Posts Tagged ‘1975’
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
With this post, the blog has reached yet another very significant milestone – 1000 films Yippeee’d, i.e. all songs covered.
This blog was started on 19 July 2008 with a modest aim of discussing one song a day. It was expected at that time that the blog would have at the most 2500 songs in all and by that time all the songs worth discussing would have been covered.
Had this blog stuck to this original aim, and continued at the original rate of one song a day, then the blog would have reached 2500 posts on 23 may 2015 (2500th day for the blog) and that would have been it !
As we all know, the blog took on an entirely different course from what was originally intended. The blog began to cover multiple songs in a day beginning from the 41st day itself. 2500th song was covered in the blog in 680 days (on 29 May 2010) with this fantastic composition by Ganesh.
When one looks at comments on this post, one finds just four or five congratulatory comments. And what about the blog coming to a dead end after this song ? Here is what I wrote in that article:
I have chosen to post this song for a very special occasion for this blog. This song is a very special song for this blog in the sense that it is the 2500th song of this blog. When I had started this blog, I had looked up to the figure of 2500 as the holy grail. I had thought that reaching this magic figure would take me ages and that by that time I would have covered all the great songs that were there to be covered.
I was wrong on these counts, of course. I have reached the magic figure in less than two years, and having reached there, I find that I have only scratched the surface as far as covering all the great songs are concerned. I now realise that the journey to cover, uncover and discover the great songs of Bollywood is a very long journey indeed and the holy grail is nowhere in sight. In other words, I will continue to remain busy posting “new” songs in the forseeable future.
From the few comments on the blog, we can only identify Raja and Lalitha’s names. Those were the days when most of our regulars, and by now, strong pillars had not yet joined the bandwagon. The practice of guest posts and lyrics contributions had yet to take root. The first guest article was posted on 26 June 2010 and not surprisingly, it was by Raja. The concept of lyrics contribution by readers began on 31 January 2011 when Atif M became the first lyrics contributor with this song. In other words, the blog was still a one man show by the time 2500th song was posted.
Concepts of guest posts and lyrics contributions took roots and wings from 2011 onwards and that added new dimensions to the blog. From a one man show, it became an online collaboration of like minded music lovers. With time, these music lovers would help add new ideas and concepts in the blog that we now take for granted, but which were not there in the blog during the first few years of its existence.
With increasing number of songs in the blog, pages were introduced that had all the songs listed moviewise, music directorwise and yearwise. One fine day, we got the idea that remaining songs of movies that had most of their songs covered should be covered as well. Mr Arunkumar deshmukh, our beloved inhouse encyclopaedia, pored over all the volumes of HFGK and compared its entries with the moviewise list of songs in the blog. He then listed out the movies that had one or two songs remaining to be covered. That was the beginning of the concept of covering all the songs of movies. This idea occured to us in the blog in April 2012. The name YIPPEE was coined for this feat by Pradeep Raghunathan a few months later.
It is not that movies were not getting YIPPEED before april 2012. They were getting YIPPEED but we were not aware of this fact. When I checked up, I found that the very first movie that got YIPPEED (unnoticed to us at that time) was “Rajnigandha”(1974) on 10 september 2008 when its second and final song was covered in the blog. That was the only YIPPEED movie in the blog in 2008.
8 movies were YIPPEED in 2009, 19 in 2010 and 53 in 2011. 89 movies were already YIPPEED in the blog by the time we hit upon the idea of consciously going for covering all songs of movies.
The first movie which was greeted with a YIPPEE by Pradeep Raghunathan was “Chitralekha”(1964) on 27 october 2012. It was the 117th YIPPEED movie in the blog.
167 movies were YIPPEED in 2012 and 202 in 2013. 131, 167 and 112 movies were YIPPEED in 2014, 2015 and 2016 respectively.
2017 is a year when I decided to achieve one YIPPEE movie everyday. Though this new year resolution could last only upto april 2017, this determined approach towards YIPPYing movies means that we have already achieved 138 YIPPEED movies in 140 days in 2017.
