Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Dharmendra


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4467 Post No. : 15959 Movie Count :

4373

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 104# Qeemat-1973 (Happy Birthday – Rekha) #
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On the blog, other than sharing songs and posts for special occasions we also simultaneously work on ‘different projects’ from time to time. One of the projects that I have taken up is to introduce ‘movies having same titles’ on the blog.
We also combine launching of new ‘movie’ with special occasions like anniversaries of artists, actors, actresses etc.

Today I am presenting a song from the 1973 movie ‘Qeemat’. We already have a movie titled ‘Qeemat-1946’ on the blog and all its songs have also been covered on the blog.

Movies with the title ‘Qeemat’ (or ‘Keemat’) were also made in the year 1956 and later on recently in 1998.
However, I guess that the songs of the ‘Qeemat-1956’ are difficult to find and may be not available as of now.

Coming back to today’s movie and its song, the song is from ‘Qeemat-1973’ and it is picturised on lead pair of Dharmendra and Rekha of this movie.

Today 10th October is sixty-sixth birth anniversary (born on 10th October’1954) of Bhanurekha Ganeshan or Rekha as we fondly know her. So, today we wish her a very happy birthday and a healthy and peaceful life ahead.

Today’s song is from a movie of ‘1973’ i.e. a movie released almost forty-seven years back. Let us have a look on how this year was for Rekha and the movies she appeared on screen in this year;

SNo Movie Title Date Passed by Censor Board Director Co-Star
01 Anokhi Adaa 03.04.1973 Kundan Kumar Jeetendra
02 Barkhaa Bahaar 15.10.1973 Amar Kumar Navin Nischol
03 Dharmaa 23.11.1973 Chaand Navin Nischol
04 Double Cross 25.10.1973 Gogi Anand Vijay Anand
05 Kahaani Qismat Ki 19.12.1973 Arjun Hingorani Dharmendra
06 Kashamkash 21.11.1973 Feroz Chinoy Feroz Khan
07 Khoon Khoon* 02.06.1973 Mohammad Hussain
08 Namak Haraam 19.11.1973 Hrishikesh Mukherjee Rajesh Khanna
09 Pran Jaaye Par Vachan Na Jaaye 29.12.1973 Ali Raza Sunil Dutt
10 Qeemat 29.06.1973 Ravi Nagaich Dharmendra

*(as ‘Special appearance’)

We can see from the above details that she was paired with Dharmendra in ‘Qeemat’ and ‘Kahaani Kismat Ki’. ‘Kahaani Kismat Ki’ was one of the super-hit movies of that year.

I am not aware of the today’s movie ‘Qeemat’. I guess it was flop and forgotten movie.
I had watched this movie ‘Keemat-1973’ in 1985-1988 during my stay Parli-Vaijnath and I had earlier mentioned the same in my post here .

I do not remember the story of the movie now, nor do I remember how I felt about the moview back then. This movie was an action packed ‘spy thriller’ movie.

Dharmendra was known as ‘he-man’ those days. Considered the most suitable hero for ‘action packed’ movies, he was in the lead role in this movie along with Rekha, Prem Chopra and others.

1973 was a significant year in Dharmendra’s career as many of his movies released during 1973 were ‘super-hits’ and his roles in these movies were well appreciated.

The year preceding ‘1973’ and succeeding it were also successful years in his film career.
He was nominated for the ‘best actor’ ‘Filmfare award’ for ‘Yaadon Ki Baaraat-1973’, however he did not win it.

Here let us have a look at the movies starring Dharmendra released in the year 1973 (in alphabetical order):

SNo Movie Title Date Passed by Censor Board Director Co-Star
01 Blackmail 28.11.1973 Vijay Anand Rakhi
02 Jheel Ke Us Paar 28.08.1973 Bhappi Soni Mumtaz
03 Jugnu 28.07.1973 Pramod Chakravarty Hema Malini
04 Jwaar Bhaataa 16.10.1973 A. Subbarao Saira Banu
05 Kahaani Qismat Ki 19.12.1973 Arjun Hingorani Rekha
06 Loafer 12.03.1973 A. Bhim Singh Mumtaz
07 Phaagun* 08.06.1973 Rajinder Singh Bedi Waheeda Rehman
08 Qeemat 29.06.1973 Ravi Nagaich Rekha
09 Yaadon Ki Baarat 05.10.1973 Nasir Hussain


*(as ‘Special appearance’)

‘Qeemat-1973’ or ‘Keemat-1973’was directed by Ravi Nagaich for ‘Bharti Internationals, Madras’. Ravi Nagaich had also done the photography of this movie. It was produced by P. Mallikharjuna Rao.

It had Dharmendra, Rekha, Prem Chopra, Rajendra Nath, Aagha, Satyen Kappu, Maruti, Murad, Puranik, J.N. Anand, Prem Kumar, Kirti Kumar, Subhash, Suhail, Arjun Kumar, Shabnam, Indira Bansal, Halam, Kalam, Munni, Rani, with Jayshree T., Padma Khanna, Ranjeet.

K.N. Singh and Jayadev make a friendly appearance in this movie.

Dialogues of this movie were written by Vishwamitra Adil while the story idea was by Ramjee. V.D. Puranik was the dialogue director for this movie. Editing of this movie was done by N.S. Prakasam.

This movie had total six songs composed to music by Laxmikant-Pyarelal. The lyrics for all the six songs were written by Anand Bakshi.

Asha Bhonsle, Kishore Kumar and Lata Mangeshkar had given their voices to the songs in this movie. (The titles of this movie mentioned the name of Ajit Singh in the list of singers, however HFGK Vol V doesn’t mentioned his voice in the songs of this movie in the list on the movie page of this movie).

Today’s song is sung by Kishore Kumar and Lata Mangeshkar. I guess this song would have been the only somewhat ‘known song’ from this movie. Because I remember to have listened to it in my childhood years on the radios and so when I watched the movie in 1987-88, I remember to have heard it earlier.
However, this and other songs of this movie seem to be all forgotten because in the recent years also I have recollections of listening to them on radio.

I would request knowledgeable readers to throw more light on this movie and its songs.

‘Qeemat-1973’ was passed by Censor Board on 29.06.1973 under ‘restricted viewing’ (A) certificate.

Today’s song is picturised on Dharmendra and Rekha where Dharmendra in his ‘own’ style is requesting Rekha to forgive him 😊

Let us now listen to this song…!!!

With this song ‘Qeemat-1973’ makes its debut on the blog. 🙂


Song-Maaf karo o baba maaf karo (Qeemat)(1973) Singers-Kishore Kumar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

suno to
naa naa naa naa naa
dekho to
naa naa naa naa naa
ruko naa
naa naa naa naa naa
ruko
ruko
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo

aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baaba maaf karo
oon hoon
oon hoon

maaf karo
o baaba maaf karo
aisaa bhi kya pyaar
Insaaf karo o
maaf karo
o baaba maaf karo

maaf karo
o baaba maaf karo

roz nayaa roop tera
roz nayaa rang
main to aa gayi re tang
behroopiye
roz nayaa roop tera
roz nayaa rang
main to aa gayi re tang
behroopiye
aaj koi des
kal aur koi bhes
mere dil pe lagi thhes
behroopiye
bol mujhe tang tune
kiya ke nahin kiya

kiya
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baby maaf karo
maaf karo
o baby maaf karo

neend hai naa chain
miley jab se mere nain
rahaa ye dil bechain
teri yaad mein
neend hai naa chain
miley jab se mere nain
rahaa ye dil bechain
teri yaad mein
dil se nikaal mat mera khayaal
o buraa hai mera haal
teri yaad mein
pyaar tere sang maine kiya ke
nahin kiya
kiya
maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya pyaar
Insaaf karo o

maaf karo
o baaba maaf karo
maaf karo
o baaba maaf karo
aisaa bhi kya gussaa
mann saaf karo o
maaf karo
o baby maaf karo
oon hoon
oon hoon
maaf karo
o baaba maaf karo

