Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Sujit Kumar


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4700 Post No. : 16396 Movie Count :

4458

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 142 # Missing Films of 1971- 06 #
——————————————-————————————————-—

Today’s song is from a ‘debutant movie’ ‘Naag Pooja – 1971’. This movie was directed by Shantilal Soni for ‘Dimple Enterprisers, Bombay’.

It was produced by Virendra Kumar. It had Sujit Kumar, Sanjana, with Jairaj, Indira Billi, Ram Mohan, Mohan Choti and Mukri. They were supported by Manorama, Madhu Apte, Uma Dutt, Uma Khosla, Saroj Mayak, Sadhana Khote, Sawan Kumar, Tilakraj, Basheer, Indira Bansal, Ram Murti, Shamsheer, Nichani, Machhar, Radheysham, Rirkoo, Baby Pushpa, Ram Chotrani. And Wonder Child Bobby with 81, Cobras (as mentioned in the title of this movie).

Editing of this movie was done by Kantilal Shukla.

This movie was passed by Censor Board on 28.09.1971.

This movie had five songs written by Bharat Vyas (three songs) and Irshad (two songs).

S.No. Song Title Singer/s
01 Main tera Mohan, haay haay, tu meri mohaniya Mahendra Kapoor, Usha Khanna
02 Gulaabi aankhon waale ye kya pilaa diya Asha Bhonsle
03 Roye dharti aur Aakash, piya sang chali banwaas Mohd Rafi, chorus
04 Chhote munh se badi baat… sab mein wahi raam hai, sab mein wahi shyaam Suman Kalyanpur
05 Main baalak tum jag-paalak ho, he sheshnaag ab jaag jaag Asha Bhonsle

Mohd Rafi, Mahendra Kapoor, Asha Bhonsle, Suman Kalyanpu(rkar) (as the titles of this movie mentioned) and Usha Khanna had given their voices to the songs in this movie.

Music for this movie was composed by Usha Khanna.

Today’s song is sung by Suman Kalyanpur.I guess that it is lip-synced by Baby Bobby on screen . Also seen in the picturisation of this song are Sujit Kumar and many others.

With today’s song, ‘Naag Pooja-1971’ makes its debut on the blog, becoming the 108th movie of 1971 to get represented in the blog.

Video

Audio

Song-Sab mein wohi Raam hai sabmein wohi Shyaam (Naag Pooja)(1971) Singer-Suman Kalyanpur, Lyrics-Bharat Vyas, MD-Usha Khanna

Lyrics

chhote munh se badi baat
kehtaa hoon suno ae insaanon
upar ki chamak par mat jaao
bheetar ki aatmaa pehchaano
nafrat karnewaalon aakhir
ye bhi hai insaan
ho sakta hai isi bhesh mein
aaye hon bhagwaan

ye kuroop hai
kaalaa hai
bechaara hai
laachaar
isi roop mein kabhi kabhi
prabhu lete hain avtaar

sab mein wohi raam hai
sab mein wohi shyaam
sab ki ek aatmaa
alag alag hain naam
sab ki ek aatmaa
alag alag hain naam
sab mein wohi raam hai
sab mein wohi shyaam
sab ki ek aatmaa
alag alag hain naam
sab ki ek aatmaa
alag alag hain naam

aadmi ke roop rang pe
naa jaayiye
us ke ang mein chhupe
prabhu ko paaiye
aadmi ke roop rang pe
naa jaayiye
us ke ang mein chhupe
prabhu ko paaiye
dil kisi ka bhool se bhi
naa dukhaaiye
jo giraa huaa usey galey lagaayiye
sab mein wohi raam hai
sab mein wohi shyaam
sab ki ek aatmaa
alag alag hain naam
sab ki ek aatmaa
alag alag hain naam

nazar nahin churaaiye
kisi ghareeb se
uski aankh jhaankiye
zaraa kareeb se
nazar nahin churaaiye
kisi ghareeb se
uski aankh jhaankiye
zaraa kareeb se
uski ek palak mein chhupe
seetaa raam hain
aur doosri palak mein
raadhe shyaam hain
sab mein wohi raam hai
sab mein wohi shyaam
sab ki ek aatmaa
alag alag hain naam
sab ki ek aatmaa
alag alag hain naam


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4241 Post No. : 15457 Movie Count :

4258

“Jai Jwaala”(1972) also known as “Pooja Aur Paayal”(1972) was a movie produced under the banner of K D Films Bombay. The movie had Sujit Kumar, Sonali, Madhumati, Ram Mohan, Kammo, Chandrashekhar, B M Vyas, Shahid Bijnori, Dinesh Hingoo, Kumud Tripathi, Rukhsana, Ratna, Bhupendra Kumar, Hanifa, Tikkoo, Baby Saeeda, Nirupama, Rehman etc, with special appearances by Sunil Dutt, Sanjeev Kumar, Jaya Bhaduri, Madan Puri, Lata Bose, Gopi Krishan and Johny Walker.

