Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Ye rut hai haseen dard bhi hai jawaan

Posted on: August 4, 2020

This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in If this article appears in other sites without the knowledge and consent of the web administrator of, then it is piracy of the copyright content of and is a punishable offence under the existing laws.

Blog Day :

4400 Post No. : 15779

Less than a week ago, we were commemorating the death anniversary of Rafisaab on this blog. And here we are today to discuss another singing legend, this time on his birth anniversary. Of course, it’s none other than Kishore Kumar, another much-loved personality in the Hindi film industry.

As I said in my recent post on Rafisaab, I am a huge Rafisaab fan. But that doesn’t mean I’m not fond of Kishore Kumar.

I know some people have this “Rafi or Kishore” binary, but, thankfully for me, I don’t. I absolutely love both of them, and refuse to play one against the other. Why would one do that?

We’re extremely lucky to have had both singers in the industry. Why would we pick one, and exclude the other? Are our hearts so small? Is our love for music so narrow?

I, for one, thoroughly enjoy listening to both of them – and do listen a lot to both.

But today is Kishore da’s day, so the rest of this post is about him.

To call Kishore da a singing legend is absolutely true. But to call him only a singing legend doesn’t do justice to him at all.

Kishore da was an all-rounder par excellence – actor, director, producer, composer, writer, in addition to being a singing legend. So in a way, if I might very loosely use a cricketing analogy, he was Sir Garry Sobers to Rafisaab’s Bradman. 🙂 Bradman is considered the greatest batsman ever, whereas Sobers is considered the greatest all-rounder ever.

As with Rafisaab, I’ve written several posts here on Kishore da too. For me, he was an essential part of my pre-teen, and teen years, when he absolutely reigned. And from then, right till his death in 1987, he was the numero uno male singer in terms of popularity.

Much of my early musical experiences invariably had Kishore Kumar in them. It’s not like one had much of a choice in the 1970s – if you were listening to current songs, or watching current movies, you almost HAD to listen to Kishore songs. 🙂

I grew up in that atmosphere, and knew most Kishore songs of that era by heart. All three stanzas, if there were three.

Many of the hit movies at that time were Rajesh Khanna’s, but Kishore Kumar songs were big hits even in non-Rajesh films. Songs like “teri duniya se”, “dekha na haaye re”, “musafir hoon yaaron”, “ye jeevan hai”, “meri bheegi bheegi si”, “geet gaata hoon main” and many more. As I said, he just ruled at that time, so the actor in the film didn’t even matter.

Almost every one of my classmates in school was a Kishore fan, with the exception of one, who was a KL Saigal fan. In fact I first heard of KL Saigal only from him.

I too joined the bandwagon – and in the lunch break, we’d have a quick lunch and sing songs. Mostly Kishore, of course.

In those days, I had this habit of having ONE favourite song which I’d sing non-stop for a few days. It could be for 3-4 days, or a week or even 2 weeks. But I’d sing it non-stop, probably to the annoyance of others around me. 🙂

Again they were mostly Kishore songs.

I distinctly remember “jaane jaa, dhoondhta phir raha”, “chala jaata hoon”, “o mere dil ke chain”, “aadmi jo kehta hai” and “tere bina zindagi se koi”, though there were many more.

So now, when I have SO many fond musical memories of Kishore Kumar of those days, how can I POSSIBLY turn my back on him, just because I also became a Rafisaab fan later? Sorry, can’t do that.

At that time, I didn’t know too many Kishore songs from the 1950s. But as and when I got to listen to them, I’d just fall in love with them. How can you not fall in love with “piya piya piya”, or “o nigaahen mastaana”, or his songs of Funtoosh (1955) or Chalti Ka Naam Gaadi (1958)?

I feel, in the 1980s, he lost a little bit of that softness in his voice that he had in earlier decades. But some of that could also be to do with the type of songs he was called upon to sing. After all, even in that decade, he did sing songs like “lehron ki tarah yaadein”, “manzilein apni jagah” and “o yaara”.

And, if he hadn’t passed away in 1987, he could have easily continued to sing for many more years.
Even “o yaara” was from the 1987 film, Kaash.

But this is only one aspect of Kishore da.

He is also well-known as an actor, mostly in comedy lead roles of the 1950s and 1960s. I’ve seen many of those films – and I really like them.

The thing is, Kishore had no hang-ups, and could do the most crazy scenes on screen. Dances, songs, impersonations, anything.

I don’t know anyone else who was so versatile – the closest is possibly IS Johar or Mehmood.

But look at “kuen mein kood ke mar jaana” from Parivar (1956). That’s sheer Kishore genius.

And of course, “aake seedhi lagi” from Half-Ticket (1962) where he sings both in a male voice (for Pran) and female voice (for himself, disguised as a woman).

There are many more Kishore songs picturised on himself, that are pure fun – “main Bangali chhokra”, “CAT Cat”, “paanch rupaiya barah aana”, “meri pyaari bindu”, “is duniya mein pyaare, do kaam karna” , “guni jano bhakt jano” immediately come to mind.

Having said that, to assume that Kishore never took anything seriously wouldn’t be entirely true. Yes, most of his roles were comedy roles. And in real life too, his co-artistes often said he would enliven proceedings with his jokes and pranks. And yet, he could make meaningful cinema too.

Two films I like a lot are both produced and directed by Kishore Kumar. Door Gagan Ki Chhaon Mein (1964) and Door Ka Raahi (1971). Not only are the songs (composed by Kishore himself) excellent, but the storyline makes you think too. Especially Door Ka Raahi, which is unconventional in how it explores various facets of life, through the eyes of a traveler.

What more can I say about Kishore Kumar?

