Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Rachna


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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6245 Post No. : 19315 Movie Count :

5119

‘Rachna’ (1983) was produced by Girdhar Bhatia and Pravin Paul and was directed by Satish who also wrote story and screenplay. The cast included Anil Kapoor and Beena in lead roles supported by Deepak Shankar (debutant), Pravin Paul, Nazir Hussain, Shivraj, Birbal, Lalita Kumari, Indira Bansal, Tabassum, Gufi Paintal, Savita Bajaj with the friendly appearances of Iftekhar, Chandrashekhar, Shammi, Asit Sen, Keshto Mukherjee and Jagdeep. It was Anil Kapoor’s first released film in a lead role though he had signed first for a lead role in ‘Kahan Kahan Se Guzar Gaya’ (1986) which had a delayed release. This was the only lead role Beena had performed in her entire Hindi film career. Incidentally, in ‘Lovers’ (1983) which was released in the same year, Beena had played the role of the mother to Kumar Gaurav.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 5
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(1973 – Solo)

Seventies was the decade of change, from the very subtle to sweeping transformations. The stars of the sky since 1950s, started to age and lose their glow and popularity. A new crop of youngsters was taking their place. Fortunes were changing, and so was the face of Hindi film music. Through the 50s and 60s, if Johnny Walker was in a film, then it was almost certain he would have a song. ‘Anand’ (1971) changed that. Issabhai Suratwala, the middle aged theatre company owner, went through this poignant tale with a role that had no opportunities for a song. Then, the number of Shammi Kapoor starrers as a hero began to fade. By the time ‘Manoranjan’ (1974) was released, Shammi was now a ‘fat’ character actor. Although still retaining the twinkle, the smile and the crack of humor, the appearance of a bulky posture and a accentuating beard was really a far cry from ‘Yahoo’. And the most significant departure came when in 1971, ‘Jaane Anajaane’ was released. The solo “Jaane Anjaane Log Miley, Par Koi Milaa Na Apna” performed by Shammi on screen carried the playback voice of Kishore Kumar. I remember now, in the ‘Filmfare’ magazine, a photo was published of the recording, showing Kishore Kumar and Shammi Kapoor, with the caption – ‘Shammi with his new ghost voice’. At that time, I did not understand the meaning of these words, as I do now.
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“Sabse Bada Rupaiyya” (1976) was a Balaji Kalamandir Production movie. It was produced by Mehmood and directed by S Ramnathan. The movie had Mahmood, Vinod Mehra, Mousami Chatterjee, Farida Jalal, Jeevan,Sulochana Latkar, Nivedita, Madhu, ChandraShekhar, Agha, Mukri, Sunder,Randhir, Asit Sen, Keshto Mukherjee, Anwar Ali, Sheikh, Bhushan Tiwari, Babban, Nausir Khatau, Janki Das, Polson, Mulchand, Amir Ali, Narbada Shankar, Ghosh, Saigal, Chavan, Chand, Somender, Parikh, Badshah, Rachna etc in it.
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In Hindi movies, “roothna” (sulking) is the preserve of females, and it is the male of the species who has to indulge in the act of “Manaanaa” (appeasement). I have posted many such songs like this in this blog, but it never occured to me to have a separate category for such songs.Now I have thought of this category called “sulking-appeasing song”.
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