Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Randheer Kapoor


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4765 Post No. : 16512

Hullo Atuldom

Choosing a song for today’s post was not so easy. We are celebrating our beloved Kishore Kumar’s 92nd birthday and seem to have run out of all popular songs. Songs that are played on the repeat on music channels and FM radio are not for us. We, a tribe that is called Atulites, living in Atulsongaday.me kingdom (Atuldom for short) are not satisfied with oft-repeated songs.

Not that we don’t love a ‘jeewan ke safar mein raahi’; ‘zindagi ke safar mein’; ‘zindagi ka safar’ or ‘zindagi ek safar’ (some songs that say ‘life is a journey’) as much as ‘munna bada pyaara’; ‘chanda o chanda’; ‘soyi ja taara’; or ‘aa ri aa jaa’ and ‘ankhiyon mein chhote chhote sapne sajaay ke’. Atulites also savor ‘ye raatein ye mausam nadi ka kinaara’ along with ‘main hoon jhum jhum jhum jhum jhumroo’.

There are some Atulites for whom the Kishore Kumar era began with ‘mere sapnon ki rani’ and the songs of ‘Padosan’ and all songs of Rajesh Khanna movies of the ’70s (like yours truly).

There are other Atulites who have seen the growth of this actor/singer/composer/ lyricist/ producer/ director from the ’40s. He was a K L Saigal fan (and from what I have read at various places, most singers of that period were Saigal fans) and his first song in Bollywood “marne ki duaayen kyun mangoon” has a rather “Saigal feel” to it. That didn’t stop him from ‘yodelling’ once he discovered that aspect of singing, inspired by Jimmie Rodgers and Tex Morton.

He was equally comfortable singing ‘aake seedhi lagi dil pe jaise katariya’ and ‘mere naina saawan bhadon’. Singing madcap songs like ‘ek chatur naar’ and ‘rafta rafta dekho aankh meri ladi hai’ was as natural as ‘panthhi hoon mein uss path ka’ and ‘aa chal ke tujhe main leke chaloon’.

I am sure any follower of the blog will say ‘there she goes on her worship Kishore Kumar journey’. But that is the male sound I heard maximum in my growing up years. Of course he came to that level after a long and arduous struggle.

He was mentored by SD Burman in his initial years of singing in movies after he got a break in ‘Ziddi’ under Khemchand Prakash’s music direction. Salil Chaudhary, OP Nayyar, Kalyanji Anandji, C. Ramachandra, Madan Mohan and all the music directors of that period have songs of Kishore Kumar that are still in public memory. That doesn’t mean he didn’t sing for the next generation of music directors. Can’t forget ‘inteha ho gayi intezaar ki’ – Bappi Lahiri, ‘Kya mausam hai’ -Rajesh Roshan, ‘tera chehera mujhe gulaab lage’- Anu Malik (oh yes! he has sung for Anu Malik too); and the biggest of the next generation music directors – R D Burman and Laxmi-Pyare- we cannot even list all the wonderful songs that he had sung under their music direction.

He has duets with male as well as female singers and also multi-singer songs best example of multi-singer song being Hum ko tumse ho gaya hai pyaar kya karen.

But why did I write ‘we have run out of popular songs’. Out of a possible 2709 songs (that the blog’s stats page says that we have of Kishore Kumar in Bollywood), 1245 have been posted in the blog. Of these 577 are solo songs of Kishore Kumar. That leaves us with 1464 songs to choose from. If I think of songs from the ’70s, we have many non- Dev Anand, Rajesh Khanna and Amitabh Bachchan songs to choose from which were regularly played on Vividh Bharati.

Seeing Randhir Kapoor on Indian Idol over the weekend reminded me of today’s song.
This post from last year gives the story of “Lafange” (1975) in brief. Today’s song helps to establish the character of Gopal played by Randhir Kapoor. It shows how heroes, who play con-men in movies, have gold-plated conscience. They rob the haves and help the have-nots. All heroes are Robinhoods when they play con-men and undergo a character change when they fall in love with the beautiful heroines. Predictable, correct?

Missing singer/actor/producer/director/ composer Kishoreda on his birth anniversary.

Audio

Video

Song-Log kehte hain ke hum lafange hain (Lafange)(1975) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

hmm
hmmmhmmhmmm
lo..ooo..g kehte hain
ke hum lafange hain
log kehte hain ke hum lafange hain
hum lafange nahin hain patange hain
hum lafange nahin hain patange hain
lafange nahin hum patange hain aen
log kehte hain ke hum lafange hain

apne kai roop hain isliye
apne kai roop hain isliye
log humko kehte hain bahroopiye
chehre se humko na pehchaaniye
hum kitne rangon mein rangein hain aen aen
lo…o o..g kehte hain ke hum lafange hain

apne khayaalon mein jo hai haseen
apne khayaalon mein jo hai haseen
ek din milegi kahin na kahin
kismat buri hai bure hum nahin
hum insaan dil ke changey hain aen
lo..oo..g kehte hain ke hum lafange hain

ho ho o
ho ho ho
ho ho ho
ho ho o

yaaron ki khaali dua chaahiye
yaaron ki khaali dua chaahiye
apne liye humko kya chaahiye
unke dukhon ki dawaa chaahiye
pyaase hain jo bhookhe nange hain aen
lo..o o.g kehte hain ke hum lafange hain
log kehte hain ke hum lafange hain
hum lafange nahin hain patange hain
hum lafange nahin hain patange hain
lafange nahin hum patange hain aen
log kahte hain ke hum lafange hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4658 Post No. : 16327

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXX: Year 1976
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1976.

