Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Anil Kapoor


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4446 Post No. : 15897

Songs Repeated in Hindi Films – 23
– – – – – – – – – – – – – – – – – –

OK, so introducing another popular song that got very quickly reused in a subsequent film. This raunchy item number surprised everyone when it came out for the first time. The film is ‘Inkaar’ from 1977. It was cops and robbers story – B-grade cinema but it was done very professionally, giving some true insight into the normal working of the police force.

This song, which is performed by Helen in the film, became very popular in its time. And the wonder part of this song was / is the voice that has rendered it. The voice is of Usha Mangeshkar. One does not hear her voice in item numbers. Maybe part of a twin dance duet singing. But not an out and out item song. Somehow the selection of his voice for the setting clicked absolutely well. The setting of the song in the original film is a roadside tavern – a desi daaru ka adda. A counter for selling liquor and some chairs and tables for the clients to enjoy their glass that cheers. The dancer, Helen, is very much in the native Maharashtrian attire, wearing the dhoti in the typical lavangi style. The scenario, the persona – the singing voice suited everything to a T.

Fast forward to 1984. The film is ‘Andar Baahar’. This is another cops and robbers tale. Jackie Shroff is a police inspector who has lost his senior partner (role played by Parikshit Sahni) to the bullets of criminals. He vows revenge, and for that he takes permission to pull out a jailed criminal (role played by Anil Kapoor), and enrolls him as his partner, because he can identify the gangster boss. Anil Kapoor, who is a hardened criminal otherwise, has a difficult time adjusting to a role on the other side of the law. So within the very first one or two days, taking advantage of his newly given freedom, he disappears from Jackie Shroff’s home. Jackie is worried, on many counts, and sets out to search for him. Following his instincts he goes to the city red light area and his hunch is proved correct. Anil Kapoor is in a binge of drink and dance with a dancing girl of the area, role played by Jaishree T. And the song that is used in this scene is the iconic Usha Mangeshkar number, repeated from the film ‘Inkaar’.

The reuse is a direct replay without re-recording. The song duration is shorter because only one stanza of the song is utilized. Once again, being a repeat song, this does not appear in the Geet Kosh listings for the latter film. I have retained the credits for the song, from the original film – Majrooh Sultanpuri and Rajesh Roshan. Incidentally the music director for the latter film is RD Burman.

So another popular song reused in a later film. I accidentally ran into this song, as I was searching for another video clip to complete another post. The song “Hum Ko To Yaari Se Matlab Hai” from film ‘Andar Baahar’ has a sad version that was not getting located. I played thru the film in fast forward mode. It was a short clip but I was able to locate it. In the process, the bonus was the discovery of this repeat song that would have otherwise not been located, as it is not listed. A good chance discovery.

Song –  Tu..u..u Mungdaa, Mungdaa Main Gud Ki Dhali  (Andar Baahar) (1984) Singer – Usha Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – Rajesh Roshan

Lyrics

tu..u..u
mungdaa mungdaa
main gud ki dali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
tu..u..u
mungdaa ha mungdaa
main gud ki dali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali

aapas ki chaal dekhe so lut jaaye
aapas ki chaal dekhe so lut jaaye
tu jis pe naina daal haathon se pyaala satak jaaye
tu jis pe naina daal haathon se pyaala satak jaaye
aashiq apna
mungdaa mungdaa mungdaa
main gud ki dali
kaisa mulga hai re sharmila
tujhse to mulgi bhali
kaisa mulga hai re sharmila
tujhse to mulgi bhali

————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————–

तू॰॰ऊ॰॰ऊ
मूंगड़ा मूंगड़ा
मैं गुड़ की डली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
तू॰॰ऊ॰॰ऊ
मूंगड़ा मूंगड़ा
मैं गुड़ की डली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली

आपस की चाल
देखे तो लुट जाये
आपस की चाल
देखे तो लुट जाये
तू जिस पे नैना डाल
हाथों से प्याला सटक जाये
तू जिस पे नैना डाल
हाथों से प्याला सटक जाये
आशिक अपना मूंगड़ा
मूंगड़ा मूंगड़ा
मैं गुड़ की डली
कैसा मुल्गा है रे शर्मिला
तुझसे तो मुल्गी भली
कैसा मुल्गा है रे शर्मिला
तुझसे तो मुल्गी भली


This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4403 Post No. : 15790 Movie Count :

4349

Hullo Atuldom

7th August- remembrance day of Gulshan Kumar Mehta. It seems like just recently that my husband read the news of his demise from the morning papers and asked me who it was? I just rattled out a list of songs that were written by him and he was surprised that almost all the songs that I mentioned he knew he had heard but without knowing who had written it or other details about the song. Today is this Gulshan Kumar Mehta’s 11th anniversary. He is known popularly as Gulshan Bawra.

The name “Baawra” was goven to him by distributor Shantilal Dave who could not believe that the then 19 year old “Baawra” could write such meaningful lyrics. And this moniker “Baawra” stuck.

As I sat to write this post I found a link on youtube that gave me 45 minutes of Gulshan Bawra songs under the title “Best of Gulshan Bawra” and contained the following songs: tumhe-yaad-hogaa; Aapse humko bicchde huye ek zamaana beet gaya; Hamne jo dekhe sapne; Waada karle saajna tere bina main na rahoon; Le chal le chal mere jeewan saathhi; Jeewan ke har mod pe mil jaayenge hamsafar; Tumko mere dil ne pukaara hai; Yaari hai imaan mera yaar meri zindagi.

Of the 10 songs in that list I didn’t know only two:- “dil sambhaale sambhalta nahin” and “beete hue din kuch aise hi hain”. But of course all the 10 are present on our blog. And 141 out of the 380 odd songs that he has written, are present in the blog. His first outing in movies was in the 1959 movie “Satta Bazaar” (1959) with the classic ‘tumhe yaad hoga kabhi hum mile the’. His career spanned almost four decades and we have a range of songs to entertain ys from the patriotic Aaj hai do october ka din and ‘mere desh ki dharti’; melodiously romantic ‘chaand ko kya maloom’ and funnily romantic ‘peenewaalon ko peene ka bahana chahiye’. His ‘dukki pe dukki ho’ is as popular as ‘dilbar mere kab tak mujhe’. And I remember having seen him on screen lip syncing ‘deewane hai deewano ko na darr chahiye’ and also enjoying the party in ‘Parivaar’ when Nanda sang ‘aaj hai do october ka din’. He was there on screen in Manoj Kumar directed ‘Upkaar’ as the halwai’s son. His songs have been put to music by Kalyanji Anandji, R D Burman, Shankar Jaikishan. He was awarded the best lyricist Filmfare award for “mere desh ki dharti” and “yaari hai imaan mera yaar meri zindagi” which also topped that years Binaca Geetmala.

Thinking of this lyricist on his anniversary with a song from the 1984 release “Andar Baahar”. 1984 was when I had discovered the new crop of good looking actors Jackie Shroff, Anil Kapoor, Sunny Deol etc. They looked good and danced/ acted reasonably well too. So I could request my dad to see this movie. He was also a fan of movies which were of the ‘masala’ genre and had some good songs for added pleasure and relaxation. I could never convince him to see any of the Arty movies, but that is another story.

“Andar Baahar” was a movie produced by Romu Sippy and directed by Raj N. Sippy. It had a cast of Jackie Shroff- Anil Kapoor- Parikshit Sahni- Anita Raaj- Danny. This was Moon Moon Sen’s Hindi debut (one of the reasons my dad agreed to come for the movie, he wanted to see Suchitra Sen’s daughter).

