Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Minu Purushottam


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4873 Post No. : 16668 Movie Count :

4543

Today (20 November 2021) is the birthday of Minu Purushottam (DoB 20 November 1944). She made her debut in Hindi movies in 1963 with “Tajmahal”(1963), under the music direction of Roshan. The song was Naa naa naa re haath na lagaana , a duet alongwith Suman Kalyanpur. The lilting song from “Ye Raat Phir Na aayegi”(1966), Huzoorewaala jo ho izaajat , a duet with Asha Bhonsle, is quite a popular song to this day. Both songs incidentally were picturised on Helen and Madhumati (Helen clone).

Though overshadowed by the bigger name playback singers, she still has sung songs that were popular on their days. Unable to make much headway in Hindi movies, she switched over to non film songs. Later, she migrated to USA and lived there at Houston where she taught music.

On the occasion of her birthday, here is a song from “Qasam”(1976). This movie was directed by Ramesh Bedi for Kunwar Films Bombay. The movie had Radha Saluja, Satish Kaul, Laxmi Chhaya, Ranjeet, Nana Palsikar, Chandrashekhar, Vasti, Mohan Sherry, Junior Mehmood, Paintal, Ravi Kumar, Renu, Sukhbeer Kaur, Pratap, Darshan, Master Avinash, Baby Geeta etc in it.

This “social” movie had six songs in it. Two of these songs were duts sung by Minu Purushottam and Rafi.

Here is one of these songs. The song is penned by Mahendra Dehalvi. Music is composed by Surinder Kohli.

A poor quality partial video of the song is available. It shows that the song is picturised on Laxmi Chhaayaa ( I hope I have identified her correctly) and Ranjeet (villain in Hindi movies those days). I request our knowledgeable readers to help confirm/ refute my identification of the lady in the picturisation.

The audio contains the full song. The lady asks her lover to take her to Kashmir, or at least to nearby Chandigarh or Amritsar, but her lover is so ridiculously “kanjoos” that he would not agree to take her out of the village. 🙂

With this fogotten song, which is quite hummable to listen to, “Qasam”(1976) makes its debut in the blog.

Video partial

Audio (Full)


Song-Tu mera Raanjha main teri heer ve (Qasam)(1976) Singers-Minu Purushottam, Rafi, Lyrics-Mahendra Dehalvi, MD-Surendra Kohli

Lyrics

ho raanjhiyaa
ho o

tu mera raanjha main teri heer ve ae ae ae ae
tu mera raanjha main teri heer ve
arre chal abke le chal mujhko kashmir ve
arre chal abke le chal mujhko kashmir ve
achcha
main tera raanjha tu meri heer ni ee ee ee
main tera raanjha tu meri heer ni
arree chal kheto me dikhla doon kashmir ni
arree chal kheto me dikhla doon kashmir ni

tere khet mein roop ki chaandi
kahin pighal na jaaye
sone jaisi meri jawaani
dhoop mein dhal na jaaye
gar kashmir nahin to mujhko
aur kahin le jaa re
jeth maheene ki garmi mein ae
jaan nikal na jaaye
tu mera majnu main teri laila ve ae ae ae
tu mera majnu main teri laila ve
are chandigadh ki sair kara de chhaila ve
are chandigadh ki sair kara de chhaila ve
chandigadh mein kya rakha
chal bag ki sair kara doon
pagdi ke palle se tujhko
thhandi thandi hawa du
chandigadh kashmir hai kya
jo dil ki nazar se dekhe
apni aankhon mein tujhko
saari duniya dikhla doon
tu meri shirin main tera farhaad ni ee ee
tu meri shirin main tera farhaad ni
areee pyaar se apne ghar ko kar aabaad ni
arree pyaar se apne ghar ko kar aabaad ni

ho raanjhiyaa
ho o

chikni chupdi baaton se
na yoon mujhko behla re
jaan gayi tujhko
mujhse mat jhootha pyaar jata re
shirin ki khatir farhad ne
doodh ke nahar nikali
tu kis boote pe aashik banta hai
ye batla re
tu mera punnu main teri kashti ve ae ae ae
tu mera punnu main teri kashti ve
arre chal pilwa de amritsar ki lassi ve
arre chal pilwa de amritsar ki lassi ve
arre chal
lassi ka tu naam jo legi
to khaayegi danda
chal kunwe pe chalke pila doon
paani thanda thanda
tu kho gayi shahar mein
tujh bin haal mera kya hoga
koi kanwaara kahega mujhko
koi kahega randa
tu meri sohni main tera mahiwaal ni ee ee ee
tu meri sohni main tera mahiwaal ni
arree rah gaanv mein shahar ka
chhod khayaal ni

nahin
arree rah gaanv mein shahar ka chhod khayaal ni
nahin baba
arree rah gaanv mein shahar ka chhod khayaal ni
arree nahin baba
ari rah gaanv mein shahar ka chhod khayal ni


