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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Dharmendra


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3631 Post No. : 14457

Today 27th June (27th June, 1939 – 4th Jan, 1994) is the 79th birth anniversary of Rahul Dev Burman, whom we fondly remember as ‘Pancham’.

On this occasion here is a song from the 1985 Movie ‘Sitamgar’. Th film was directed by Raj N Sippy for Bikramjeet Films International, Bombay and produced by Bikram Singh Dehal. It had Dharmendra, Parveen Babi, Rishi Kapoor, Poonam Dhillon, Dr. Shreeram Lagoo, Prem Chopra, Jagdish Raj, Gurbachan, Ranvir Raj, Azad, Tilak Mehta, Raj Kaul, Shamsuddin, Nath Kamle, Ved Akash, Ashok Gaekwad, Master Alankar and Baby Geeta. Narendra Nath, Sonia Shania and Sudhir make special appearance in this movie.

Ved Aakash and Pankaj Kharbanda were the Chief Assistant Directors of this movie. Ashok Gaekwad was the Associate Director for this movie. V.N. Mayekar was the editor while Sakharam Borse assisted him in editing. Story and Screenplay of this movie was written by Mirza Brothers and dialogues were written by Dr. Rahi Masoom Raza. The movie was passed by the Censor Board on 08.03.1985.

This movie had six songs written by Majrooh Sultanpuri and composed by RD Burman (Manohari, Babloo and Martin were assistants). Asha Bhonsle, Kishore Kumar and Lata Mangeshkar gave their voices to the songs in this movie.

As the movie makes its debut on the blog today I can select only one song for today’s presentation. Going by the songs of this movie that I have already heard, I can say that some of them are very nice songs.

In 1985 the following movie with music composed by RD Burman were released,

  1. Rahi Badal Gaye
  2. Ram Tere Kitne Naam
  3. Hum Dono
  4. Ek Se Bhale Do
  5. Lava
  6. Zabardast
  7. Sitamgar
  8. Saagar
  9. Alag Alag
  10. Oonche Log
  11. Aawara Baap
  12. Arjun
  13. Hum Naujawan
  14. Shiva Kea Insaaf

From the above list one can easily understand that he was still there composing good music whereas it is said that he was passing through a lean phase and was overshadowed by other music directors during those years in the 1980s. Well, that is the subject for another post and so I am limiting my write-up for this presentation here only.

This movie also falls under one of my objective of ‘movie having the same title’. So far on the blog we have ‘Sitamgar’ from 1958 already launched earlier. As mentioned in HFGK Vol VI movie with same title was also released in 1934 & 1954, making it four times so where movies with same titles have been released. With today’s song, the film ‘Sitamgar’ of 1985 makes a debut on our blog.

Remembering Pancham Da today and his music let us move to the today’ song now. . .

 

Song – Hum Kitne Nadaan The Yaaro (Sitamgar) (1985) Singer – Kishore Kumar, Lyrics – Majrooh Sultanpuri, MD – RD Burman

Lyrics

ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana

ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana
sach hai agar to ek mohabbat
jhooth hai baaki saara fasaana
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana

pad gaye jaise in aankhon pe
zulm ke nafrat ke parde
pad gaye jaise in aankhon pe
zulm ke nafrat ke parde
zindagi tera mujrim hoon main
ho sake to o maaf kar de
andhi raah ke andhe safar mein
beet gaya jeene ka zamaana
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana

ab ye mohabbat ka
ehsaan hai
ye jo thhodi jaan hai mujhme
ab ye mohabbat ka
ehsaan hai
ye jo thhodi jaan hai mujhme
aap hi main jiska qaatil hoon
zindaa wo insaan hain mujhme
ham kitne naadaan thhe yaaron
aaj ye samjhe
aaj ye jaana
sach hai agar to ek mohabbat
jhooth hai baaki saara fasaana
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

हम कितने नादान थे यारों
आज ये समझे
आज ये जाना

हम कितने नादान थे यारों
आज ये समझे
आज ये जाना
सच है अगर तो एक मोहब्बत
झूठ है बाकी सारा फ़साना
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना

पड़ गए जैसे इन आँखों पे
ज़ुल्म के नफरत के परदे
पड़ गए जैसे इन आँखों पे
ज़ुल्म के नफरत के परदे
ज़िन्दगी तेरा मुजरिम हूँ मैं
हो सके तो ओ माफ़ कर दे
अंधी राह के अंधे सफ़र में
बीत गया जीने का ज़माना
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना

अब ये मोहब्बत का
एहसान है
ये जो थोड़ी जान है मुझमे
अब ये मोहब्बत का
एहसान है
ये जो थोड़ी जान है मुझमे
आप ही मैं जिसका कातिल हूँ
ज़िंदा वो इंसान हैं मुझमे
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना
सच है अगर तो एक मोहब्बत
झूठ है बाकी सारा फ़साना
हम कितने नादान थे यारों
आज ये समझे …
आज ये जाना …

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3548 Post No. : 14238

“Dillagi”(1978) was Produced by Kanwar Ajit Singh andBikram Singh Dehal and directed by Basu Chatterjee for BikramJeet Films International, Bombay. This movie had Dharmendra, Hema Malini, Mithu Mukherjee, Devan Verma, Asrani, Urmeela Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali Paigankar, Manjita,Poornima Jairam, Dulari, Lalita Kumari, Rajan Kapoor,Shobhana Shah,Geetanjali,Manik Chowdhury,Guffi Paintal, Qamar Khan, Bina Bawa etc in it with Friendly appearance by Keshto Mukherjee and Brahmachari and unfriendly Special appearance by Shatrughan Sinha. 🙂

It was described as a “social” movie but it was a romantic comedy bordering on soft erotica. That is what I felt about this movie when I watched it in 1978 (duly bunking my college 🙂 ).

I was perhaps a bit too young and immature for a movie with this story line at that time. With the benefit of hindsight, now I feel that it is a nice movie to be watched with one’s lover/ spouse, rather than a movie to be watched with one’s siblings/ parents etc.

The movie had four songs in it. Three of these songs have been covered in the past. Here are the details of these songs :-

Song Title

Post No.

Post Date

Main kaun sa geet sunaaun 8137 27-may-13
Kar gayee mast mujhe phaagun ki hawaa 9584 17-Mar-14
Baadal to aaye lahra ke chhaaye 14234 4-Apr-18

With time, the movie, and moreso its songs have ended up becoming obscure.