The movie had a very simple storyline:- A cop-n-crook story. The crooks led by Danny crack the safe of a bank, and one of them turns greedy and tries to shoot the others out of his way. The sound gets cop Ajay Sahni (Parikshat Sahni) to the spot and one of the team of crooks runs away with the loot. Danny escapes from prison and threatens the absconding Gulshan Grover of killing his sister if he doesn’t return the loot. Gulshan squeals to the cops and inspector Ajay and his friend Ravi Khanna (Jackie) reach the spot. Only this time, in the operations, inspector Ajay is fatally wounded and now inspector Ravi seeks vengeance. With the permission of the commissioner he brings the wounded crook Raja (Anil Kapoor), who is still in his custody, to help him track Shera (Danny) Gulshan etc and bring the movie to a close. In the process Ravi Khanna finds a friend in Raja who takes Ajay’s place in his life.

Now since there are friends in the movie it is mandatory to have a song where the heroes proclaim their love for each other. This is sung by Shailendra Singh and Suresh Wadkar. R D Burman is the music composer. The song has a stamp of RD all over it:- great opening piece and in between the mukhda and antara. We can also hear the harmonica (popularly called mouth organ) through the song.

Incidentally it also happens to be Suresh Wadkar’s 65th birthday. He has been active since 1977 – ‘Paheli’ and ‘Gaman’ (1978). His voice was different from the reigning voices of that time. He also is trained in classical music which is evident in “Saanjh Dhale Gagan Taley” and his numerous songs which need a clear voice at high pitch. We have 71 songs of his on the blog. We have a lot more songs out there for us to learn the range that he can sing in. For today we shall hear him here in this song and wish him a very Happy Birthday.

N.B.: There is a sad version to this song, video of which I am unable to locate.

(Jackie with Parikshat Sahni)(lyrics based on this)

(Jackie – Sad Version)

(Jackie with Anil Kapoor)

Song-O hamko toh yaari se matlab hai (Andar Baahar)(1984) Singers-Shailendra Singh, Suresh Wadkar, Lyrics-Gulshan Bawra, MD-R D Burman
Both

Lyrics

o humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
arre humko toh yaari se matlab hai
haan humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

haan humko toh yaari se matlab hai
oo humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

hey ek aur ek toh gyaarah hote hai
ab toh hum wohi gyaarah hain
humko jo koyi aankhen dikhaayega
uski maut ka ishaara hai ae ae

ek aur ek toh gyaarah hote hai
ab toh hum wohi gyaarah hain
humko jo koyi aankhen dikhaayega
uski maut ka ishaara hai

ho jab tak bhi jeeye
yoon hi hasatein rahe
log kuchh bhi kahein yaara

arre humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

hey jeene ko jeete hain
yoon toh sabhi yaaro
jeena usiko kehte hain
jeete nahin jo apne liye hi
auron ke dil mein rehte hai hae hae
jeene ko jeete hain
yun toh sabhi yaaro
jeena usiko kehte hai
jeete nahi jo apne liye hi
auron ke dil mein rehte hai
kaun rahega yahaan
hai yeh phaani jahaan
kal honge kahaan yaara
hey humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

hae ab toh hum kabhi
door na honge ji
apna aisa iraada hai
tere liye pyaare
jaan haazir hai
tujhse yeh mera waada hai

ho ab toh hum kabhi
door na honge ji
apna aisa iraada hai
haan tere liye pyaare jaan haazir hai
tujh se yeh mera waada hai

ho ik dooje ka hum
sada baatenge gum
aaj khaale kasam yaara
arre humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahi yaara
arre humko toh yaari se matlab hai
arre humko toh yaari se matlab hai


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4362 Post No. : 15687

Hullo Atuldom

27th June- birth anniversary of our beloved Panchamda a.k.a RD Burman. We have many posts on this blog which gives us details of his birth, his lineage, and many many other trivia connected with how he got the nickname “Pancham”.

So without wasting time or as some people would like to say ‘zyaada footage khaaye bagair’ I will come straight to today’s song. It is from the 1989 released, Vidhu Vinod Chopra written-produced & directed “Parinda”. It had Madhuri Dixit, Jackie Shroff, Anil Kapoor, and Nana Patekar in a rather grey role. Anupam Kher was there in a special appearance.

Anil Kapoor and Jackie Shroff played brothers. Anupam Kher played Anil Kapoor’s friend and Madhuri’s brother. Jackie Shroff works for the underworld chieftain Anna (Nana Patekar). Anil Kapoor returns from studying abroad and meets his childhood friend Anupam Kher who has become a police officer. He also witnesses his friend being shot down by the underworld and decides to avenge his death.

The movie is interspersed with the tender love and camaraderie that is shared between the brothers and their dreams of having a family complete with wife children etc. Today’s song is when the brothers are thinking of the impending marriage of Anil Kapoor with Madhuri.

“Parinda” had seven songs which were written by Khurshid Hallauri of which one is there on the blog, posted on 15th of May 2015. (It has a sad version which was posted in the comments by Prakashchandraji) There was also a comment there by Prakashchandraji:- “And Who is Khursheed Hallauri ??, the lyricist, Any one who has information about him, Please share with us.” This question still remains.

This movie was planned by Vinod Chopra after his low-budget suspense thriller “Khamosh” failed to find a distributor for theatrical release. “Parinda” received critical acclaim when released. It also won two National awards and five Filmfare awards. It was also selected to represent India at the Oscars that year.

I chose this particular song as it talks of a marriage and we have an active follower of this blog celebrating his anniversary today. He is a big fan of Pancham and his music so I hope he and his life-partner (also known as Satulite in Atuldom) like this song.

Thank You Panchamda for leaving us this fun song.

Audio

Video

Song-Sehre mein dulha hoga (Parinda)(1989) Singers-Shailendra Singh, Suresh Wadkar, Lyrics-Khursheed Halluri, MD-R D Burman
Both

Lyrics

sehre mein dulha hoga,
ghoonghat mein dulhan hogi
haan sehre mein dulha hoga,
ghoongat mein dulhan hogi

masti mein naachenge yaar
ke ghar mein baaja bajega
sehre mein dulha hoga
ghoongat mein dulhan hogi
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega

ho o aayega jab din woh khushi ka
hosh rahega kisko kisika
hoo ghar aayegi bhaiyya ki dulhan
jhoom uthhega yeh ghar aangan
hey raat suhaani hogi,
chadhhti jawaani hogi

duniya deewaani hogi,
saath me rani hogi
karke sola singaar
ke ghar me baaja bajega

haan sehre mein dulha hoga,
ghoongat mein dulhan hogi
sehre mein dulha hoga,
he ghoongat mein dulhan hogi
masti mein naachenge yaar
ke ghar me baja bajega

poore honge armaan dil ke
honge khush dulhan se mil ke
pyaar se hongi pyaari baatein,
katt jaayengi pal mein raatein

haan saanson mein hogi jwaala
chaabhi hogi na hoga taala
saali hogi na saala,
saala hoga na saali

aaya hai tere dar pe sawaali
shirdiwaale sai baba
shirdiwaale sai baba
aaya hai tere dar pe sawaali
no no no bhaiyya
sawaali nahin saali saali
saali hogi na saala,
chaabi hoga na taala

saali hogi na saala,
chaabi hoga na taala
donon karenge pyaar
ke ghar mein baaja bajega

haan sehre mein dulha hoga,
ghoonghat mein dulhan hogi
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega

armaanon ki bagiya khilegi,
bhaiyya ko mere dulhan milegi
o o behne lagegi prem ki dhaara
paawan hoga jeewan saara

hoga jo poora saal
godi mein hoga laal
hoga jo poora saal
godi mein hoga laal
haan duniya dekhegi mera kamaal
ho chhorra ganga kinaare waalaa
ho chhorra ganga kinaare waalaa
o khaike paan banaaras waalaa
khuli jaaye band akal kaa taalaa
phir to aisa kare kamaal
seedhi karde sabki chaal

arre arre arre
chaal nahin gadhe
saal saal
hoga jo poora saal
godi mein hoga laal
hoga jo poora saal
godi mein hoga laal
chhota sukhi parivaar
ke ghar mein baaja bajega
sehre mein dulha hoga
ghoonghat mein dulhan hogi
sehre mein dulha hoga
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
haan baaja bajega
ha ha
arre baaja bajega
baaja bajega


This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4319 Post No. : 15605 Movie Count :

4297

Hullo Atuldom

Today’s song is from a movie that released 32 years ago. This movie and song were instrumental in catapulting our today’s birthday girl into the big-league.