The movie had six songs in it.

Here is the first song from “Jai Jwaala”(1972) to appear in the blog. This song is sung by Rafi. Naqsh Llayalpuri is the lyricist. Music is composed by Kamalkant.

The song is picturised as a drunkard song on Sujit Kumar and a mujra dancing Madhumati.

With this song, “Jai Jwaala”(1972) makes its debut in the blog.

Audio

Video

Song-Ye to mumkin hi nahin hai (Jai Jwaala)(1972) aka (Pooja Aur Paayal) (1972) Singer-Rafi, Lyrics-Naqsh Llayalpuri, MD-Kamalkant

Lyrics

ye to mumkin hi nahin hai
ki bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main

ye amaanat hai teri
tu jo kahe dil apna
ye amaanat hai teri
tu jo kahe dil apna
aaj kadmon pe tere
jhoom ke rakh jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main

aaj ki raat meri jaan ye
tamanna hai meri
aaj ki raat meri jaan ye
tamanna hai meri
ban ke masti teri
aankhon se chhalak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ye to mumkin hi nahin hai ki
bahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
saakiyaa itni pila de
ki mahak jaaun main
ki mahak
main
ke
main
ki mahak jaaun main
ki mahak jaaun main


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3778 Post No. : 14757

‘Dhongee’ (censor certificate 23-12-1976), was a movie directed by Ashok Roy and produced by Kant Kumar productions. It seems to have had a delayed release (Wikipedia says it was released 4th May 1979). It has a starcast of Randhir Kapoor, Neetu Singh, Asrani, Sujit Kumar, Farida Jalal, Iftikhar, and Premnath. Rakesh Roshan had a friendly appearance. The lyricist to this movie was Anand Bakshi and music director was Rahul Dev Burman. The movie had five songs and Asha Bhonsle, Kishore Kumar and Amit Kumar were the playback singers. One song of this film – “Haaye Re Haaye Tera Ghunghta” – has been posted earlier, as a contribution by Pamir Harvey where a brief outline of the movie is provided. This song is popular to this day. I remember that sometime in the late 90s or early 2000 there was a remix version to this song which triggered the memory of this song. As I sat to write this post I discovered that there has been another version of this song which has been used in a recent movie titled ‘Paisa Vasool’ (2004) – I don’t know anything about this recent movie.

Continuing after seeing the movie 🙂

So, ‘Dhongee’ is the usual masaala stuff, with a brother (Randhir Kapoor) and sister (Farida Jalal) loving and helping each other with wooing their prospective fathers-in-laws (Raj Mehra and Satyen Kappu). The brother’s aim is to fulfil his ‘dead’ father’s promise to the groom’s father and see that his sister lives a happy married life. On the way to fulfilling this he meets with an accident and ‘dies’. The insurance amount that his sister gets post the brother’s death is used by his fiancée (Neetu Singh) and her father to get the sister married. This is one part of the movie. But it is not even ‘interval time’ in the movie. Now begins the tale. The brother has actually survived the accident, has been unconscious for about 2 months, tended by a Nepali Gurkha – typically named Bahadur; recovers just in time to remember his sister’s wedding date; rushes home to witness the wedding without being seen by anyone. Now he is guilt-ridden that he has cheated the insurance company and is ready to do any activity that will earn him the money to repay the insurance. Here Bahadur steps in, suggests a name and location change & sends him to Nepal. Randhir Kapoor (Anand) is intrigued that random people around Kathmandu recognise him and escort him to a palace. After a few scenes that show the goings-on in the palace it is revealed that the palace is the headquarters for printing fake notes, belongs to Bahadur alias John and Anand has been cleverly sweet-talked into standing-in for the actual John (Premnath – it was the period when he used to play the BADMAN). Additionally, it is also revealed that the ‘dead’ father is a captive in the palace; the fiancée reaches Kathmandu (on duty, being an air-hostess); sees Anand; goes back; reports to the sister and then the whole family comes to help and rescue the father and brother and finish the movie. The songs are spread through the movie with a mandatory dance with the villain – Premnath is made to sing and dance.