The fourth and final song, the song under discussion is perhaps the most obscure out of the four songs of the movie. This song is sung by Lata and Nitin Mukesh. Yogesh is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised as a romantic stage performance song on Hema Malini and Dharmendra dressed like Shakuntala and Dushyanta, immortalised by Kalidas in his Sanskrit epic “Abhigyan Shakuntala”. Lyrics by Yogesh are in pure Sanskritised Hindi, as befitting the genre, and they sound quite appropriate for the picturisation.

Mithu Mukherjee, Preeti Ganguly, Poornima Jairam etc are also visible in the picturisation as backstage support persons. 🙂

Lyrics of this song as well as other details were provided by Prakashchandra, who informed me that the audio version of the song is longer than the video version.

With this song, “Dillagi”(1978) joins the list of movies that have all their songs covered in the blog.

Video

Audio (Longer)

Song-Prem hai prem hai (Dillagi)(1978) Singer-Lata, Nitin Mukesh, Lyrics-Yogesh, MD-Rajesh Roshan
Both

Lyrics (of audio link)(Provided by Prakashchandra)

prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piya mann ki madhur ik bhaawnaa
anbujhi pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae

aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
be-sudh apni
inn saanson mein
ghul jaaye
jiski maadaktaa

saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi ee
aisey hi
har ghadi ee
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa

aaj pranay ki
is belaa mein
mera har adhikaar mujhe do
main naa bhooloon
tum na bhoolo
aisa kuchch uphaar mujhe do
tum yeh angoothhi meri sajni
lo sweekaar karo o o

kam kabhi ee
ho nahin
kam kabhi ee
ho o nahin
preet ki apni aaraadhnaa

piyaa mann ki madhur ik bhaawna
prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi
pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae

aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
besudh apni inn saanson mein
ghul jaaye jiski maadaktaa

saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi
aisey hi
har ghadi
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa

prem hai ae ae ae ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3546 Post No. : 14231

“Razia Sultan”(1983) was produced by Chitra Bharat and directed by G P Pawar and Kamal Amrohi. The movie had Dharmendra, Hema Malini, Parveen Babi, Pradeep Kumar, Ajit, Vijayendra Ghatge, Jankidas, Sohrab Modi, Veena, Shahu Modak, Heena Kausar, Shree Bhagwan, Husn Banu, Anu Dhawan, Sapru, Mahipal, Roopmala, Reshma, Shakila, Maruti, Sarika, Tajdar Amrohi, Radha Saluja, Madhu Malini, Chitra, Sujata, B M Vyas, Anis Sabri, Geeta Kapoor, Mumtaz Begum, Naseem, Aarti Chopra, M M Baig, Amarjeet, Kalpana, Balraj etc in it.

This is a movie from 1983, and so I have no HFGK available to consult to find out he number of songs in the movie. Going by online sources, I have counted seven songs in the movie. Five of these songs have been covered in the past. Here are the details of these five songs:-

Song Title

Post No.

Post Date

Ae dile naadaan 150 14-Oct-08
Aayi zanjeer ki jhankaar Khuda khair kare 368 10-Dec-08
Tera hijr mera naseeb hai 374 11-Dec-08
Khwaab ban kar koyee aayegaa 7508 14-Feb-13
Jalta hai badan 8075 10-May-13

I find that “Hariyaala Banna aaya re” and ae khuda shukr tera” appear to be the two songs from the movie that are yet to be covered. On watching the picturisation, I find that both these songs are picturised together in the movie and so in effect they are reated as two songs in one. Asha Bhonsle, Jagjit Kaur and female chorus sing for ladies playing sahelis of Razia Sultan, the dulhan (Hema Malini) whereas Bhupinder Singh, Mahendra Kapoor and male chorus sing fopr friends of Yakut, the dulha (played by Dharmendra). So in effect, two wedding songs get combined into one in the picturisation.

So in effect both songs need to be covered in one article, viz this article. It seems that the female song is penned by Nida Fazli and male song by Kaif Bhopali. I request our knowledgeable readers to throw light on this matter. The music is of course composed by Khayyam.

So, with these two songs, all the songs of “Razia Sultan”(1983) have been covered. With this, “Razia Sultan”(1983) joins the list of movies that have all their songs covered in the blog.


Song-Hariyaala banna aaya re …ae khuda shukr tera(Razia Sultan)(1983) Singers-Asha Bhonsle, Jagjit Kaur, Lyrics- Nida Fazli/ Kaif Bhopali, MD-Khayyam
Female chorus
Bhupinder Singh, Mahendra Kapoor + Male chorus

Lyrics

hariyaala banna aaya re
hariyaala banna aaya hai
hariyaala banna aaya
hariyaala banna aaya re
hariyaala banna aaya hai
hariyaala banna aaya
aa aa aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa

choti goonthhe ghata
paanv choome hina
maang moti bhari
maathhe jhoomar saja
aa aa aa aa
aa aa aa aa
choti goonthhe ghata
paanv choome hina
maang moti bhari
maathe jhoomar saja
banni ke jo man bhaaya re
hariyaala banna aaya re
hariyaala banna aaya

ae khuda shukra tera
aye khuda shukra tera
shukra tera
shukra tera
ye mera yaar chala
baandhke sar par sehra
aye khuda shukra tera
aye khuda shukra tera
shukra tera
shukra tera
ye mera yaar chala
baandh ke sar par sehra

aisa sehra gul-o-gulzaar na dekha na suna
aisa naushaah ha mere yaar na dekha na suna
aisa bemeez(?) haseen pyar na dekha na suna
aaisa dildaar tarajaar na dekha na suna
saari duniya ki
saari duniya ki zubaanon pe hai ghar ghar sehra
ye mera yaar chala baandh ke sar par sehra

hariyaala banna aaya re
hariyaala banna aaya re
hariyala banna aaya
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa

devtaaon ke man hain khushi se magan
pi se milne chali saj ke razia dulhan

aa aa aa
aa aa aa
aa aa aa
aa aa aa
devtaaon ke man hain khushi se magan
pi se milne chali saj ke razia dulhan
khushiyon ke chaman laaya re
hariyaala banna aaya re
hariyala banna aaya

waah kya baat hai kya shaan hai subhaan allah
iske har phool mein ek jaan hai subhaan allah
har nazar dekh ke hairaan hai subhaan allah
jisne dekha wahi qurbaan hai subhaan allah
wakeya ye hai
wakeya ye hai ke behtar se hai behtar sehra
ye mera yaar chala baandhke sar par sehra

hariyaala banna aaya re
hariyaala banna aaya re
hariyaala banna aaya

yaa khuda
ye khushi ye masarrat rahe
dulha dulhan ki jodi salaamat rahe
aa aa aa
aa aa aa
aa aa aa
aa aa
rahti duniya talak ye muhabbat rahe
saare aalam mein malika ki azmat rahe
rahmat ka sama chhaaya re
hariyaala banna aaya re
hariyaala banna aaya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3533 Post No. : 14192

“Chaitaali”(1975) was directed by Hrishikesh Mukherji for Bimal Roy Productions, Bombay. This “social” movie had Saira Bano, Dharmendra, Bindu, Pradeep Kumar, Durga Khote, Asit Sen, Shyama, Abhi Bhattacharya, Ritu Kamal, Tarun Ghosh, Ranjan, S N Bannerji, Kavesh, Brahm Bhardwaj, Amal sen, Krishna Bose, Nandita Aras, Anwari Bai, Asrani etc in it, with guest appearances by Deena Pathak and Paintal.