She had made her debut in Bollywood in 1984 through a Rajshri Productions movie which had a story similar to the Jaya Bhaduri starrer “Uphaar” of the 70s. Then followed a string of movies; which were not so successful; where she was an “also there” or what is generally termed as a glamour doll. Even 1988 saw her in four movies three of which were commercial failures. So we can term her start to be something like what the Big B experienced in the 70s.

But her fourth release of 1988 (release date 11 November) made her an overnight star along with re-affirming Anil Kapoor’s standing in the industry.

So today’s song is from N.Chandra’s “Tezaab” and with this we are wishing our “Mohini” a.k.a Madhuri Dixit (Nene got added to her name after marriage to Dr. Nene in 1999). Madhuri played a unfortunate, kindhearted and gentle girl who is forced to dance by her father so that his drunken ways are financed. She looked the role of a meek, frail girl but danced brilliantly.

Most Madhuri’s subsequent movies had atleast one great dance number. Who can forget “humko aaj kal hain intezaar”; “mera piya ghar aaya o ramji”; “Tamma tamma loge”; “dhak dhak karne laga” and the cream of them all “choli ke peeche kya hain” to name the most popular ones (there are many more) As I write this I find all the songs that I have mentioned here are yet to make their appearance on the blog except for the song from Khalnayak “choli ke peeche”.

She made an excellent pair with whoever she was cast opposite but the pairing with Anil Kapoor was a different class altogether. They did 18 films together including the 2018 release “Total Dhamaal”. There is a strange camaraderie between the two actors which is evident in any scene that they enact.

She must be among the few actress who have acted with pairs of father and son- Rishi and Ranbir Kapoor, Vinod and Akshaye Khanna for example.
Today’s song has a female and male version. Female playback -Alka Yagnik and male – Amit Kumar. The songs were written by Javed Akhtar and Laxmi-Pyare were the composers.

The male version is shot on the streets of Mumbai and we can see the steps of the famous Asiatic Library; also Akbarally’s which was one of the first departmental store of Mumbai (have done shopping there a few times when the kids were small.)

The Female version is a stage song which ends when a group of bandits or thugs led by Kiran Kumar, invade the scene with the intention to corner Anupam Kher (who played the drunkard father of Mohini). They leave carrying Mohini with them when they cannot find Anupam Kher.

So here is wishing the ever so beautiful brilliant dancer and of a million-bucks smile a long and healthy life and success in all her future ventures too. She still has a lot of time before she calls it a day. She is still very young.

Male version

Female version

Song-Ek do teen chaar paanch chhe saat (Tezaab)(1988) Singer-Amit Kumar/ Alka Yanik, Lyrics-Jawed Akhtar, MD-Laxmikant Pyarelal
Male chorus
Female chorus

Lyrics

——————–
Male version
——————–
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong

ek do teen
char paanch chhe saat aath nau
dus gyarah baarah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

tera karoon
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
chaar paanch chhe saat aath nau
dus gyarah barah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

chaudah ko jab maine kehlaaya thha
chaudah ko jab maine kehlaaya thha
pandarah ko aaoonga
main aaya thha
pandarah ko parde se nikli na tu
tujh ko na paake main ghabraaya tha
solah ko bhi
solah ko bhi subah se tha bekarar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

satarah ko soya nahin raatbhar
athhaarah ko bhi tu na aayi nazar
unees ko main deewaana hua
bees ko ghar se rawaana hua
galiyon mein
galiyon mein goonje deewaane ki pukaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
chaar paanch chhe saat aath nau
dus gyarah barah terah

ikkees ko aayi na
baaees ko tu
jab na mili teyees chaubees ko
pachees ko samjhaya sab ne mujhe
mat jaane de de na chhabees ko
duniya mein bas
duniya mein bas din hain mere aur chaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah baarah terah

din lage hafte
re hafte maheene
maheene lagte saal
aake zaara tu dekh toh le
kya hua hai mera haal
deewaana dar dar main phirta hoon
na jeeta hoon na main marta hoon
tanhaayi ki raatein sehta hoon
aaja aaja
aaja aaja aaja
aaja ke din ginta rehta hoon
aaaa
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

—————————————–
Female version
—————————————–

mohini mohini mohini mohini
mohini mohini mohini mohini
ho ho ho ho
ho ho ho ho oooooo

namaskaar
namaskaar
kahiye, kya sunege aap
arre pehle ye kahiye, kahaan thi aap
main
main kar rahi thi kisi ka intezaar
kaun hai woh
jisse karati hoon pyaar
haaye
aur, jisse karati hoon minnate baar baar,
kaise
aise

ding dong ding,
ding dong ding dong ding dong
ding dong dong
ding dong ding dong dong dong
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

tera karoon,
tera karoon din gin gin ke intezaar
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar
aaja piya aayi bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

chaudah ko tera sandesa aaya
chaudah ko tera sandesa aaya,
pandrah ko aaoonga ye kehlaaya
chaudah ko aaya na pandrah ko tu,
tadpaake mujhko toone kya paaya
solah ko bhi
solah ko bhi solah kiye thhe singaar,
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aayi bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

satrah ko samjhi sang chhoot gaya
athharah ko dil toot gaya
ro ro guzaaraa maine saaraa unnees
bees ko dil ke tukde hue bees
phir bhi nahin
phir bhi nahin dil se gaya tera pyaar,
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

ikkees beeti,
baayees gayi,
teyees guzari, chaubees gai
pachchees chhabees ne maara mujhe
birha ki chakki mein main pis gayi
din bas
din bas maheene ke hain aur chaar
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

din bane hafte re,
hafte maheene,
mahine ban gaye saal
aake zara tu dekh to le
kya hua hai mera haal
deewaani dar dar main phirti hoon
main jeeti hoon naa main marti hoon
tanhaayi ki raaten sehti hoon
aaja aaja
aaja aaja aaja
aaja ke din ginnti rehti hoon
ek do teen,
chaar paanch chhe saat aath nau,
dus gyaarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhai saat aath nau,
dus gyarah barah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyaarah baarah terah


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4095 Post No. : 15240

wo chaand hai to aks bhi paani mein aayegaa
kirdaar khud ubhar ke kahaani mein aayegaa
(Iqbal Sajid)

Aks – reflection
Kirdaar – character

“jis ke paas koyi saboot nahin hota, kya wo kabhi beqasoor nahi ho sakta.”

This is the dialogue spoken by Meenakshi Sheshadri to Anil Kapoor, a lawyer, when he has refused to take her sister’s Beena’s case.  Meenakshi’s sister is a doctor and a patient dies in her private clinic, after she has administered a medicine to the patient. The medicine contains poison, and the bottle is already in the custody of the courts/police. There is no way anyone can prove that the patient did not die because of the medicine in that bottle. So all the lawyers are refusing the case and Meenakshi and the brother in law Parikshit Sahani, also a doctor, are running from pillar to post to find a lawyer who can defend Beena in the court.

The moment she says this dialogue, Anil Kapoor is transported to his childhood, when his mother Nutan had said the same words to the lawyer/ public prosecutor Amrish Puri, in defense of her husband Girish Karnad.  This whole story is in flash back – the story of Anil Kapoor, his sister and parents.