Remembering Premnath today on his birth anniversary, he would have been 92. He was already the cute roly-poly fisherman – Braganza (‘Bobby’, 1973)- when I first became aware of the actor. And through the 70s he was Rai Saab Bhupendra Singh (‘Johnny Mera Naam’, 1970) Khan Badshah (‘Shor’, 1972), Dharmdas ‘Dharmatma‘ (‘Dharmatma’, 1975), IG Khanna (‘Kalicharan’, 1976), Sir Juda (‘Karz’, 1980) etc. I don’t remember having seen any of his movies where he had played a hero. I remember my father was a fan of the songs pictured on him in Raj Kapoor’s ‘Barsaat’ (1949) – “Patli Kamar Hai Tirchhi Nazar Hai“; “Main Gareebon Ka Dil Hoon Watan Ki Zabaan” from ‘Aab-e-Hayaat’ (1955) and “Main Raahi Bhatakne Waala Hoon” from ‘Baadal’ (1951). I recently discovered Vodafone Play – an app offered by Vodafone – which has a section dedicated to old movies, and I discovered ‘Saaqi’ (1952) – an interesting Arabian Nights type fantasy film where he co-starred with Madhubala.

Today’s song has Premnath sharing screen space with Randhir Kapoor (his nephew – ‘bhaanja’, in real life) and Neetu Singh, and shaking a leg outside the Kathmandu temple. I think this was a popular song in the past. Amit Kumar is the playback for Premnath.

Audio

Video

Song – Rangon Ki Chhaaon Dhoop Mein (Dhongee) (1976) Singer – Asha Bhosle, Kishore Kumar, Amit Kumar, Lyrics – Anand Bakshi, MD – RD Burman

Lyrics

ho o oooo
ooo ooo
ooo ooo

mmmm. . .
usey jaan lo
pehechaan lo

rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo
rangon ki chhaon dhoop mein
woh aaya hai naye roop mein
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo

jaise koi dulha baandhe sehra
us ke chehre pe hai naqli chehra
hooo ooo
jaise koi dulha baandhe sehra
us ke chehre pe hai naqli chehra
aaaa aaaaa
ab is mein kya raaz hai
poora dhokhebaaz hai
usey jaan lo pehechaan lo
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo

suljha di aankhon ne dil uljhan
haan haan yahi to hai hum sab ka dushman
he he
suljha di aankhon ne dil uljhan
haan haan yahi toh hai hum sab ka dushman
ooo oooooo
ooo ooo
ooo ooo
ooo ooo
iski sab kahaaniyan
iski hai nishaaniyan
usey jaan lo pehechaan lo
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo

tum dhongee ho to hum bhi kuchh kam nahin
tum ne jaal bichhaaya hai to gham nahin
he he
tum dhongee ho to hum bhi kuchh kam nahin
tum ne jaal bichhaaya hai to gham nahin
in baaton mein dam nahin
darne waale hum nahi
hamen jaan lo pehechan lo
rangon ki chhaon dhoop mein
main aaya hoon naye roop mein
arey
main hoon. . . ek behroopiya
hamen jaan lo
pehechaan lo
hamen jaan lo
pehechaan lo

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

हो ओ ओssss
ओsss ओsss
ओsss ओsss

मम्ममम॰ ॰ ॰
उसे जान लो
पहचान लो

रगों की छाँव धूप में
वो आया है नए रूप में
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो
रगों की छाँव धूप में
वो आया है नए रूप में
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो

जैसे कोई दूल्हा बांधे सेहरा
उसके चेहरे पे है नक़ली चेहरा’
हो ओ
जैसे कोई दूल्हा बांधे सेहरा
उसके चेहरे पे है नक़ली चेहरा’
आsss आsss
अब इस में क्या राज़ है
पूरा धोखेबाज़ है
उसे जान लो
पहचान लो
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो
उसे जान लो॰॰ओ
पहचान लो

सुलझा दी आँखों ने दिल की उलझन
हाँ हाँ यही तो है हम सबका दुश्मन
हे हे
सुलझा दी आँखों ने दिल की उलझन
हाँ हाँ यही तो है हम सबका दुश्मन
ओsss ओsssss
ओsss ओsss
ओsss ओsss
ओsss ओsss
इसकी सब कहानियाँ
इसकी हैं निशानियाँ
उसे जान लो॰॰ओ
पहचान लो
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो
उसे जान लो॰॰ओ
पहचान लो

तुम ढ़ोंगी हो तो हम भी कुछ कम नहीं
तुमने जाल बिछाया है तो ग़म नहीं
हे हे
तुम ढ़ोंगी हो तो हम भी कुछ कम नहीं
तुमने जाल बिछाया है तो ग़म नहीं
इन बातों में दम नहीं
डरने वाले हम नहीं
हमें जान लो
पहचान लो
रगों की छाँव धूप में
मैं आया हूँ नए रूप में
मैं॰ ॰ ॰ हूँ एक बहरूपिया
मुझे जान लो
पहचान लो
मुझे जान लो
पहचान लो