Normally only one movie would get YIPPEED on one day, but there have been several occasions when two and even three movies were YIPPEED on the same day. The record is however four YIPPEED movies in one day, which was achieved on 20 march 2013. The four movies YIPPEED on that date were ‘Mera Gaon Mera Desh’ (1971), ‘Guddi’ (1971), ‘Roti’ (1974), ‘Taqdeer’ (1967). The rare feat was repeated on 23 feb 14 with ‘Kahin Din Kahin Raat’ (1968), ‘Prem Patra’ (1962), ‘Picnic’ (1966), ‘Post box 999’ (1958) YIPPEED on the same date.
Today’s song is from the movie ‘Aandolan’ (1975). This movie was directed by Lekh Tandon for J K Productions. The movie had had Rakesh Pande, Neetu Singh, Pratap Sharma, Nazneen, Uma Shankar, Pinchu Kapoor, Urmila Bhatt, Tiwari, Vishva Mehra, Durrani, Kumar Ajit, W G Doil, Aparna Chaudhury, Shantanu Bhattacharya, Deepak, Rajkumar, Sopariwala, Robert, Vachan Sinh, Ram Awtar, Shrikant, Vikram, Rajesh, Sandeep, Master Ravi etc. in it.
There are four songs in the movie. Three of these songs have been covered in the blog. This fourth and final song from the movie is a rare song. This fun roadside tamasha cum nautanki song is Krishna Kalle and Minu Purushottam. Jaan Nisar Akhtar is the lyricist. Music is composed by Jaidev.
The song is picturised on Neetu Singh and another dancer I am not able to identify. I request our knowledgeable readers to help identify the first dancer.
With this song, ‘Aandolan’ (1975) joins the list of movies that have all their songs covered in the blog. With this song, the blog now has 1000 YIPPEED movies. Seeing that there were around 6000 movies in all in HFM that were released from 1931 to 1980 (the catchment area for this blog), all songs of nearly 1/6th of all movies released during this era are now covered in the blog. It is quite an achievement for the blog seeing that this adds up to about 6800 songs.
[Ed Note: In case you are wondering what is the name GM Durrani doing in the list of tags, watch closely. Of the two gentlemen watching this dance performance, sitting on a charpoy and puffing on hookkaas, the bearded person on the left, with black rimmed spectacles, is none other than GM Durrani. And yes, Rakesh Pandey is visible very briefly, his face covered with the cloth from his saffron pugree.]
Song – Paanch Rupaiya De De Balamwa Mela Dekhan Jaaungi (Aandolan) (1975) Singer – Krishna Kalle, Minoo Purushottam, Lyrics – Jaan Nisar Akhtar, MD – Jaidev
Krishna Kalle + Minoo Purushottam
Lyrics
ho o o
o o o
o o o
ho o o
o o
o o
o o
aah hahaha
hahaah
hahaha
paanch rupaiyya
arre paanch rupaiyya de de balamwa
mela dekhan jaaungi
paanch aane ke paav jalebi
baithh sadak pe khaaungi
paanch rupaiyya de de balamwa
mela dekhan jaaungi
paanch aane ke paav jalebi
baithh sadak pe khaaungi
paanch rupaiyya
mo pe khile
are mo pe khile gota jari
mope khile chunri hari
gore gale laage bhali
champa kali moti bhari
haaye bichhuwe bhi loongi
main to bichhuwe bhi loongi
kanganwa bhi loongi
tohe pehan balam waari jaaungi
paanch rupaiyya de de balamwa
mela dekhan jaaungi
paanch rupaiyya
achcha chaar rupaiyya de de balamwa
mela dekhan jaaungi
paanch aane ki paav jalebi
baithh sadak pe khaaungi
arre chaar rupaiyya
kajra laga
kajra laga
gajra saja
ban thhan ke main kab se khadi