In 1976, 104 Hindi movies containing 554 songs were released. Lata Mangeshkar got to sing in 41 of these movies and she sang 97 songs in these movies. So Lata Mangeshkar’s voice was heard in 39.4 % of the movies released in 1976. Her voice was heard in 17.5 % of the songs appearing in the movies of 1976.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1976 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aaj Ka Mahatma Laxmikant Pyarelal 1 2 2 0 0 0 Majrooh Sultanpuri
2 Aap Beeti Laxmikant Pyarelal 1 3 1 0 0 2 Anand Bakshi
3 Arjun Pandit S D Burman 1 2 2 0 0 0 Majrooh Sultanpuri
4 Baarood S D Burman 2 2 2 0 0 0 Anand Bakshi
5 Bairaag Kalyanji Anandji 2 2 1 1 0 0 Anand Bakshi
6 Bajrangbali Kalyanji Anandji 0 2 2 0 0 0 Kavi Pradeep
7 Bhanwar R D Burman 0 2 2 0 0 0 Anand Bakshi
8 Bullet R D Burman 1 1 1 0 0 0 Anand Bakshi
9 Bundlebaaz R D Burman 2 2 0 2 0 0 Majrooh Sultanpuri
10 Chalte Chalte Bappi Lahiri 2 2 1 1 0 0 Amit Khanna
11 Charas Laxmikant Pyarelal 2 4 2 1 0 1 Anand Bakshi
12 Deewaangi Ravindra Jain 0 2 1 1 0 0 Hasrat Jaipuri (1) Ravindra Jain (1)
13 Do Anjaane Kalyanji Anandji 2 2 2 0 0 0 Verma Malik
14 Do Ladkiyaan Laxmikant Pyarelal 0 3 1 2 0 0 Anand Bakshi
15 Dus Numberi Laxmikant Pyarelal 0 3 2 1 0 0 Majrooh Sultanpuri
16 Ek Se Badhkar Ek Kalyanji Anandji 0 1 0 1 0 0 Verma Malik
17 Fakeera Ravindra Jain 3 3 1 2 0 0 Ravindra Jain
18 Ginny Aur Johny Rajesh Roshan 1 1 0 1 0 0 Majrooh Sultanpuri
19 Hera Pheri Kalyanji Anandji 1 1 1 0 0 0 Anjaan
20 Jaaneman Laxmikant Pyarelal 0 3 2 1 0 0 Anand Bakshi
21 Jeewan Jyoti Salil Chaudhary 1 3 2 1 0 0 Anand Bakshi
22 Kaalicharan Kalyanji Anandji 1 1 1 0 0 0 Inderjeet Singh Tulsi
23 Kabeela Kalyanji Anandji 2 2 2 0 0 0 Farooque Kaiser
24 Kabhi Kabhi Khayyam 5 5 2 3 0 0 Sahir Ludhianvi
25 Koi Jeeta Koi Haara Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
26 Lagaam Kalyanji Anandji 1 3 2 1 0 0 Vishveshvar Sharma (2) Kulvant Jani (1)
27 Laila Majnu Madan Mohan (3) Jaidev (1) 4 4 1 3 0 0 Sahir Ludhianvi
28 Maa Laxmikant Pyarelal 1 4 2 2 0 0 Anand Bakshi
29 Mahachor R D Burman 1 2 1 1 0 0 Anand Bakshi
30 Mehbooba R D Burman 5 5 4 1 0 0 Anand Bakshi
31 Mera Shyaam Govind Naresh 0 1 1 0 0 0 Pt Narendra Sharma
32 Naach Uthhe Sansaar Laxmikant Pyarelal 1 2 0 2 0 0 Majrooh Sultanpuri
33 Naagin Laxmikant Pyarelal 3 3 1 2 0 0 Verma Malik
34 Nahle Pe Dahla R D Burman 1 3 1 1 0 1 Anand Bakshi
35 Raees Sapan Jagmohan 0 1 1 0 0 0 Naqsh Llayalpuri
36 Rangeela Ratan Kalyanji Anandji 1 1 0 1 0 0 Gulshan Baavra
37 Sabse Bada Rupaiyya Basu Manohari 3 3 0 2 1 0 Majrooh Sultanpuri
38 Sangraam Bappi Lahiri 0 3 3 0 0 0 Gauhar Kanpuri
39 Tyaag S D Burman 2 2 0 2 0 0 Anand Bakshi
40 Udhaar Ka Sindoor Rajesh Roshan 0 3 3 0 0 0 Majrooh Sultanpuri
41 Zindagi Rajesh Roshan 2 2 1 1 0 0 Amit Khanna (1) Anjaan (1)
Total 41 movies 14 MDs 57 97 53 39 1 4 16 lyricists

Lata Mangeshkar worked with 14 music directors and 16 lyricists in these 41 movies released in 1976. Shankar Jaikishan with 443 songs in the voice of Lata Mangeshkar were the leading music directors for her followed by Laxmikant Pyarelal with 437 songs. C Ramchandra was in third position with 274 songs. Other top music directors for Lata Mangeshkar were Kalyanji Anandji (261), Chitragupta (238), Madan Mohan (192), S D Burman (179), R D Burman (171), Roshan (144), Naushad (136), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Vasant Desai (104) and Salil Chaudhary (104). Together these fifteen music directors composed 3038 songs out of 4089 songs that Lata Mangeshkar had sung in Hindi movies till end of 1976. The top nine lyricists till end of 1975 for Lata Mangeshkar were Rajinder Krishan (543),Anand Bakshi (419), Shailendra (361), Majrooh Sultanpuri (334), Hasrat Jaipuri (295), Prem Dhawan (201), Shakeel Badayuni (189), Bharat Vyas (189) and Sahir Ludhianvi (141). These nine lyricists had penned 2672 songs sung by Lata Mangeshkar till that time.

Lata Mangeshkar collaborated with music directors Basu Manohari Lahiri and Govind Naresh for the first time in movies of this year. Lyricists Amit Khanna and Kulwant Jani got to collaborate with Lata Mangeshkar for the first time in movies released this year.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1976 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 134 157 103 35 12 7
1950 36 movies 114 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 149 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 140 172 144 23 4 1
1955 50 movies 165 218 177 30 10 1
1956 49 movies 168 204 153 35 13 3
1957 47 movies 129 160 110 38 7 5
1958 35 movies 102 132 95 25 10 1
1959 58 movies 188 211 130 68 12 1
1960 48 movies 139 166 102 50 12 1
1961 44 movies 125 152 88 55 5 4
1962 40 movies 118 129 84 40 5 0
1963 37 movies 103 111 62 38 8 3
1964 46 movies 122 133 91 31 8 3
1965 42 movies 83 91 71 17 1 2
1966 49 movies 104 133 110 14 8 1
1967 44 movies 92 106 67 38 8 3
1968 33 movies 83 84 59 19 5 1
1969 43 movies 77 97 67 27 2 1
1970 54 movies 86 130 84 39 3 4
1971 52 movies 105 126 71 52 3 0
1972 62 movies 96 151 86 60 3 2
1973 60 movies 92 138 94 37 3 4
1974 55 movies 69 104 66 33 0 5
1975 45 movies 60 90 50 35 3 2
1976 41 movies 57 97 53 39 1 4
Total upto 1976 1310 movies 3335 4089 2809 1035 183 80

It can be seen from the table of 1976 that Lata Mangeshkar sang 97 songs in 41 movies released in 1976.