__________________________________________________________

Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————-
सुनो तो
ना ना ना ना ना
देखो तो
ना ना ना ना ना
रुको ना
ना ना ना ना ना
रुको
रुको
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो

ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बाबा माफ़ करो
ऊँ हूँ
ऊँ हूँ

माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या प्यार
इन्साफ करो ओ
माफ़ करो
ओ बाबा माफ़ करो

माफ़ करो
ओ बाबा माफ़ करो

रोज़ नया रूप तेरा
रोज़ नया रंग
मैं तो आ गयी रे तंग
बहरूपिये
रोज़ नया रूप तेरा
रोज़ नया रंग
मैं तो आ गयी रे तंग
बहरूपिये
आज कोई देश
कल और कोई भेस
मेरे दिल पे लगी ठेस
बहरूपिये
बोल मुझे तंग तूने
किया के नहीं किया

किया
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बेबी माफ़ करो
माफ़ करो
ओ बेबी माफ़ करो

नींद है ना चैन
मिले जब से मेरे नैन
रहा ये दिल बेचैन
तेरी याद में
नींद है ना चैन
मिले जब से मेरे नैन
रहा ये दिल बेचैन
तेरी याद में
दिल से निकाल मत मेरा ख़याल
ओ बुरा है मेरा हाल
तेरी याद में
प्यार तेरे संग मैंने किया के
नहीं किया
किया
माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या प्यार
इन्साफ करो ओ

माफ़ करो
ओ बाबा माफ़ करो
माफ़ करो
ओ बाबा माफ़ करो
ऐसा भी क्या गुस्सा
मन साफ़ करो ओ
माफ़ करो
ओ बेबी माफ़ करो
ऊँ हूँ
ऊँ हूँ
माफ़ करो
ओ बाबा माफ़ करो


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4463 Post No. : 15945

Hullo Atuldom

“Rajput” was released on 16/04/1982. That was 38 years and six months ago. It was produced by Mushir -Riaz and directed by Vijay Anand. It was the story of a minor kingdom in Rajputana and placed during the time of accession to the Indian Union.

The king of that state (played by Murad) kills himself as he is unable to handle the taking of his kingdom by a decree of the Indian Government. His son Jaipal (Ranjeet) refuses to hand over the kingdom to the government and is almost a tyrant king and has a few dacoits under his payroll. In this background Police Superintendent Dhirendra Singh (Rajesh Khanna) assumes duties in that area and at the same time his parents arrange for his marriage with Janki (Hema Malini). He falls in love with her on sight unaware that she is in love with Manu (Dharmendra). On the day of the wedding with Dhirendra, Janaki is abducted by Jaipal’s nephew (Tej Sapru) as the doli is not its way to the sasural. But Manu kills Tej Sapru, rescues Janki and goes to jail to serve term for the murder. Meantime Janki settles into wedded life. Jaipal’s atrocities are directed towards Manu’s family and he has his father killed, his brother Bhanu (Vinod Khanna) turns a baaghi (an option which all oppressed take in most films of that time) as Jaipal has set his evil eye on Bhanu’s sweetheart Kamli (Ranjeeta). So now Bhanu has become Bhawani and Dhirendra Singh is entrusted the task of hunting down all dacoits of the area. He asks Manu (who has been released from prison for good conduct) to help in this mission. He goes out looking for Bhawani Daaku unaware that he is his own brother. During the course of the movie Dhirendra finds out that the child whom Janki has given birth to, is Manu’s. He finds that Jaipal is the biggest dacoit of the region who blackmails the SP (Rajesh Khanna) to handover the case file which he has prepared in exchange of his son whom he has kidnapped. The movie moves towards the climax when all the heroes join forces to bring Jaipal (Ranjeet) and his gang of bandits to the law and avenge all personal scores. In between all this Jaipal’s daughter (Tina Munim) switches over to Bhanu’s side when he shows her her father’s reality.

Very straight forward story, right? This was a movie that took time in reaching the marquee but was reasonably successful. I see this movie whenever it come on television.

“Rajput” had 6 songs including one two part song. Of this five are posted as under

Song Date of posting
Mere sang sang aaya teri yaadon ka mela Multiple version song 2 September 2008
Bhaagi re bhaagi bhaagi brijbaala 20 March 2011
Kahaaniyaan sunaati hai pawan aati jaati 22 February 2012
Doli ho doli 10 April 2019

Today’s song is the final song. In the movie too it happens just before the climax. It is after Jaya (Tina) learns the truth about her father and the brothers have reunited after Manu (Dharam) discovers that Bhawani is Bhanu (Vinod Khanna). Just before the song Ranjeeta, who is by then the unwed mother of Ranjeet’s child, has joined Bhawani and his team. The song speaks about love for motherland and fighting to overthrow the oppressor.

I would like to state my personal opinion here:- in this post of his Atulji has mentioned that Dharam, Rajesh Khanna and Hema were all towards the end of their careers as lead actors. I beg to differ- Rajesh Khanna’s Souten, Avatar, Amrit etc came after this. As also Hema’s Satte Pe Satta etc were post this. I can agree to your statement about Dharam because in the movies of Dharam, which came after this, we saw him play father-like characters to Govinda, Anil Kapoor, Sunny, Sanjay Dutt etc. But those are my thoughts and I am open to people’s disagreement.

There were comments posted on another song of this movie which said that the mustache didn’t suit the heroes, but they are all entitled to experiment on their looks no? We have heroes, these days, who have lot of facial hair and some even sport extra-long hair.

The purpose of re-visiting this movie is to remember the handsome Vinod Khanna on his 74th birthday today. He was born in Peshawar in 1946, and was raised in Bombay (Mumbai). His first love was cricket, having played the game as a college student. But he soon realized that he couldn’t be a Vishwanath and so pursued his second passion-acting. His career began with “Man Ka Meet” in 1968 as a villain. His next few movies saw him as a supporting actor and/or an antagonist in Rajesh Khanna films of the 70s- “Aan Milo Sajna” for example. He was not averse to playing the second lead too. He appeared in 54 solo hero films and 47 multi-starrers and he was successful in half of each. He had a brief hiatus in the ’80s when he gave up everything to be Acharya Rajneesh’s disciple. He made a comeback in 1984 with “Insaaf”. He was one actor whose sense of rhythm helped him in the song and dance routines which are mandatory in Indian movies. In the last few years of his career we saw him as dad to Salman Khan in “Dabangg” “Wanted” etc. The last movie of VK that I ejoyed was “Ek Rani Aisi Bhi Thi” which saw him play Maharaja Jiwaji Rao Scindia with Hema Malini as his Rani.

Thinking of Vinod Khanna today on his birth anniversary.

Editor’s note:- Lyrics of this song were sent by Prakashchandra quite some time back.

Audio

Video

Song-Sabne des ka naam liya (Raajput)(1982) Singers-Mahendra Kapoor, Manhar Udhas, Hemlata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Female chorus

Lyrics(Provided by Prakashchandra)

hoooo oooo
ooooo
sabne des ka naam liya
sabne des ka naam liya
arre hum ne dil ko oo thhaam liya
hum ne dil ko oo thhaam liya
sabne hindustan kahaa aa
sabne hindustan kahaa
aur hamne apni jaan kahaa
waah waah waah waah
waah waah

apni jaan se apni jaa…aaan
apni jaan se apni jaan
bachaake hamein kya karna hai ae
yahin pe humko jeena hai
yahin pe humko marna hai

yahin pe humko jeena hai
yahin pe humko marna hai

apni jaan se apni jaan
bachaake hamein kya karna hai
yahin pe humko jeena hai,
yahin pe humko marna hai
yahin pe humko jeena hai,
yahin pe humko marna hai

la la laa la laa
la la laa la laa
la la laa la laa
la la laa la laa

tu hai mast akele mein
aaha main bhi hoon is mele mein
aa aa tu hai mast akele mein
aa aa
main bhi hoon is mele mein

dil ko yaad tu hi tu,
des ke baad hai tu hi tu

oho ho ooo
dil ko yaad hai tu hi tu,
desh ke baad hai tu hi tu
bandh ke sehra tere hi
kadmon mein yeh sar dharna hai

