Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Vyjyanti Mala


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6366 Post No. : 19741

Today’s song is from a dubbed Hindi film -Piya Milan-1958.

This costume film was directed by Raghunath and the music was by P Ramesh Naidu, who was assisted by S.L.Merchant. The cast of the South indian dubbed film was Vyjayantimala, Raja Sulochana, Shri Ram, M.N.Rajam, Helen, Reeta, V.Nagiah, T.S.Baliah, P.L.Veerappa, Thangvellu, Chandra babu, G.A.K.Devar and many others. Lyricists were Harsha (3) and Hasrat Jaipuri (6). These 9 songs of the film were sung by P.Susheela, Lata mangeshkar, Usha Mangeshkar, Om Verma and jagmohan Bakshi. Actually, the film was produced by Jubilee Films, but was sold to R.R. Productions for releasing it.

Film Piya Milan-1958 was originally a Tamil film MARMAVEERA-1956, dubbed in Hindi. Most songs were having the same tune as given by the Tamil original’s composer S.Vedhu. The greatest attraction of this film was the Guest appearance by N.T.Rama Rao, Sivaji Ganeshan and Gemini Ganeshan. They were the heavyweight actors of the Southern films.

The 50’s decade was full of a deluge of films from the south. After S.S.Vasan proved that it was possible to capture the All India Hindi Audience market for South-made films, there was a mad rush and almost all major and minor film companies from south tried to get at least a small piece of the “Hindi Audience Cake” for their films. Films came in the shapes of Bilinguals, remakes and dubbed ones. Bilinguals – when a film is made in 2 languages at a time, one language being Hindi, remakes were new Hindi films made on old Hit films of South Indian languages. Dubbed films were films made in the southern language, with a sound track of Hindi language. In 1958 alone there were 7 films from the South, dubbed in Hindi, for All India markets.

Since the 1950’s decade, every south artist’s dream was to shine in the Hindi film industry, because Hindi films meant All India fame and an honour. In this dream many actresses achieved success, but comparatively actors were almost nowhere. The only name perhaps could be taken was that of actor Ranjan and few more. However, Jamuna, Vaijayantimala, Hema malini, Ragini, Padmini, Rekha and many more actresses from South became famous in Hindi films. Likewise when the Tamil and Telugu industry became a big one, many actresses like Khushbu etc from the Hindi land became famous in South films. Somehow males could not achieve this.

One of the major problems for south Indian artists is the Hindi language. The actresses like Vaijayantimala, Hema Malini and Rekha became experts, but Southern actors could not cross this hurdle. N.T.Ramarao ( 28-5-1923 to 18-1-1996) tried hard. He featured in 23 Hindi films which were mostly dubbed films barring few. One film Brahmarshi Vishwamitra-1991 was even directed by him. Sivaji Ganeshan (1-10-1927 to 21-7-2001) a winner of the prestigious ” Dadasaheb Phalke Award” in 1996, also featured in 19 Hindi films. Gemini Ganesan-real name R.Ganesan ( 17-11-1920 to 22-3-2005) was actress Rekha’s father. He acted in 24 Hindi films.

Similarly many music directors also had the same desire to shine in Hindi films, but had the same problem of language. One of these MDs was P.Ramesh Naidu who gave music to the Hindi film Piya Milan-1958.

Pasupuleti Ramesh Naidu (Born 18-10-1933, Died 2-9-2005) was born in Kondapalli in Krishna District (Andhra Pradesh). He was so obsessed with music that he ran away and landed in Bombay when he was 17 year old. B R Chopra took him under his wings and Ramesh learnt Instrumentation and orchestration in HMV at Bombay.