This movie, despite being a movie of recent vintage by the standards of the blog has ended up as a very obscure movie. It was a “boring” movie as far as public was cncerned so the movie sank at the box office without a trace.

The movie had three songs in it. The songs were “boring” as well, so they too failed to get popular.

Two of these songs have been covered in the blog. Here are their details:-

Song Title

Post No.

Post Date

Dharti ambar neend se jaage 11203 23-Jun-15
Mehbooba naam hai mera 14186 20-Mar-18

Here is the third and final song from “Chaitaali”(1975) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised on Saira Bano who sings this song on the farmaish of Dharmendra. In Hindi movies, whenever someone is asked to sing a song, one tends to sing a song expressing one’s inner feelings which the wise audience is able to understand whereas the person to whom it is intended over misses the message contained in the song, at least till the last reel. 🙂

I may have missed noting down a few words correctly. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.

With this song, “Chaitaali”(1975) joins the list of movies that have all their songs covered in the blog.


Song-Sargam ke phoolon se geeton ka haar banaaun (Chaitaali)(1975) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

sa ni dha
???
ni re
ma ga sa
ga re ni re sa

sargam ke phoolon se ae
sargam ke phoolon se
geeton ka haar banaaun
sargam ke phoolon se
geeton ka haar banaaun
tum jaise
tum jaisa
tumhen koi geet sunaaun
sargam ke phoolon se
geeton ka haar banaaun
sargam ke phoolon se

kayi kaliyaan khilin
kayi kaliyaan khilin
kayi kaliyaan khilin
kayi khilne se pahle murjhaane lagi
kayi baaten zubaan par aayin
kayi dil mein hi rah jaane lagin
kayi baaten zubaan par aayin
kayi dil mein hi rah jaane lagin
phir kaise ab aake
tumhen man ki baat bataaun
sargam ke phoolon se
geeton ka har banaaun
sargam ke phoolon se

aa aa aa
aa aa
koyi nadiya mili koyi nadiya mili
koyi nadiya mili saagar se
koyi raste mein chhoot gayi
koyi dor patang ke sang udi
koyi beech gagan mein toot gayi
koyi dor patang ke sang udi
koyi beech gagan mein toot gayi
anjaane jeevan ka
kab tak main saath nibhaaun
sargam ke phoolon se geeton ka haar banaaun
sargam ke phoolon se geeton ka haar banaaun
tum jaise
tum jaisa
tumhe koyi geet sunaaun
sargam ke phoolon se
geeton ka haar banaaun
sargam ke phoolon se ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3532 Post No. : 14186

“Chaitaali”(1975) was directed by Hrishikesh Mukherji for Bimal Roy Productions, Bombay. This “social” movie had Saira Bano, Dharmendra, Bindu, Pradeep Kumar, Durga Khote, Asit Sen, Shyama, Abhi Bhattacharya, Ritu Kamal, Tarun Ghosh, Ranjan, S N Bannerji, Kavesh, Brahm Bhardwaj, Amal sen, Krishna Bose, Nandita Aras, Anwari Bai, Asrani etc in it, with guest appearances by Deena Pathak and Paintal.

This movie, which has been forgotten with time (despite being a recent movie by the standards of this blog) had three songs in it. One song from the movie has been covered in the past.

Here is the second song from “Chaitaali”(1975) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a mujra song on Saira Bano.


Song-Mehbooba naam hai mera (Chaitaali)(1975) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

zamaane ne mere sar pe
kai ilzaam rakkhe hain
nahin sab yaad mujhko
kitne mere naam rakkhe hain aen

mehbooba naam hai mera
mehbooba naam hai mera
aashiqon ko salaam hai mera
dilon ko jo todna
dilon ko jo jodna
dilon ko jo todna
dilon ko jo jodna
subah o shaam yahi kaam hai mera aa
mehbooba naam hai mera
aashiqon ko salaam hai mera

badal jaati hai ye aksar
nazar hai bewafa meri
nazar hai bewafa meri
koi phir bhi na samjhe to
nahin is mein khata meri
nahin is mein khata meri
mere chehre pe likha saaf ye paighaam hai mera
mehbooba naam hai mera
aashiqon ko salaam hai mera

zamaane mein mohabbat to
hazaaron log karte hain
bahut kam saath jeete hain
aur bahut kam saath marte hain

mohabbat ek waada hai
jise hum sab ne toda hai
jise hum sab ne toda hai
kisi ko maine chhoda hai
kisi ne mujhko chhoda hai
kisi ne mujhko chhoda hai
magar kyun naam duniya mein fakat badnaam hai mera
mehbooba naam hai mera
aashiqon ko salaam hai mera

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ज़माने ने मेरे सर पे
कई इल्ज़ाम रक्खे हैं
नहीं सब याद मुझको
कितने मेरे नाम रक्खे हैं

महबूबा नाम है मेरा
महबूबा नाम है मेरा
आशिक़ों को सलाम है मेरा
दिलों को जो तोड़ना
दिलों को जो जोड़ना
दिलों को जो तोड़ना
दिलों को जो जोड़ना
सुबह ओ शाम यही काम है मेरा॰॰आ
महबूबा नाम है मेरा
आशिक़ों को सलाम है मेरा

बादल जाती है ये अक्सर
नज़र है बेवफा मेरी
नज़र है बेवफा मेरी
कोई फिर भी ना समझे तो
नहीं इसमें खता मेरी
नहीं इसमें खता मेरी
मेरे चेहरे पे लिखा साफ ये पैग़ाम है मेरा
महबूबा नाम है मेरा
आशिक़ों को सलाम है मेरा

ज़माने में मोहब्बत तो
हजारों लोग करते हैं
बहुत कम साथ जीते हैं
और बहुत कम साथ मरते हैं

मोहब्बत एक वादा है
जिसे हम सबने तोड़ा है
जिसे हम सबने तोड़ा है
किसी को मैंने छोड़ा है
किसी ने मुझको छोड़ा है
किसी ने मुझको छोड़ा है
मगर क्यों नाम दुनिया में फकत बदनाम है मेरा
महबूबा नाम है मेरा
आशिक़ों को सलाम है मेरा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3508 Post No. : 14095

“Jugnu”(1973) was produced and directed by Pramod Chakraborty for Pramod Films, Bombay. The movie had Dharmendra, Hema Malini, Pran, Prem Chopra, Manmohan, Raj Mehra, Lalita Pawar, Nazeer Hussain, Randheer, Shameem, Asha Potdar, Kamal Kapoor, Brahm Bhardwaj, Kanu Roy, Rajan Kapoor, Paresh Nanda, Khursheed, Ratan Gaurang, Birbal, Sabeena, Mona, Parwez, Master Alankar, Master Ravi, Master Satyajit, Bhanumati, Shyam Kumar, Fakira, with special appearances by Sujit Kumar, Sonia Sahni, Ajit, Dhumal, Jayshree T and Mehmood.