yahin pe humko jeena hai,
yahin pe humko marna hai

yahin pe humko pyaar mila aa aa aa
yahin pe humko pyaar mila
yahin hamein sansaar mila aa aa aa aa
yahin hamein sansaar mila
yahin pe humko pyaar mila
ooo yahin hamaari galiyan hai,
yahin pe sab rang raliyaan hain
yahin hamaari galiyaan hain
yahin pe sab rang raliyan hain

issi dagar pe pyas hamasri,
issi dagar pe jharna hai
yahin pe humko jeena hai
yahin pe humko marna hai

saawan gaya gayi holi
hum kab milenge humjoli
hooo
saawan gaya gayi holi

jeewan hai sangram abhi
oooo
pyar ka na le naam abhi
ooooo
jeewan hai sangram abhi,
pyar ka na le naam abhi
teri mang mein o gori
sindoor lahu se bharna hai ae

yahin pe humko jeena hai,
yahin pe humko marna hai

aaaa aaaaa
kaanton se talwaar bana aaa,
kaanton se talwaar bana
phoolon ke mat haar bana aaa aaa,
phoolon ke mat haar bana
kaanton se talwaar bana
o tu jab yudh par jayega
jeet ke jab tu aayega
tu jab yudh par jayega
jeet ke jab tu aayega
yeh phoolon ke haar pehan
gali se tujhe guzarna hai

yahin pe humko jeena hai,
yahin pe humko marna hai
yahin pe humko jeena hai
(oooooo),
yahin pe humko marna hai (oooooo)
yahin pe humko jeena hai,
yahin pe humko marna hai
yahin pe humko jeena hai
yahin pe humko marna hai


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4439 Post No. : 15881

Remembrance day of Jaikishan :
———————————–
Today i.e. 12th September, 2020 is 49th death anniversary of Jaikishan, a half of Shankar-Jaikishan.

I have just now read the detailed Wikipedia Page of Shankar-Jaikishan, so will reproduce some para’s which are worthy of mention in terms of Jaikishan’s death anniversary.

“Shankar Jaikishan enjoyed an unrivalled position in the Hindi film industry. During their heyday and even toward the later part of their career, they were the highest paid music directors in the industry. Barring stray exceptions, they were paid more than the leading actors and the promotional material of their films would give them more prominence than anyone else.”

“What can I say… my musical partner in life has gone, what is left of me to say anything more, I had never thought that at such an early age he would leave us all and go; Anyway his good qualities of maintaining goodwill, giving love and receiving love were innate in him and I too don’t have them in me. He used to regularly remind me of my innate quality of being in a boisterous mood all the time and always abrasive with some one or the other and so on and so forthwith…….”
(Shankar on Jaikishan’s death in an interview with AmeenSayani.)

The page also has this to say about Shankar Jaikishan, vis-à-vis different singers :

“Shankar Jaikishan combo worked above all of with Mohd Rafi and secondly Mukesh, and produced numbers of hits and unmatchable gems. Mohd Rafi was their favourite singer despite having good reputation with other playback singers of its time.”

I read somewhere else, that the mukhda of the song “Ye mera prempatra padh kar” from ‘Sangam’ was actually taken from the letter written by Jaikishan to his than fiancée “Priya”. So this could be the instance where Jaikishan unwittingly revealed that he is the composer of the block-buster song. This caused a rift between the two as Jaikishan broke the unwritten agreement between them, of not revealing which of them is the creator of any particular song. Here, Rafi Sahab is said to have intervened and solved the issue between Shankar and Jaikishan, and also later on between Lata Mangeshkar and Shankar in the mid 70’s.

But there is no doubt of the truth here when it is said that “Shankar-Jaikishan, along with other artists, composed “everlasting” and “immortal melodies” in the 1950s, 1960s, and early 1970s.[2] Their best work was noted for being “raga-based and having both lilt and sonority”.

All hindi film music fans agree that they changed the face of hindi film music with “Barsaat” and the success of the film and its music played a big role in this change.

The music I think was versatile and inspiring to new music directors. Theirs was a first of its kind duo, as far as I know who combined their talents and acumen with two lyrcists and made a fearsome foursome. They can also be called fabulous and formidable. They had to be, to be on top of the game for two decades. Shankar-Jaikishan can also be credited for starting the trend of version songs, one male and one female version. Contemporaries and seniors like Naushad and S.D.Burman rarely did it. Naushad in “Mere Mehboob” and S. D. Burman in “Sharmilee” and “Tere Ghar Ke saamne”. But in the later instance, it was both male solos.

I am actually trying to wrap up the long running series on Mohammad Rafi songs, so trying not to look for a Rafi Sahab song for posting on this occasion. But as luck would have it, I found this popular song from ‘Pyaar hi Pyaar’(1969). Moreover this song has a stamp of Shankar-Jaikishan signature style in the orchestration of the music. This is an Asha-Rafi duet, with the fast pace and beat. This is the manifestation of Asha Bhonsle making inroads in the Shankar Jaikishan cap, which started with “Teesri Kasam”. Shankar-Jaikishan were known for Lata only music scores through 50’s and not just for R.K. films. I think the exceptions to this were very rare and few, where Asha, Geeta Dutt or Shamshad Begum got to sing Shankar Jaikishan compositions. Suman Kalyanpur was one such alternative which Shankar Jaikishan tried, in mid- 60’s for duets with Rafi sahab.

I have also tried to find if Shankar Jaikishan ever re-used their own tune to compose songs, but could not find any such songs. Their music was a huge commercial success, so no one else could try and copy their songs.

The song I am presenting in a party song, where Vijayanthi Mala is trying to make Dharmendra jealous, flaunting a dance partner. There are other popular Rafi solos in the film, but this would be the most popular, with the title song of the film ’dekha hai teri aankhon mein pyar hi pyar beshumaar’.


Song-Tu mera main teri duniya jaley to jaley (Pyaar Hi Pyaar)(1969) Singers-Asha Bhonsle, Rafi, Lyrics-Hasrat Jaipuri, MD-Shankar Jaiskishan

Lyrics

Tu mera
main teri
duniya jale to jalay
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay
dil teraa
jaan teri
duniya jalay to jalay

jhoom jhoom naache
mera pyaar bharaa dil
gun gun gaaye
iqraar bharaa dil
tujh se nigaahen milin
mil gayaa dil
phool ki tarah se meraa
khil gayaa dil
jhoom jhoom naache
mera pyaar bharaa dil
gun gun gaaye
iqraar bharaa dil
tujh se nigaahen milin
mil gayaa dil
phool ki tarah se meraa
khil gayaa dil
rut jawaan
pyaar bhari
ha duniyaa jalay to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

waada nibhaane dekho
aaye hain sanam
lab pe duaayen laaye
tere liye ham
dil jo diya hai tujhe
phir kya hai gham
marta hoon tujhpe hi
apni qasam
arey waada nibhaane dekho
aaye hain sanam
lab pe duaayen laaye
tere liye ham
dil jo diya hai tujhe
phir kya hai gham
marta hoon tujhpe
apni qasam
tu meri
ha jal pari
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ha duniya jale to jalay

roop ke sharaare hain
tere hi liye
saare yeh nazaare hain
tere hi liye
aankh ke ishaare hain
tere hi liye
baanhon ke sahaare hain
tere hi liye
roop ke sharaare hain
tere hi liye
saare yeh nazaare hain
tere hi liye
aankh ke ishaare hain
tere hi liye
baahon ke sahaare hain
tere hi liye
main tujhi par mari
ha duniya jalay to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay

aahaaaahaa
tu mera
o main teri
ho duniya jale to jalay
nananana
dil teraa
ho jaan teri
duniya jalay to jalay


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4430 Post No. : 15859 Movie Count :

4364

Pyarelal Ramprasad Sharma, one halfof the music director Laxmikant-Pyarelal was born on 03/09/1940. So that makes this 80th Birthday of the one of the most proficient, successful and talented musicians of the golden era of hindi film music. It is a well-known fact that both Laxmikant and Pyarelaljistarted their career as players of music instruments in the song recordings. If I am not mistaken, Pyarelalji, was a violinist.