In the present, Anil Kapoor decides to defend Beena in the courts, and in true heroic style, drinks the medicine from the very bottle to prove that the patient did not die because of the medicine. Within minutes, the case is over, judgment delivered, Beena is ‘ba-izzat bari’.  Parikshit Sahani takes Anil Kapoor to the hospital immediately and treats him to save his life.  What happens to the actual culprit who put poison into the medicine bottle, I don’t know.

The court language in this type of films had glossary like ‘mulzim’ which is the one accused of a crime, ‘mujrim’ is the one whose crime is proved.  Crime is ‘jurm’ and ‘mere faazil dost’ means ‘my esteemed friend’ – this is how lawyers would refer to each other in front of a judge.

So with the case over, the doctors are grateful to Anil Kapoor and Meenakshi is in love with him. The doctors host a party to celebrate and Anil Kapoor on piano, again revives his child hood memory of the theme song at the party. This is Part-II of the song. After this party this dream sequence song, “Ae Mere Khwaabon Ke Shehzaade” comes up. This is a beach song, posted Peevicies’s mom and I have seen that song too just now. That song is one extravaganza on Madh island or Aksa beach and what is Meenakshi wearing in the last sequence? Looks as if she was trying to be a South Indian Cleopatra.

Now back to flashback:  Girish Karnad is convicted of a crime he did not commit. Nutan has tried in vain to get someone to fight her husband’s case against the formidable Amrish Puri. Their happy family is ruined, even as she manages to obtain a stay on the conviction of ‘sazaa-e-maut’, but reached late on the location. Girish Karnad has been hanged. After this I think, she loses her mind and is taken to mental Asylum.

Meanwhile the young children Anil Kapoor and the sister are left to fend for themselves in the big bad world. That is when Anil Kapoor is remembers the song that his mother and father used to sing, with his father on the piano, “Jeet Jaayenge Hum. . .”.  The song is highly motivational, though situational.  It is songs like these which make Laxmikant-Pyarelal such kings of the proverbial situational songs.  Theme song or not, the lyrics and composition is all more than apt for the mood and need of the script.  And to think that the script by Javed Akhtar originally had no scope for songs.

The events of childhood have a profound effect on the young Anil Kapoor and the song motivates him to keep fighting and to always hope and strive to win against all odds. And win he does, grows up to become a lawyer himself, struggles with the system and grows to achieve his goals step by step. All this while he is always conscious of how his mother’s struggles with the system to save his father from being punished from the crime which he has not committed. He has raised his younger sister Khushoo and who is now studying in a college. Anil Kapoor manages to trace his mother also and brings her home. But she is still not well and does not remember her children. Which is a cause for more pain, prompting Anil Kapoor to recall the childhood song again. This is when the Part-III of the song is played when Anil Kapoor and Meenakshi sing this song at home, hoping to revive Nutan’s memory and restore her mental health.

I thought, this was a movie made by GP Sippy, but turns out it was eventually made by Subhash Ghai.   Actually I found this song on YouTube a few days ago and saved the link to see it sometime. Today I got the time to see it and all the memory of the story, dialogue and songs etc. came rushing in the mind.

Jab itna kuchh likhne ke liye yaad aa gayaa to ek post to ban hi jaati hai. 🙂

The song is played multiple times throughout the film. This can’t be anyone other than Anand Bakshi’s doing, the lyrics I mean. Singers are Shabbir Kumar (in full Rafi mode) for Anil Kapoor, Nitin Mukesh for Girish Karnad and Lata Mangeshkar for Nutan, Meenakshi Sheshadri and Khushboo.

It shows that successful people have motivation for success, early in life and have to be ready for struggle. Come what may, we will not give up. Because life is always a struggle, even if one cannot foresee the difficulties to come. ‘Jung’ is not war here, but an avowal not to give up against adversities. In every way, it is struggle to succeed and defeat the bad. And this struggle starts with self to improve the self and its abilities and make them pure, truthful, honest and trustworthy. Because to do ‘jung’ with your lot is to do ‘jidd-o-jahad’ i.e. to struggle and strive.

I found a poem in the photos which I had taken in the hotel at Jaipur, during our vacation visit earlier this year.  I am searching the net for the name of the poet but even Rekhta.com is not having the works of this poet.  The title of the poem is ‘Kuchh Kehna Chaahta Hoon”.

tum kuchh lafz
musta’aar de do
main bolna chaahta hoon

mere lafzon ke haathh
ab sar par aa chuke hain
jaise haarey huye sipaahi

wo itna jhooth pee chuke hain
sach keh nahin sakte

apaahij, beemar aur za’eefon ki tarah
un ko sirf taknaa aata hai

tum kuchh lafz
musta’aar de do
main kuchh kehnaa chaahta hoon.

Musta’aar – lend, loan for a while.
Apaahij – handicap
Za’eef – aged, frail with age

Video (Part I)

Video (Part II)

Video (Part III)

Audio (Part III)

Song – Zindagi Har Qadam Ik Nayi Jung Hai (Meri Jung) (1985) Singer – Lata Mangeshkar, Nitin Mukesh, Shabbir Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Lata Mangeshkar + Nitin Mukesh
Lata Mangeshkar + Shabbir Kumar

Lyrics

(Part I)
hmmm mmmmm
hmmm mmmmmm
hmmm mmmmm
hmmm mmmmmm
hmmm mmmmm
hmmm mmmmmm
aa aa aaaaa
aa aa aaaaa
aa aa aaaaa
aa aa aaaaa
oo oo ooooo
oo oo ooooo
aaa aaaaa aaaaa
hmmmmmm mmmmm
hmmmmmm mmmmm

jeet jaayenge hum
oo ooo ooooo
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai

tu ne hi
sajaaye hain
mere honthon pe ye geet
tu ne hi
sajaaye hain
mere honthon pe ye geet
teri preet se mere
jeewan mein bikhra sangeet
mera sab kuchh teri dain hai
mere mann ke meet
main hoon ek tasveer
tu mera roop rang hai ea ea
zindagi 
har qadam
ik nayi 
jung hai
zindagi 
zindagi ee
har qadam
ik nayi 
jung hai

hausla na chhod
kar saamna jahaan ka
hausla na chhod
kar saamna jahaan ka
wo badal rahaa hai
dekh rang aasmaan ka
rang aasmaan ka
ye shikast ka nahin
ye fateh ka rang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai

roz kahaan dhoondenge
sooraj chaand sitaaron ko
aag lagaa kar hum roshan
kar lenge andhiyaaron ko
gham nahin jab talak
dil mein ye umang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai

(Part II)
ooo ooooo
hmmmm mmmm mmmmm
hmmm mmmm mmm
oooo ooooo
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ek nayi
jung hai

(Part III)
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai

ik dooje se
ham donon ke
naam judey hain aise
ik dooje se
ham donon ke
naam judey hain aise
mast hawaaon mein ea
saaz judey hain aise
jaise main dor hoon
aur tu patang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
zindagi
har qadam
har qadam
ik nayi
jung hai

aaaaa aaaaaaaa
oooo oooooo
aaaa aaaaaaa
ooooooo oooooooo
ooooooo

[Nutan speaks]

tu ne hi sajaaye hain
mere honthon pe ye geet
tu ne hi
tu ne hi sajaaye hain
mere honthon pe ye geet
tu ne hi sajaaye hain
mere honthon pe ye geet
teri preet se mere
jeewan mein bikhra sangeet
teri preet se mere
jeewan mein bikhra sangeet
mera sab kuchh teri dain hai
mere mann ke meet
mera sab kuchh teri dain hai
mere mann ke meet
main hoon ek tasveer
tu mera  aa
mera aa
mera aa
mera aa

[Anil Kapoor : gaao na maa]

main hoon ik tasveer
tu mera roop rang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
zindagi
har qadam
har qadam
ik nayi
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
jeet jaayenge hum
jeet jaayenge hum
tu agar
tu agar
sang hai ea ea ea
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4044 Post No. : 15171 Movie Count :

4168

hullo to all of Atuldom

Yesterday (13 august 2019) was the birth anniversary of our dear Sridevi, hailed as the first female superstar of Bollywood. I was not liking it that we had let it go without a post. Then last thing before I switched off for the day, I saw a song on some satellite channel and had my ‘eureka’ moment. I found a song from the later period of Sridevi’s career when she had started experimenting with the characters she played.