chanchal jiyaa
lalche mora
main kaa karoon sar pe padi
champa bhi jaaye
dekho champa bhi jaaye
chameli bhi jaaye
un sang main bhi ho aaungi
chaar rupaiyya de de balamwa
mela dekhan jaaungi
arre chaar rupaiyya de de
arre teen rupaiyya de de balamwa
mela dekhan jaaungi
arre paanch aane ki paav jalebi
baithh sadak pe khaaungi
arre teen hi rupaiyya
main to bhayi
arre main to bhayi balma tori
kaahe take chori chori
garwa tore laagoon tabhi
poori kare jab zidd mori
jhoole pe jhooloon
main to jhoole pe jhooloon
chak dolwa pe doloon
phooli na main samaaungi
arre teen rupaiyya de de balamwa
mela dekhan jaaungi
arre teen hi rupaiyya
bas do hi rupaiyya de de balamwa
mela dekhan jaaungi
paanch aane ki paav jalebi
baithh sadak pe khaaungi
tori kasam
tori kasam
kaahu se bhi
naina na main ladaaungi
bas do ghadi chakkar lagaa
saanjh dhale aa jaaungi
lautoongi jab ghar
lautoongi jab ghar
bajariya se thhak kar
painyya pare so jaaungi
do hi rupaiyya de de balamwa
mela dekhan jaaungi
paanch aane ki paav jalebi
baithh sadak pe khaaungi
uh
do hi rupaiyya de de
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–
हो ओ ओ
ओ ओ ओ
ओ ओ ओ
हो ओ ओ
ओ ओ
ओ ओ
ओ ओ
आह हा हा हा
हा हाह
हा हा हा
पाँच रुपइया
अरे पाँच रुपइया दे दे बलमवा
मेला देखन जाऊँगी
पाँच आने की पाव जलेबी
बैठ सड़क पे खाऊँगी
पाँच रुपइया दे दे बलमवा
मेला देखन जाऊँगी
पाँच आने की पाव जलेबी’
बैठ सड़क पे खाऊँगी
पाँच रुपइया
मो पे खिले
मो पे खिले गोटा जरी
मो पे खिले चुनरी हरी
गोरे गले लागे भली
चम्पा कली मोती भरी
हाए बिछवे भी लूँगी
मैं तो बिछवे भी लूँगी
कंगनवा भी लूँगी
तोहे पहन बलम वारी जाऊँगी
पाँच रुपइया दे दे बलमवा
मेला देखन जाऊँगी
पाँच रुपइया
अच्छा चार रुपइया दे दे बलमवा
मेला देखन जाऊँगी
पाँच आने की पाव जलेबी
बैठ सड़क पे खाऊँगी
अरे चार रुपइया
कजरा लगा
कजरा लगा
गजरा सजा
बन ठन के मैं कब से खड़ी
चंचल जिया
ललचे मोरा
मैं का करूँ सर पे पड़ी
चम्पा भी जाये
देखो चम्पा भी जाये
चमेली भी जाये
उन संग मैं भी हो आऊँगी
चार रुपइया दे दे बलमवा
मेला देखन जाऊँगी
अरे चार रुपइया दे दे
अरे तीन रुपइया दे दे बलमवा
मेला देखन जाऊँगी
अरे पाँच आने की पाव जलेबी
बैठ सड़क पे खाऊँगी
अरे तीन ही रुपइया
मैं तो भई
अरे मैं तो भई बलमा तोरी
काहे तके चोरी चोरी
गरवा तोरे लागूं तभी
पूरी करे जब ज़िद मोरी
झूले पे झूलूँ
मैं तो झूले पे झूलूँ
चक डोलवा पे डोलूँ
फूली ना मैं समाउंगी
अरे तीन रुपइया दे दे बलमवा
मेला देखन जाऊँगी
अरे तीन ही रुपइया
बस दो ही रुपइया दे दे बलमवा
मेला देखन जाऊँगी
अरे पाँच आने की पाव जलेबी
बैठ सड़क पे खाऊँगी
तोरी कसम
तोरी कसम
काहू से भी
नैना ना मैं लड़ाउंगी
बस दो घड़ी चक्कर लगा
साँझ ढले आ जाऊँगी
लौटूंगी जब घर
बजरिया से थक कर
पैंय्यान पड़े सो जाऊँगी
दो ही रुपइया दे दे बलमवा
मेला देखन जाऊँगी
पाँच आने की पाव जलेबी
बैठ सड़क पे खाऊँगी
उह
दो ही रुपइया दे दे
Koi aaya aane bhi de
Posted on: April 30, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
A few days back, Sudhir Jee was acting strange and was insisting on posting all the articles in the blog, including even my writeps, and in addition, he was asking me to go slow on my writeups. As a result, I found myself with so much time at my disposal that I finally managed to write a long article describing my meeting with Lucknow based regulars. I did not intend to send any song lyrics with the writeup, thinking that Sudhir Ji would take care of that too. But no, Sudhir ji wanted me to send a song link with the writeup as well.