‘Most proficient’ in the film industry’s history is the correct tag for Laxmikant-Pyarelal as they are the composers with the highest no. of songs composed which stands at 2901, in the blog’s stats page.

Laxmikant Pyarelal started as music directors in 1963, they hit the jackpot with Dost (1964). What followed is history, with awards, accolades and they never looked back. They are on record as loyalists of Rafi Sahab till his lifetime, who also sang maximum no of songs for them.

The achievements and success are too many, for me to start listing them. But their association with Anand Bakshi is the longest one, and must be the biggest such combo. I would guess the total songs composed by Laxmikant Pyarelal may have around 2000 written by Anand Bakshi.

On this birthday occasion , I am presenting the song from the film Krodhi (1981), by this very same team/combo of Lakshmikant-Pyarelal with AnandBakshi. The singers are Lata Mangeshkar and Suresh Wadkar. The was a multi-starrer film by Subhash Ghai. The starcast was Dharmendra, Hema Malini, Maushmi Chatterjee, Zeenat Aman, Shashi Kapoor etc and of course the love birds in the song, Sachin and Ranjeeta. The four songs of the film, which I remember are all nice one’s. But the movie is making a debut here on the blog with this song.

I have seen the movie, so can give a little outline of the story. Dharmendra is a gangster or smuggler, Zeenat Aman works for him and has a lot of regard and respect for him, as he has helped her a lot with the responsibilities. Zeenat Aman meets Shashi Kapoor (Police Inpector ?) at her sister’s wedding. Zeenat Aman and Shashi Kapoor get married, but Shashi Kapoor is not aware of the connection between Zeenat Aman and Dharmendra. The police is looking to arrest Dharmendra but he escapes and takes shelter in a village, where people mistake him for a godman or sadhu. Dharmendra adopts the disguise to escape the police. Sachin and Ranjita are the two characters who don’t make much difference to the story.

In the song, which Sachin and Ranjita are singing in the garden ‘Chameli baagh”, Dharmendra is looking on, and I think later on he helps them in some way or they are both murdered, by the villains. Dharmendra is also reminded of his late wife Maushmi Chatterjee while watching the song. Lata Mangeshkar is play backing for both Ranjita and Maushmi in the song.

The sort of word play which was a signature of Laxmikant Pyarelal and Anand Bakshi songs, is visible in this song.


Song-Chal chameli baagh mein mewa khilaaungaa (Krodhi)(1981) Singers-Suresh Wadkar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics

chal
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal

chal chameli
chameli baagh mein
mewaa khilaaungaa
chal chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa
mewe ki tehni toot gayi to o
chaadar bichhaaunga
chaadar ka pallu phat gayaa to
darzi bulwaaungaa
darzi ki suyee toot gayi to o
ghodaa daudaangaaaa
ghode ki taang toot gayi to to
to to to to

to tum ko uthhaaungaaaa
dil mein bithhaaungaa
chal chameli
chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa

itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
pehle se hi dil mein bithhaa lo
tum thhak jaaogey ae
tum thhak jaaogey ae
tum thhak jaaogey ae
chal chameli
chameli baagh mein
jhoolaa jhulaaungi ee ee
chal chameli baagh mein
jhoolaa jhulaaungi ee

jhoole ki rassi toot gayi to
aanchal bichhaaungi
aanchal ka pallu phhat gaya to
see kar dikhaaungi
suyee jo mujh ko chubh gayi
hans kar manaaungi
hans kar jo tum na maane to
ro kar dikhaaungi
tum ko manaaungi
tum maan jaaoge
main roothh jaaungi
tum maan jaaoge
main roothh jaaungi ee

chal chameli
chameli baagh mein
panchhi dikhaaungaa aa
chal chameli baagh mein
panchhi dikhaaungaa aa

panchhi daali se udd gaye to
seeti bajaaungaa
seeti se bhi na wo udey to
bansi bajaaungaa
bansi jo gir ke toot gayi to o
main geet gaaungaa
geeton mein tum ko pyaar ki
baaten sunaaungaa
baaten sunaaungaa
din raat phir tum ko main
yaad aaungaaaa
din raat phir tum ko main
hmmm mmm
yaad aaungaaaa
hmmm mmm

yaad na aana
warna mujh ko
neend na aayegi ee
aakhon hi aankhon mein saari
raat jaayegi ee

chal chameli baagh mein
chori se jaayenge
chal chameli baagh mein
chori se jaayenge
chori se maali ki sabhi
kaliyaan churaayenge
kaiyaan churaa ke teraa
gajra banaayenge
ye to socho o o
kya hogaa jo
pakde jaayenge
pakde jaayenge

pakde jaayenge
pakde jaane se pehle to ham
bhaag jaayenge
pakde jaane se pehle to ham
bhaag jaayenge ae
chal chameli baagh mein
ham mewaa khaayenge


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4329 Post No. : 15622 Movie Count :

4303

Hullo Atuldom

This is an attempt to remember two legends of Bollywood with one post.

On reviewing the “anniversaries page” of the blog I found an opportunity to introduce the qawwali song from a 1982 released (exact date being 27/05/1982 meaning the movie is 38 years old), Raj Kumar Kohli produced and directed, multi starrer “Badle Ki Aag” (Flames of Revenge).

The recent stay-at-home gave me the time to sit through this movie. It is a very typical, simple, regular story with a slight twist.

There is a family of father (Kadar Khan), mother (Nirupa Roy), two sons and a daughter. The father in his greed for wealth wipes out his partner’s family but the children of this family escape the mass-murder. Nirupa Roy gets separated from her sons in the course of walking out on her cruel greedy husband. She has her daughter with her. The sons grow up to be dacoits Shera (Dharmendra) and Lakhan (Sunil Dutt) and daughter (Sarika) an aspiring lawyer whose education is funded by Lakhan who has kept in touch with the mother and sister. Lakhan is a do-gooder daku where as Shera is ruthless.

Meanwhile the daughter (Reena Roy) of the affected family has been brought up in a kotha and nurses a desire to revenge her families misfortune. Her brother (Rajeev Anand who was seen in about 5 movies after which he turned producer) grows up to be a cop. There is one more important character in the whole setup- Inspector Amar Verma (Jeetendra) who is the son of Mohanlal Verma (Madan Puri) who is constantly tormented by Shera and Lakhan. Now here is the promised twist- at different times Geeta (Reena Roy) the dancer has had interaction with the three heroes and all of them have developed feelings for her. But she loves the Inspector who has seen her at different times with the other two and misunderstands her. Isn’t that a different kind of love-story. Here I should mention the existence of Bijli (Smita Patil) who loves Shera. Hope the readers have got confused about the very regular story that this movie had. The movie was a success at the Box-Office what with so many stars.

Today’s songs has the three heroes disguised as Qawwals at Janakidas’s son’s wedding. We have Smita Patil dancing around. Here I must admit that this post reminded me of this Qawwali sung by Kishore Kumar, Mahendra Kapoor and Suresh Wadkar. It had music by Laxmikant- Pyarelal and had lyrics by Verma Malik.

Small thoughts after seeing the song on repeat for writing this post- (1) Sunil Dutt and Jeetendra are jumping around and Dharmendra stays put on his mat. (2) Looks like this is the only time when Smita Patil has shared screen time with Jeetendra.

With this song we remember Sunil Dutt and Laxmikant Shantaram Kudalkar on their anniversaries.