57 songs sung by Lata Mangeshkar in movies of 1976 have been covered in the blog. That leaves us with 40 songs from movies of 1976 that are yet to be covered.

All Lata Mangeshkar songs from 20 movies of 1976 are already covered in the blog. So 40 Lata Mangeshkar songs from 21 movies of 1976 are still available to be discussed.

Alphabetically “Aaj Ka Mahatma”(1976)is the first movie of 1976 that offers us Lata Mangeshkar songs.

“Aaj Ka Mahatma”(1976) was produced and directed by Kundan Kumar for Kundan Films, Bombay. The movie had Randhir Kapoor, Rekha, Ranjeet, Bindu, Manmohan, Manmohan Krishna, Kumud Chugaani, Purnima, Shetty, Keshav Rana, Abhimanyu Sharma, Keshto Mukherjee etc, with friendly appearances by Sanjana, Dilip Dutt, Manorama, Rajan Haksar, Jeevan. The movie also had Anand Joshi, Kirti Kumar, Rajan Kapoor, Narbada Shankar, A.N.Malhotra, Bhagwan Sinha, Deepak, R.Yadav, Dijendra Banerjee, Ramesh Deo etc in it.

The movie had four songs in it. One song has been covered in the past.

The movie had two Lata Mangeshkar solo songs in it. The one song from the movie that has been covered was a Lata Mangeshkar solo.

Here is the second Lata Mangeshkar solo song from “Aaj Ka Mahatma”(1976). The song is penned by Majrooh Sultanpuri. Music is composed by Laxmikant Pyarelal.

The song is picturised as a stage dance song on Rekha and others. Randheer Kapoor, the guest of honour, is seen seated in the front seat among the house full audience.

Lyrics of this song were sent to me by Prakashchandra.

Audio

Video


Song-Tum aisey kahaan tak chhupoge raaja jaani (Aaj Ka Mahatma)(1976) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

tum aisey kahaan tak
chhupogey raajaa jaani ee
tum aisey kahaan tak
chhupogey raajaa jaani ee
main kuchch na boloon to
ye meri meharbaani
chhodo ye chhedkhaani
jaani nahin maani baat
to thhaaney mein rapat likhwaay doongi
zyaada boley ae to dekho pakadwaay doongi
nahin thhaane mein rapat likhwaay doongi
zyadaa boley ae to dekho pakadwaay doongi
tum aisey kahaan tak chhupogey raajaa jaani
main kuchch na boloon to
ye meri meharbaani
chhodo ye chhedkhaani
jaani nahin maani baat
to thhaaney mein rapat likhwaay doongi
zyaada boley to dekho pakadwaay doongi
thhaane thhaane mein rapat likhwaay doongi
zyaada boley ae to dekho pakadwaay doongi ee

nayee nayee soorat badaltey hi rehnaa
nayee nayee soorat badaltey hi rehnaa
chitchor mere tumhaara kyaa kehnaa aa
chitchor mere tumhaaraa kya kehnaa
dekho jee tan ko na haaa..aath lagaanaa
chhoonaa meri kalaayee nahin sajnaa
chhoona meri kalaayee nahin sajnaa
abhi abhi hathhkadi lagwaay doongi
zyaada boley ae to dekho pakadwaay doongi
nahin thhaaney mein rapat likhwaay doongi
zyaada boley to dekho pakadwaay doongi
tum aisey kahaan tak chhupogey raajaa jaani

bhari jo sharaarat tumhaari nas nas mein ae
bhari jo sharaarat tumhaari nas nas mein
main bhi hoon chhaliyaa anokhi aathh dus mein ae
main bhi hoon chhaliyaa anokhi aathh dus mein
ek to hai aafat chunariyaa ka phandaa
doojey munshi darogaa mere bas mein
doojey munshi darogaa mere ae bas mein
yehi phandaa tere galey bandhwaay doongi
zyaada boley ae to dekho pakadwaay doongi
thhaane thhaane mein rapat likhwaay doongi
zyaada boley ae to dekho pakadwaay doongi
tum aisey kahaan tak chhupogey raajaa jaani
main kuchch na boloon to
ye meri meharbaani
chhodo ye chhedkhaani
jaani nahin maani baat
to thhaaney mein rapat likhwaayi doongi
zyaada boley to dekho pakadwaayi doongi
thhaane thhaane mein rapatt likhwaayi doongi
zyadaa boley ae to dekho pakkadwaayi doongi


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4648 Post No. : 16311

Hullo Atuldom

“Dil Deewaana” (1974); written as ‘Dil Diwana’ in the movie’s titles; was a Rose Movies production i.e. Ramesh Behl was the producer and Narendra Bedi was the director. Though people feel it was a sequel of the successful “Jawaani Deewaani” (1972) I don’t think so.

The similarities in the two movies are the producer, director, main lead, music composer and lyricist were the same. While “Jawaani Deewaani” dealt with love between college-mates, family misunderstandings, and ‘rich-girl not-so-rich boy’ theme, “Dil Deewaana” had a rich, spoilt, playboy who tries to mend his ways when he encounters a girl working in his office. As per the norms of Hindi movies, Indian movies will be more appropriate, the girl is not-so-poor, is economically responsible for the day-to-day living of her family and is unimpressed with the economic standing of the boy. The rich boy Vijay (Randhir Kapoor), decides to introduce Nita (Jaya Bhaduri) to his doting grandma (Durga Khote) when his past catches up with him in the form of Gita (Aruna Irani), her brother Pyarelal (Manmohan) and an infant. There is one more character in this film Sunita (played by Komal a.k.a. Poonam Sinha) to add to the woes of the hero. All-in-all a normal masala movie which I recall having seen ages ago, during the days when doordarshan was the only channel available.

What has remained with me from that movie is Jaya Bhaduri playing a girl who had a mind of her own and made decisions for herself. In fact, she was one of the actresses in the ’70s, who played such roles very often and whose standing was on-par with her male co-star. I wouldn’t say that she was a great dancer like her contemporary Hema Malini (Jaya Bhaduri could put the correct foot forward and be in rhythm) but she was good in all other aspects.

I must admit that I was not a huge fan of hers, but I loved her in all the movies that I saw including “Kabhi Khushi Kabhi Gham” (2001) with which she made a comeback to commercial movies. She had already restarted acting with “Hazaar Chaurasi ki Maa” in 1998 but that was essentially an art or middle-of-road movie which went unnoticed by the masses.