Here he learned music and also got opportunities to interact with Hindi and Marathi directors. His debut as a music director was for a Marathi Movie ” Bhandawal Paahije” 1950, produced, Directed and acted by Kishore Sahu, when he was 17 years old. He was first introduced to Telugu movies in Dampatyam by Actress Krishnaveni. He moved back to Bombay and gave music for Kishore Sahu’s Hamlet 1954, Waheeda Rahman’s DUBBED Telugu movie Jai Singh (1959). He later went to Calcutta, married a Bengali woman and worked for about ten years for Bengali, Nepali and Oriya films before returning to Telugu films with the movie Amma Mata in 1972. He composed music mainly for the directors Dasari Narayana Rao, Vijaya Nirmala and writer Jandhyala. His other major works are Srivariki, Premalekha, Sivaranjani, Ananda Bhairavi and Swayamkrushi.

After a few years he went back to Andhra and got married. He got a son also and then he came to Bombay, on his way to Calcutta. he spent 10 years there giving music to Bangla, Oriya and Nepali films.

He was invited to Madras and he gave music to Amma mata-72. He settled there with his family. He gave music in Tamil, Telugu and Kannada films. He came to Bombay from time to time to give music to Dubbed and Remade films from the South. He also gave music in a few Bhojpuri films. His Hindi films were Hamlet-54, Jaisingh-59, Piya Milan-58, Nartaki Chitra-65, Ganga Bhavani-79, Azaadi ki Oar-86,and Hum bhi kuch kam nahin-1983.His first south film was Dampatyam-57 and last was Ish Gup chup-1993. He surpassed Salil Chaudhari by giving music in 10 Indian languages( Salil da gave music in 9 ). Ramesh Naidu got the National Award for the film ‘Megh Sandesham’. Naidu left this world on 2-9-2005, at Hyderabad.

The story of the film Piya Milan-1958 was…..

Maharaja Kulasekhara is the king of Kurni Empire. He has a beautiful daughter Vijaya (Vyjayanti mala), who is in love with a young rich boy, Mahinder (Shri Ram).

Maharaja Parakram Bahu of the neighbouring kingdom comes calling and before going back proposes to Vijaya. He is told that she is already engaged and this alliance is not possible.

Parakram goes back enraged. He consults his vazir, Nari and they decide to destroy Kulasekhara. They tempt Srimantha, the commander of Kulshekar and then attack Kurni, capture the Maharaja and abduct Vijaya. The kingdom is then given to Shrimantha. Shrimantha and his cronies torture the poor Janata and loot them.

Suddenly, a masked man called PARAMVEER appears from nowhere and protects the oppressed janata. He also punishes the cronies and Looters. Meanwhile Parakram Bahu decided to marry Vijaya forcibly. Getting this news, Paramveer attacks Parakram Bahu in the night ,captures him and rescues the princess Vijaya.

Then Param veer leads a mutiny and defeats Srimantha and rescues Maharaja Kulasekhara. Finally, it is revealed that Param Veer is no one else but Mahinder, the fiance of Vijaya.

All is well, after this.

one of the cast members was Raja Sulochana. Raja sounds like a male name, but she was a dancer cum actress. In southern films, her name is mentioned as Rajsulochana, but in Hindi it is used as Raja Sulochana. Chittajallu Rajeevalochana (15 August 1935 – 5 March 2013), better known as Rajsulochana, was a classical dancer and actress. She has acted in more than 300 Telugu, Tamil, Kannada, Malayalam and Hindi language films.

She was born on 15 August 1935 in Bezawada (now Vijayawada), in Andhra Pradesh. Her father, Pilliarchetty Bhakthavatsalam Naidu worked in Indian Railways and was transferred to Madras as PA to the General Manager of M&SM Railway. At school, her name was recorded in error as Rajasulochana. She learned Indian classical dance from Lalithamma, K. N. Dhandayuthapani Pillai, Acharyulu and Vempati Chinna Satyam, Krishnakumar, Vishnu Vysarkar, and Kalamandalam Madhavan.

