Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Navrang


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Navrang” (1959) was one of the the first Hindi colour movies, following the lead of movies like “Aan” (1951), “Jhanak Jhanak Paayal Baaje” (1955), “Mother India” (1957) etc. “Navrang” (1959) was produced and directed by V Shantaram under his banner of Rajkamal. It had Mahipal, Sandhya, Nirmal Kumar, K. Date, Vandana, Agha, Baburao Pendharkar, Ullhas, Chandrakant Desai, Vatsala Deshmukh etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Three Hindi films of the 50s which had created lots of hype during their pre-released days were ‘Aan’ (1952), ‘Jhanak Jhanak Paayal Baaje’ (1955) and ‘Navrang’ (1959). They were all made in Technicolor. With nearly all the films made during that time and earlier in black and white, there was curiosity among film buffs to watch these Technicolor films. While none of these films had good story lines, they all ran in the theaters for a long time. I remember ‘Jhanak Jhanak Paayal Baaje’ (1955) had completed 100 weeks of run in Metro theater and ‘Navrang’ (1959) ran for over 50 weeks in Liberty theater of Mumbai.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

Asha Bhonsle, the versatile singer, has been with the Indian film and music industries for over six decades. She is also a multi-talented personality. She acted in one or two films as child artist;she composed music for a couple of non-filmy albums of her songs; she is in TV reality shows. I have also read that she does mimicry in her overseas concerts and is an excellent cook.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my school days, our Hindi teachers quite often used to mention about the troika of Hindi poets, Prasad-Pant-Nirala ( Jaishankar Prasad, Sumitranadan Pant and Suryakant Tripathi ‘Nirala’). They were the pioneers of ‘chhaayawadi’ (romanticism) movement in Hindi poetry. At a time when norms for writing Hindi poetry were different, these poets created a niche for themselves and set a new standard for Hindi poetry. About four decades later, a similar troika of poets was continuing the tradition of writing poetry in similar style but for Hindi films. The poetry was written in simple words for the benefit of masses. In doing so, they extended their coverage beyond ‘chhaayawad’ to include social issues, philosophy of life etc. These poets also created a niche for themselves at a time when the Hindi film songs were mostly written in Hindustani ( mix of Hindi and Urdu words). Pandit Bharat Vyas was one among the troika of poets who wrote lyrics for Hindi film songs, the other two being Pandit Narendra Sharma and Kavi Pradeep.
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