She is a Padma Shri winner along with a few Filmfare best actress awards to her name. She has been in the Hindi industry since 1971 when ‘Guddi’ released where she played a sweet, film-crazy teenager who is in love with her matinee idol Dharmendra. Of course she had already acted in a few Bengali movies before ‘Guddi’.
With this post we wish her on her 73rd birthday and also on completing 50 years in Bollywood.

‘Dil Deewaana” had six songs of which the blog has the following two:-

Song Date of posting
Jaa re jaa bewafa 9 April 2014
Sun Neeta main tere pyaar ke geet gaane lagaa hoon 30 April 2014

Today’s song is in a discotheque. We have Jaya in loud make-up but still looking dainty, pretty and cute. The song happens post Jaya inhaling some intoxicating smoke from Sharat Saxena. The song has all the elements that RD Burman was known to put in his songs- catchy tune, lot of ups and downs for the singer to race her voice through and she (Asha Bhosle) doesn’t disappoint. We have flashbacks of this song from Caravan (1971) in terms of insanely sane choreography. And it is to Jaya Bhaduri’s credit that she has pulled it off amazingly. Wish she had been offered more such dances and run-of-the mill glamour-doll roles, I wonder how she would have performed them.

Audio

Video

Song-Main ladki tu ladka (Dil Deewaana)(1974) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics

main ladki ho o o
ho o o
tu ladka ho o o ho ho

laa la laa la lala
laa la laa la lala laa
laa la laa la lala
haa
ganj ganjedi ganj ganjedi ganj ganjedi oh
ganj ganjedi ganj ganjedi ganj ganjedi oh
main ladki tu ladka
dil mere kyun dhadka
dekhe shararat hai teri
hahe hahe haaha
ganjaa
ganj ganjedi ganj ganjedi ganj ganjedi oh
ganj ganjedi ganj ganjedi ganj ganjedi oh
mai ladki tu ladka
dil mere kyun dhadka
dekhe shararat hai teri
(silly laughter)
mazaa aa gaya

yahaan se wahaan se
jaane kahaan se
ek dhua sa udta aaya
ek nasha sa aankhon pe chhaayaa
wow
wow
wow
maza aaya
ek dhuaan sa udta aaya
ek nasha sa
aankhon pe chhaayaa
wow ni na ni na ni na ni na
maza aaya
la la la la laa laa
la la la la laa laa
ganj ganjedi ganj ganjedi ganj ganjedi oh
ganj ganjedi ganj ganjedi ganj ganjedi oh
main ladki tu ladka
dil mere kyun dhadka
dekhe shararat hai teri

a b c d
a for apple
b for baby
c for cat
d for darling
yaahoon

mama
mama
mama
mama
sun mere bondhu re ae ae ae ae ae ae
sun mere mitwa
sun mere sa.. aa ..athi re
mama
mama
papa
papa

chali re
chali re main
chali re
tez hawaayen
rut toofaani
doob na jaaye
meri jawaani
wow wow wow
main deewaani
tez hawaaye
ruth toofaani
doob na jaaye
meri jawaani
wow wow wow
main deewaani

la la la la laa laa
la la la la laa laa
la la la la laa laa
la la

ganj ganjedi ganj ganjedi ganj ganjedi oh
ganj ganjedi ganj ganjedi ganj ganjedi oh
main ladki tu ladka
dil mere kyun dhadka
dekhe shararat hai teri


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4625 Post No. : 16275

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 125 # Khaleefaa-1976
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Welcome all to this post where once again we are going back to ‘one song movie’ on the blog.
Today’s movie is ‘Khaleefaa-1976’. This movie made its debut on the blog on 02.09.2008 with its most popular song ‘dil machal rahaa hai, rang badal rahaa hai’.

However, the movie is waiting for its second song since 02.09.2008 and that makes a ‘4579’ days l-o-n-g wait for this movie … (so, as of now, this is the record for maximum days between first and the second song of a movie on the blog. The earlier record was for 4540 days here .).

One song falling in the above ‘scenario’ was posted before this post but it failed to mention this ‘highlight’ 😊
That song was from the movie ‘Ek Baar Phir-1980’. Its song ‘man kahe main jhoomoon main gaaun’ was posted marked the debut of this movie in the blog on 27.09.2008 hereas its second song ‘jeeewan ik saudaa hai’ was posted on 04.02.2021. (the difference between the first and the second song being ‘4514’ days). I think the ‘difference of more than ‘4000’ or may be ‘4500’ days should be our benchmark to include songs in this category. We will have the details of such songs in future post on the blog.

“Khaleefaa-1976” was directed by Prakash Mehra for ‘J.S. Films, Bombay’.

It was produced by Jeetendra Luthra.

This movie ‘Khaleefaa’ had Randhir Kapoor (in double role), Rekha, I.S. Johar, Soniya Sahni, Praveen Pal, Jankidas, Hari Shivdasani, B.B. Bhalla, Yunus Parwez, Madan Puri, Mohan Choti, Urmila Bhatt, Ram Mohan, Rajan Kapoor, Shaukat Kaifi, Lalita Kumari, Arpana Choudhari, R.P. Sethi, Vikas Anand, Master Ripple and Pran with others in its star-cast.

It also had Lalita Pawar and Alka in guest appearance.

Story idea of this movie was by Lalit Sehgal. Sudhakar had done editing of this movie and Pran Mehra was the Chief Editor.

Dialogues of this movie were written by Anand Romani and Screenplay was written by Nabendu Ghosh.

‘Khaleefaa-1976’ had four songs (one song being in two parts) written by Gulshan Bawra, and composed to music by the genius ‘Pancham Da’ i.e., R.D. Burman. (HFGK Vol-V (1971-1980) also mentions one Instrumental music as a part of songs released on the movie’s records.
Kishore Kumar, Asha Bhonsle and Manna Dey had given their voices to the songs in this movie.

This movie was passed by Censor Board on 19.03.1976 i.e., almost forty-five years back now…

Today’s song is sung by Asha Bhonsle and Kishore Kumar. On screen it is Rekha and Alka lip-syncing in Asha Bhonsle’s voice and Randhir Kapoor lip syncing in Kishore Kumar’s voice.

In the picturization of this song we can see Randhir Kapoor romancing with the two ladies and trying to keep both of them ‘happy’. I don’t know how far he succeeds in this effort, as I have not watched this movie.