The song was from the 1997 Raj Kanwar directed and Boney Kapoor produced “Judaai”. The movie starred Sridevi alongside Urmila Matondkar and Anil Kapoor with Kadar Khan, Johnny Lever, Farida Jalal, Upasana Singh, Junior Mehmood, Paresh Rawal, Dinesh Hingoo, Saeed Jaffrey and two sweet child actors. Poonam Dhillon had a special appearance. The movie was a remake of a 1994 Telugu film “Shubhalagnam”.

It was a story of a lady Kajal (Sridevi) who gets her honest and loving husband (Anil Kapoor) married to his boss’s niece (Urmila) in exchange for money in her quest to become rich quickly. She gets this done much against her husband’s wishes and she faces social problems when she realises that it is not possible to remain your ex-husband’s legal wife after having divorced him and practically sold him to another lady. The film received mixed reviews for its simple and clichéd plot and execution. But the performances of the lead actresses were appreciated. This was Sridevi’s last film appearance before she took a sabbatical to lead a family life. Sridevi and Johnny Lever played the children of Kadar Khan and Farida Jalal.

Incidentally today happens to be the 62nd birthday of Johnny Lever. He was brought up as John Prakash Rao Janumala. He had to drop out of studies as his family faced financial problems and he pithed in by doing odd jobs including selling pens on the streets by mimicking Bollywood stars etc. At a program in his father’s plant (Hindustan Lever Limited) he mimicked some senior officers and the workers there gave him his stage name JOHNNY LEVER. He started out his career doing stage shows Kalyanji Anandji Nite, Tabassum Hit Parade etc which served as his launchpad. He has been entertaining the world since the 80s. His daughter Jamie is following in his footsteps and is a comedian-actor-singer. Here is wishing him a long and healthy life.

Todays’ song is sung by Bali Brahmabhatt, Alka Yagnik and Shankar Mahadevan. Nadeem Shravan are the music composers and Sameer was the lyricist. It is a party song that celebrates the birthday of Sridevi’s character’s daughter. We have Upasana Singh, Kadar Khan, Sridevi, Urmila and Anil Kapoor singing and Junior Mehmood is also there in the scene.

So, here is a song which sings the mind of most males of the species. I am not judging anybody. 🙂 my statement is based on all the husband-wife jokes that are constant on the various social media forums. 🙂


Song-Shaadi kar ke phans gaya yaar (Judaai)(1997) Singers-Bali Brahmbhatt, Alka Yagnik,Shankar Mahadewan, Lyrics-Sameer, MD-Nadeem Shrawan
Chorus

Lyrics

haayo rabba haayo rabba haayo rabba
haayo rabba haayo rabba haayo rabba
haayo rabba haayo rabba haayo rabba
haayo rabba haayo rabba haayo rabba
aa haa
aa haa
aa haa
aa haa

shaadi karke
shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
arre jo khaaye pachhtaaye
jo na khaaye woh lalchaaye
jo khaaye pachtaaye
jo na khaaye woh lalchaaye
door se meethha lagta hai
yeh kadva laddoo pyaaara
shaadi karke
shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa tha kanwara
aa aaa
aa aa aaa

aasmaan ki pari ho chaahe gori ho ya kaali
chaar dinon ki chaandni hoti hai har gharwaali
abbaa dabbaa jabbaa aa
abbaa dabbaa jabbaa aa

aasmaan ki pari ho chaahe gori ho ya kaali
chaar dinon ki chaandni hoti hai har gharwaali
shaadi karne waala bas shaadi ke din hansta hai
saari umr woh rota hai
iss jaal mein jab fansta hai
dar dar bhatke
dar dar bhatke mere yaar
dekho iss aafat ka maara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa thha kanwaara
aa aaa
aa aaa

arre sun mere harry re ae ae
arre sun mere hirva
sun o hiraalaal re ae
saare agar kanwaare hote
na karta koi shaadi
kaise chalti ye duniya
kaise badhhti aabaadi

aa aaa
aa aaa
aa aaa
aa aaa

hey saare agar kanwaare hote
na karta koi shaadi
kaise chalti ye duniya
kaise badti aabaadi
byaah racha ke jo na main teri mummy ko laata
bol zara pagle
tu kaise iss dharti pe aata
tere jaisa
tere jaisa moorakh na paida hoga kahin dobaara

aa haaa aa haaa
shaadi karke phans gaya yaar
achcha kahsa tha kanwara
aa haaa
aa haaa

mere tan ka gehna ban gaye chanda aur sitaare
maine jitne sapne dekhe poore ho gaye saare

aa haaa
aa haaa

aaj main kitni khush hoon jeewan ki khushiyo ko pa ke
jee karta hai nsachu bin paayal ghungroo chankaake

jaise din ke bina adhuri hoti raina kali
do pahiyo ke bina chale na gaadi jeewan waali
mere apne
mere apne meri jaan maine tum pe sab kuchh vaara

aa haaa
aa haaa

o shaadi karke phans gaya yaar
achcha khasa thha kanwara
aa aaa
aa aaa
jo khaaye pachataaye
jo na khaaye woh lalchaaye
door se meetha lagta hai ye kadva laddoo pyaara
shaadi karke
shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa tha kunwara
aa aaa
aa aa aa aa

haayo rabbaa haayo rabbaa haayo rabbaa
haayo rabbaa haayo rabbaa haayo rabbaa
haayo rabbaa haayo rabbaa haayo rabbaa
haayo rabbaa haayo rabbaa haayo rabbaa


This article is written by Peevesie, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3657 Post No. : 14519

ASAD 10th Anniversary Celebrations – 17
———————————————————————

Some achievements boggle your mind. A few years ago it was 10k song and now its 10 years of this blog. Maybe I should say it bloggles my mind! Terrible puns aside, I apologize for this delayed write up. Some incidents over the last weekend, caused me to tragically lose my phone, and after a remote data erase, miraculously find it again. It felt like a Hindi film honestly, one I would have titled ‘Kabhi Khushi Kabhi Gham’ if there hadn’t already been one by that name.

But today I am spurred into re-action as I seemed to be the only one without a post on this occasion despite being named by the fantastic Atul ji as the youngest contributor (though, isn’t that credit long stolen. I remember a 18 yr old writing about amirbai karnataki?) I decided that ‘देर आए पर दुरुस्त आए’ will be my style and I will write a new article and mark my attendance so to speak.

As I read what Atul ji wrote, I reflected on my own journey, from a watcher of movies to being someone who now stands behind the camera for 16 hrs a day and watches the magic happen. I love watching movies for fun even today and that’s how my first watch of anything still is. But my subsequent watches have me looking at individual shots and camera movements, production design and set decor, costuming and makeup, and all these aspects as they come together with the script and dialogue as an experience. I not only appreciate the executive brilliance but also spend time imagining the sight of some poor production guy whose life turned miserable for the shot to be executed.