Finding an appropriate song turned out to be a big hassle for me. Most appropriate get together songs were already covered. A few songs with words like “tumse milna” etc were there but I found them inappropriate for the writeup.
Unable to find any “suitable” song, I seriously considered sending this lyrics of the “Kaala Sona”(1975) song and I even noted down its lyrics. But I kept thinking again and again that a cabaret song involving Helen (and also Parveen Babi) cannot be an appropriate song to discuss the mini gangout with our dignified Lucknow based regulars. 🙂
“Better” sense prevailed and I finally sent lyrics of a song whose video was not available and which was more of a ghazal like song than a cabarat like song, and thus sounded somewhat more appropriately Lucknowi to me. 🙂
It turns out that the lyrics of this “Kaala Sona”(1975) song was sent earlier by Peevesie’s mom, and she too had sent this song to celebrate an earlier gangout, namely the Mumbai gangout of november 2016. Yes, one must say that a song like this is more appropriate for Mumbai gangout. I can imagine this song serving as a perfect setting while our Mumbai gangout members go about their underground activities. 🙂
That gangout happened many months ago. At this moment another mini gangout took place just yesterday (29 april 2017), with representatives of Delhi Daredevils (Sudhir Ji and Jawed Hamid ji) and Mumbai Indians (Mr Arunkumar Deshmukh ji, the host, and Mr Sadanand Kamath) in attendance. 🙂
The reports of the meeting is not yet in. We only know about what was on the menu in the lunch. 🙂
Come to think of it, this “Kala Sona”(1975) song is just a perfect song on the occasion of a Mumbai gangout. Here is the take of Peevesie’s mom on a typical Mumbai gangout vis a vis this song:
People with similar tastes and likes gang up together. And when a gang meets there should be music appropriate for the event. I don’t know if there were any Helens, Cuckoos, Silk Smithas or Disco Shantis discussed. But the song with this post should have been there when a gang meets. It is the typical villain’s den song that a standard Hindi movie will feed us with. No! No! I am not in my wildest imagination calling any of those at the gangout a villain. 🙂
The song is from the 1975 Ravikant Nagaich directed “Kala Sona”. It had Feroz Khan, Danny, Imtiaz Khan, Prem Chopra, Helen, Parveen Babi, Master Raju, Durga Khote, Bipin Gupta, Keshto Mukherjee and Farida Jalal. Majrooh Sultanpuri was the lyricist and R.D.Burman was the music director. This song has the cross fading effect which RDB seemed so fond of. He has used only the voice of Asha Bhonsle for all the female actors in the movie. I would like to know how to write out lyrics of songs with this kind of fading effect. This dance number is essentially a Helen dance where Parveen Babi is playing the supportive dancer. The two of them are trying to get Prem Chopra, Imtiaz and gang distracted so that the movie can move towards an action- packed climax. Danny is also there to help them in their task as Feroz Khan is sitting next to Chopra so he can’t do anything personally.
In a recent writeup, I had mentioned about Asha Bhonsle giving playback to two dancers (in series) and I had mentioned that she had even given playbacks to two dancers in parallel. It is this song that I was talking about as the example of Asha Bhonsle singing in parallel (viz simultaneously) for two dancers.
This song was a very popular song of its time. This song was threatening to become the song with my Lucknow mini gangout writeup. Now, here is this song now, to mark the occasion of yet another Mumbai gangout taking place. The report of this meet will hopefully come out soon. For the time being, here is this lively song from “Kaala Sona”(1975).