Video

Audio

Song-Main jis mehfil mein aata hoon (Badle Ki Aag)(1982) singers-Kishore Kumar, Mahendra Kapoor, Suresh Wadkar, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
All

Lyrics

ho ho ho
ho o ho
ho ho ho ho
ho o ho
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
aata hoon aata hoon aata hoon
jo chaahta hoon
le jaata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon

main woh bala hoon
main woh bala hoon
jis se khudaayi darr gayi
main woh bala hoon
jis se khudaayi darr gayi
maut se takkar huyi toh maut tauba kar gayi
tauba tauba tauba
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon

duniya ka iss mutthi mein aaghaaz hai anjaam hai
duniya ka iss mutthi mein aaghaaz hai anjaam hai
aur khuda ke baad har ek
leta mera naam hai
naam hai naam hai
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon

main kya hoooon
main kya hoon
aur kaun hoon tum jaante nahin
main kya hoon aur kaun hoon
tum jaante nahin
donon ka malkul(?) maut hoon pehchaante nahin
main maut se bhi lad jaata hoon

main maut se bhi lad jata hoon
main maut se bhi lad jsata hoon
hoon hoon hoon hoon hoon
jo chaahta hoon le jaata hoon
jo chaahta hoon le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon le jaata hoon

main woh azeem hasti hoon
jise waqt na mita sake
arre main woh azeem hasti hoon
jise waqt na mita sake
na aandhi hi uda sake
na shola hi jalaa sake

bandook se jo baat kare
main us nasal ka khoon hoon
jo dushmanon ko kuchal de
main aisa ek janoon hoon
zaalimon aur baaghiyon qaatil luteron ke liye ae
zaalimon aur baaghiyon qaatil luteron ke liye ae
main khud hi toh insaaf hoon
main khud hi ek kaanoon hoon
kanoon se main takraata hoon

kanoon se main takraata hoon
kanoon se main takrata hoon
hoon hoon hoon hoon hoon
jo chaahta hoon le jaata hoon
jo chaahta hoon le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon le jaata hoon

zulm hoon aur andher hoon main haan
aur jangal ka sher hoon main haan
ser pe sawa ser hoon main haan haan
tujh mein itna josh nahin
arre tujh ko apna hosh nahin
main bhi toh khaamosh nahin
fitna aur fasaad hoon main
tere liye jallaad hoon main
donon ka ustaad hoon main
fitna aur fasaad hoon main
tere liye jallaad hoon main
donon ka ustaad hoon main
haan haan haan haan
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon le jaata hoon


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4273 Post No.: 15505

Hullo Atuldom

Today’s is a “this happened to me” post. It was a “dream” more than a “dream come true”. A chance to see the Dream Girl in person on my last trip to Mumbai.

So this is what happened- we had just landed at Mumbai airport. I was very tired after a long day followed by a delayed-flight. I told my husband that today i am in no position to walk the distance to the baggage-claim and am planning to hop on to any buggy that ferries passengers and I did. There were two passengers already on that buggy and the lady who was sitting mentioned that the passenger who was in the buggy that overtook us was Hema Malini. And I was disappointed that I had missed having a glimpse of her.

When we reached the drop-off point, I saw that the Dream Girl had just got off and was being courteous with the airport staff and allowing selfies. Very hesitantly I waved out to her and she acknowledged. Then I hinted through action that I would like to come closer and also click pictures with her and she permitted. Then my husband clicked a picture and she said:- “you will not get a good pic from so far, come closer.” And we had one more click which I shared instantly with my children.

My son commented immediately “He has never seen me smile so brilliantly.” But my personal feeling was there can be no smile as Brilliant as that of the Dream Girl -Hema Malini. She still looks a dream, and carries herself so elegantly and majestically. She displayed no airs about being a star or MP i.e. Member of Parliament.

My husband mentioned to her that I was a huge fan of hers and occasionally write about her in the blog. To this she replied- “hope you don’t write anything uncomplimentary”, and I said “oh no, not at all. We write only about the songs and their related movies.” And she gave me her brilliant smile. But this is one encounter that will stay with me forever and I am yet to believe it happened to me.

Recently my husband asked me why I haven’t written about my experience and I said I was waiting for an occasion. Plus I was wondering which song of hers should go with the post, and on what occasion do I present it etc. Today seems to be a good enough occasion. The anniversary of the lyricist of the song.

It is the 18th anniversary of lyricist Anand Bakshi (21 July 1930 – 30 March 2002). He was born Bakshi Anand Prakash Vaid, in Rawalpindi, in modern day Pakistan. His family came to India in the aftermath of partition. Poetry writing was his hobby and when he joined the Indian Army he continued to write whenever time permitted.

All of this are well known facts about Anand Bakshi. We also know that simultaneously he tried marketing his songs to Mumbai film industry. He finally got discharged from the army in 1956 and tried to become a writer or singer but found his foothold as a lyrics writer and “Bhala Aadmi” in 1958 was his first released movie where he wrote four songs.

“Mehndi Lage Mere Haath” with music by Kalyanji Anandji was his first success. And then the songs which found a mark in the hearts and minds of cine-goers never stopped. His wish to sing in movies was fulfilled when he sand “Baaghon mein bahaar aayi” and another solo for “Mom Ki Gudiya” in 1972. he has sung few more songs but written close to 3500 and we have 1036 of them on the blog.

Coming back to today’s song. On my return from Mumbai, last weekend, I saw “Pratiggya”(1975) starring Hema Malini, Dharmendra and Ajit. I don’t remember seeing the movie at the time of its release. This was a movie produced by Dharmendra himself and had “main jat yamla pagla deewana” (the only song from the movie on the blog) which is still in the minds of the fans even after a lapse of 45 years.

Laxmikant- Pyarelal were the music directors with whom Anand Bakshi collaborated in 302 movies. As I was writing this I came across the list of movies released in 1975, fifteen of which had songs written by Anand Bakshi, would like to know if it is a record of some kind.

The song with this post comes immediately after the song “jatt yamla pagla deewana” comes to a close. At the end of the song a drunk Ajit Singh (Dharmendra) falls into the river and dreams that Radha (Hema) is Sahibaan and he is Mirza.

So here is this love song where Hema looks a dream in the dream sequence and let us say Thank You to Anand Bakshi for leaving us this gem.


Song-Uthh neend se mirziya jaag jaa (Pratigya)(1975) Singers-Lata, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

aa aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa
aa aa

hmm hmm hmm
hmm hmm hmm

uthh neend se mirziya jaag ja aa
teri sahibaan kare pukaar
tu ek akela bhaag jaa aa
tere peechhe ae ae ghudsawaar
vo aa gaye badla lene nu
haan aan aan
tere dushman mere veer
bedardi teer kamaan se ae ae
teri chhaati denge cheer
aisa lagta hai pyaar ke ae
nahin achche kuchh sanjog
humko mar ke bhi soniya aa aa aa
nahin milne denge log

sun sahibaan ?? yaqeen ke
rakh pyaar ki laaj jara
meri bakki(??) se daran farishte
te jatt se dare khuda
aane de unko saamne
hone de lahu-luhaan
chupchaap tamaasha dekh tu u u u u
tere sadke meri jaan
ye baat nahin wo jaante
mere dushman tere veer
jo maar sake mujhe soniye
ae ae ae ae
nahin bana abhi vo teer

o o o o o
o o
o o o o
o o o
haaye re


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4218 Post No. : 15420 Movie Count :

4248

‘Anokha Milan’ (1972) is a dubbed Hindi version of Bangla film, ‘Paari’ (1966). Produced by Pranoti Bhattacharya (nee Ghosh, wife of Abhi Bhattacharya) under the banner of New India Pictures, Calcutta, the filmias directed by Jagannath Chatterjee. The main star cast includes Dharmendra, Pranoti Ghosh, Abhi Bhattacharya, Bikash Roy, Dilip Roy, Satya Banerjee, Padma Devi, Renuka Roy etc. Dilip Kumar had a guest role of a Warden of Andaman Jail. The film is based on a story written by the famous Bengali writer, Jarasandha (real name: Charu Chandra Chakraborty). Pranoti Ghosh is not new to the Hindi films. Earlier, she had worked in Hindi films like ‘Phulwaari’ (1951), ‘Parichay’ (1954), ‘Jagriti’ (1954), ‘Love Marriage’ (1959) and ‘Sautela Bhai’ (1962).