Today’s song is also a new song for me because I do not remember to have listened to it earlier or maybe I have forgotten. Out of the four songs of this movie I find only this song ‘dil machal rahaa hai, rang badal rahaa hai’ as a familiar song. While preparing this post I listened to one other song of this movie that I plan to discuss in separate post in the future 😊 Pancham Da’s music is entertaining and well in full flow similar to the other entertaining compositions he was composing during that period of ‘mid-seventies’.

Let us now enjoy today’s song and welcome this second song of ‘Khaleefaa-1976’ composed by R.D. Burman.

Video

Audio
(audio)
Song-Dekh tujhko dil ne kaha (Khalifa)(1976) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Gulshan Bawra, MD-R D Burman
Both

Lyrics

ho o dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae
ye duniyaa aa
kuchh bhi kahey ae
ho o dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae
ye duniyaa aa
kuchh bhi kahey ae
haan haan haan aa
la la la laa la la laa laa aa
la la laa laa aa

hmm mm maana ye pehli mulaaqaat
hain jaanaa aa
miley pehle bhi ee
magar sapne mein
ho o mil hi gaye to chhodo aji ghabraanaa aa
ye doori kaisi ee
aji apne mein
aa mere seene se lag jaa machal ke
aajaa mere dilbaraa
dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae
la laa laa laa laa aa
laa laa laa laa aa

hmm mm laakhon ne yoon to
chalaayaa ham pe jaadoo oo
magar ye dil naa aa
kisipe aayaa aa
ho o shaayad na dekhaa
bharpoor aisaa joban
jo mere dil ne
tujh hi mein paayaa
ye husn koyi khalifaa dekhe
wo bhi bahak jaayegaa
dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae
la laa laa laa laa aa
laa laa laa laa aa

janmon ka ye sang
nibhaate ae jaanaa aa
ke maine ki hai
teri hi poojaa aa
ab ek pal bhi mujhe
chhod na jaanaa aa
mujhe naa bhaaye ae
koyi bhi doojaa aa
ho o main to sadaa se
hoon teri pujaaran
tu hai mera devtaa aa
dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae
ye duniyaa aa
kuchh bhi kahey ae

dekh tujhko
dil ne kahaa
saathi janmon ka mil gayaa
ab na honge ham to judaa
chaahe ae ye duniyaa aa
kuchh bhi kahey ae

ye duniyaa aa
kuchh bhi kahey ae


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4467 Post No. : 15958

Hullo Atuldom

Today’s date(10 cctober 2020) is rather unique. Fellow ASAD follower Satyajitji, from down-under, pointed it out. 10102020- “never before, never again” was the reaction to that from another regular follower of the blog. Of course it is a “unique arrangement of the numbers that form the date which is appreciated by our brain”. A true statement by our in-house encyclopaedia.

Today’s post is a rather difficult one too. Never before have I faced such a dilemma. It is a case of too many options. I sifted through a whole lot of songs before I made a choice.

The song features a heroine who was not so great-looking when she made her debut in 1970. She was extremely ordinary. Very gawky. She has said in many of her interviews that she was very uncomfortable wearing all those funny, awkward dresses and costumes. She was not happy doing the dance steps she was made to perform. She was cast opposite heroes old enough to be her father- she was hardly 13 or 14 when she made her debut. She didn’t have an elder to guide her in choosing films like her contemporary Hema Malini who had her mother with her at every stage in her career.

Her first film was not in Hindi though; it was in Telugu as a child actress- not one but two- one as a 4-year old in 1958 and next in 1966 when she was 12. Her next film was in Kannada with Dr. Rajkumar as the male lead in 1969.

But she accepted all that came her way. She has survived in an industry where fortunes change every Friday. She learnt the art of perfect make-up first. Then followed it up with some strict regimen and went from gawky to gorgeous. She was already good at emoting and dancing she just polished them up and learnt from her job and gave it all she had. For some of her heroes she was a lucky mascot and sure route to success whenever their career hit a few flops. And Jeetendra has said this in so many words once. And she doesn’t tire of admitting that if given a second chance she will love to walk the same path again.

I need not specify that I am talking of Bhanurekha Ganesan who is popular as Rekha- the sweet heart of a whole generation of moviegoers. There was a time when Hema Malini was my personal favourite as also the favourite of a few of my classmates. Then I saw “Khoobsurat” 1980 (I don’t tire of telling this) following it up with “Agreement” “Jal Mahal” and the best of the times-“Umrao Jaan”. “Umrao Jaan” was the best in terms of acting, direction, songs and small wonder that she was awarded the National Award for the best Actress for that year. I had seen a few of Rekha’s movies prior to “Khoobsurat” too but most of those movies had her playing the typical film heroine where she just had to look an eye-candy flutter her eyelashes, sing a song too and scream her way through. But she was earnest in all of those too.

She was cast in many two-heroine movies like “Nagin” (this had more than two heroines), “Muqaddar Ka Sikandar”, “Ram Balram” etc. She was heroine to actors of the 60s- Raj Kumar, Sunil Dutt, Rajendra Kumar, Dharmendra, Shashi Kapoor, Feroz Khan, Biswajeet, Deb Mukherjee, Sanjeev Kumar (I am sure I am missing a few) and actors who made their debut in the later years of the 60s- Rajesh Khanna, Jeetendra, Sanjay Khan etc. She has also paired with Navin Nischol (hero in her debut film), Anil Dhawan, Randhir Kapoor, Rakesh Roshan, Amitabh Bachchan, Shatrughan Sinha, even Rishi Kapoor and Mithun Chakravarty. Some actors who were her fans as youngsters also got to be her hero- Anil Kapoor (another ageless wonder who has done two with her), Akshay Kumar for example. But Rekha herself did movies with Dilip Kumar and Dev Anand (whose fan she was) rather late in their careers. She was Shashi Kapoor’s Vasantsena in “Utsav” and Rakesh Roshan’s avenging angel in “Khoon Bhari Maang”.

Sorry I can go on and on and people will say a fan is at work here. But I cannot get enough of her and when I chanced upon this video of Hema Malini’s 70th birthday I was supremely pleased as it gave me both my favourites in one video. Such a lot of camaraderie between the two beauties, difficult to choose who is more beautiful

Getting to today’s song, it is from a movie which was directed by Manmohan Desai. As per the tradition of Manmohan Desai movies we have Randhir Kapoor and Shatrughan Sinha as brothers who get separated as children. Both like the same girl but the girl likes the simpleton from the village who has respect for even a night-club dancer. I shall not give the story of the movie will just give the name of the movie- Rampur Ka Laxman.