The movie, though described as a “social” movie, was a crime thriller. The movie had six songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Jugnu”(1973) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by S D Burman.

The song is picturised as a rain song cum female drunkaard song cum expression of love song on Hema Malini and Dharmendra.


Song-Jaane kya pilaaya toone bada maza aaya (Jugnu)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-S D Burman

Lyrics

hmm hmm
jaane kya pilaaya toone
bada maza aaya
jaane kya pilaaya toone
bada maza aaya
jhoom uthhi re main mastaani deewaani jaani
jaane kya pilaaya toone
bada maza aaya

paayal nahin ghunghru nahin
chham chham kaise ye hone lagi
dhoondho mujhe main khone lagi
ho paayal nahin ghunghru nahin
chham chham kaise ye hone lagi
dhoondho mujhe main khone lagi
hua kya mujhe
ui tauba
main na jaani
jhoom uthhi re main mastaani deewaani jaani
jaane kya pilaaya toone
bada maza aaya

aisa laga
toone piya
kheencha najariya ki dor se
dhadka mera dil
zor zor se
hmm
aisa laga toone piya
kheencha najariya ki dor se
dhadka mera dil
zor zor se
tera naam leke boli
meri jawaani
jhoom uthhi re main mastaani deewaani jaani
jaane kya pilaaya toone
bada maza aaya

hmm
hmm hmm
hmm hmm hmm hmm
mere balam
mere nazar
maare sharam ke jhukne lage
chalta zamaana rukne lage
hmm
mere balam mere nazar
maare sharam ke jhukne lage
chalta zamaana rukne lage
aise waqt chheda koi aisi kahaani
jhoom uthhi re main mastaani deewaani jaani
jaane kya pilaaya toone
bada maza aaya
jaane kya pilaaya toone
bada maza


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3496 Post No. : 14053

It would be late 1960s, early 1970s – फिल्में देखने का चस्का चढ़ा था। Did not have much more than some fanciful fancies at that time, and very little understanding. I would fancy the heroes, especially Dev Anand, Rajendra Kumar etc. And I would have lasting crush on the leading ladies; generally lasting for a few weeks. I would fancy them to be my leading ladies 😉 – Sadhna, Asha Parekh, Mumtaz, Saira Banu etc.

Besides these two types of fancies, there was, yes one more. This was not so much of a fancy, rather it was more of an abhorrent fright. Of a special person when he appeared on the screen. And a panic would run through the mind and I would clutch a parent’s hand and whisper “oye, Pran aa gaya”.

Such was the dread in the minds of us pre teen kids. Whenever we saw him enter the frame, our hearts were like – now something bad is going to happen. He is going to bully someone, he is going to beat up someone, he is going to insult someone, he is going to cheat someone, he is going to put his weight on a lady and make her scream. . . Ah yes, these were the type of stereotype images that were associated with Pran, and we despised him for all our childhood.

Fast forward now to mid 1990s. I was in the US, and had a long stint in the city of Lansing in Michigan, working on a state govt. project. Lansing is comparatively a small town, despite the fact that it is the capital of Michigan state. There were only two other things besides the state government – the state university and a cornflakes factory owned by Kellogs. And being in Michigan, we were snowed in for six months, and chilled out for another four. We just got a warm season for two months – July and August.

So there was not much to do in that town, other than concentrate on your work. For me, there was a grand saving grace. The small town had a big video library of Hindi films, run by a Pakistani national and a very dear friend, to date – Akbar Bhai. It was not long before I became his best customer, and just for my sake, he would communicate with other dealers in the country and sometimes even travel out, to get the films that I would be requesting of him. I purchased two Toshiba VCRs, bought many packs of VHS tapes, and spent a lot of time copying videos of songs from the VHS tapes that I rented from him.

Sorry for this longish digression, I am coming to the point. The net is that for the few years that I spent in Lansing, I watched and replayed a ton of Hindi films that were available on VHS – of course my choice would taper off after 1970s. In one set of many weeks together, the movies that I rented from him, were a combination of many leading heros, and many genres. But all of them had one thing in common. The villain was Pran. In each and every one of these films, Pran would be getting a hiding of his life in the last 10 to 15 minutes of every film. After having sat through probably a score of films over a period of 4 to 5 weeks, my mind changed and started sympathizing with him. No matter what the film was, he would get beaten up black and blue at the end. And to add insult to injury, he was forced to apologize and plead for forgiveness, or summarily be taken away by the police.

Really telling you, I started to feel sorry for him. And I started to wonder. Day in and day out, he would be shooting films with his co stars, and on every set and every studio floor, he would be taking a beating in front of hundreds of onlookers, every single time. And my mind started to build upon a psychology of such an individual. Of course it did strike me somewhere within this analysis, that yes, money is also involved. But then I rationalized – if I were given money, just for getting beat up every week and in every film I worked in, I would throw away the money, and walk away. But the money angle aside, I used to wonder at this gluttony for punishment. In every film, he misbehaves with ladies, he cons his own family members, he bullies and beats up people. And then, he gets beat up real good for the happy ending of a film. And my mind was like – does this guy never learn? Does he never give up?

I never did see the film ‘Guddi’ (1971) in its first runs. I would get to see it many years later, maybe on Doordarshan or maybe on a VHS play. An inkling of the true nature of this gentleman – I encountered for the first time in this film. Kusum (a teenager, role played by Jaya), who is smitten with a crush for actor Dharmendra, is taken to Bombay by her uncle, Utpal Dutt, and is given a tour of the film studios – a view of how the films are actually made, and what these stars are in real life behind the scenes. So there is a scene, in which Jaya is with Dharmendra, and Pran walks by. They greet each other; and Kusum is hiding behind Dharmendra in fear. Dharmendra admires Pran’s wrist watch, and Pran immediately takes it off and presents it to Dharmendra. After Pran leaves, Jaya reacts strongly, insisting to Dharmendra to return the watch – “इस में कोई चाल है” is what she says. Dharmendra starts to laugh, and then explains. That Pran Saab in real life is an impeccable gentleman, a complete reverse of what his screen image is. He is an amiable, a very friendly, a very kind and a very helpful person.

