Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘R C Boral


Today (25 november) is the 31st death anniversary of R C Boral (19 October 1903–25 November 1981). One of the earliest pioneers in the field of Hindi movie music, it was he who introduced the concept of playback singing in Indian movies by first employing it it “Dhoop Chhaaon” (1935). He has been described as the father of Indian Cinema Music by Anil Biswas.
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“Vidyapati” (1937) was directed by Debaki Bose. This movie had Pahadi Sanyal in the title role with Kanan Devi acting opposite him. This movie also had Prithviraj Kapoor, Chhaya Devi, K C Dey, Kidar Sharma and Leela Desai.
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“Chandidas” (1934) was a Hindi movie based on the tale of the medieval era Bangla poet who used to write poems on the theme of Radha and Krishna. That way, simplistically, he could be thought of somewhat like a male equivalent of Meera Bai, I suppose.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

July 17th is the death anniversary of Kanan Devi (22/04/1916-17/07/1992). I had written an article for this blog on her last birth anniversary. So I will not go into her profile. She was one of the most beautiful and graceful actors of her time. She brought respectability to female actors. It is said that she was the highest paid film actors of her time and in one film, ‘Chandrashekhar'(1948), she was paid one rupee more than the remuneration paid to her lead actor Ashok Kumar. Sahir Ludhianvi, probably took a hint from her when he started demanding one rupee more than that paid to the music directors.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A very remarkable song indeed. Not just for the words and music, but the way the music is arranged, and the manner in which it has been rendered. The special feature of remark-ability can either be told, or can be perceived by listening to the song itself. Maybe some of the readers would pause reading this write up, listen to the song and then come back to read the rest of it. And possibly, some readers can recognize what is special about this song.
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This article is written by Sudhir, a fellow enhusiast of Hindi movie music and a regular contributor to this blog.

Greetings to all on the occasion of Basant Panchmi today.

Basant, the season of spring, is a season of new beginning, a season of rejuvenation and a season of arrival of happiness. It is the season of rebirth and bloom, the season of new love. In the Hindu tradition, Kaamdeva is the god of love and desire. As per the Rig Veda, the goddess Vasanta (Spring) is a companion of Kaamdeva. The weapon ascribed to Kaamdeva is a bow and arrow – the bow being made of sugarcane, stringed with honeybees, and the arrows are made of the fragrant flowers of spring. In the Hindu mythology, the season of spring is the season for love and amorous relationships. The first encounter of enchantment between Shakuntala and King Dushyanta is in Vasant ritu, the season of spring.
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“Vidyapati” (1937) is one of the earliest Hindi talkies and it is one that was a landmark movie of its time. It was produced by Calcutta’s New Theatre. This movie starred Pahadi Sanyal, Prithviraj Kapoor, Kanan Devi, K C Dey, K N Singh, Kidar Sharma, Nemo, Chhaaya Devi, Leela Desai etc.
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“Swami Vivekanand” (1955), by now an obscure movie on the life of Swami Vivekanand, was produced and directed by Amar Mallick. This movie had Ajit Prakash, Suprabha Mukerji, Bharati Devi, Manoranjan Bhattacharji, Anuva Gupta etc in it. This movie obviously was not meant to entertain and as a rsult the movie did not do well at the box office.
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