The Kannada stage and screen maestro H. L. N. Simha gave her an acting opportunity in Gunasagari (Kannada, 1953), produced by Gubbi Veeranna. Subsequently, she acted in about 274 films in all South Indian languages. She acted with all the leading stars of South Indian cinema such as M. G. Ramachandran, Sivaji Ganesan, N. T. Rama Rao, Akkineni Nageswara Rao, Rajkumar, S. S. Rajendran, Prem Nazir, A. P. Nagarajan and M. N. Nambiar.

Rajasulochana was a special friend of the boss A.V.Meiyappan and he was trying to push her in Hindi films.It was rumoured that due to this only,this song and dance item with master Bhagwan was thrust in the film Chori Chori-1956, even if it did look like a patch, having no connection to the picture story in any manner !
Rajasulochana was a good dancer/actress and acted in some 80 odd Telugu,Kannada and Tamil movies.
She acted/danced in few Hindi movies like, Chori chori, Aayi phirse Bahar, Alladin ka chirag, Naya aadmi, Sitaron Se aage etc.

She founded the dance school “Pushpanjali Nritya Kala Kendram” in 1961 in Chennai. It has trained many students in Indian classical dance forms and celebrated its Silver Jubilee in 1986. She gave many dance performances in India and abroad and got critical acclaim for the dance dramas.

She had a son out of her first marriage and after it ended in a divorce, she married actor-director C. S. Rao and had twin daughters. One daughter lives in Chennai. The other twin daughter and son live in Chicago, Illinois.

Rajasulochana died in Chennai on 5 March 2013 at the age of 77. Condoling her death, the then Tamil Nadu Chief Minister Jayalalithaa had said the actress had left an imprint for herself in the film industry. She was engaged in creating artistes in her dance school “Pushpanjali Nritya Kala Kendram ” here, Jayalalithaa said.

Here is a song from today’s film, sung by Lata Mangeshkar. Enjoy….

Video (poor audio)

Audio

Song-Dil ka sun le tu afsaana (Piya Milan)(1958) Singer-Lata, Lyricist-Hasrat Jaipuri, MD-P Ramesh Naidu

Lyrics

Sun le re
man kee dhun
matwaaree moree
aa aa aa aa aa
aa aa aa
aa aa aa
sajan
jo dil le
ye man gaaye
saj kar main naachoon

dil ka sun le tu afsaana
dil ka sun le tu afsaana
haaye qaatil jaana na
haaye qaatil jaana na
dil ka sun le
dil ka sun le
sun le afsaana aa

le lo ye dil apna sainya
nain raseelon se saajan
nain raseelon se ae
jaano dil ko
o jee jaano dil ko
haarey ham to
baaton baaton se
ham to baaton baaton se
arre matwaare
hmm
arre matware mere piya
tadpe hamaara jiya
chhotee see jaan jaaye re
arre matwaare
hmm
arre matwaare mere piya
tadpe hamaara jiya
chhotee see jaan jaaye re
ho dekho
chhotee see jaan jaaye re
dil ka sun le tu afsaana
dil ka sun le tu afsaana
haaye qaatil jaana na aa
haaye qaatil jaana na aa
dil ko sun le
dil ka sun le
sun le afsaana

man ka tan ta ho ke hardam
ban na bhola re ae
ban na bhola re ae
tera mera
o jee tera mera
ab ye zaalim
saath naa chhoote re
ab to
saath na chhoote re
arre dilwaale
hmm
arre dilwaale maan zara
mujhko pehchaan zara
chhotee see jaan jaaye re
arre dilwaale
hmm
are dilwaale maan zara
mujhko pehchaan zara
chhotee see jaan jaaye re
ho moree chhotee see jaan jaaye re
dil ka sun le tu afsaana
dil ka sun le tu afsaana
haaye qaatil jaana na aa
haaye qaatil jaana na aa
dil ka sun le
dil ka sun le
sun le afsaana


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6240 Post No. : 19292

Today’s song is from a film – Naya Kanoon-1965 – which had an offbeat story on current affairs of IPC. Unfortunately due to several reasons the film was not successful. Two reasons were there. First was, in 1965 so many iconic and milestone movies were made that anything less than their standard was unlikely to have acceptance of the audience. Secondly, the film had inherent lacunae which downgraded it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6048 Post No. : 18823

