Posts Tagged ‘Satish Kaul’
Pyaar sajaao bahaaren lutaao
Posted on: July 19, 2025
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The blog, which started on 19 July 2008, completes 17 years of its existence today on 19 July 2025.
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6210 | Post No. : | 19175 |
Kamsune/Unsune songs of Asha Bhosle- 28
Today I present to you a song very close to my heart. It brings a lot of nostalgia in me, making me smile and be happy.
“Pyar sajaao Baharein Lutao” is sung by Asha Bhosle. It is penned by Naqsh Layalpuri and composed by Pradeep Roychaudhary. It is from “Ang Se Ang Lagale” (1974).
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- In: "Aankh" song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Ghazal | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Rafi - 'अ' से 'ह' तक | Rafi solo | Rafi songs | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1975 | Stage song | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 17
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‘झ’
“झुका झुका के नज़र यूं उठाई जाती है”
jab bhi ye dil udaas hota hai
jaane kaun aas paas hota hai
These lines tickle the strands of the mind often, when in the moods of a tranquil nothingness – sometimes in the moments just as the self is drifting into sleep, or sometimes, on a journey in a relaxed coziness with nothing particular to do, or sometimes on lonely walks in the evenings. And the mind wonders, trying to put a face to a distant thought – “jaane kaun aas paas . . . hai”. That face is almost never distinct. Whose presence it is that I feel – the mind is yet to discern, and ascribe substance to the tenuous wisps that almost form the image, but then always fails to bring into a distinct focus. And the mind wanders, continues to seek – an unfinished image, trying to capture an elusive face, and a name that keeps bumping tantalizingly close to the edges of memory, yet always remains just a breath away from my grasp.
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