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3531 Post No. : 14184

“Putlibai”(1972) was produced by B K Adarsh and directed by Ashok Roy. The movie had Sujit Kumar, Jayamala(aka Jaimala), Meena T ,Suresh, Chandrashekhar, Leela Mishra, Hira Lal, Ram Mohan, Satyen Kappoo, Veena, Bhagwan Sinha, Badri Prasad, Altaf, Khurshid Khan, Laxmi Patel, Sherry, Uma Dutt, Kumud Tripathi, Jayashree.T etc in it.

The movie had five songs in it. Four songs from the movie have been covered in the past. Here are the details of songs of this movie which are already showcased in the blog :-

Song Title

Post No.

Post Date

Aise besharm aashiq hai ye aaj ke 1323 21-May-09
Mere meet bataa tujhe mujhse kab pyaar haa aur kaise 1337 23-May-09
Mere ghunghroo ke bol anmol rasiya 8591 25-Aug-13
Hey baabu chhedo na main shor macha doongi 14174 17-Mar-18

Here is the fifth and final song from “Putlibai”(1972) to appear in the blog. This song is sung by Kishore Kumar. Anjaan is the lyricist. Music is composed by Jai Kumar Parte.

The song is picturised as a romantic song on Sujit Kumar and Jaimala. This song was quite popular during its time. I liked this song though I had no clue those days which movie this song was from.

With this song, “Putlibai”(1972) joins the list of movies that have all their songs covered in the blog.

Video

Audio

Song-Dhoondha tujhe laakhon mein (Putlibai)(1972) Singer-Kishore Kumar, Lyrics-Anjaan, MD-Jai Kumar Parte

Lyrics

dhoondhha tujhe laakhon mein
haan
tu aa basi aankhon mein
o tere liye teri kasam
maine saara zamaana chhod diya
dhoondhha tujhe laakhon mein
haan tu aa basi aankhon mein
o tere liye teri kasam
maine saara zamaana chhod diya
maine saara zamaana chhod diya
maine saara zamaana chhod diya
maine saara zamaana chhod diya

gora badan ye gulaabi nayan
ye khila champayi rang tera
ho gora badan ye gulaabi nayan
ye khila champayi rang tera aa
ye kya nasha dil pe chhaane laga
haaye jabse mila sang tera aa aa
dil pe nasha zyaada hai
poochho na kya iraada hai
ho tere liye teri kasam
maine saara zamaana chhod diya
dhoondhha tujhe laakhon mein
haan tu aa basi aankhon mein
ho tere liye teri kasam
maine saara zamaana

sapne tere ho ke apne mere
zindagi mein meri aise aaye
ho sapne tere ho ke apne mere
zindagi mein meri aise aaye ae ae
mahaki hawa leke bahki ghata
koi jaise veeraane pe chhaaye ae ae
pyaase hain hai hum zamaane se
aaja kisi bahaane se
ho tere liye teri kasam
maine saara zamaana chhod diya

dhoondhha tujhe laakhon mein
haan tu aa basi aankhon mein
ho tere liye teri kasam
maine saara zamaana chhod diya
maine saara zamaana chhod diya
maine saara zamaana chhod diya
maine saara zamaana chhod diya


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3505 Post No. : 14084

“Asen mi nasen mi. . . whether I’m there or not, I’ll be there forever.”
[Title of her biography, a quote by her own self, in a conversation with her biographer, Lalita Tamhane.]

She was just into 55th year when she passed away in 1991. Continuing to be active, even after having managed to get past an initial scare of cancer, the remission succeeded to claim her, much to the loss of the entire industry, and its heritage.

Remembering Nutan, on the anniversary of her passing away, today (21st February).

Starting her career at the age of 14 (‘Hamaari Beti’, 1950), she worked through the next four decades – as string of memorable roles that span the entire spectrum of emotions across from tragedy all the way to comedy. The understated emotions are conveyed through the eyes and expressions, much more powerfully than words. The Kalyani of ‘Bandini’ (1963), expressing her anger and turmoil, through actually saying and expressing very little, heightened the portrayal of a mute victim, who is driven by circumstances to murder. And then she lives out her internment, with the same silence and withdrawal; in the end, returning to her past, forsaking a promise of happiness and acceptance in a new world. Nutan remains in memory as the quintessential Kalyani, all the way from Gauri in ‘Seema’ (1956) and Sujata in ‘Sujata’ (1959), up to Anu Rai in ‘Anuraag’ (1972), living through the tragic last few months of the life of her only child; as Mahjubi in ‘Suadaagar’ (1973), betrayed with promises of false love and usurpation; and as Sanyukta in ‘Main Tulsi Tere Aangan Ki’ (1978), facing the ignominy of having a competitor for the affections of her own husband, come to live under the same roof.