Along with Guddi (Kusum), it was also a wiping away of a fanciful sheen in my mind, associated with the person called Pran. Then of course, from 1967 onwards, he had started appearing in character roles other than as a villain, and had a complete makeover of his outward personality over the next few years.

But that image has sustained, because the films exist. That is what typecasting does to you. In reality, Pran is somewhat of a popular name in north India, amongst Punjabi and Hindi speaking families. In the 1950s and 60s, the dread of his roles was so great that actually, families stopped naming their children with the word Pran, and its variations. The Gabbar Singh gloat about “बीस बीस कोस तक॰ ॰ ॰” was still to come many years later. 😀 😀

Today (12th Feb) is the birth anniversary of Pran Saab. I have picked this song from the 1964 film ‘Pooja Ke Phool’ for the anniversary remembrance today. Yes, there is a particular reason. It is one of the rare occasions, when Pran Saab has lip sync-ed a song, and danced on screen, from the era of his continued reign as the arch villain of Hindi films. Of course, after 1967 and ‘Upkar’, when he transitioned into character roles, and that too in a big and significant way, he got to perform many a song on screen. In fact, there was a period of time in 1970s and 80s that specific and meaty roles were written for him, and the screen performance almost always included a song lip synced by him. But in the era till the 1960s, he just has an occasional song assigned to him.

Although I have not made a definitive search for them, I recall the following; the duet “Jise Dhoondhti Phirti Hai Meri Nazar” from the film ‘Sheesh Mahal’ (1950); then the fun song from ‘Munim ji’ (1955) – “Dil Ki Umangen Hain Jawaan”. This latter song is also a unique piece of music – Pran Saab has sung for himself in this song. Yes, of course, the iconic “Hai Aag Hamaare Seene Mein. . . Hum Bhi Hain, Tum Bhi Ho” from the musical bonanza ‘Jis Desh Ganga Behti Hai’ (1960). Sterling performance, as Pran Saab rides two horses simultaneously, standing on the back of the horses, one foot on each horse.

And then we come to today’s song. The song is a dance sequence being performed by Gopikrishan Maharaj and Madhumati. In the three antaraa song, the middle antaraa turns out to be a fantasy play, as Pran, who is actually an audience on the side, daydreams himself to be performing the song, along with Sandhya Roy. the lady companion that I am not able to name. So the middle antaraa is performed on screen by Pran Saab and Sandhya Roy his lady companion. Now this performance, a folk dance type steps, trying to emulate someone none other than the great Gopikrishan Maharaj himself, is a type of performance that one does not associate with him (at least in this phase of his career), and none other that I have seen in any other film. I request our knowledgeable friends and readers on the blog to please add more such instances, if they are aware. And yes, the request also includes help to identify the actress who is his lady companion in this clip.
[Ed Note: The lady companion in this clip is identified as Bengali actress Sandhya Roy, as per the inputs provided by Shri Partha Chanda.]

‘Pooja Ke Phool’ is the typical south Indian family drama that is produced by the prestigious banner of AVM and directed by Bheem Singh. The extreme emotionalism of such family dramas, plus the complexity (zaniness??) of the plots and sub plots, sometimes makes this category of films insufferable. So in this film, Pran is the husband of the niece of Dharmendra. Forget the age factor, even the appearances of the characters do not do justice to them. To top it, he (Pran) is also having an amorous fling on the side. In this song, we see him come to see this street performance along with his lady love from the extra-marital affair. Dharmendra too, chances to be on the spot. He sees the two together, and walks away in anger. A little later in the film, the lady starts to demand rights and shares as a wife. She threatens to kill him. The two meet, and in the melee that ensues, the lady gets killed. Mohan Choti is an eyewitness. However, Dharmendra takes on the blame, just so that his niece’s life and home is not jeopardized. Case comes to the court. Ashok Kumar is the public prosecutor, and he has this personal thing against Dharmendra – he has ditched Ashok Kumar’s daughter, and married someone else. Now enter the daughter, Mala Sinha, who is also a lawyer. She comes to the court as the defense lawyer for Dharmendra. Despite his repeated confessions in the court, the case is made to continue. Dharmendra and Mala Sinha were an amorous pair once, but circumstances led Dharmendra to marry a blind girl (Nimmi). If all this does not sound too complicated yet, maybe it is time to watch the film itself. 😀 😀

Not saying too many things about the film, I must confess that I am quite bowled over by the music and the songs. The list if songs is quite impressive, as given below.

Meri Aankhon Se Koi Neend Liye Jaataa Hai 2861 28-Aug-10
Dil Todna Kisi Ka Ye Zindagi Nahin Hai 2886 1-Sep-10
Ab Do Dilon Ki Mushqil 2892 2-Sep-10
Meow Meow Meri Sakhi Achchi Achchi Meri Sakhi 3345 14-Dec-10
Sanam Apni Palkon Pe Tujh Ko 6824 9-Oct-12
Pehle Meri Aankhon Ke Chiraagon Ko Bujhaaya 12598 21-Nov-16
Banda Parwar. . . Raat Ke Andhere Mein Yun Chori Chori Chale Kidhar 14034 8-Feb-18

The songs of this film have been penned by Rajendra Krishan and the music is composed by Madan Mohan.

I would like to write about one more thing, related to this song. The choreography of this dance is done by Gopikrishan Maharaj himself. And that simply is excellent. The dance movements are very imaginatively sequenced, and very excellently executed, including the facial expressions and the twitching of eyebrows. The pace of the song and the pace of the singing is – fast. And the dance steps themselves are so energetic and so beautifully arranged. Pran Saab surely has his work cut out as he takes on the 2nd antaraa on screen.

So now let us enjoy this wonderful peppy dance number. And remember this very lovable villain of the Hindi cinema.