This song has Helen and Parveen Babi dancing in it. And this song will go down in history as the only song where Keshto Mukherji too dances ! You do not believe me ? Then watch the picturisation carefully from 4:08 to 4:12. 🙂
With this song, “Kaala Sona”(1975) joins the list of movies that have all their songs covered in the blog.
Song-Koi aaya aane bhi de (Kaala Sona)(1975) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
laalaalaa
laalaalaa
laalaalaalaalaalaalaalaalaalaa
huff huff huff huff
huff aho
huff aho
huff aho
huff aho
huff aho
huff aho
huff aho
huff aho
koi aaya aa
aane bhi de ae
koi gaya aa
jaane bhi de ae
koi aaya aa
koi aaya
aane bhi de
koi gaya aa
koi gaya
jaane bhi de
lalala
tujhko aata hai masti mein jeena
jee le
he ae ae
koi aaya
koi aaya
aane bhi de
koi gaya
koi gaya
jaane bhi de
lalala
tujhko ata hai masti mein jeena
jee le ae ae ae
koi aaya
koi aaya
aane bhi de
tu to hai deewaana
bahke ja mahke ja
khushi ke nashe mein
aise hi maze mein
aaha aa
tu to hai diwaana
bahke ja mahke ja
khushi ke nashe mein
aise hi maze mein
aaha
mahfil mein
rang bharta ja
subah talak
rangeele ae ae
koi aaya
koi aaya
aane bhi de ae
koi gaya
koi gaya
jaane bhi de
lalala
tujhko ata hai masti mein jeena
jeele ae ae ae ae
koi aaya
koi aaya
aane bhi de
he ho
he ho
he ho
he ho
he ho
laalaalalalalala
laalaa
jhoome ja mastaane
chhede ja taraane
kal kya ho kya jaane
jaane ye tumhaari bala aa
jhoome ja mastaane
chhede ja taraane
kal kya ho kya jaane
jaane ye tumhaari bala
aage bhi hone de andhere
sapne to hain chamkeele ae ae
koi aaya
koi aaya
aane bhi de
koi gaya
koi gaya
jaane bhi de
lalala
tujhko aata hai masti mein jeena jee le ae ae
koi aaya
koi aaya
koi aaya
koi aaya
koi aaya
koi aaya
koi aaya
koi aaya
koi aaya
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The music of “Kaala Sona”(1975) was quite popular during its time. I would have loved to watch this movie but for the back that I was not allowed to watch any movies from 1972 till 1978, viz as long as I was school.
And now, when I can watch the movie and that too online, I feel disinclined to do so. Obviusly the principle of demand and supply is at work, and this time in the reverse direction.
Now a days, I can only watch the video of songs and that is all. “Kaala Sona”(1975) had four songs in it. Two of these songs have been covered in the blog, which means I have watched the picturisation of those songs.
I have watched the picturisation of the two remaining songs as well. The settings are similar in both the picturisations. And I am intrigued by the fact that Keshto Mukherji figures quite prominently in both the picturisations. He plays a drunkard alright, but did he play such a big role in the movie that he fitted in as many as two songs of this movie and that too quite prominently ? I request our knowledgeable readers to throw light on this fact.
Here is the third song from “Kaala Sona”(1975) to appear in the blog. The song is sung by Asha Bhonsle. The song is picrurised on Parveen Babi who is shown lip syncing this song for the benefit of Keshto Mukherji ! Yes indeed ! Of course other dubious looking characters are also visible in the picturisation.
Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.