‘Paari’ (1966, Bangla film) is the only film in which Dharmendra got opportunity to work with his childhood idol, Dilip Kumar even though he had only one or two scenes with his idol. However, Dharmendra could not get a full-fledged Hindi film to work with Dilip Kumar. He felt that some ‘jinx’ came on the way and he could not fulfil his dream of working with Dilip Kumar in a Hindi film. The ‘jinxed’ examples are set out below:

Dharmendra was to work in ‘Aadmi’ (1968) with Dilip Kumar but his role ultimately went to Manoj Kumar. In 1979, his dream of working with Dilip Kumar almost became a reality when Nasir Hussain selected Dharmendra and Rishi Kapoor in the role of sons of Dilip Kumar in ‘Zabardust’. However, after a few days of shooting, the film was shelved reportedly due to creative differences between the director and Dilip Kumar about the storyline. Later, Nasir Hussain made the film afresh in 1985 with Sanjeev Kumar, Sunny Deol and Rajiv Kapoor with some changes in the story. BR Chopra selected Dharmendra to play the role of Chandragupta in ‘Chanakya’ (1980s) in which Dilip Kumar had a role of Chanakya. However, the film got shelved due to financial problems faced by the producer. When Dilip Kumar got chance to act and direct ‘Kalinga’ (UR – 1990s), Dharmendra tried his best to get a role for himself but Dilip Kumar told him that he could not be fitted in any worthwhile role in the film.
(These are taken mostly from interviews Dharmendra gave to film journalists at various times).

The chance which Dharmendra got to work with Dilip Kumar in the Bangla film ‘Paari’ (1966) was like a ‘consolation prize’ for him having done only a couple of scenes with Dilip Kumar in the film towards the end. The story of the film which was dubbed in Hindi with a new title as ‘Anokha Milan’ (1972) is as under:

The story is set in the pre-independence period in a rural setting in Bengal. The film starts with a Jail Warden asking Tara Sen (Pranoti Ghosh), a prisoner as to why she has requested to be transferred to Andaman Jail. From here onwards, the story is unfolded in a flash-back mode until her sea journey to Andaman Jail.

Tara is the only daughter of a landlord in a village. She is fond of walking in the midst of nature in the village along with her childhood friend Ghanshyam (Dharmendra) who is looked after by the landlord. Because both of them indulge in some sort of mischiefs in the village, Ghanshyam’s gaurdian sends him to the city for schooling. After few years, Ghanshyam returns to the village as he failed in matriculation examination. He is employed by the landlord. Tara and Ghanshyam like each other but due to societal constraints, they refrain from expressing their love for each other to culminate into a marriage. After all, Tara is the daughter of a wealthy landlord and Ghanshyam is a poor commoner who works for landlord.

Tara’s parents are looking for a suitable boy for her marriage. In the meanwhile, she falls prey to the lust of the village Daroga, Badal Gupta (Abhi Bhattacharya) who is a drunkard and a womaniser. Tara’s parents try their best to take care of her by arranging her marriage with a suitable boy. However, the scandal comes to the notice of the father of the groom, a landlord who humiliate Tara and her father in derogatory words. Ghanshyam gets angry that his employer and Tara are getting insulted. He starts dispersing groom’s side supporters by wielding his lathi which accidentally kills the groom’s father. Ghanshyam is arrested on murder charge. Tara’s father is also under threat of arrest as an accomplice.

With scandal looming on her head coupled with police case, Tara decides to marry Daroga, Badal Gupta provided he drops the charges against her father and Ghanshyam which he agrees. They get married. Tara tries her best to make her husband to mend ways and give up his vices but fails. One day, Tara comes to know that her husband is going to spoil the life of an innocent girl who happens to be her friend. She confronts him. In fits of anger, she stabs her husband resulting in the life-threatening injuries to him. Tara is arrested as she has admitted the crime.

While in hospital, Daroga requests his wife Tara to change her statement to police to say that he accidentally fell on a sharp instrument so that she is saved from the jail and more importantly to preserve his self-respect as he has never been defeated in his life, that too from a woman. Tara refuses to change her statement to the police. Badal dies of stab injuries. Tara is jailed for the murder of her husband.

In the meanwhile, Tara comes to know that the court has awarded Ghanshyam the imprisonment for life and he is jailed in Andaman. She remembers the sacrifice made by Ghanshyam to save her honour and wishes to be with him as he has no one to support in Andaman. She pleads with the Jail Warden to transfer her to Andaman Jail which is granted. The Warden of Andaman Jail (Dilip Kumar) is not prepared to accept her in the Andaman jail as she cannot stay with Ghanshyam as a prisoner who is on parole. The reason is that as per the Jail Manual, only the husband and wife prisoners can stay together not necessarily in prison but in the outskirts of the prison as well.

In the meantime, Warden has gone through their files and suggest to both of them to get married so that they can stay together in Andaman. Both Tara and Ghanshyam are not ready to get married to each other due to their conventional upbringing. The Warden shows his helplessness and orders her repatriation to her original prison. The next day, Tara runs away from the jail. The jail police forces fail to locate her. Ghanshyam is also on lookout for her but returns unsuccessful. The film ends with Ghanshayam returning to his room disappointed only to find Tara sitting in a corner of his room in a semi conscious state. Ghanshyam brings her to consciousness and for the first time they embrace each other.

The highlight of the film is the presence of Dilip Kumar in a special appearance in the role of the Warden of Andaman Jail. His presence suddenly galvanises the film for about the last 15 minutes. His fluency in dialogue delivery with voice control – both in Hindi (Bengali in Bangla version) and English is worth watching. The video of Dilip Kumar’s 15 minutes’ role in the film as a Warden is here for those interested in watching his performance.

‘Anokha Milan’ (1972) has three songs one of which is a Bangla pre-marriage folk song. I am presenting the first song from the film to appear on the Blog. The song is ‘Bandhu Re, Ye mann dole bole kya re koi jaane’ sung by Manna Dey. The song is set to music by Salil Chowdhury on the words of Haneef-Jackie whose names I heard for the first time. I have also listened to the equivalent song in the Bangla version of the film ‘Paari’ (1966) which is written and set to music by Salil Chowdhury. The same tune has been used for the Hindi version song which I feel, is more or less the translation of the Bangla version. Haneef-Jackie seems to be the pseudo names.

A small part of the song under discussion is also used as a background song on the day of the marriage of Tara (Pranoti Ghosh) with Badal Gupta (Abhi Bhattacharya). I like the prelude music of the song with a beautiful combination of musical instruments especially Flute, Sitar and Guitar which is partly available in the video clip but fully available on the audio clip. It is interesting to note that Manna Dey sings second stanza of the song with somewhat Bengali pronunciation.

With this song, ‘Anokha Milan’ (1972) makes its debut in the Blog.

Video Clip:

Audio Clip:

Song-Bandhu re ye man doley boley kyaa re (Anokha Milan)(1972) Singer-Manna Dey, Lyrics-Haneef Jackie, MD-Salil Chaudhary

Lyrics

bandhu re. . .ae
ye mann doley boley kya re koi jaane
jal bhara megh ye
dil ke pyaasa
je mann sune
ye mann wohi re gaaye

bandhu re. . .ae hey
ye man dole bole kya re koi jaane
jal bhara megh ye
dil ke pyaasa
je mann sune
ye mann wahi re gaye
bandhu re. . .ae. . .ae

ban harini…eeeeee
ban harini tumhar lochan dekhe na
ban morni chalan tumhaar dekhi na
ban harini tumhar lochan dekhe na
ban morni chalan tumhaar dekhi na
jo ye lochan tore dekhe aaj wo bhoole na
bandhu re. . .ae
ye man dole bole kya re koi jaane
jal bhara megh ye
dil ke pyaasa
ye mann sune
ye mann wahi re gaye
bandhu re. . .ho. . .ho

ichhamati re. . .ae. . .ae

ichhamati nadi tum kya kya ho bolo na
donon re dole dole aao re dolo na aa
ichhamati nadi tum kya chaaho bolo na
donon re dole dole aao re dolo na
bolo chaahe doob ke maroon tumhaare taley
bandhu re. . .ae hey
ye man dole bole kya re koi jaane
jal bhara megh ye
dil ke pyaasa
ye mann sune
ye mann wahi re gaye
bandhu re. . .ae. . .ae