Wishing our ageless diva a very happy birthday with this song which shows her in one of those costumes that I spoke of earlier. It doesn’t compliment her and that hairdo was the standard which all heroines sported back then. Plus not to miss the kilos of makeup that she had on. If my memory is correct this was a song at the birthday party of the character played by Rekha and we have Sulochana (who was the mother of the heroes playing Rekha’s nanny), Roopesh Kumar, Raj Mehra, and a smart young looking Ranjeet (who is waiting in the wings for spoiling the party).

Audio

Video

Song-Arre pyaar ka samay kam hai jahaan (Rampur Ka Laxman)(1972) Singers-Kishore Kumar, Lata, Rafi, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

arre pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyon mere yaar
maine bhi aaj
kya baat kahi de taali
arre pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali

jo bhi kare pyaar
main uska yaar
ghalat mujhe na samajhna
main to yahaan
aaya hoon milan ke liye
main subah shaam sabka ghulaam
itna magar yaad rakhna
bura hoon main
bas dushman ke liye
ulfat ke jo pyaase ho tum
chaahat ka hoon mai nbhi sawaali
pyaar ka samay kam hai jahaan
ladte hain log kaise waha
kyon mere yar maine bhi aaj
kya baat kahi de taali

abhi ye sama hai meharbaan
jhoom ke jeele deewaane
kaisi ee haaye mastaani raat hai ae
zindagi ka lele maza
phir kya ho kaun jaane
bhaai mere ae
kuchh na tere haath hai
do char pal lehraake chal
hai zindagi kab rukne waali
pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali

khel hansi aadat meri
chup rehna main na jaanoon
maine yahi ab tak jaana nahin
tum bhi mere
tum bhi mere
sabko apna hi maanoon
par ye dil sabka deewaana nahin
aur jispe hai deewaana dil
uski ada sabse niraali
pyaar ka samya kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4400 Post No. : 15779

Less than a week ago, we were commemorating the death anniversary of Rafisaab on this blog. And here we are today to discuss another singing legend, this time on his birth anniversary. Of course, it’s none other than Kishore Kumar, another much-loved personality in the Hindi film industry.

As I said in my recent post on Rafisaab, I am a huge Rafisaab fan. But that doesn’t mean I’m not fond of Kishore Kumar.

I know some people have this “Rafi or Kishore” binary, but, thankfully for me, I don’t. I absolutely love both of them, and refuse to play one against the other. Why would one do that?

We’re extremely lucky to have had both singers in the industry. Why would we pick one, and exclude the other? Are our hearts so small? Is our love for music so narrow?

I, for one, thoroughly enjoy listening to both of them – and do listen a lot to both.

But today is Kishore da’s day, so the rest of this post is about him.

To call Kishore da a singing legend is absolutely true. But to call him only a singing legend doesn’t do justice to him at all.

Kishore da was an all-rounder par excellence – actor, director, producer, composer, writer, in addition to being a singing legend. So in a way, if I might very loosely use a cricketing analogy, he was Sir Garry Sobers to Rafisaab’s Bradman. 🙂 Bradman is considered the greatest batsman ever, whereas Sobers is considered the greatest all-rounder ever.

As with Rafisaab, I’ve written several posts here on Kishore da too. For me, he was an essential part of my pre-teen, and teen years, when he absolutely reigned. And from then, right till his death in 1987, he was the numero uno male singer in terms of popularity.

Much of my early musical experiences invariably had Kishore Kumar in them. It’s not like one had much of a choice in the 1970s – if you were listening to current songs, or watching current movies, you almost HAD to listen to Kishore songs. 🙂

I grew up in that atmosphere, and knew most Kishore songs of that era by heart. All three stanzas, if there were three.

Many of the hit movies at that time were Rajesh Khanna’s, but Kishore Kumar songs were big hits even in non-Rajesh films. Songs like “teri duniya se”, “dekha na haaye re”, “musafir hoon yaaron”, “ye jeevan hai”, “meri bheegi bheegi si”, “geet gaata hoon main” and many more. As I said, he just ruled at that time, so the actor in the film didn’t even matter.

Almost every one of my classmates in school was a Kishore fan, with the exception of one, who was a KL Saigal fan. In fact I first heard of KL Saigal only from him.

I too joined the bandwagon – and in the lunch break, we’d have a quick lunch and sing songs. Mostly Kishore, of course.

In those days, I had this habit of having ONE favourite song which I’d sing non-stop for a few days. It could be for 3-4 days, or a week or even 2 weeks. But I’d sing it non-stop, probably to the annoyance of others around me. 🙂

Again they were mostly Kishore songs.

I distinctly remember “jaane jaa, dhoondhta phir raha”, “chala jaata hoon”, “o mere dil ke chain”, “aadmi jo kehta hai” and “tere bina zindagi se koi”, though there were many more.

So now, when I have SO many fond musical memories of Kishore Kumar of those days, how can I POSSIBLY turn my back on him, just because I also became a Rafisaab fan later? Sorry, can’t do that.

At that time, I didn’t know too many Kishore songs from the 1950s. But as and when I got to listen to them, I’d just fall in love with them. How can you not fall in love with “piya piya piya”, or “o nigaahen mastaana”, or his songs of Funtoosh (1955) or Chalti Ka Naam Gaadi (1958)?

I feel, in the 1980s, he lost a little bit of that softness in his voice that he had in earlier decades. But some of that could also be to do with the type of songs he was called upon to sing. After all, even in that decade, he did sing songs like “lehron ki tarah yaadein”, “manzilein apni jagah” and “o yaara”.

And, if he hadn’t passed away in 1987, he could have easily continued to sing for many more years.
Even “o yaara” was from the 1987 film, Kaash.

But this is only one aspect of Kishore da.

He is also well-known as an actor, mostly in comedy lead roles of the 1950s and 1960s. I’ve seen many of those films – and I really like them.

The thing is, Kishore had no hang-ups, and could do the most crazy scenes on screen. Dances, songs, impersonations, anything.

I don’t know anyone else who was so versatile – the closest is possibly IS Johar or Mehmood.

But look at “kuen mein kood ke mar jaana” from Parivar (1956). That’s sheer Kishore genius.

And of course, “aake seedhi lagi” from Half-Ticket (1962) where he sings both in a male voice (for Pran) and female voice (for himself, disguised as a woman).