Song-Ek baar jaane jaana iqraar karte jaana (Kaala Sona)(1975) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
ek baar
jaane jaana
ikraar karte jaana
ek baar
jaane jaana
ikraar karte jaana
jhooth hi kah do
mera dil rakh lo
chaahe phir tum na aana aa aa aa aa
ek baar jaane jaana
ikraar karte jaana
jhooth hi kah do
mera dil rakh lo
chaahe phir tum na aana aa aa aa aa
ek baar jaane jaana
jhoothi baaten bhi yaar ki
lagti hai baaten pyaar ki ee ee ee ee
aha aha
aha
aa aa
jhoothi baaten bhi yaar ki ee
lagti hain baaten pyaar ki ee ee
hum bhi kya kare tum bhi kya karo
dekho na sanam
arre
haan aan aan
ek baar
jaane jaana ikraar karte jaana
jhooth hi kahdo
mera dil rakh lo
chaahe phir tum na aana aa aa
ik baar jaane jaana
tum jo mil jaao ek baar
main bhi dikhla doon wo bahaar aar aar
aha
aha
aha aa aa
tum jo mil jaao ek baar
main bhi dikhla doon wo bahaar aar
bhoole na kabhi
saari zindagi
allah ki kasam
arre haan aan aan
ek baar jaane jaana
ikraar karte jaana
jhooth hi kah do
mera dil rakh lo
chaahe phir tum na aana aa aa aa aa
ek baar jaane jaana
ikraar karte jaana
jhooth hi kah do
mera dil rakh lo
chaahe phir tum na aana aa aa
ek baar jaane jaana
ek baar jaane jaana
ek baar jaane jaana
Naari jeewan bhi kya jeewan
Posted on: April 16, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Raftaar”(1975) was produced by S I Shivdasani and directed by Dinesh-Ramesh for Chitralekha Movies, Bombay. The movie had Vinod Mehra, Moushumi Chatterjee, Danny Denzongpa, Arpana Choudhary, Ranjeet, Madan Puri, Sunder, Kundan, Indira Bansal, Mohan Choti, Birbal, Jankidas, Lalita Kumari, Moolchand, Manisha, Ruby Mayers, Mohan Sherry, etc in it.
Read more on this topic…
Piyaa tujho aashnaa hoon main
Posted on: February 17, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Nishaant”(1975) was produced by Mohan J. Bijlani and Freni Variava and directed by Shyam Benegal. This movie was written by playwright Vijay Tendulkar. The movie had Girish Karnad, Amrish Puri, Shabana Azmi , Anant Nag , Sadhu Meher, Smita Patil and Naseeruddin Shah ( making his debut).
Read more on this topic…
Dardiyo na jaani o more raaja
Posted on: January 30, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Tumhaara Kalloo”(1975) was directed by Basu Bhattacharya for Aarohi Films Bombay. This movie had Kuldeep Bhagi, Kajri, Somnath Mukherji, Devendra Khandelwal, Manik Dutt, Urmila Devi, Shailly Shailendra, Dharmveer, Shubhra, Radheshyam Dixit, Bharat Bhushan, Nagardas Sharma, Mahesh Dubey, Jagdish Bansal, Shankar Shambhu, Ramkumar, Babban, Kamal, Ghanshyyam, Dulari, Anita Dutt etc in it.
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Fauzi gaya jab gaaon mein
Posted on: January 26, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Aakraman”(1975) was produced by Jagdish Kumar and directed by J Omprakash for Film Kunj Private Limited, Bombay. This movie had Sanjeev Kumar, Rakesh Roshan, Rekha, Farida Jalal, Sulochana Latkar, Keshto Mukherjee, Sujit Kumar, Sunder, Asrani,Ravinder Kapoor, Ashok Kumar, Kuljit, Mumtaz Shanti, Saigal, Deepak Raj etc with Asrani as a Guest Artist and Rajesh Khanna in a friendly appearance.
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Gham ki dawaa to pyaar hai
Posted on: January 13, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Amaanush”(1975) was based on a story by Bangla author Shaktipada Rajguru. this movie was made in Bangla as well as Hindi with nearly the same team of artists.
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Aa jaao ke mil kar badlen
Posted on: January 10, 2017
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Genius of Jaidev – 57
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Ek Hans Ka Joda (1975) was a coloured social film produced by Punch Films, Bombay and directed by Avtar Bhogal. Anil Dhavan and Jhahira were the main stars supported by Utpal Dutt, Indrani Mukherjee, Iftikhar, Achala Sachdev, Anvar Hussain, Brahm Bharadwaj, Prabhu Dayal, Birbal, B Bhalla, Mama, Pushpanjali, Manorama, Sudama, Sreedhar Nayak, Sunil Hattangadi, Madhu, Maadhavi, Sitara, V Gopal and Anjali Kadam. The film also introduced two new finds as guests, Dharam veer and Ajit Sinh.
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