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
बंधु रे॰॰ए
ये मन डोले बोले क्या रे कोई जाने
जल भरा मेघ ये
दिल के प्यासा
जे मन सुने
ये मन वही रे गाये

बंधु रे॰॰ए हे
ये मन डोले बोले क्या रे कोई जाने
जल भरा मेघ ये
दिल के प्यासा
जे मन सुने
ये मन वही रे गाये
बंधु रे॰॰ए॰॰ए

बन हरिणी॰॰ई
बन हरिणी तुम्हार लोचन देखे ना
बन मोरनी चलन तुम्हार देखि ना
बन हरिणी तुम्हार लोचन देखे ना
बन मोरनी चलन तुम्हार देखि ना
जो ये लोचन टोरे देखे आज वो भूले ना
बंधु रे॰॰ए
ये मन डोले बोले क्या रे कोई जाने
जल भरा मेघ ये
दिल के प्यासा
जे मन सुने
ये मन वही रे गाये
बंधु रे॰॰ए हो हो

इच्छामती रे॰॰ए॰॰ए
इच्छामती नदी तुम क्या क्या हो बोलो ना
दोनों रे डोले डोले आओ रे डोलो ना॰॰आ
इच्छामती नदी तुम क्या क्या हो बोलो ना
दोनों रे डोले डोले आओ रे डोलो ना॰॰आ
बोलो चाहे डूब के मरूँ तुम्हारे तले
बंधु रे॰॰ए हे
ये मन डोले बोले क्या रे कोई जाने
जल भरा मेघ ये
दिल के प्यासा
जे मन सुने
ये मन वही रे गाये
बंधु रे॰॰ए॰॰ए


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4184 Post No. : 15364 Movie Count :

4235

“Jaagir”(1984) was produced and directed by Pramod Chakraborty for Pramod Films, Bombay. The movie had Dharmendra, Zeenat Aman, Mithun Chakraborty, Shoma Anand, Amrish Puri, Preeti Sapru, Danny Denzongpa, Ranjeet, Beena Bannerjee, Azad, Bharat Bhushan, Birbal, R.S.Chopra, Bob Christo, Tarun Ghosh, Iftekhar, Kamal Kapoor, Praveen Kumar, Pran, Subroto Mahapatra, Baby Pinky, Sujeet Kumar, Mac Mohan, Master Ravi, Amol Sen, Asit Sen, Sunder Taneja, Ashalata Wabgaonkar etc in it.

The movie had six songs in it.

One of these songs was a new year song. Today (1 january 2020) is an ideal occasion to cover this song.

So here is this new year song from “Jaagir”(1984). This song is sung by Asha Bhonsle, Kishore Kumar and chorus. Anand Bakshi is the lyricist. Music is composed by R D Burman.

The song is picturised as a stage dance performance on Zeenat Aman, Dharmendra etc. House full audience, including Raj Kishore, Subroto Mahapatra, Amrish Puri, Shoma Anand, Ranjeet, Preeti Sapru, Praveen Kumar,Sunder Taneja(anouncer) are present on the occasion. Amrish Puri and Ranjeet receive call (on landline phone, brought to them on their chairs) that their nefarious business has been foiled and the main person was donning an orange boiler suit. And Ranjeet recalls having seen this boiler suited man onstage. So he obviously plans his next move as soon as the song finishes. 🙂 Our villains never act till the song performance is over !

Lyrics of this song were sent to me by Prakashchandra.

I take this opportunity to wish everyone a very happy new year 2020. 2020 has a nice sring about it, especially because we are already familiar with 2020 format of cricket :). Let us hope that this year will see quick fire action in our lives and also in the blog, similar to the action that we are used to seeing in a 2020 game of cricket.

With this song, “Jaagir”(1984) makes its debut in the blog.

Audio

Video

Song-Sach kehta hai ye saara zamaana…Naya naya hota hai puraana puraana (Jaagir)(1984) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Female chorus
Male chorus

Lyrics

sach kehtaa hai
hey sach kehtaa hai
ye saaraa zamaanaa
sach kehtaa hai
ye saaraa zamaanaa
nayaa nayaa hota hai
puraanaa puraanaa
nayaa nayaa hota hai
puraanaa puraanaa

ye to kahaawat hai barson puraani
socho nayee koyee chhedo kahaani
yaa hamse keh do
yaa hamse keh do
ke hamne ye maanaa

yaa hamse keh do
ke hamne ye maanaa

nayaa nayaa hota hai
puraanaa puraanaa

arrey nayaa nayaa hota hai
puranaa puranaa

(crowd cheering sound)

naye mein chamak hai
puraane mein kyaa hai
bolo
ho o naye mein chamak hai
puraane mein kyaa hai
naya kuchch na ho to
zamaane mein kyaa hai
chamaktaa hai jo kuchch
nahin hai woh sona
puraanaa hai insaan
nayaa hai khilauna
khilaune ki jhoothhi
khilaune ki jhoothhi chamak pe na jaanaa

khilaune ki jhoothhi chamak pe na jaanaa
o Bandhu
nayaa nayaa hota hai
puraanaa puraanaa

arrey nayaa nayaa hota hai
puraanaa puraanaa

(dialogues)

mihabbat ki banti hai jo ik nishaani
mihabbat ki banti hai jo ik nishaani
woh hoti hai tasveer koyee puraani
miley chand saathi puraane jahaan par
yehi baat aati hai sab ki zubaan par
nayaa yaar koyee
nayaa yaar koyee lateefaa sunaanaa

arrey nayaa yaar koyee lateefaa sunaanaa
nayaa nayaa hota hai
puraanaa puraanaa

arrey nayaa nayaa hota hai
puraanaa puraanaa

jahaan kal khade thhe
wahin ke wahin ho o
samjhe
jahaan kal khadey thhe
wahin ke wahin ho
tumhaaraa zamaanaa
gayaa tum yahin ho
ab aur hum kyaa kahein soniyyo
sab kuchch to aap keh gayeen

zameen par ho tum
aur hum aasmaan par
huaa kyaa lagaa chhupp ka
taalaa zubaan par
nahin yaad kyaa aaa
nahin yaad kya aur koyee bahaanaa
nahin yaad kya
aur koyee bahaanaa

nayaa nayaa hota hai
puraanaa puraanaa aa
nayaa nayaa hota hai
puraanaa puraanaa

sach kehtaa hai
ye saaraa zamaanaa
sach kehtaa hai
ye saaraa zamaanaa

nayaa nayaa hota hai
puraanaa puraanaa aa
nayaa nayaa hota hai
puraanaa puraanaa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4178 Post No. : 15355 Movie Count :

4233

Songs Repeated in Hindi Films – 14
– – – – – – – – – – – – – – – – – –

An iconic song from 1965 – absoute gem, absolutely unforgettable. “Kaanton Se Kheench Ke Ye Aanchal. . . Aaj Phir Jeene Ki Tamanna Hai” from the 1965 film ‘Guide’. Created by the greats of that era – Shailendra, SD Burman and Lata Mangeshkar. And coming from a film directed by Vijay Anand, one is assured that the picturization would be superlative, which it surely is. The song continues to sustain its beauty even after more than five decades. It is such a genuine treat both visually and aurally.

Eighteen years after this song came into being, it was used again in the 1983 film ‘Qayaamat’. This film is one of the plethora of crime-and-punishment films that crowded the screens during the 1980s and 90s. The main roles are played by Dharmendra, Shatrughan Sinha, Smita Patil, Jayaprada and Poonam Dhillon. Dharmendra and Shatrughan Sinha are close friends. But there is a falling out in their friendship, when Dharmendra is sent to jail, and he holds his police officer friend responsible for it. On returning from jail, he seeks to avenge himself for something that he considers as injustice meted out to him.