Of course there are a lot of people who would like to say that movies made earlier are better than current movies but this honestly not true. Especially the 70s-90s, I grew up in the 90s, but I have to have  my nostalgia glasses glued to my face when I see the movies. Else I will start ranting about their problematic portrayals for a few days. Similarly some movies were technically brilliant then but there is some great original work being done today too. Of course like in a podcast by SnG comedy’s Aadar Malik (nephew to Anu Malik and a comedian in his own right) mentioned, (talking about the lack of technical advancement they recorded under in the 70s), “Yeh log ko itna mehnat aur perfection rakhana padta tha, because ek mistake bhi kitna bhari padta, ek do gaana chura liya toh kya hua aisa lagta hai”

My song today is one I picked not just because of its celebratory mood, nor because it has a varied ensemble that resembles us Atulites, but also to appreciate the hard work behind the whole thing. It’s the first song that’s been filmed, and presented in entirely one take in one camera. Our beloved song from ‘Aradhna’ (1969) had multiple cameras and the song from ‘Main Hoon Na’ had cuts from a separate location. This one had neither and you have to appreciate all the work and practice needed for everyone to be exactly in the place they needed to be at every moment whether in focus or out, their high energy throughout and the absolute conviction in co-ordination they had. There is also a very cute shot of Priyanka doing a dance step like an extra with her face looking away as she moved from one side to another for her next cue. The dance is cute and fun and Priyanka and Ranveer make the cutest siblings.

The song is from ‘Dil Dhadakne Do’ (2015) which is directed by Zoya Akhtar. and has a whole list of performers. We have Anil Kapoor, Shefali Shah, Priyanka Chopra, Ranveer Singh as Kabir Mehra, Farhan Akhtar, Rahul Bose, Vikrant Massey, Ridhima Sud, Parmeet Sethi, Dolly Mattdo, Manoj Pahwa, Preeti Mamgain, and a few I couldn’t identify dancing along perfectly in sync. The music is by Shankar ehsaan Loy and the lyrics are by Javed Akhtar. The singers are Shankar Mahadevan, Yashita Sharma, Manish Kumar Tipu, Farhan Akhtar and Sukhwinder Singh.

Enjoy. And congratulations to all

Song – . . . Kar Le Gallaan Goodiyan (Dil Dhadakne Do) (2015) Singers – Yashita Sharma, Manish Kumar Tipu, Farhan Akhtar, Shankar Mahadevan, Sukhwinder Singh, Lyrics – Javed Akhtar, MD – Shankar Ehsaan Loy

Lyrics

main daalun taal pe bhangra
tu bhi gidda paa le
chal aisa rang jamaa de hum
ke bane sabhi matwaale

mann kahe ki main le aaun
chaand aur taare saare
inn haathon par main chaand rakhun
iss maang mein bhar doon taare

hello!
hello!
tu floors pe jab hai aayi
ye lo
ye lo
badi solid masti chhaayi
hello!
hello!
too much hai tumne lagaayi
ye lo
ye lo
control karo mere bhai

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

ye nain matakka tera
oy mujhe bada tadpaave
tu dekhe to ajj vi dilbar kudiye
teer sa ik chal jaave
aahaa..
aahaa..
kar de bin piye saraabi
chehra tera gulaabi
koi kyun na yamla ban jaave
jo itni ho betaabi

hello!
hello!
dil dil se connect karna
ye lo
ye lo
ye lo
ye lo
ye baatein direct karna

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

aha..ho
aha…
o mar jaane..

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak
main kabootar phaseya ki hor koi phase vi na
haaye phase vi na
phase vi na haaye phase vi na
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
ho..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi naa..aa..aa..aa

ye baat na maine jaani
kyun itni khush hai diwaani
tu mujhko aisi kahaani
samjha de
samjha de..
ye baat hai sab ne chaahi
miley janmon ka humraahi
yahaan hua hai kuchh aisa hi
samjhe na samjhe na o ho..
ab main jaana
keh rahi ho
kya fasaana ho ho
pyaar karne

se bhi mushqil
hai nibhaana ho ho

hello!
hello!
don’t mind mera ye kehna
ye lo
whoo
ye lo
whoo
zara mere touch mein rehna

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
aa.. aa.. aa.. aa.. aa.. aa..
o haaye…

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

o mar jaa ve…

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

मैं डालूँ ताल पे भंगड़ा
तू भी गिद्दा पा लै
चल ऐसा रंग जमा दें हम
के बने सभी मतवाले

मन कहे मैं ले आऊँ
चाँद और तारे सारे
इन हाथों पर मैं चाँद रखूँ
इस मांग में भर दूँ तारे

हैल्लो
हैल्लो
तू फ्लोरस् पे जब है आई
ये लो
ये लो
बड़ी सॉलिड मस्ती छाए
हैल्लो
हैल्लो
टू मच है तुमने लगाई
ये लो
ये लो
कंट्रोल करो मेरे भाई

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

ये नैन मटक्का तेरे
ओय मुझे बड़ा तड़पावे
तू देखे तो अज वी दिलबर कुड़िए
तीर सा इक चल जावे
आ हा॰॰
आ हा॰॰
कर दे बिन पिये सराबी
चेहरा तेरा गुलाबी
कोई क्यों ना यमला बन जावे
जो इतनी हो बेताबी

हैल्लो
हैल्लो
दिल दिल से कोन्नेक्ट करना
ये लो
ये लो
ये लो
ये लो
ये बातें डरैक्ट करना

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

आहा॰॰हो
आहा॰॰
ओ मर जाने

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क
मैं कबूतर फसेया ते होर कोई फसे वी ना
हाए फसे वी ना
फसे वी ना हाए फसे वी ना
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
हो॰॰
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना॰॰आ॰॰आ॰॰आ॰॰आ

ये बात ना मैंने जानी
क्यों खुश हैं इतनी दीवानी
तू मुझको ऐसी कहानी
समझा दे
समझा दे
ये बात है सब ने चाही
मिले जन्मों का हमराही
यहाँ हुआ है कुछ ऐसा ही
समझे ना
समझे ना ओ हो
अब मैं जाना
कह रही हो
क्या फसाना हो हो
प्यार करने
से भी मुश्किल
है निभाना हो हो

हैल्लो
हैल्लो
डोन्ट माइंड मेरा ये कहना
ये लो
व्हू
ये लो
व्हू
ज़रा मेरे टच में रहना

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
ओ हाए

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

ओ मर जा वे


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3589 Post No. : 14342

Hullo Atuldom

Back to writing after a gap of 3 weeks. Lovely three weeks. Spent among the hills of North- East India and South India. Must thank my nephew for insisting that I accompany them. If the Himalayas and its snow-clad peaks are a heavenly sight so are the mountain ranges of the Nilgiris in the south – the common feature being acres of tea gardens. For the second weekend outing to the Nilgiris, I hold my son and niece responsible.

Trust humans to spoil a good thing. Where there was a lot of discipline among the locals at both places; tourists have ruined Ooty as much as say Lonavla, Khandala or Mahabaleshwar in Maharashtra. Thankfully Sikkim has not faced much tourist onslaught and so is much cleaner. The air in these hill stations are so pollution free one doesn’t feel like returning to pavilion and the reality of daily routine. I am sure our Sadanand ji will be nodding in agreement being an avid traveller and having visited many such pristine locations. Hope I am right?

More about my travels some other time, I will get straight to the topic of this post.

This post is to wish the lady with the dazzling smile a very happy birthday. Unbelievable that she turned 51 yesterday. The dancer who out-dances her co-star without meaning to and effortlessly at that. But she is not all song and dance only; she is great in exhibiting all emotions with her eyes, face and voice. Just like the heroines of yesteryear, specially Madhubala, with whom she used to be constantly compared. Yes yes. I am speaking of Madhuri Dixit (now Nene). Having made her debut in movies through the 1984 Rajshri Productions ‘Abodh’ and tasting success with ‘Tezaab’, ‘Ram Lakhan’, ‘Tridev’, etc. she made a place for herself among the top-ranked heroines of Bollywood. Her teaming with Anil Kapoor, Sunny Deol, Sanjay Dutt, Govinda, Jackie Shroff (all the reigning stars of that period) was well received by the audiences. In the later half of the 90s she also teamed successfully with the 3Khans. She was lucky to have roles written specially for her as in Prakash Jha’s ‘Mrityudand’ and MF Hussain’s ‘Gaja Gamini’.