But when given the opportunity to get into light comic roles – Shanti in ‘Paying Guest’ (1957), Jameela in ‘Dil Hi To Hai’, and Sulekha in ‘Tere Ghar Ke Saamne’ (1963) – another facet of her character comes through that seems unbelievable in the face of her image of the victimized woman having all the troubles and miseries foisted upon her. Oh how I wish the film ‘Chhabili’ (1960) was available; would have loved to see her role as a chhabili.

An unforgettable performer, who garnered a record six Filmfare awards (five as the leading lady, and one in supporting role); a record that stood for well over three decades. Into her forties, she still commanded leading roles contrary to the traditions of the industry. And into her fifties, she was still chiselled and stunning, continuing to command author backed roles in the films she appeared in.

The song for today is from the 1970 film ‘Maa Aur Mamta’. The film is produced under the banner of Suchitra Kala Mandir, and is directed by Asit Sen. The star cast is listed as Ashok Kumar, Nutan, Jitendra, Mumtaz, Rehman, Jayant, Nirupa Roy, Sujeet Kumar, Roopesh Kumar, Shabnam, Shivraj, Beerbal, Leela Mishra, Brahm Bhardwaj, Keshto Mukherjee, Karan Diwan, Paro, Bilkis, Dilip Dutt, Machchar, Madhu Apte. A social drama that has six songs written by Sarshaar Sailaani and Anand Bakshi, and are tuned to music by Laxmikant Pyaarelal. This song is written by Anand Bakshi. On screen, the song is performed by Nutan, as she is accompanied by Sujeet Kumar.

Three songs of this film are already showcased on our blog. This is the fourth song to find its place here. The lyrics for this song have been sent in by Prakashchandra ji.

It is terrible that she went away so young – depriving us of what could have been possible. But then maybe it is good for whatever transpired – the memories are as elegant and as preserved, as was she herself, into her fifties. Her biography records an episode from when she was an infant. As a baby, she would go into bouts of crying that lasted for many hours. All the medical consultation and advise could not locate any problems. Then, one astrologer read her horoscope and said that she is a delivered soul who has come back into this world quite unwillingly. The prophecy played itself out, when she decided to leave so early.

o re maanjhi
o mere maanjhi
. . . abki baar
le chal paar
le chal paar

Audio

Video

Song – Baat Ye Anokhi Mere Meet Ho Gayi  (Maa Aur Mamta) (1970) Singer – Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

 

Lyrics (Provided by Prakash Chandra)

baat ye anokhi mere meet ho gayee
raat din dhadknaa dil ki reet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
baat ye anokhi mere meet ho gayee
raat din dhadknaa dil ki reet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
ho raamaa kaahe rey mohey preet ho gayee

laaj ka pehraa
maine
ho o o mann ke dwaar bithaayaa
laaj ka pehraa
maine
ho o o mann ke dwaar bithaaya
is ghoonghat mein
aise
ho o mukhda laakh chhupaayaa
haayye rey barjori
nindiyaa ho gayee chori
ho o haar gayee main
saiyyaan teri jeet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
baat ye anokhi mere meet ho gayee
raat din dhadknaa dil ki reet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
ho raamaa kaahe rey mohey preet ho gayee

teri  najariyaa
sajnaa
ho o o mere sapnon ki doli
teri najariyaa
sajnaa
ho o o mere sapnon ki doli
baith main iss mein
chal dee
ho o tere sang  humjoli
rokey jag naa maanoon
kaaran main na jaanoon
ho o log kehte hain mohey preet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
baat ye anokhi mere meet ho gayee
raat din dhadknaa dil ki reet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
ho raamaa kaahe rey mohey
kaahe rey mohey
preet ho gayee

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बात ये अनोखी मेरे मीत हो गई
रात दिन धड़कना दिल की रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
बात ये अनोखी मेरे मीत हो गई
रात दिन धड़कना दिल की रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई

लाज का पहरा
मैंने
हो ओ ओ मन के द्वार बिठाया
लाज का पहरा
मैंने
हो ओ ओ मन के द्वार बिठाया
इस घूँघट में
ऐसे
हो ओ मुखड़ा लाख छुपाया
हाये रे बरजोरी
निंदिया हो गई चोरी
हो ओ हार गई मैं
सैंयां तेरी जीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
बात ये अनोखी मेरे मीत हो गई
रात दिन धड़कना दिल की रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई

तेरी नजरिया
साजना
हो ओ ओ मेरे सपनों की डोली
बैठ मैं इस में
चल दी
हो ओ ओ तेरे संग हमजोली
रोके जग ना मानूँ
कारण मैं ना जानूँ
हो ओ लोग कहते हैं मोहे प्रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
बात ये अनोखी मेरे मीत हो गई
रात दिन धड़कना दिल की रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
हो रामा काहे रे मोहे

काहे रे मोहे

प्रीत हो गई


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3491 Post No. : 14028

In the year 1969, “Mere Sapnon Ki Rani Kab Aayegi Tu” – the song from ‘Aradhana’ had taken the entire nation by storm. So many things of this song became such dear memories, that have lasted for decades. Of course, the melody (Sachin Da) and its rendition (Kishore Kumar) are absolutely superlative. The song, and its popularity paved the way and propelled Rajesh Khanna towards super stardom. And the other things about this song – well the parallel drive of the army jeep and the toy train is one. Sharmila Tagore sittings in the window seat in the train is absolutely ravishing with her smile and dimpled cheeks. She is reading a novel, rather pretending to read, as her eyes and mind are on the antics of the young man in the jeep. Ah yes, and the novel she has in her hand – a very popular thriller writer of that era – Alistair Maclean; and the title of novel – ‘When Eight Bells Toll’. (No, no, don’t worry, I will not get into the story line of the novel 🙂 ).

Let’s see, what else. Aah yes, the almost edge of the cliff driving, one handed driving, while playing the mouth organ, with a scampering hearted young man, jumping about in the jeep at the same time. And the man behind the wheel, in a black leather hat – Sujit Kumar. This single handed driving on the cliff edge while playing the mouth organ with the other hand, besought Sujit Kumar a memorable imagery, that embedded in the collective memory much more than his career till then. And it also kind of shifted his career path – more towards character roles in A grade cinema.

Remembering Sujit Kumar on his birth anniversary today (7th February).

Sujit Kumar was born this day in 1934, in the city of Benaras. His family were rich landowners for generations in that area. An unlikely, unexpected and a very hesitant entrant into the film world, Sujit had never planned to or dreamed of being a film star. Going through his school and college in a very normal traditional manner, the plans for him was to go to UK for higher studies and get an MBA degree.

It was chance, or a mistake, or destiny – at college he participated in a stage play. The play was judged as very successful and was sent as an entry to a college play competition. More destiny – Phani Majumdar, renowned director of his times, was invited to judge the competition. Sujit’s play was adjudged the winner, and Sujit Kumar adjudged as the best actor in the competition. Phani Da talked with him, and suggested joining films. He invited him to join as assistant director on the then current project – ‘Akaashdeep’ (1965), with a promise to take on Sujit as a hero in the following film he would produce.

The destiny turned fickle; ‘Akaashdeep’ was a commercial let down, and Phani Da could not have a next project to work on with a newcomer. Sujit remembers his predicament – on one hand he was to go to London for MBA and now he was forced to make rounds of film producers offices in search of work. He was very disheartened. He got into other films as an assistant director – like ‘Apna Bana Ke Dekho’ and ‘Door Gagan Ki Chhaon Mein’.

Around early to mid 1960s, the Bhojpuri film industry began taking roots. The first film ‘Ganga Maiya Tohey Piyari Chadhaibo’ was released in 1962, to a great success. Its producers, Nazir Husain and director Kundan Shah, then approached Sujit Kumar for their next project. Sujit was very excited with the offer and started to prepare for the role. Just less than a week prior to the start of shooting schedule, he was informed that he had been removed from the film. Rumors had it that Aseem Kumar, the hero of the earlier ‘Ganga Maiya Tohey Piyari Chadhaibo’, went to meet Kum Kum, the heroine of that earlier film, and through her, he influenced the producer director to retain Aseem Kumar as the hero.

Sujit was very dejected. But then the destiny did another flip. Bachubhai Shah, another producer starting his venture into Bhojpuri films, approached him for his first project. Sujit, cautious to the extreme, requested for a meeting with the heroine, Naaz, to make sure he does not get dumped once again. After the meeting, all was well. The film ‘Bidesiya’ went on to be one of the greatest hits of the Bhojpuri cinema.