Song – Hey Jamaalo. . . O Mera Pyaar Meri Jaan Kabhi Aazma Lo  (Pooja Ke Phool) (1964) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Rajendra Krishan, MD – Madan Mohan
Mohammed Rafi + Asha Bhosle
Male Chorus
Female Chorus
All Chorus

Lyrics

aaaa aaa aaa aaaa
aaaaaa aaa aaaaaaa

hey jamaalo
o wah wah hey jamaalo
haan hey jamaalo
o wah wah hey jamaalo
o mera pyar meri jaan
kabhi aazma lo
o mera pyar meri jaan
kabhi aazma lo
hey jamaalo
hey wah wah hey jamaalo
hey jamaalo
hey wah wah hey jamaalo
ho ye hai teer ye kamaan
zara dil nikaalo
ho ye hai teer ye kamaan
zara dil nikaalo

ho ho ho
ho ho
ho ho ho
ho ho
o ho ho
o ho
ho ho ho
hoye hoye hoye

tere haathon mar jaayenge
naam jahaan mein kar jaayenge
marte marte dil ki jholi
pyaar se tere bhar jaayenge
o ho tere haathon mar jaayenge
bade dekhe marne waale
pyaar ka dum bharne waale
hey jamaalo
hey jamaalo
hey jama..aa..aalo
o mera pyar meri jaan
kabhi aazma lo
hey jamaalo
wah wah hey jamaalo
ho ye hai teer ye kamaan
zara dil nikaalo

ho ho
hummm hummm
ho ho
hummm hummm
o ho
hummm
hummm
o ho
hummm
hummm
hey..ey..ey

dekho kaise deewaane hain
pankh nahin aur parwaane hain
hum se ye kya chaal chalenge
apne jaane pehchaane hain
o ho dekho kaise deewaane hain
jaan le lo gham na hoga
ishq mera kam na hoga
hey jamaalo
hey jamaalo
hey jama..aa..aalo
o ye hai teer ye kamaan
zara dil nikaalo
hey jamaalo
wah wah hey jamaalo
o mera pyar meri jaan
kabhi aazma lo

jeete ji tum kyon maanoge
mar jaayenge pehchaanoge
jaan liya hai pyaar tumhaara
aao pakdo haath hamaara
o ho aao pakdo haath hamaara
muskura ke do sahaare
hum tumhaare tum hamaare
hey jamaalo
hey jamaalo
hey jama..aa..aalo
ho mera pyar meri jaan
kabhi aazma lo
hey jamaalo
hey wah wah hey jamaalo
hey jamaalo
hey wah wah hey jamaalo
ho ye hai teer ye kamaan
zara dil nikaalo
ho ye hai teer ye kamaan
zara dil nikaalo

hey jamaalo
hey jamaalo
hey jamaalo
hey jamaalo

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आsss आss आss आsss
आssss आss आssssss

हे जमालो
ओ वा वा हे जमालों
हाँ हे जमालो
ओ वा वा हे जमालों
मेरा प्यार मेरी जान
कभी आज़मा लो
ओ मेरा प्यार मेरी जान
कभी आज़मा लो
हे जमालो
हे वा वा हे जमालों
हाँ हे जमालो
हे वा वा हे जमालों
हो ये है तीर ये कमान
ज़रा दिल निकालो
हो ये है तीर ये कमान
ज़रा दिल निकालो

हो हो हो
हो हो
हो हो हो
हो हो
ओ हो हो
ओ हो
हो हो हो
होए होए होए

तेरे हाथों मर जाएँगे
नाम जहान् में कर जाएँगे
मरते मरते दिल की झोली
प्यार से तेरे भर जाएँगे
ओ हो तेरे हाथों मर जाएँगे
बड़े देखे मरने वाले
प्यार का दम भरने वाले
हे जमालो
हे जमालो
हे जमा॰॰आ॰॰आलो
ओ मेरा प्यार मेरी जान
कभी आज़मा लो
हे जमालो
वा वा हे जमालों
हो ये है तीर ये कमान
ज़रा दिल निकालो

हो हो
हुम्ममम हुम्ममम
हो हो
हुम्ममम हुम्ममम
ओ हो
हुम्ममम
हुम्ममम
ओ हो
हुम्ममम
हुम्ममम
हे॰॰ए॰॰ए

देखो कैसे दीवाने हैं
पंख नहीं और परवाने हैं
हम से ये क्या चाल चलेंगे
अपने जाने पहचाने हैं
ओ हो देखो कैसे दीवाने हैं
जान ले लो ग़म ना होगा
इश्क़ मेरा कम ना होगा
हे जमालो
हे जमालो
हे जमा॰॰आ॰॰आलो
ओ ये है तीर ये कमान
ज़रा दिल निकालो
हे जमालो
वा वा हे जमालों
ओ मेरा प्यार मेरी जान
कभी आज़मा लो

जीते जी तुम क्या मानोगे
मर जाएँगे पहचानोगे
जान लिया है प्यार तुम्हारा
आओ पकड़ो हाथ हमारा
ओ हो आओ पकड़ो हाथ हमारा
मुस्कुरा के दो सहारे
हम तुम्हारे तुम हमारे
हे जमालो
हे जमालो
हे जमा॰॰आ॰॰आलो
हो मेरा प्यार मेरी जान
कभी आज़मा लो
हे जमालो
वा वा हे जमालों
हे जमालो
वा वा हे जमालों
ओ ये है तीर ये कमान
ज़रा दिल निकालो
ओ ये है तीर ये कमान
ज़रा दिल निकालो

हे जमालो
हे जमालो
हे जमालो
हे जमालो


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3492 Post No. : 14034

‘Pooja Ke Phool’ from 1964, is a production from AVM, Madras. It is directed by A Bheemsingh. True to the colors of the family dramas emanating from the south, this film is not much different that the regular run-of-the-mill emotionally loaded films coming from there. This film however has a slight sinister twist, in that a murder is part of the storyline. There is a certain amount of drama built around the trial in the court and the effort to nail the true culprit – a task that is made extremely challenging by the fact that the hero Shankar (roled played by Dharmendra) repeatedly asserts in the court that he admits his guilt and should be punished. The heroine Shanti (role played by Mala Sinha) who is the lawyer defending Shankar, has her work cut out for her, to get the hero freed, when he himself doesn’t want to be.

Add to that another twist, that the hero and the heroine are actually not made for each other in this storyline – the hero is already a married person. Yes, there are confusions galore, as circumstances (and the director’s writ) do not allow this fact to be known till some time into the film. Which gives the director a chance to squeeze in a romantically naughty song like this one.

Well, the song itself is a wonderful creation, in the category of ‘please-don’t-go’ songs. The highlight of this song is the superb on screen performance of Mala Sinha. Her mannerisms and the execution of the entire song sequence is definitely a hallmark performance.

The star cast of the film includes Mala Sinha, Dharmendra, Sandhya Roy, Gopikrishan, Madhumati, Nana Palsikar, Mohan Choti, Umesh Sharma, Sulochana Chatterjee, Leela Chitnis, Ashok Kumar, Nimmi, Pran, Shivraj, and Mukri. All songs are penned by Rajendra Krishan and the music for them is created by Madan Mohan.