As much as I love Madhuri and her movies with their songs and dances, there are some songs of her’s which I don’t approve of. For example, her song in the movie ‘Anjaam’ – “Athraa Baras Ki Kunwaari Kali Thi. . . Choodi Tooti Chane Ke Khet Mein” or the song from ‘Khalnayak’ – “Choli Ke Peeche Kya Hai”; and then there is ‘Mera Piya Ghar Aaya O Ram ji” in ‘Yaarana’ or even “Dhak Dhak Karne Laga” from ‘Beta’. All these songs and some more of that type, which made Madhuri Dixit a dancing-star, are full of double meanings and were lapped up by the public. But there also is a greater number of Madhuri songs which are just as popular and have more ‘decent’ lyrics. For example, “Didi Tera Devar Deewana”, and her songs from ‘Devadas’, ‘Saajan’, ‘Sangeet’ etc. (no, I am not going to list her filmography here 🙂 ). The song with this post is one such song.

It is from Rajkumar Santoshi’s 2000 release ‘Pukaar’ (making a debut on the blog).  The main cast of this film is Madhuri with Anil Kapoor and Namrata Shirodkar and a supporting cast of Om Puri, Kulbhushan Kharbanda, Rohini Hattangadi, KD Chandran, Neeraj Vora, Danny and Prabhu Deva (just for a song). It is a well-made film based on espionage in the army and had a love triangle added for spice which gives the central characters a lot of scope to showcase their ‘sacrificing attitudes’. The songs are penned by Javed Akhtar and AR Rehman is the composer. This song is sung by Shankar Mahadevan and Kavita Krishnamurty. It is a stage show to celebrate some event in the army cantonment. The song shows Madhuri decently matching steps to Prabhu Deva’s vigorous dance. Anil Kapoor, Namrata and the other members of the cast are in the audience which join in towards the song’s climax.

Wish you a very Happy Birthday Madhuri!

Song – Que Sera Sera Sera, Jo Bhi Ho So Ho (Pukaar) (2000) Singer – Shanker Mahadevan, Kavita Krishnamurthy, Lyrics – Javed Akhtar, Kaly, MD – AR Rehman
Female Chorus
Male Chorus
All Chorus

Lyrics

naujawaano
baat maano
kabhi kisi se
na pyaar karna
naujawaano
baat maano
kabhi kisi se
na pyaar karna
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar zindagi
pyaar har khushi
pyaar jisne paaya hai,
wahi dil phool jaisa khila
pyaar galti hai
pyaar dhokha hai
pyaar dhalti chhaaya hai,
dekho phir na karna gila
oo oo
pyaar zindagi
pyaar har khushi
pyaar jisne paaya hai,
wahi dil phool jaisa khila
pyaar galti hai
pyaar dhokha hai
pyaar dhalti chhaaya hai,
dekho phir na karna gila
pyaar hi dhadakano ki kahaani hai,
pyaar hai haseen daastaan
pyaar ashqon ki deta nishaani hai,
pyaar mein hai chain kahaan
pyar ki baat jisne na maani hai
uski na to zameen hai na hai aasmaan
naujawaano
baat maano
kabhi kisi se
na pyaar karna
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar jaise hai purab-pashchim
pyaar hai uttar-dakkhin,
yahaan hai pyaar hi har disha
pyaar rog hai
pyaar dard hai
pyaar tode dil ek din
ye hi hai pyaar ka silsila
oo oo
pyaar jaise hai purab-pashchim
pyaar hai uttar-dakkhin,
yahaan hai pyaar hi har disha
pyaar rog hai
pyaar dard hai
pyaar tode dil ek din
ye hi hai pyaar ka silsila
pyaar se hi to rangeen jeevan hai
pyaar se hi dil hai jawaan
pyaar kaanto ka jaise koi ban hai
pyaar se hi gam ka samaan
pyaar se jaane kyon tum ko uljhan hai
pyaar to saari duniya pe hai meharbaan
naujawaano
baat maano
naujawaano

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

na na na na naujawaano
na na na na
na na na na
na na na na
na na na na
naujawaano
na na na na
na na na na
na na na na
na na na na
na na na na
na na na na
na na na na

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar pyaar pyaar pyaar pyaar pyaar

ok ok ok ok. . .

pyaar pyaar pyaar pyaar pyaar pyaar

hamein pyaar ka ho aasra
phir chaahe jo ho
hamein pyaar ka ho aasra
phir chaahe jo ho

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
phir chaahe jo ho
phir chaahe jo ho
phir chaahe jo ho


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3512 Post No. : 14111

How do I begin this post? I am at a loss. I have so many things running in my head. Should I say Sunday 25th March 2018, was a bad day or sad day. But it was definitely a day which began sadly for me. I normally begin my Sundays an hour later than working days, but this Sunday was different. The constant buzzing of my mobile due to incoming messages disturbed me. And one of the message was from my son, who was travelling, and had not slept in the bus. He was seeing the internet site of a news channel which carried the shocking news that the darling of the audiences SRIDEVI had passed away in Dubai of a CARDIAC Arrest. That jolted me and my first reaction was to google for confirmation. And sure enough the news had broken on the internet a few minutes back. The first person to break the news to Atulites was Satyajitji from DOWN Under. And the reactions followed through the day- here there everywhere.

There were messages being posted and reposted and forwarded among the various WhatsApp- groups all trying to find a reason for the sudden death of a supposedly perfectly healthy human being. The mystery still continues. But we have lost a “Khwaabon Ki Shehzaadi”, a style icon, an inspiration for numerous aspiring actors. A person who was passionate about her work. She was comfortable doing an Indian classical dance as well as out-of-tune Bollywood-style numbers the equivalent of which in South Indian movies are called Dappang-Kootu; though Dappang-Kootu is largely folk dance based and Sridevi was good in all of it.

On the day the news broke all the news channels spoke of her work in Tamil as well as Hindi movie and mentioned in the passing about her having worked in Malayalam, Kannada and Telugu as well. Having started at the very young age of 4 or 5 she has acted opposite all the giants of the Indian film industry of the period starting with Sivaji Ganesan and Gemini Ganesan in her first movie “Kandan Karunai” as child star in Tamil; followed by “Maa Naana Nirdoshi” in Telugu, “Kumara Sambhavam” in Malayalam, and “Apna Desh” in Hindi as Rajesh Khanna’s niece- cannot forget “Rona kabhi nahin rona chahe toot jaaye koi khilona” although her fist outing as child star in Hindi was “Rani Mera Naam” in 1972. I have also seen her in the Tamil version of “Apna Desh” “Nam Naadu” as niece to MGR. Just before she began performing adult roles we saw her as sister to Lakshmi in “Julie” in the iconic song “My heart is beating”, she was just 11 then.

From the age of 13 she graduated to doing adult roles and Kamal Haasan and Rajnikanth were her first co-actors. There was time when she was a heroine to many actors of the South Indian film industry in whose films she had acted as a child.

Her debut in Hindi was in the not-so-successful “Solva Sawan” in 1979 opposite Amol Palekar; she had also starred in the Tamil original and the Telugu remake. But after her second attempt in Hindi movies in the Jeetendra starrer “Himmatwala” in 1983. I distinctly remember that year I had been to Hyderabad to my mama’s place and there were these huge posters everywhere of this beautiful heroine amid rows of “colourful pots” in what turned out to be a song which is still popular “nainon mein sapna, sapno mein sajna, sajna pe dil aagaya”. That was also the time when Jaya Prada had made her debut in Hindi movies through “Sargam”. And the teenager that I was then, decided Sridevi was a threat to Jaya Prada, and refused to see that movie. I think the first Sridevi movie I saw of my own choice was “Inquilaab” because Amitabh Bachchan was her co-star. And then I was floored by her. Subsequently I have many of her movies and was particularly fond of her pairing with Jeetendra and Amitabh Bachchan though that was only in three movies, she was the FEMALE SUPERSTAR of her times. She also paired successfully with Anil Kapoor and Mithun Chakravarty.