I have not seen the film and so will not be able to comment on the sequencing of this song within the storyline. Apparently, Jayaparada is the love interest of Dharmendra, and she appears in flashback in the movie. So there is some tragedy also related here. The occasion for the song is the birthday party of Shatrughan Sinha. Dharmendra is calling on a phone line to greet his friend. He finds out that Smita is about to sing a song at the party. He requests his friend to keep the phone line open so that he can listen. Then the song starts. It starts in the party, and almost immediately Dharmendra rewinds to the past where he sees Jayaprada singing in a very picturesque hillside setting. Rest of the song plays out in this flashback, returning to the party just moments before it ends.

Personally speaking, the song and its theme does not seem to fit into the birthday setting or even the hillside flashback interlude. It seems like force fitted, and completely out of place. But then that is just me.

The song has been reused in its original form. It is not re-recorded. So we get to enjoy the original audio, picturized on a different set of actors, in a different setting.

This song was identified and suggested by our dear Satyajit Rajurkar ji, for inclusion in this series. Thanks Satyajit ji.

 

Song – Aaj Phir Jeene Ki Tamanna Hai  (Qayaamat) (1983) Singers – Lata Mangeshkar, Lyrics – Shailendra, MD – SD Burman

Lyrics

ho o o
kaanton se kheench ke ye aanchal

tod ke bandhan baandhi paayal
ho o
koi na roko dil ki udaan ko
dil wo chalaa
aa aa aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

apne hi bas mein nahin main
dil hai kahin to hoon kahin main
ho o o
apne hi bas mein nahin main
dil hai kahin to hoon kahin main
ho o o
jaane kya paake meri zindagi ne
hans kar kaha
haa haa haa aa ha aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

main hoon gubaar yaa toofaan hoon
koi bataaye main kahaan hoon
ho o o
main hoon gubaar yaa toofaan hoon
ko
i bataaye main kahaan hoon
ho o o
dar hai safar mein kahin kho na jaaun main
rastaa nayaa
a a aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

kal ke andheron se nikal ke
dekha hai aankhen malte malte
ho o o
kal ke andheron se nikal ke
dekha hai aankhen malte malte
ho o o
phool hi phool zindagi bahaar hai
tay kar liyaa
a a aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai

————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————

हो ओ ओ
काँटों से खींच के ये आँचल
तोड़ के बंधन बांधी पायल
हो ओ
कोई न रोको दिल की उड़ान को
दिल वो चला
आ आ आ आ आ आ

आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है

अपने ही बस में नहीं मैं
दिल है कहीं तो हूँ कहीं मैं
हो ओ ओ
अपने ही बस में नहीं मैं
दिल है कहीं तो हूँ कहीं मैं
हो ओ ओ
जाने क्या पा के मेरी ज़िंदगी ने
हंस कर कहा
हा हा हा आ हा आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है

मैं हूँ गुबार या तूफाँ हूँ
कोई बताए मैं कहाँ हूँ
हो ओ ओ
मैं हूँ गुबार या तूफाँ हूँ
कोई बताए मैं कहाँ हूँ
हो ओ ओ
डर है सफर में कहीं खो ना जाऊँ मैं
रस्ता नया
आ आ आ आ आ आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है

कल के अँधेरों से निकल के
देखा है आँखें मलते मलते
हो ओ ओ
कल के अँधेरों से निकल के
देखा है आँखें मलते मलते
हो ओ ओ
फूल ही फूल ज़िंदगी बहार है
तय कर लिया
आ आ आ आ आ आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4161 Post No. : 15330

Hullo Atuldom

“Tum Haseen Main Jawaan” produced and directed by Bhappie Soni, released in 1970. The movie had six songs of which three were written by Hasrat Jaipuri, two by Indivar and one by Rajinder Krishan with Shankar Jaikishan as music directors. The cast was headed by Hema Malini and Dharmendra with Helen, Anjali Kadam, Helen, Sulochana Latkar, Rajendranath, Dhumal, Anwar Hussain, Mohan Choti, Iftikhar and PRAN. The story screenplay etc was the handiwork of Sachin Bhowmick. I have seen this movie a long time ago on Television and this is the basic storyline-

Sunil (Dharam) is a merchant navy officer (if I remember right), and has had numerous affairs with a number of attractive young women. One day he meets with beautiful Anuradha (Hema), and falls in love with her. Anuradha too loves him, and she is introduced to his mom (Sulochana). Anuradha has another admirer in Ranjeet (Pran), who informs Sunil and his mom, that Anuradha is deceiving them, and is the mother of a baby boy. Sunil and his mother are shocked, and will have nothing to do with Anuradha. Then the child, in question, is kidnapped, and held for ransom. It is then Sunil comes to know the shocking truth behind the abduction, which will change his life forever.

The movie had other typical masalas in it – like Helen a dancer with a golden heart, a sobbing sister, a family missing their elder daughter etc.

The movie made its blog debut with this song. I heard that song after years today as I was writing this and felt the song reminded me of the song “mere paas aao nazar toh milao” from “Sunghursh” (I don’t mind if people say I am wrong). Atulji followed this up with song. I would like to make it clear here that Dharam is asking Hema’s help to look after the baby that he has found i.e. he wants her to be its Nanny. And let me also add, that it suits Hema’s purpose as she is looking for a safe haven for that child whom she is shielding from its uncle played by Pran.
The last song from this movie came with a post by Rajaji to wish Hema Malini on her 69th birthday.

The song with today’s post is something I love to watch for its cuteness. Hema Malini was supremely sweet, cute etc. in those days (none of which has lessened with age, mind you). On hearing it without the video one would expect Shammi Kapoor enacting it but we have a very handsome Dharam on-screen. And the “jhatakdaar” steps is the cutest part of the song IMHO.

And why are we having this song today ? To wish the He-man, Garam Dharam on his 84th birthday. Dharmendra who started his career in the early 60s is a huge Dilip Kumar fan. He has acted in close to 300 movies in all these years. He was nominated 4 for the best actor Filmfare award but won only the Life Time achievement award in 1997. He is a Padma Bhushan recipient and has been darling of the masses who have lapped up his pairing with Meena Kumari, Nutan, Sharmila Tagore, Asha Parekh and Mala Sinha etc, but nothing to match the pairing with Hema Malini. They did about 35 films together and were romantically paired in 31; of these 20 were hits and 15 flops.

Let us have a song of this super-hit jodi today and say (belatedly) “Happy Birthday Dharmendraji”

Audio

Video

Song-Chehra tera Allah Allah (Tum Haseen Main Jawaan)(1970) Singer-Rafi, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

chehra tera allah allah
baaten teri maasha allah
badi badi aankhonn waali
jaadoo kiya toone vallah
aa
idhar toh aa
o meri jaan gale laga
chehra tera allah all
ah baate teri maasha allah
badi badi aankhon waali
jaadoo kiya toone vallah
aa
idhar toh aa
o meri jaan gale laga

dono jahaan mein tujhsa nahin hai
meri rahegi mujhko yakeen hai
donon jahaan mein tujhsa nahin hai,
meri rahegi mujhko yakeen hai
aahhaa aaa aaa
chehra tera allah-allah
baaten teri maasha-allah
badi badi aankhon waali
jaadoo kiya toone vallah
aa
idhar toh aa
o meri jaan gale laga
aa
idhar toh aa
o meri jaan gale laga

tu hai hamaare pyaar ki duniya
aa ke basa de yaar ki duniya
tu hai hamaare pyaar ki duniya
aa ke basa de yaar ki duniya
aahhaa aaa aaa
chehra tera allah allah
baaten teri maasha allah
badi badi aankhon waali
jaadoo kiya toone vallah
aa
idhar toh aa
o meri jaan gale laga
aa
idhar toh aa
o meri jaan gale laga

tu toh khuda ke hosh bhula de
chain chura le neend uda de
tu toh khuda ke hosh bhula de
chain chura le neend uda de
aahhaa aaa aaa
chehra tera allah allah
baaten teri maasha allah
badi badi aankhon waali
jaadu kiya toone vallah
aa
idhar toh aa
o meri jaan gale laga
aa
idhar toh aa
o meri jaan gale laga
a aa
idhar toh aa
o meri jaan gale laga


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15981

Number of movies covered in the blog

Movies with all their songs covered =1227
Total Number of movies covered =4375

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