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4368 Post No. : 15700

While covering songs on most days, I do not feel much pressure. The only pressure on me is that the day should not end up as a DOT day. I make sure that at least one writeup appears on the blog every day. Fortunately there has been no DOT days this year. The last DOT day of the blog was in December 2019.

The other “pressure”, apart from that of avoiding DOT day, is to make sure that guest posts are published within a day or so. If there is too much delay in publishing them then it may lead to avoidable misunderstanding. Then there is pressure of publishing articles that are topical (having to do with anniversaries, special days etc) which must be published on the appointed day otherwise they lose their relevance.

When it is a question of publishing one post to avoid DOT day, I am happy just being able to publish a bare bones article, an article that hardly has any details other than the most basic information, a far cry from some of the three thousand words plus writeups in the blog. A few of the special occasion writeups are also like that. Guest posts are “easy” because all the hard work is already done by others. It is articles by me on special occasions that put me under pressure. If I am aware of the special occasion well in advance then I am mentally prepared, but if I become aware of the special occasion only on the day when it arrives, then I am in “trouble”. It happens with me in case of many of the anniversaries, seeing that I am not very good in remembering such dates.

Then there are some many days, like Mother’s day, Father’s day, Doctor’s day, Chocolate day and other such largely artificially created days that one becomes aware of only in the morning when one starts the computer and open the search page viz google. And there is some special google doodle staring at you, informing you that it was “Milk” day on that day ! I became aware of “milk” day on the morning of 1st June 2020. I felt that I needed to write an article on the occasion. Much of my day was spend thinking about an appropriate song, because there were very few songs on milk. Then it struck me that milk products qualify as well. And there are so many Hindi film songs on “Maakhan” (butter). We in India even have a God (Lord Krishna) who is the brand ambassador of “Maakhan”. It was already afternoon when this idea struck me and then I started typing out my writeup on the topic. This article finally appeared on the blog in the afternoon at 16:39 IST.

I feel the most “pressure” when the blog reaches its nervous nineties. It means that we need to have a special song as our blog century song. Nowadays, we are barely going at the rate of two or three songs in a day and we do not seem to able to muster the kind of creative writing juices that seemed to flow in abundance till a few years ago. Those days, people would start eagerly anticipating the moment. They would sometimes even stat guessing the song, taking hint from the tallies of various artists in the blog, or basing their guess on the anniversaries to come.

Those days are behind us. Those days we were galloping at Rajdhani express speed, reaching a century in 16 days. These days we are crawling at the speed of a passenger train, reaching centuries in over 50 days.

Just like in case of special occasion songs, I obviously has to think of an appropriate song for the blog century song. The song must be a “special” song befitting the special occasion. As in the case of other “special” occasion songs, this special occasion also puts me under pressure. This time the pressure is of my own making because I myself do not pay attention to the matter in time, and start worrying about it only at the last moment.

I was aware that we are reaching out 157th century, viz song post number 15700, but it was only yesterday (2nd July 2020) when I finally realised that the century post had to be inevitably posted on 3rd July 2020, if I had to ensure that this occasion did not clash with other special occasions viz anniversaries etc.

Like on many similar blog century occasions, I have chosen a “special” song as the blog post number 15700 of the blog. This song can be described as belonging to the category of rare songs, that few people may have heard of. Forget the song, one may not even have heard the name of the movie. The movie is called “Safed Ghoda Kaala Sawaar”(1960) aka “Black Rider”(1960). It was directed by Mehmood (same as the comedian or someone else ?) for Screenarts Bombay. The B grade obscure movie had Kamran, Krishnkumari, Habeeb, Shaam, Najma etc in it. HFGK mentions five songs for this movie.