28-2-2018
—————–
I have been writing this for the last two days and still the reality has not sunk-in. I am still thinking of the day when the news broke. In the meantime, there has been news that our shehzaadi died due to “accidental drowning” but whatever be the reason she is lost to us and her numerous fans. But the people who will miss her the most will be her two young daughters and husband, immediate family and friends. They have undergone great mental stress this last few days, the time that it took them to get her mortal remains from Dubai. My thoughts are with them. They say the cremation will finally happen today. May our darling Sridevi find eternal peace.

Over the last two days, as I was talking of a star/ an actor I loved, I told my mom-in-law about all the Sridevi- Jaya Prada movies of the 80s where Sri always played a stronger character and Jaya had all the crying to do. My sister was thinking of all the famous songs of the Jeetendra- Sridevi- Jaya Prada movies which could not have been done by anyone else. Everyone must have had a song of that time which they loved but will never admit as those were songs with seemingly no-sense. But they all were successful.

A thought just went through my mind. The day the news came on TV some channels showed a scene from one of her first movies as a child. It had baby Sridevi “crying unconsolably running a short distance and collapsing on to her Knee and still crying.” Her last released movie “Mom” (2017) has her running similarly, crying uncontrolled and dropping on to her knee. Uncanny I must say!!

The song with this post is from “Lamhe”. I had originally intended that the song should accompany a post on the graceful Waheeda Rehman, but I am presenting it here on this sad occasion. There is an incident behind the shoot of this song which Yash Chopra has related. The shoot was scheduled in London in 1991. That was the time her father passed away. She left the shoot midway to be with her family during the time of grief. The schedule was that this song was to be shot and upon her return Yash Chopra offered to change the schedule or cancel it altogether. But such was Sri’s passion to her work that she was ready to do what the director asked for. Anupam Kher her co-actor in the movie adds that in between shots she used to be drowned in grief but there used to be no trace of that emotion once she was infront of the camera. She was a darling of the camera too.

Rest in Peace Dear—Om Shanti, Shanti Shanti.


Song-Pyaar hua iqraar hua hai parody song(Lamhe)(1991) Singers-Sudesh Bhonsle, Pamela Chopra, Lyrics-Anand Bakshi, MD-Shiv Hari
Sudesh Bhonsle + Pamela Chopra
Pamela Chopra + Unknown female voice
All

Lyrics

pyaar hua ikraar hua hai
pyaar se phir kyun darta hai dil
pyaar hua ikraar hua hai
pyaar se phir kyun darta hai dil
kahta hai dil rasta mushqil
maaloom nahin hai kaha manzil

pyaar hua ikraar hua hai
pyar se phir kyon darta hai dil

tadbeer se bigdi hui
taqdeer bana le
taqdeer bana le
apne pe bharosa hai to
ek daav lagaale
lagaale daav lagaale
tadbeer se bigdi hui
taqdeer bana le,
taqdeer bana le
apne pe bharosa hai to
ek daav lagaale,
lagaale daav lagaale

jai jai shivshankar,
kaanta lage na kankar
he jai jai shivshankar,
kaanta lage na kankar
ke pyaala tere naam ka piya
o o o gir jaaungi
main mar jaaungi
jo toone mujhe tham na liya
o sau rab di

he jai jai shivshankar,
kanta lage na kankar
ke pyaala tere naam ka piya
o o o
gir jaaungi main mar jaaungi
jo toone mujhe thhaam na liya

o sau rab di

hum tum
ek kamre mein band hon
aur chaabhi kho jaaye
hum tum ek kamre mein band hon
aur chaabhi kho jaye
tere nainon ki bhoobhulaiya me
bobby kho jaaye
hum tum ek kamre mein band hon
aur chaabhi kho jaaye

Thakur
bol tere saath kya sulook kiya jaye
maar diya jaye ki chhod diya jaaye
bol tere saath kya sulook kiya kiya jaaye
maar diya jaaye ki chhod diya jaaye
bol tere saath kya sulook kiya kiya jaaye
bol tere saath kya sulook kiya kiya jaaye
jaam diya jaaye ki jahar diya jaaye

bol tere saath kya sulook kiya kiya jaaye
are bol tere saath kya sulook kiya jaaye

babuji dheere chalna,
pyar mein zara sambhalna
haan bade dhoke hain
bade dhoke hai iss raah mein
baabuji dheere chalna,
pyaar mein zara sambhalna
haan bade dhoke hain
bade dhoke hai iss raah mein
babuji dheere chalna

ho re maajhi,
ho re majhi ho o o
mere maajhi,
mere saajan hain us paar
main man maar
hoon is paar
o mere maajhi
abki baar le chal paar
le chal paar
mere saajan hain us paar
ho re maajhi,
ho re maajhi
ho ho ho mere maajhi

bindiya chamkegi
choodi khankegi
bindiya chamkegi
choodi khankegi
teri neend ude te
ud jaaye
kajra bahkega
gazara mehkega
kajra bahkega
gazra mehkega
gaddi tur diye
te tur jaaye
bindiya chamkegi
choodi khankegi

yaahoo
yaahoo
chaahe koi mujhe jungli kahe
kahne do ji kahta rahe
hum pyaar ke toofaanon mein ghire hain
hum kya karen
chahe koi mujhe jangli kahe
kahne do ji kahta rahe
hum pyaar ke toofaanon mein ghire hain
hum kya karen
chaahe koi mujhe jungli kahe

yaahoo,
yaahoo

chaahe koi mujhe jungli kahe
haaaan kahne do jee kahta rahe
yahoo yahoo bhi karenge
waahu waahu bhi karenge
karenge
aa aa
chaahe koi mujhe jungli kahe ae ae
haaaaan baabul mora

tu mere man ka moti hai
in nainan ki jyoti hai
yaad hai mere bachpan ki
gahr aaya mera pardesi ee

maalish
tel maalish
aen
champii
sar jo tera chakraaye,
ya dil dooba jaye
aaja pyaare paas humaare
kaahe ghabraaye,
kaahe ghabraaye
sar jo tera chakraaye,
ya dil dooba jaaye
aaja pyaare pas humaare
kaahe ghabraaye,
kaahe ghabraaye
aen

jaane wo kaise log thhe jinke,
pyaar ko pyaar mila
humne to jab kaliyaan maangi,
kaanton ka haar mila

kaanton se kheench ke ye aanchal
tod ke bandhan baandhi paayal
ho o o
koi na roko dil ki udaan ko
dil wo chala
aaaa aa aa aaaa
aaj phir jeene ki tamanna hai
aaj phir marne ka iraada hai

aaj phir jeene ki tamanna hai
aaj phir marne ka iraada hai

ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa
maine dil tujhko diya,
maine dil tujhko diya

o ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa

maine dil tujhko diya,
maine dil tujhko diya

o ramayyaa vastavayyaa
ramayyaa vastavayyaa

maine dil tujhko diya,
maine dil tujhko diya

o ramayyaa vastavayyaa
ramayyaa vastavayyaa

maine dil tujhko diya,
maine dil tujhko diya

aa aa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to Atuldom

We have had two posts today celebrating the birth anniversary of the one and only Mohd. Rafi. And both were excellent posts. Our Avinashji has managed to remember Mahipal’s birth anniversary too. Great job!
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16000 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16067

Number of movies covered in the blog

Movies with all their songs covered =1234
Total Number of movies covered =4388

Total visits so far

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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