was a movie starring Dev Anand and Mala Sinha. I have no idea how the movie fared at the box office, but the music of the movie is absolutely top class.
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Tin kanastar peet peet kar
Posted July 13, 2009
on:This was not a song that was created with the aim of becoming an all time classic, nor did it become one. It was a light hearted song, which was Shankar Jaikishan’s way of taking a dig at the fad of copying Western music and using them in Bollywood movies.
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The word “Chaand” and its derivatives were quite common in Bollywood movies till 1970s, after which man reached the moon and mankind ( including Bollywood lyricists) would no longer look at “Chaand” with the same fascination.
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