One song from this movie has been covered in the past. Here is the second song from “Black Rider” (1960) to appear in the blog. The song is sung by Balbir and Minu Prushottam with chorus. Naqsh Llayalpuri is the lyricist. Music is composed by Harbans.

The song is a qawwaali and sounds wonderful to listen to. But while most qawwaalis are quite long, this qawwaali ends after three minutes , after just two stanza, with the listeners wanting more. I wonder if this song was originally longer and only three minutes long version of the qawwaali was released on record. I request our knowledgeable readers to thow light on the movie as well as on the picturisation of the song.
[Ed Note: As Sudhir ji points out in his comment, the full song is double the length – it is 6+ minutes and appears on two sides of a 78 rpm record. Whoever has uploaded the song did not take care enough to upload the full song. Sudhir ji has now uploaded the full qawwaali and updated the lyrics.]

With this extremely rare song, the blog reaches another century in the blog. This century took 53 days. Now that we are onto song post number 15700, the next magic number 16000 appears near by. Hopefully we will reach that big landmark in a matter of another few months.

With this post done, now I feel free to post next few articles without much pressure, before it would be time for the next important events for the blog, viz blog anniversary (which falls in july itself) etc.

I take this opportunity to thank one and all for their continued support in helping this musical bandwagon keep chugging along merrily. Many more musical gems still lie ahead that we need to explore and savor.

Song – Husn Waale Khilauna Jaan Ke Dil Tod Dete Hain (Black Rider)(1960) Singers – S Balbir, Meenu Purushottam, Lyrics – Naqsh Llayalpuri, MD – Harbans
Male chorus
Female chorus

Lyrics

aa aa aa
haseenon ki adaaon ne
hazaaron ko mitaa daala
kisi ko kar diya ruswa
kisi ka ghar jalaa daala

husnwaale khilauna jaan ke dil tod dete hain
husnwaale khilauna jaan ke dil tod dete hain
nazar se loot lete hain
tadapta chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
ye zaalim berukhi se dil ka sheesha tod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain

kabhi palken jhukaa ke aur
kabhi zulfon ko bikhraa ke
aa aa aa
kabhi nazren milaa ke aur
kabhi aanchal ko lehraa ke
aa aa aa
dilon ko loot lete hain
dilaason per hi behlaa ke
tamaasha dekhte hain phir
tadapte dil ko tadpaa ke
sahaara dene se pehle
sahaare chhod dete hain
sahaara dene se pehle
sahaare chhod dete hain
nazar se loot lete hain
tadapta chhod dete hain
husnwaale khilauna jaan ke dil tod dete hain
husnwaale khilauna jaan ke dil tod dete hain

hamaara naam bhi badnaam
kar daala zamaane ne
haa..aa..aan
ghazab ki talkhiyaan bhar di
mohabbat ke fasaane mein
bade hi tez hain ye ishq waale
dil lagaane mein
basa ke apne haathon
pyaar ki basti mitaane mein
ye aise raahbar hain jo bhatakta chhod dete hain
ye aise raahbar hain jo bhatakta chhod dete hain
ye zaalim berukhi se dil ka sheesha tod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain

haa..aa..aa..aan
bade masoom bantey hain
bahut hoshiyaar hotey hain
haa..aa..aan
sambhal paate nahin wo
jin pe inke waar hotey hain
ye zaalim ishq waale
kis qadar ayyaar hotey hain
jo in se dil lagaate hain
bahut bezaar hotey hain
mohabbat ka haseen rishta ye pal mein tod detey hain
mohabbat ka haseen rishta ye pal mein tod detey hain
nazar se loot lete hain
tadapta chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
aaa aaa aaa aaa aaaaa
aaa aaa aaa aaaaa
husnwaale khilauna jaan ke dil tod dete hain
husnwaale khilauna jaan ke dil tod dete hain
aaa aaa aaa aaa
aaa aaa aaa aaa
ishq waale laga kar aag daaman chhod dete hain

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आ आ आ
हसीनों की अदाओं ने
हजारों को मिटा डाला
किसी को कर दिया रुसवा
किसी का घर जला डाला

हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
नज़र से लूट लेते हैं
तड़पता छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
ये ज़ालिम बेरुखी से दिल का शीशा तोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं

कभी पलकें झुका के और
लाभी ज़ुल्फों को बिखरा के
आ आ आ
अभी नज़रें मिला के और’
कभी आंचल को लहरा के
आ आ आ
दिलो को लूट लेते हैं
दिलासों पर ही बहला के
तमाशा देखते हैं फिर
तड़पते दिल को तड़पा के
सहारा देने से पहले
सहारा छोड़ देते हैं
सहारा देने से पहले
सहारा छोड़ देते हैं
नज़र से लूट लेते हैं
तड़पता छोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं

हमारा नाम भी बदनाम
कर डाला जमाने ने
हाँ॰॰आँ॰॰आँ
ग़ज़ब की तल्खियाँ भर दीं
मोहब्बत के फसाने में
बड़े ही तेज़ हैं ये इश्क़वाले
दिल लगाने में
बसा के अपने हाथों
प्यार की बस्ती मिटाने में
ये ऐसे राहबर हैं जो भटकता छोड़ देते हैं
ये ऐसे राहबर हैं जो भटकता छोड़ देते हैं
ये ज़ालिम बेरुखी से दिल का शीशा तोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं

हाँ॰॰आँ॰॰आँ॰॰आँ
बड़े मासूम बनते हैं
बड़े होशियार होते हैं
हाँ॰॰आँ॰॰आँ
संभाल पाते नहीं वो
जिनपे इनके वार होते हैं
ये ज़ालिम इश्क़ वाले
इस कदर अय्यार होते हैं
जो इनसे दिल लगाते हैं
बड़े बेज़ार होते हैं
मोहब्बत का हसीं रिश्ता ये पल में तोड़ देते हैं
मोहब्बत का हसीं रिश्ता ये पल में तोड़ देते हैं
नज़र से लूट लेते हैं
तड़पता छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
आ आ आ आ आ
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
आ आ आ आ आ
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3471 Post No. : 13937

Missing Films of 1960s – 46
– – – – – – – – – – – – – – –

Today, we introduce the film ‘Chaar Chakram’ from 1965. Another film by the same name was also produced in 1932. The name ‘Chaar Chakram’ takes off on the more familiar Hindi phrases that tell of the friendship amongst four friends – ‘chaar yaar’ and ‘chandaal chaukdi’.

This film was produced under the banner of PM Pictures, Bombay and directed by Sultan. The star cast listed in the Geet Kosh is very detailed. The lead roles are by Shyam Kumar and Leela Kumari, and the supporting cast is Tuntun, SK Prem, Anjum, Fazal Khan, Haroon, Bhagwan, and another long list of names that are not too familiar – Kenny, Bob, Butter, Jilani, Maqbool, Ajeet, A Siddique, Hameeda, Sabeena, Lawrence, Chand, Doctor, Daud, Ameer, Muhammad Sandow, Ahmed, Zeenat, Purushottam, Bhai Das, and Iqbal.

Geet Kosh lists four songs for this film. All songs are written by Anjaan, and the music compositions are by the lesser know duo of Suresh-Talwar. The singing voice is of Minu Purushottam. So as you would have noticed, today’s song is quite a bit off the regular track, in terms of the artists involved.

The song tells of how the young lady’s heart has been stolen by her beau. His appearance is that of a simpleton. But his eyes cast a magic spell and the young lady is smitten with love.

With this song, the 1965 film ‘Chaar Chakram’ makes its debut on our blog.

Song – O Bhole Bhaale Jawaab Nahin Tera  (Chaar Chakram) (1965) Singer – Minoo Purushottam, Lyrics – Anjaan, MD – Suresh-Talwar

Lyrics

o bhole bhaale jawaab nahin tera
dil lene waale jawaab nahin tera
naina mila ke
yun muskuraa
chheen liya tu ne
dil mera
dil mera
dil me. .era. . .
o bhole bhaale jawaab nahin tera
dil lene waale jawaab nahin tera

surat se to hai bada bhola bhaala
par tera andaaz sabse niraala
surat se to hai bada bhola bhaala
par tera andaaz sabse niraala
jaana na maine
kab aa ke tu ne
kiya mere dil mein basera
basera
base. .era. . .
o bhole bhaale jawaab nahin tera
dil lene waale jawaab nahin tera

teri nigaahon mein hai aisa jaadu
aankhen milin to hua dil bekaabu
teri nigaahon mein hai aisa jaadu
aankhen milin to hua dil bekaabu
mere bhi dil par
zulmi nazar ka
jaadu wahi tu ne phera
re phera
re phe. .era. . .
o bhole bhaale jawaab nahin tera
dil lene waale jawaab nahin tera

jab se nazar meri tujh se ladi hai
haathon mein ye pyaar ki hathkadi hai
jab se nazar mei tujh se ladi hai
haathon mein ye pyaar ki hathkadi hai
ye hi hai bandhan
jisko ye duniya
kehti hai ulfat ka ghera
re ghera
re ghe. .era. . .
o bhole bhaale jawaab nahin tera
dil lene waale jawaab nahin tera