If the film industry is primarily about entertainment, Kishore Kumar was the ultimate entertainer. Even his live concerts were highly entertaining because he could connect very easily with his audience. No wonder he was loved so much.

There’s a lot more one can say about Kishore Kumar, but I will move on to the song for today.

This is from the film Harjaee (1981). In 2017, I posted a song on Kishore’s death anniversary from this film. Today I’m posting a song from this film on his birth anniversary.

I’m quite fond of both these songs, because they are vintage Kishore-Pancham (RD Burman) for me.

Kishore and Pancham had a long and extremely fruitful association. They were very close friends too, since Kishore, being very close to SD Burman, knew Pancham right from his childhood.

This is what I wrote about the film Harjaee (1981) on that post.

I remember seeing this film at that time – haven’t seen it since. Contrary to the typical multi-starrer, masala films of the time, this film, starring Randhir Kapoor and Tina Munim, was a proper tear-jerker. From what I remember, Randhir Kapoor is a carefree, prankster type of guy who pretends to have cancer, just to get Tina Munim to fall for him. His parents too believes his story and get Tina to be sympathetic towards him. Then tragedy strikes. Randhir Kapoor gets really diagnosed with cancer. The rest of the story is how he copes with it, how Tina copes with it, how their respective families cope with it.
The film has some good songs – like many Randhir Kapoor films do. Whether his films did well or not, there used to invariably be at least one hit song (often more) in each of his films. I remember during my schooldays, I personally didn’t mind Randhir Kapoor films at all – though I was clearly much in the minority at the time.

While watching this song “ye rut hai haseen” it struck me that this is yet ANOTHER song where the hero sings a song at a party, and makes the heroine cry or feel very uncomfortable. Off the top of my head, I remember songs in similar situations in Do Badan, Teesri Manzil, Ek Mahal Ho Sapnon Ka and Brahmachari . Maybe Atul should have a separate category for this. 🙂

Wish Kishore da a very happy birthday though he is not here with us anymore. He is probably up there singing to Pancham’s tunes, songs of Anand Bakshi’s lyrics, picturised on Rajesh Khanna. 🙂

And, for old times’ sake, singing to SD Burman’s tunes, songs of Majrooh, picturised on Dev Anand. 🙂

Kishore da, you will always remain in our hearts.

Thanks for all the entertainment, and for enriching our lives.



Song-Ye rut hai haseen dard bhi hai jawaan (Harjaayee)(1981) Singer-Kishore Kumar, Lyrics-Vitthalbhai Patel, MD-R D Burman


ye rut hai haseen
dard bhi hai jawaan
harjaee nahin hum
na tum bewafaa

milna tha hum mil hi gaye
phool pyaar ke khil hi gaye
milna tha hum mil hi gaye
phool pyaar ke khil hi gaye
dil se yehi doon main dua
milke na ho koi judaa
ye rut hai haseen
dard bhi hai jawaan
harjaee nahin hum
na tum bewafaa

sapne the sapne hi rahe
apne jab apne na rahe
sapne the sapne hi rahe
apne jab apne na rahe
roothe ho tum kaun suney
koi pyaar ka shikhwa gilaa
ye rut hai haseen
dard bhi hai jawaan
harjaee nahin hum
na tum bewafaa

tan mann preet ke deep jaley
aaye seher na raat dhaley
tan mann preet ke deep jaley
aaye seher na raat dhaley
socho zaraa
hogi bhalaa
phool se khusboo kaise judaa
ye rut hai haseen
dard bhi hai jawaan
harjaee nahin hum
na tum bewafaa
ye rut hai haseen
dard bhi hai jawaan

5 Responses to "Ye rut hai haseen dard bhi hai jawaan"


Thanks for this wonderful post, that brought back memories of my own teen-years [starting 1970, born 1948] when I too “had this habit of having ONE favourite song which I’d sing non-stop for a few days. It could be for 3-4 days, or a week or even 2 weeks. But I’d sing it non-stop, probably to the annoyance of others around me” … this is probably true of all teen Kids of that Golden Music era.

Of course, we would sing out loud but not with any great understanding of the love, happiness or sadness (at least, for me) that the song’s words meant. Its only now, at age 70+, the wonderful deep meaning of words and lyrics are making sense to me! Deeper and Deeper meaning with each new hearing of an old song. Each time peeling out another layer of deeper meaning underlying in these lovely old songs.



This is a great start to the celebrations of Kishore Kumar’s 91st birthday. Thank you Rajaji.
For once u ve selected a song which has slipped from mind, used to be my song for the one week that I hummed it continuously.
By the time this movie came around Randhir Kapoor was beginning to look tired.
And a new lyrics writer for a RD song. Kya baat hai


This was a much liked sad song by Kishore at that time. This is the title song and used to be highlight of the “prayojit karyakram” on vividh bharati, which was aired as a publicity/promotion of the movie. I mentioned the song in this post :

Liked by 1 person

Our Tributes to the legend Kishore Kumar !!!
Raja Saab, many thanks for this post and a journey through the memories of songs of Kishoremar and his multi faceted personality. He has given us an all round entertainment to cheer up and also to introspect the various aspects of life through the movies he produced and directed.
Loved the post.
Yes, songs from ‘Harjaayee’ are very good and I like them all.
Thanks again,


Raja Ji. Lovely post written from the bottom of the heart ( as you always do). I liked your comparison of KK with Sobers and MR with Bradman. The two stalwarts have been fitted well, I loved the actor KK more than the singer KK. ( Chalti ka naam Gadi, Begunah, Padosan,New Delhi, Half ticket, Pyar kiye Ja……..)
Nobody could make madness so endearing as he did.
I have not seen Harjaee and cant recall this song. But I have never forgotten lovely ” Kherishu varishu’ from same film


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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