Enjoy this lovely naughty song, as the heroine is trying to impede the departure of the hero, as he tries to make a get-away in the middle of the night. Asking of questions and checking for logic is not allowed in some such scenarios. 🙂

Song – Banda Parwar. . . Raat Ke Andhere Mein Yun Chori Chori Chale Kidhar  (Pooja Ke Phool) (1964) Singer – Asha Bhosle, Lyrics – Rajendra Krishan, MD – Madan Mohan

Lyrics

banda parwar. . .

banda parwar
banda parwar
ho o o
raat ke andhere mein yun
chori chori chale kidhar
oye hoye hoye
raat ke andhere mein yun
chori chori chale kidhar
banda parwar

taar aaya dekhiye
aap ke sasuraal se

dekhiye na. .
abhi abhi ayaa hai

taar aaya dekhiye
aap ke sasuraal se
saas kunwaari aap ki
baithi hai sattar saal se
miley agar
aha ha
koi achha var
haa haa
miley agar
koi achha var
bechaari ka abaad ho ghar
banda parwar
o ho ho
raat ke andhere mein yun
chori chori chale kidhar
banda parwar

bura na maano to main poochun
jhoothon ke sardar se
ae
ae jhoothe
bura na maano to main poochun
jhoothon ke sardar se
apna sar kyon phod rahe ho
sapnon ki deewaar se
deewaane ho
ae
anjaane ho
ae ae
deewaane ho
anjaane ho
kya dekh rahe ho
aao idhar
banda parwar
o o o
raat ke andhere mein yun
chori chori chale kidhar
banda parwar

aap chhup kar
agar chale jaate
haal e dil hum
kabhi na keh paate
dil ki har baat
dil mein reh jaati
zindagi aansuon mein beh jaati

aap chhup kar
agar chale jaate. . .
haal e dil hum
kabhi na keh paate. . .
dil ki har baat
dil mein reh jaati
zindagi aansuon mein beh jaati
phir khwaabon ka
armaanon ka
phir khwaabon ka
armaanon ka
abaad kabhi na hota ghar
banda parwar
ho o o
raat ke andhere mein yun
chori chori chale kidhar
banda parwar
ho o o
raat ke andhere mein yun
chori chori chale kidhar
banda parwar

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बंदा परवर॰ ॰ ॰

बंदा परवर
बंदा परवर
हो ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
ओय होय होय
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर

तार आया देखिये
आप के ससुराल से

देखिये ना॰॰
अभी अभी आया है

तार आया देखिये
आप के ससुराल से
सास कुंवारी आपकी
बैठी है सत्तर साल से
मिले अगर
आहा हा
कोई अच्छा वर
हा हा
मिले अगर
कोई अच्छा वर
बेचारी का आबाद हो घर
बंदा परवर
ओ हो हो
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर

बुरा ना मानो तो मैं पूछूं
झूठों के सरदार से

ए झूठे
बुरा ना मानो तो मैं पूछूं
झूठों के सरदार से
अपना सर क्यों फोड़ रहे हो
सपनों की दीवार से
दीवाने हो

अंजाने हो
ए ए
दीवाने हो
अंजाने हो
क्या देख रहे हो
आओ इधर
बंदा परवर
ओ ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर

आप छुप कर
अगर चले जाते
हाल ए दिल हम
कभी ना कह पाते
दिल की हर बात
दिल में रह जाती
ज़िंदगी आंसुओं में बह जाती

आप छुप कर
अगर चले जाते॰॰॰
हाल ए दिल हम
कभी ना कह पाते॰॰॰
दिल की हर बात
दिल में रह जाती
ज़िंदगी आंसुओं में बह जाती
फिर ख्वाबों का
अरमानों का
फिर ख्वाबों का
अरमानों का
आबाद कभी ना होता घर

बंदा परवर
हो ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर
हो ओ ओ
रात के अंधेरे में यूं
चोरी चोरी चले किधर
बंदा परवर


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3491 Post No. : 14024

‘Kab Kyun Aur Kahaan’ (1970) was directed by Arjun Hingorani for Kapleshwar Films, Bombay. This ‘social’ movie had Dharmendra, Babita, Pran, Helen, Ashu, Dhumal, Asit Sen, Mohan Choti, Hari Shivdasani, Jankidas, Hiralal, Sujata, Shetty, Keshav Rana, Master Ratan, Murad, Yunus, Susheela, Ranveer Raj etc in it.

This movie had four songs in it. Two of these songs were covered in the blog in 2013.

The third song from the movie was covered in February 2018, viz after a long gap of over 1800 days. 🙂

The details of the songs discussed in the past are as under:

Song Title

Post No.

Post Date

Dil to dil hai kisi din machal jaayegaa 7869 10-Apr-13
Ye aankhen jhuki jhuki si 8593 25-Aug-13
Ho gaye tere ho gaye 14011 4-Feb-18

Here is the next song, which is the fourth and final song from the movie. This song is sung by Rafi and Asha Bhonsle. Indeewar is the lyricist. Music is composed by Kalyanji Anandji. Lyrics of this song were sent to me by Avinash Scrapwala.

The song is picturised on Babita and Dharmendra as an “expression of love” genre of song with “pranay nivedan” being the sub genre. The gentleman requests “pyaar” and the lady responds with “nahin nahin” and “kabhi nahin” with metronomic precision. But experienced duet song listeners like me know that the lyrics of the last stanza of the song would change colour signifying that the “kabhi nahin” has been repealed and replaced with consent. 🙂

The song is picturised nicely at picturesque locations. I wonder if the locations shown in the picturisation still retain the same picture postcard beauty. Seeing that the picturisation took place half a century ago, it is highly unlikely that the localities retain the same appearance now.

With this delightful romantic song, ‘Kab Kyun Aur Kahaan’ (1970) joins the list of movies that have all their songs covered in the blog.