Time was also when Sujit started to get lead roles in Hindi films, albeit in B and C grade thriller type films. A sampler list – ‘Ek Saal Pehle’ (1965), ‘Laal Bangla’ (1966), ‘Labela’ (1966), ‘Ek Raaz’ (1960s), ‘Lamboo in Hong Kong’ (1967), ‘Sub Ka Ustad’ (1967), ‘Lahu Pukaarega’ (1968), ‘Gunda’ (1969), and ‘Mangu Dada’ (1970). In parallel, his career in A grade films as a character artist was also shaping up simultaneously. He appeared in a number of films in supporting roles – ‘Ladka Ladki’ (1966), ‘Pati Patni’ (1966), ‘Jaal’ (1967), ‘Aankhen’ (1968), ‘Aulaad’ (1968), ‘Aradhna’ (1969), ‘Ittefaq’ (1969), ‘Aan Milo Sajna’ (1970), and so on. A special mention here needs to be made of the 1969 film ‘Gustakhi Maaf’. In this comedy film, Sujeet Kumar and Sanjeev Kumar teamed up to play the roles of two brothers, who get entangled with a double roled Tanuja, making for one of the most rollicking comedies of the 1960s.

Past the 1970 milestone, Sujit Kumar’s career took off in two directions – a very successful lead actor in Bhojpuri films, and a very successful and sought after character actor in Hindi films. Later on, he also turned a producer, making some big name films like ‘Anubhav’ (1986), ‘Aasmaan Se Ooncha’ (1989), ‘Ganga Kahe Pukar Ke’ (Bhojpuri) (1991), ‘Khel’ (1992), ‘Daraar’ (1996), ‘Champion’ (2000) and ‘Aetbaar’ (2004).

Sujit Kumar passed away on 5th February, in 2010, after a long fight with cancer.

Today’s song is from the 1969 film ‘Gunda’. The film is produced under the banner of Smart Films, Bombay and is directed by Mohammed Husain. The cast of actors consists of Sheikh Mukhtar, Sujit Kumar, Jayanti, NA Ansari, Bhagwan, Helen, Bela Bose, Shakeela Bano Bhopali, Shaam Kumar, Shefali, Mumtaz Begum, Uma Dutt, Mohan Jerry, Satish, Sharifa, and Fatima etc.

The film has six songs, written by three song writers – Anjaan, Shadaab, and Dev Kohli. Music for this film is composed by GS Kohli. One song of this film is already showcased here on our blog. This is the second song of this film, coming on board today. The singing voices are of Mohammed Rafi and Suman Kalyanpur. On screen, the song is performed by Sujit Kumar and Jayanti.

A wonderful duet, that is a expression of love song. The gentleman is quite keen to announce to the world, his love for the lady. And the lady is reticent, and asks the gentleman to wait. Enjoy this tete-a-tete between lovers.

[Acknowledgements: The material for the above article is gathered and adapted from an interview with Sujit Kumar, published in Cineplot in 2007, and newspaper articles published in Times of India, Hindustan Times, Zee News, and Rediff.]

Audio

Video

Song – Haan Hum Ne Pyaar Kiya Keh Den Zamaane Se  (Gunda) (1969) Singer – Mohammed Rafi, Suman Kalyanpur, Lyrics – Anjaan, MD – GS Kohli

Lyrics

haan hum ne pyaar kiya
keh den zamaane se
abhi nahin
na na abhi nahin
o ho abhi nahin
na na abhi nahin
pyaar kabhi chhupta hai
aise chhupaane se
kabhi nahin
na na kabhi nahin
meri jaan kabhi nahin
na na kabhi nahin

tumhin se pyaar kiya hai
isey chhupaayen kyon
kiya hai zurm hum ne kya
nazar churaayen kyon
kiya hai pyaar magar aisi koi baat na kar
zamaane waale hum pe ungliyaan uthaayen kyon
zamaana kya hai
zamaane ne kis ka saath diya
hamaari baat karo
hum ne tumse pyaar kiya
deewaane yun na sataa
yun na sataa
yun na sataa
ab to dil ka raaz keh de
dil ke deewaane se
abhi nahin
na na abhi nahin
meri jaan abhi nahin
na na abhi nahin
haan hum ne pyaar kiya
keh den zamaane se
abhi nahin
na na abhi nahin
o ho abhi nahin
na na abhi nahin

ghata si zulf aaj khul ke mehak jaane de
dhalak raha hai ye aanchal to dhalak jaane de
sambaahlo khud ko abhi aise beqaraar na ho
balaa se dil behak raha hai
behak jaane de
teri adaayen jab yun dil ko beqaraar karen
dabaa ke dard kab talak yun intezaar karen
na chhed aise sanam
tujhko qasam
meri qasam
ab to dil se milne de
dil kisi bahaane se
abhi nahin
na na abhi nahin
meri jaan abhi nahin
na na abhi nahin
ho oo oo
haan hum ne pyaar kiya
keh den zamaane se
abhi nahin
na na abhi nahin
o ho abhi nahin
meri jaan abhi nahin
pyaar kabhi chhupta hai
aise chhupaane se
kabhi nahin
na na kabhi nahin
meri jaan kabhi nahin
na na kabhi nahin