Today’s song is from a South-made movie – Devta-1956. This song ” Phoolon ke mele….” was quite popular and famous in those days. I was surprised to find that it was yet to feature on this Blog. I am glad that it waited for me !
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5734 Post No. : 18256

“Pyaar Hi Pyaar”(1969) was directed by Bhappi Soni for R S Productions, Bombay. This “social” movie had Dharmendra, Vyjyantimala, Pran, Helen, Dhumal, Raj Mehra, Madan Puri, Sapru, Sulochana, Manmohan, Sulochana Chatterjee, Paro, Krishn Dhawan, Padma Rani, Junior Mehmood, Mehmood etc. in it.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5504 Post No. : 17946

Hullo Atuldom

13th August is a day when a few beautiful Bollywood ladies have their birthdays.
If Sridevi had been among us, her fans & the various channels would have gone crazy showing her films, songs, dances etc. on her 60th birthday. But that is not to be as she is lost to us her fans and we can only think of her, enjoy her songs etc.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4900 Post No. : 16705

Some people may have noticed that today is the 4900th day for the blog. So today the blog completes a century. Unlike blog centuries, this time bound century gets clocked automatically without any conscious effort on our part.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4740 Post No. : 16467

Dilip Kumar – The Legend (1922-2021)
——————————————————

Since last two days I have been watching the various videos on whatsapp and on the net and also read some articles on the net. I have tried to see and absorb as much of the information I could about the events after, when the thespian is no more. After all is said and done, I have tried various tacks on how to approach this tribute to the method actor, who some call the “Marlon Brando” of India, without the ferociousness. But I find a ferocious, peasant turned dacoit in ‘Ganga Jamuna’ and a fractioned rebel prince Salim who is equally ferocious in protecting his Anarkali. The work on the silver screen was a very important part of the personality, but by no means it was the whole personality.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4439 Post No. : 15881

Remembrance day of Jaikishan :
———————————–
Today i.e. 12th September, 2020 is 49th death anniversary of Jaikishan, a half of Shankar-Jaikishan.

I have just now read the detailed Wikipedia Page of Shankar-Jaikishan, so will reproduce some para’s which are worthy of mention in terms of Jaikishan’s death anniversary.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4369 Post No. : 15701

“Zindagi”(1964) was written produced and directed by Ramanand Sagar for Gemini Productions, Madras. This movie had Raj Kumar, Rajendra Kumar, Vyjayanthimala, Helen, Mehmood, Prithviraj Chauhan, Jeevan, Dhumal, Jayant, Kanhaiyalal, Hiralal, Master Shahid, Leela Chitnis, Pushpavalli(Actress Rekha`s mother), Baby Farida & “Honey”, Mumtaz Begum, Moolchand, Nirupa Roy, Satyajeet etc in it.
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This article is written by Peevesie’s Mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4344 Post No. : 15651

Hullo Atuldom

“Amardeep” (1958) had 12 songs 9 of which are on the blog. Le lo le lo gubbaare was the last song posted from this movie exactly two years ago on this date.

Here is the next song in the voice of Asha Bhonsle which is a dance by Vyjayanthimala. It is the opening scene of the movie and comes immediately after the titles are over. It gives the background of the character played by Vyjayanthimala who plays Aruna and her grandfather wants her to marry Pran. But this is an Indian movie where the lady will find someone better (according to her) than the person selected by the family. It is a different matter that since time immemorial, Indian marriages have mostly been arranged marriages where the girl and the boy would hardly know each other till they got married and started family life. And since they began making movies in India, we have had love stories where there is lot of action in the form of family opposition, two people in love with the same person or any other possible obstacles that will help build a movie to close to 180 minutes of running time.

So we can safely say that movies are all make believe. But we still feel that movies reflect real life.
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