Song-Pyaar se dil bhar de(Kab Kyun aur Kahaan)(1970) Singers-Rafi, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Both

Lyrics (Provided by Avinash Scrapwala)

 

pyaar se dil bhar de
nahin nahin
hum pe karam kar de
kabhi nahin
haaye
pyaar se dil bhar de
oon hoon
hum pe karam kar de
kabhi nahin
varna hum mar jaayenge o zaalim
naam tera le le
haaye allaah
chhod meri raahen
nahin nahin
chhod meri baahen
kabhi nahin
pyaar tujhe maange na milega
jaan bhale le le
allaah allaah
pyaar se dil bhar de
nahin nahin
hum pe karam kar de
kabhi nahin

lo mil gayi lehron se lehren
miley hain baadal baadal se ae
miley hain baadal baadal se
har koi dil bandhaa hua hai
kisi na kisi ke aanchal se ae
kisi na kisi ke aanchal se
tu bhi meri kismat likh de
apne pyaar ke kaajal se ae
chhod meri raahen
nahin nahin
chhod meri baahen
kabhi nahin
pyaar tujhe maange na milegaa
jaan bhale le le
allaah allaah
pyaar se dil bhar de
oon hoon
hum pe karam kar de
kabhi nahin

pyaar shama ne diya kisi ko
saari saari raat jali ee
saari saari raat jali
pyaar kali ne diya kisi ko
saare chaman mein baat chali ee
saare chaman mein baat chali
maine tujhko zara saa chaaha
rusva ho gayi gali gali ee
pyaar se dil bhar de
oon hoon
hum pe karam kar de
kabhi nahin
varna hum mar jaayenge o zaalim
naam tera le le
haaye allaah
chhod meri raahen
nahin nahin
chhod meri baahen
kabhi nahin

roop ka sooraj mere saamne
kyun hai mera din kaala aa
kyun hai mera din kaala
main hoon phir bhi pyaase ka pyaasa
paas hai amrit ka pyaala aa
paas hai amrit ka pyaala
allaah kaise chhudaaun main palla
padaa hai paagal se paala aa
pyaar se dil bhar de
nahin nahin
hum pe karam kar de
kabhi nahin
varna hum mar jaayenge o zaalim
naam tera le le
haaye allaah
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm
aa ha ha ha ha
aa ha ha ha ha
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
प्यार से दिल भर दे
नहीं नहीं
हम पे करम कर दे
कभी नहीं
हाए
प्यार से दिल भर दे
ऊं हूम
हम पे करम कर दे
कभी नहीं
वरना हम मर जाएँगे ओ ज़ालिम
नाम तेरा ले ले
हाए अल्लाह

छोड़ मेरी राहें
नहीं नहीं
छोड़ मेरी बाहें
कभी नहीं
प्यार तुझे मांगे ना मिलेगा
जान भले ले ले
अल्लाह अल्लाह
प्यार से दिल भर दे
नहीं नहीं
हम पे करम कर दे
कभी नहीं

लो मिल गईं लहरों से लहरें
मिलें हैं बादल बादल से
मिलें हैं बादल बादल से
हो कोई दिल बंधा हुआ है
किसी ना किसी के आँचल से
किसी ना किसी के आँचल से
तू भी मेरी किस्मत लिख दे
अपने प्यार के काजल से
छोड़ मेरी राहें
नहीं नहीं
छोड़ मेरी बाहें
कभी नहीं
प्यार तुझे मांगे ना मिलेगा
जान भले ले ले
अल्लाह अल्लाह
प्यार से दिल भर दे
ऊँ हूँ
हम पे करम कर दे
कभी नहीं

प्यार शमा ने दिया किसी को
सारी सारी रात जली॰॰ई
सारी सारी रात जली
प्यार कली ने दिया किसी को
सारे चमन में बात चली॰॰ई
सारे चमन में बात चली
मैंने तुझको ज़रा सा चाहा
रुसवा हो गई गली गली
प्यार से दिल भर दे
ऊँ हूँ
हम पे करम कर दे
कभी नहीं
वरना हम मर जाएँगे ओ ज़ालिम
नाम तेरा ले ले
हाए अल्लाह
छोड़ मेरी राहें
नहीं नहीं
छोड़ मेरी बाहें
कभी नहीं

रूप का सूरज मेरे सामने
क्यों है मेरा दिन काला॰॰आ
क्यों है मेरा दिन काला
मैं हूँ फिर भी प्यासे का प्यासा
पास है अमृत का प्याला॰॰आ
पास है अमृत का प्याला
अल्लाह कैसे छुड़ाऊँ मैं पल्ला
पड़ा है पागल से पाला॰॰आ
प्यार से दिल भर दे
नहीं नहीं
हम पे करम कर दे
कभी नहीं
वरना हम मर जाएँगे ओ ज़ालिम
नाम तेरा ले ले
हाए अल्लाह
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
आ हा हा हा हा हा
आ हा हा हा हा हा
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3488 Post No. : 14011

“Kab Kyon Aur Kahaan”(1970) was directed by Arjun Hingorani for Kapleshwar Films, Bombay. This “social” movie had Dharmendra, Babita, Pran, Helen, Ashu, Dhumal, Asit Sen, Mohan Choti, Hari Shivdasani, Jankidas, Hiralal, Sujata, Shetty, Keshav Rana, Master Ratan, Murad, Yunus, Susheela, Ranveer Raj etc in it.

This movie, the first of the KKK series of movies, had four songs in it. Two of these songs were covered in the blog long ago (in 2013 to be precise).

After a gap of nearly five years, here is the nex song from “Kab Kyon Aur Kahaan”(1970).

This song is sung by Lata. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised on Babita and Dharmendra as an “expression of love” genre of song. Those were the days when lead pair of Hindi movies would keep changing their clothes throughout a song. This song faithfully sticks to that requirement. One can notice Babita, and Dharmendra changing their dresses in every stanza of the song.


Song-Ho gaye tere ho gaye (Kab Kyon aur Kahaan)(1970) Singer-Lata, Lyrics-Indeewar, MD-Kalyanji Anandji

Lyrics

ho gaye
tere ho gaye
ho gaye
tere ho gaye
pyaar mein tere kho gaye
ye na poochho
ye na poochho
kab kyun aur kahaan
ho gaye
tere ho gaye
pyaar mein tere kho gaye
ye na poochho
kab kyun aur kahaan
ho gaye
tere ho gaye

meri manzil
teri raahon mein
meri manzil
teri raahon mein
meri duniya hai
teri baahon mein
donon baahen
donon baahon ke badle
de doongi do jahaan
ye na poochho
ye na poochho
kab kyun aur kahaan
ho gaye
tere ho gaye
pyaar mein tere kho gaye
ye na poochho
kab kyun aur kahaan
ho gaye
tere ho gaye

teri sangat
piya pyaari lage
teri sangat
piya pyaari lage
badi kam kam si
umr saari lage
tujhe paane
tujhe paane zamaane mein phir se aaungi
ye na poochho
ye na poochho
kab kyun aur kahaan
ho gaye
tere ho gaye
pyaar mein tere kho gaye
ye na poochho
kab kyun aur kahaan
ho gaye tere ho gaye


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for TEN years. This blog has over 14500 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14510

Number of movies covered in the blog

Movies with all their songs covered =1141
Total Number of movies covered =3961

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Blog Start date: 19 july 2008

Active for more than 3500 days.

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