Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Master Krishnarao

Bhool jaa

Posted on: July 19, 2020


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4384 Post No. : 15736

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Blog 10-Year Challenge (2010-2020) – Song No. 41
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Today 19th July 2020 is the thirteenth birthday of this blog. I wish Atul ji, Sudhir ji, our seniors and all team members on the blog a very happy birthday of the blog today and my greetings and best wishes to all on this occasion.

Ten years ago, on this day i.e. on 19.07.2010, four songs were posted on the blog. And they were posted in a pattern which I liked when I became a member of the blog and also this was a regular pattern in those years i.e. 2012 to 2014 (I think).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3641 Post No. : 14467

Today (7 july 2018) is the birth centenary of lyricist Saraswati Kumar Deepak (7 july 1918-8 july 1986). His name is mostly associated with songs from religious/ mythological movies. He penned some 400 odd songs in movies in his four decades long career spaning from 1940s till 1970s). This blog has 54 songs penned by him.

On this occasion, here is a song from “Keechak Vadh”(1959). This movie was produced in Marathi and Hindi by Balasaheb (P K) Pathak and directed by Yeshwant Pethekar for Manik Studios, Bombay. The movie had Baburao Pendharkar (Keechak), Sumati Gupte (Draupadi), Shobhna Samarth (Sudeshna), Vishwas Kunte, Vimla Kumari, Helen etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Padosi” (1941) was directed by V Shantaram for Prabhat Films. The movie had Gajanan Jagirdar, Mazhar Khan, Balwant Singh, Anees Khatoon, D D Kashyap, Radhakrishan, Vasant Thengdi, Balakram, Sumitra Devi etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Vasantsena”(1942) was directed by Gajanan Jageerdaar for Atre Pictures, Bombay. The movie had Vanmala, Gajanan Jageerdar, Shahu Modak, Baby Devi, Eruch Tarapur, Navin Yagnik, Sunalini, Vijaya, Vimal Tripathi, Nazeer Bedi, Raj Vishwas, Sudhir Gore, Pandit Gokhle etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ever since talkies came in to being in 1931, there have been some classical and semi-classical female singers who got attracted to Hindi film industry as actor-singers and playback singers in the 1930s and the 1940s. Begum Akhtar, Mukhtar Begum, Indubala, Roshanara Begum, Mallika Pukhraj, Saraswati Rane etc were some of the names that come to my mind. However, their filmy careers was short and soon they returned to the concert singing as their main vocation.

One of the lesser known names in this category of singers was Sundarabai of Poona.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Padosi” (1941) was directed by V Shantaram for Prabhat Films. The movie had Gajanan Jagirdar, Mazhar Khan, Balwant Singh, Anees Khatoon, D D Kashyap, Radhakrishan, Vasant Thengdi, Balakram, Sumitra Devi etc. in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Padosi” (1941) was directed by V Shantaram for Prabhat Films. The movie had Gajanan Jagirdar, Mazhar Khan, Balwant Singh, Anees Khatoon, D D Kashyap, Radhakrishan, Vasant Thengdi, Balakram, Sumitra Devi etc. in it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a ellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 7th song in ” The flavour of the 30s ” series is from a Prabhat film-Gopalkrishna-1938, sung by a young Ram Marathe and composed by Master Krishnarao.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

GOPAL KRISHNA (1938) was produced under the banner of Prabhat Film Company both in Hindi and Marathi versions. The film was directed by V G Damle and S Fatelal. The star cast included Ram Marathe, Shanta Apte, Parshuram, Ganpatrao Tambat etc. I have not seen the full movie but based on a few short clips of the films including the video clips of the songs that are available on the internet, it is a mythological film with a subtle message of nationalism against the British rule in India. The conflict between Gokul villagers on the one hand and King Kansa on the other side was compared with that of Indians and the British rule. Some of the dialogues of Krishna were full of nationalist fervour. For instance, he says to Nand that if we continued the live under the fear of King Kansa, none of our work would be successful. In some other context, Krishna says that the King and his men have been blinded by an authority of absolute power and when Kans’s men drag our cows like dogs and keep with them without proper food, such ruler and his men need to be mauled.
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