There are many more Kishore songs picturised on himself, that are pure fun – “main Bangali chhokra”, “CAT Cat”, “paanch rupaiya barah aana”, “meri pyaari bindu”, “is duniya mein pyaare, do kaam karna” , “guni jano bhakt jano” immediately come to mind.

Having said that, to assume that Kishore never took anything seriously wouldn’t be entirely true. Yes, most of his roles were comedy roles. And in real life too, his co-artistes often said he would enliven proceedings with his jokes and pranks. And yet, he could make meaningful cinema too.

Two films I like a lot are both produced and directed by Kishore Kumar. Door Gagan Ki Chhaon Mein (1964) and Door Ka Raahi (1971). Not only are the songs (composed by Kishore himself) excellent, but the storyline makes you think too. Especially Door Ka Raahi, which is unconventional in how it explores various facets of life, through the eyes of a traveler.

What more can I say about Kishore Kumar?

If the film industry is primarily about entertainment, Kishore Kumar was the ultimate entertainer. Even his live concerts were highly entertaining because he could connect very easily with his audience. No wonder he was loved so much.

There’s a lot more one can say about Kishore Kumar, but I will move on to the song for today.

This is from the film Harjaee (1981). In 2017, I posted a song on Kishore’s death anniversary from this film. Today I’m posting a song from this film on his birth anniversary.

I’m quite fond of both these songs, because they are vintage Kishore-Pancham (RD Burman) for me.

Kishore and Pancham had a long and extremely fruitful association. They were very close friends too, since Kishore, being very close to SD Burman, knew Pancham right from his childhood.

This is what I wrote about the film Harjaee (1981) on that post.

I remember seeing this film at that time – haven’t seen it since. Contrary to the typical multi-starrer, masala films of the time, this film, starring Randhir Kapoor and Tina Munim, was a proper tear-jerker. From what I remember, Randhir Kapoor is a carefree, prankster type of guy who pretends to have cancer, just to get Tina Munim to fall for him. His parents too believes his story and get Tina to be sympathetic towards him. Then tragedy strikes. Randhir Kapoor gets really diagnosed with cancer. The rest of the story is how he copes with it, how Tina copes with it, how their respective families cope with it.
The film has some good songs – like many Randhir Kapoor films do. Whether his films did well or not, there used to invariably be at least one hit song (often more) in each of his films. I remember during my schooldays, I personally didn’t mind Randhir Kapoor films at all – though I was clearly much in the minority at the time.

While watching this song “ye rut hai haseen” it struck me that this is yet ANOTHER song where the hero sings a song at a party, and makes the heroine cry or feel very uncomfortable. Off the top of my head, I remember songs in similar situations in Do Badan, Teesri Manzil, Ek Mahal Ho Sapnon Ka and Brahmachari . Maybe Atul should have a separate category for this. 🙂

Wish Kishore da a very happy birthday though he is not here with us anymore. He is probably up there singing to Pancham’s tunes, songs of Anand Bakshi’s lyrics, picturised on Rajesh Khanna. 🙂

And, for old times’ sake, singing to SD Burman’s tunes, songs of Majrooh, picturised on Dev Anand. 🙂

Kishore da, you will always remain in our hearts.

Thanks for all the entertainment, and for enriching our lives.

Audio

Video

Song-Ye rut hai haseen dard bhi hai jawaan (Harjaayee)(1981) Singer-Kishore Kumar, Lyrics-Vitthalbhai Patel, MD-R D Burman

Lyrics

ye rut hai haseen
dard bhi hai jawaan
harjaee nahin hum
na tum bewafaa

milna tha hum mil hi gaye
phool pyaar ke khil hi gaye
milna tha hum mil hi gaye
phool pyaar ke khil hi gaye
ho
dil se yehi doon main dua
milke na ho koi judaa
ye rut hai haseen
dard bhi hai jawaan
harjaee nahin hum
na tum bewafaa

sapne the sapne hi rahe
apne jab apne na rahe
sapne the sapne hi rahe
apne jab apne na rahe
ho
roothe ho tum kaun suney
koi pyaar ka shikhwa gilaa
ye rut hai haseen
dard bhi hai jawaan
harjaee nahin hum
na tum bewafaa

tan mann preet ke deep jaley
aaye seher na raat dhaley
tan mann preet ke deep jaley
aaye seher na raat dhaley
ho
socho zaraa
hogi bhalaa
phool se khusboo kaise judaa
ye rut hai haseen
dard bhi hai jawaan
harjaee nahin hum
na tum bewafaa
ye rut hai haseen
dard bhi hai jawaan


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4396 Post No. : 15768

Hullo Atuldom

“Lafange” (1975) was a movie produced and directed by Harmesh Malhotra. It had five songs from which the blog has one song covered. It was under Sudhirji’s series of “Rafi SB -in the seventies”.

But the more popular song of the movie was its title song “log kehte hain, ke hum lafange hain”. That is not the song we shall have today. We will be celebrating the birthday of the leading lady of this movie with a song sung by Lata Mangeshkar. It is written by Anand Bakshi and Laxmi-Pyare were the music composers.

“Lafange” was another run-of-the-mill masala movie. It was the story of “beautiful Sapna (Mumtaz) who lives with her wealthy father, Dhanraj (Sapru), and a younger brother in a palatial house. Her father comes across some valuable diamonds and conceals them in a secret place. While driving one day, Dhanraj is killed, but her brother escapes without any injuries, but loses control of his vocal chords unable to tell anyone how the accident occurred, and goes missing. After Sapna wins a beauty contest, she travels to Bombay and meets with a young wheel-chair bound soldier named Gopal, and both fall in love with each other. What Sapna does not know is that Gopal is a fraud, a con-man who is only after her money. Then her life is even more complicated after she finds out that her father was killed by a man named Diwan. Before she could think of taking any further action, Diwan and his men track her down – their goal to find the secret location of the diamonds hidden by Dhanraj – and kill anyone who dares to get in their way.” (Got this story from imdb.com, I have not seen the movie).

31st July is the 73rd birthday of Mumtaz, who was at the peak of her career when she gave it all up after marriage to businessman Mayur Madhwani in 1974. She did make an appearance in the David Dhawan directed “Aandhiyan” in 1990 opposite Shatrughan Sinha as mother to Prasenjit (son of her one time co-star Biswajit.

