Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Tajmahal


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is his 500th article in the blog.

Oh my God !

I can not believe that this is my 500 th article on this Blog ! How time flies ! It seems just like yesterday that my first post appeared here. But it was 3 years 6 months and 11 days ago on 1-10-2012 that my first post had come up.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Taj Mahal” (1941) is a by now forgotten movie. One rare song from this movie has been discussed in the past. while discussing that song, Mr Sadanand Kamath, the contributor of that article had provided information about the movie too. Here is what he had to say about the movie:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Sachin Dev Burman started his musical career as a singer-composer, mainly of non-filmy songs in the 1930s in Calcutta (Kolkatta). After joining the Hindi film industry as a music director in 1946, he sang very few songs in Hindi films and that too only those composed by himself. So I was under the impression that he did not sing any songs in Hindi films under the baton of other music directors. I was wrong in my impression as I found a few days that he sang such songs way back in the beginning of his career. As early as 1941, he had rendered a song for a Hindi film under the music direction of Madhulal Damodar Master. This song happened to be his debut song for Hindi films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is a story of the only son of a wealthy jagirdar ( feudal land owner) Choudhary Fazal Mohammed and Sardar Begum, one of his wives. The jagirdar had almost deserted Sardar Begum but he wanted his only son in his custody for which he was prepared to pay a handsome monetary compensation to his estranged wife. But she was not prepared to part with her son. The matter went to the court and the judge asked their 9 year old son to make a choice as to whether he would stay with his father or mother. He had to make a choice between a wealthy father and a poor mother who was facing difficulties in sustaining on a day to day basis. The young boy preferred his poor mother to his wealthy father. In preferring to stay with his poor mother, the young boy may have perhaps made a statement of intent to his father that ‘tu itnaa ameer nahin banaa abba ki tu apne bête ko khareed sake’ – a similar type of dialogue used in the film ‘Deewaar’ (1975). The boy was Abdul Hayee later known as Sahir Ludhianvi.
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1963 was a year when Hindi movie music was at its pinnacle. There were countless musical extravanzas that were released that year. Just thinking about the names of the movies boggles the mind. In this year, we had movies like “Mere Mehboob”, “Apna Bana Ke dekho”, “Asli Naqli”, “Meri Soorat teri aankhen”,”Sehra”,”Ye raaste hain pyaar ke”,”Ustaadon ke ustaad”,”Bharosa”,”Dil Ek Mandir”,”Professor”,”Gumrah”,”Pyaar kiya to darna kyaa”,”Bluff Master”,”dil Hi to Hai”,”Ek Dil Sau Afsaane”,”Aaj aur Kal”,”Gehra Daag”,”Bandini”,”Dil Tera Deewaana”,”Tere Ghar Ke Saamne”,”Rustam Sohrab”,”Bin Baadal Barsaat” etc etc.
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“Tajmahal” (1963) was a musical blockbuster and its songs had swept classes and masses off their feet in 1963. This movie was the pinnacle of Roshan’s career. In fact, 1963 was a year in which Roshan was at the peak of his career. Several of his movies released this year were musical blockbusters.
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1950s and 1960s saw many historical movies ( mostly from Mughal period) being made. These movies have become part of Indian psyche. So much so that there are many people who actually think that emperor Akbar spoke in a “fata baans” kind of croaking voice, and that there was actually someone called Anarkali. History tells us that Akbar hardly looked like Prithviraj Kapoor and there is no mention of Anarkali in historical chronicles, but then far less number of people read history than those that watch movies.
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