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
ओ भोले भाले जवाब नहीं तेरा
दिल लेने वाले जवाब नहीं तेरा
नैना मिला के
यूं मुस्कुरा के
छीन लिया तूने
दिल मेरा
दिल मेरा
दिल मे॰॰एरा॰॰॰
ओ भोले भाले जवाब नहीं तेरा
दिल लेने वाले जवाब नहीं तेरा

सूरत से तो है बड़ा भोला भाला
पर तेरा अंदाज़ सबसे निराला
सूरत से तो है बड़ा भोला भाला
पर तेरा अंदाज़ सबसे निराला
जाना ना मैंने
कब आ के तूने
किया मेरे दिल में बसेरा
बसेरा
बसे॰॰एरा॰॰॰
ओ भोले भाले जवाब नहीं तेरा
दिल लेने वाले जवाब नहीं तेरा

तेरी निगाहों में है ऐसा जादू
आँखें मिलीं तो हुआ दिल बेकाबू
तेरी निगाहों में है ऐसा जादू
आँखें मिलीं तो हुआ दिल बेकाबू
मेरे भी दिल पर
ज़ुल्मी नज़र का
जादू वही तूने फेरा
रे फेरा
रे फे॰॰एरा॰॰॰
ओ भोले भाले जवाब नहीं तेरा
दिल लेने वाले जवाब नहीं तेरा

जबसे नज़र मेरी तुझसे लड़ी है
हाथों में ये प्यार की हथकड़ी है
जबसे नज़र मेरी तुझसे लड़ी है
हाथों में ये प्यार की हथकड़ी है
ये ही है बंधन
जिसको ये दुनिया
कहती है उल्फ़त का घेरा
रे घेरा
रे घे॰॰एरा॰॰॰
ओ भोले भाले जवाब नहीं तेरा
दिल लेने वाले जवाब नहीं तेरा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Amaanat” (1975) was produced and directed by Shatrujit Paul. The movie had Manoj Kumar, Sadhana, Balraj Sahni, Mehmood, Achalka Sachdev, Shashikala, Keshto Mukherji etc in it. This movie began in 1960s and its songs got released much before the movie. The movie itself had a very delayed release. It finally got its censor certificate on 31 december 1975 and thus qualified as a movie of 1975!
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“Tajmahal” (1963) was a Pushpa Pictures Production. It was directed by M Sadiq. The movie had Pradeep Kumar, Beena Rai, Rehman, Jeevan, Jabeen Jalil, Veena, Jeevan Kala, Helen, Madhumati, Murad etc in it.
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“Prem Parbat” (1973) was an Art Maker production. It was directed by Ved Rahi. The movie had Hema Malini, Satish Kaul, Rehana Sultan, Nana Palsikar etc in it.
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The lyrics for this song has been provided by Sudhir, a new visitor of this blog and a fellow enthusiast of Hindi movies and its songs

Rail songs are those songs in which Hindi movie actors are singing the song aboard a train. I am aware of around 40-50 Rail songs from Hindi movies. Most of them have been discussed in this blog. I continue to discover “new” rail songs quite frequently and a few of them are so good that I have earmarked them to be discussed on special occasions for this blog.
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Great songs are not always the preserve of hit movies. I have realised that many great songs were composed for movies that flopped at the box office. The movies were forgotten , but the songs were not.
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I have posted nearly one hundred songs composed by Madan Mohan in this blog. Madan Mohan composed music for some 700 songs in Bollywood movies so I have posted nearly 15 % of Madan Mohan’s compositions.
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This song is a typically O P Nayyar tune as far as the use of the musical nstruments are concerned. This movie “Ye Raat Phir Na Aayegi” came in 1966 when O P Nayyar was on the decline.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16670

Number of movies covered in the blog

Movies with all their songs covered =1291
Total Number of movies covered=4543

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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