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हाँ हमने प्यार किया
कह दें ज़माने से
अभी नहीं
ना ना अभी नहीं
ओ हो अभी नहीं
ना ना अभी नहीं
प्यार कभी छुपता है
ऐसे छुपाने से
कभी नहीं
ना ना कभी नहीं
मेरी जां कभी नहीं
ना ना कभी नहीं

तुम्हीं से प्यार किया है
इसे छुपाएं क्यों
किया है ज़ुर्म हमने क्या
नज़र चुराएँ क्यों’
किया है प्यार मगर ऐसी कोई बात ना कर
ज़माने वाले हम पे उँगलियाँ उठाएँ क्यों
ज़माना क्या है
ज़माने ने किस का साथ दिया
हमारी बात करो
हमने तुमसे प्यार किया
दीवाने यूं ना सता
यूं ना सता
यूं ना सता
अब तो दिल का राज़ कह दे
दिल के दीवाने से
अभी नहीं
ना ना अभी नहीं
मेरी जां अभी नहीं
ना ना अभी नहीं
हाँ हमने प्यार किया
कह दें ज़माने से
अभी नहीं
ना ना अभी नहीं
ओ हो अभी नहीं
ना ना अभी नहीं

घटा सी जुल्फ आज खुल के महक जाने दे
ढलक रहा है ये आँचल तो ढलक जाने दे
संभालो खुद को अभी ऐसे बेक़रार ना हो
बला से दिल बहक रहा है
बहक जाने दे
तेरी अदाएं जब यूं दिल को बेक़रार करें
दबा के दर्द कब तलक यूं इंतज़ार करें
ना छेड़ ऐसे सनम
तुझको क़सम
मेरी क़सम
अब तो दिल से मिलने दे
दिल किसी बहाने से
अभी नहीं
ना ना अभी नहीं
मेरी जां अभी नहीं
ना ना अभी नहीं
हो ओ ओ
हाँ हमने प्यार किया
कह दें ज़माने से
अभी नहीं
ना ना अभी नहीं
ओ हो अभी नहीं
मेरी जां अभी नहीं
प्यार कभी छुपता है
ऐसे छुपाने से
कभी नहीं
ना ना कभी नहीं
मेरी जां कभी नहीं
ना ना कभी नहीं


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, 13th August is the birthday of Sridevi, as she turns 54.

For this celebration, here is a wonderful dance song performed by her, from the film ‘Jaag Utha Insaan’ (1984). The setting for the song is a stage performance, likely at a religious function. On stage, Sridevi is accompanied by Mithun Chaktravarty playing the flute and Beena signing the vocals. We also see Sudhir Dalvi, sitting next to Beena. In the audience we can see Yunus Parvez, sitting in the chair right up front, Sujeet Kumar and Kaanan Kaushal sitting  in the audience, Rakesh Roshan and Deven Verma, standing at the back, with Somayaajulu making an entry, while the program is in progress.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 1
——————————————————————–

On this blog, one thing we enjoy is, celebrations.  🙂

We are always looking for an opportunity to celebrate – and every other day, we get a reason to do so. Often it is somebody’s birthday or birth anniversary, or a milestone of a 100th or 1000th song for an artiste, or for the blog. And even if it is a death anniversary, which is not really a cause for celebration, we use the occasion to pay tribute to the concerned artiste. Many of my own posts fall in this category. An occasion gives me an opportunity to reminisce and share my thoughts.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (19 november 2014) is the birth anniversary of Zeenat Aman (19 november 1951). She was one of the most popular leading ladies of Hindi movies during the 1970s. She, alongwith Parveen Babi, represented the “Westernised” women as opposed to traditional Indian women that actresses like Hema Malini, Rekha etc of that era represented.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (23 october 2014) is the festival of deepaawali. This festival is supposed to bring joy and happiness in the lives of everyone. I can certainly vouch for that. My main computer that has been hijacked by my wife for the last few days was surprisingly available to me this morning. I wake up earlier than others on the pretext of letting the dog out and teaching the daughter. The dogs were wide awake as usual but my daughter (and wife) are not (as usual). That gave me the opportunity of sitting on my main computer and try and give finishing touch to the posts for the day.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16900 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16949

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Movies with all their songs covered =1313
Total Number of movies covered=4587

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