She was born Mumtaz Aksari to Abdul Sameed Aksari and Sardar Begum Habib Agha both of whom were of Afghani origin who were settled in Bombay. It is said that Sardar Begum Habiba Agha was also an actress (needs confirmation from the stalwarts of the blog). She had a sister Malika and two step-siblings. Roopesh Kumar was her cousin. She has two daughters one of whom is married to Fardeen Khan making her Feroz Khan’s daughter-in-law. Her journey in the film industry is well known: beginning as a child actor, growing up into a dancer, vamp, character actress and reaching the pinnacle as leading lady. We have a few of her songs yet to make an appearance on the blog, this is one of them.
Wishing you a very Happy Birthday dear Mumu.

Audio

Video

Song-Ud chala panchhi ban ke man mera (Lafange)(1975) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics (Provided by Prakashchandra)

ud chala
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala panchhi ban ke
mann mera saagar ke paar
tu bhi aa sang mere
dekh nazaara
yeh ek baar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala

yeh zindagi bas ek baar
milti hai ae ae
milti hai
ye zindagi bas ek baar
milti hai ae ae
milti hai
murjha ke phir ye kali kab
khilti hai ae ae ae
bhar le apna daaman
in phoolon ka aa
kya aitbaar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala

aa aa aa
aa aa aa aa aa
leke tera naam maine
pukaara hai ae ae ae
pukaara hai
leke tera naam maine
pukaara hai ae ae ae
pukaara hai
samjhe toh kaafi yahi ek
ishaara hai ae ae ae
tera mera kya naata hai
tu saawan hai ae
main hoon bahaar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala panchhi ban ke
mann mera saagar ke paar
tu bhi aa sang mere
dekh nazaara
yeh ek baar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4298 Post No. : 15556

“Jeet”(1972) was produced and directed by Adurthi Subba Rao for Babu Movies Combines Private Limited. This social movie had Randhir Kapoor, Babita, Jeevan, Rajendra Nath, Sunder, Roopesh Kumar, Dulari, Hina Kausar, Sulochana Latkar, Manorama, Nana Palsikar, Hari Shivdasani, Anwar Hussain, Sanjana, Dada Mirasi, Keshav Rana, Bhatt, Master Shahid, Jateen (new find), Bhanumati, Shanti, Prabha, Kalavathi, Baby Sudha etc in it.

The movie had six songs in it. Five songs have been covered in the past.

Here are the details of these songs:-

S N Song Song number in blog Date of posting
1 Sheeshi bhari ghulaab ki patthar pe tod doon 1857 2-Sep-2009
2 Chal Premnagar jaayegaa batlaao taangewaale 2181 23-Nov-2009
3 Babloo miyaan jaao tum bade wo ho 2209 1-Dec-2009
4 Khush kar diya tu ne mere raama 14351 22-May-2018
5 Dholak bajaao aao sakhi aao 16073 15-June-2019

Here is the sixth and final song from the movie to appear in the blog. This song is sung by Lata and Rafi. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.picturised on

This expression of love song cum proposal song is picturised on Randheer Kapoor and Babita, who actually ended up tying the knot in real life as well. A few years later, his younger brother Rishi Kapoor would follow suit and end up marrying Neetu Singh.

With this song, all the songs of “Jeet” (1972) are covered. The movie thus joins the list of movies that have been YIPPEED in the blog.

Audio

Video

Song-Kisi akeli ladki ko bolo o bolo phir sataaoge(Jeet)(1972) Singers-Lata, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics (Provided by Prakashchandra)

kisi akeli ladki ko
bolo o bolo phir sataoge
tauba meri tauba
tauba meri tauba

kisi paraayi naari se bolo
o bolo aankh ladaaoge
tauba meri tauba
tauba meri tauba

ho sainyaan
thham lo bainyan
kisne hai roka
phir na milega kabhi aisa mauka
aao prem karoge
nahin nahin nahin
aahen bharoge
nahin nahin nahin
hum pe maroge
nahin nahin nahin
panihaariyon ke panghat pe
bolo o bolo
kya phir aoge
tauba meri tauba
tauba meri tauba

o dekho hum tum donon aaj akele
baagon mein laage phoolon ke mele
bolo kya marzi hai
nahin nahin nahin
sun lo arzi hai
nahin nahin nahin
sardi lagti hai
haan haan haan
hey
meri gali aake meethhi meethhi seeti tum bajaaoge
tauba meri tauba
tauba meri tauba
kisi akele ladke ko
bolo o bolo phir sataaogi

tauba meri tauba
tauba meri tauba

ho tere naam ki maala phera karenge
roz tujhe hum chheda karenge
inkaar karegi

nahin nahin nahin
takraar karegi
nahin nahin nahin
o yaani pyaar karegi
haan haan haan haan haan
jo hum kalaayi pakden to bolo
ho bolo shor machaaogi

tauba meri tauba
tauba meri tauba
tauba tauba tauba
tauba meri tauba
tauba meri tauba
tauba meri tauba
tauba tauba tauba
tauba meri tauba


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4141 Post No. : 15304

Hullo Atuldom

The song with this post is a walk down memory lane for me. I had seen this movie with my dad in the movie hall and subsequently he had purchased the cassette of its songs too. The songs from this album along with those of “Yaraana”, “Qurbaani” and “Sholay” used to be played constantly on holidays and I had learnt all the songs from these ‘by heart’ prompting the elders in the family to comment that if I had shown similar passion in studies I would have been a topper, not that I was a bad student but I used to top only in mathematics and was reasonably good at all other extra or co-curricular activities.

But that is not the subject of this post.

The subject of this post is Zeenat Aman. It is her birthday today and I would like to present this song to emphasise on how stylish she was.
The song is from the 1978 release “Heeralal Pannalal” about which Atulji has written a very interesting post with this song .

“Heeralal Pannalal” made its debut on the blog with the Pancham- Asha Bhonsle duet on the occasion of Amjad Khans’ birthday. The next song posted for Premnath’s birthday was the second version of the first song posted. It was treated as two posts as the lyrics were different and RD had given entirely different look to them. The movie has six songs and the fourth came on the blog for Shashi Kapoor’s birthday and the fifth one is here for Zeenat’s birthday. I think we should rename this movie as Birthday Special. Whatsay?

The songs were the handiwork of Majrooh and R D Burman. Today’s song is a stage song. The song happens as the two innocent and kind hearted heroes are trying to run away from some goons and land up (drop on would be more correct) on the stage as the heroines are awaiting the arrival of two professional dancers to help them in some inter college competition. The professionals walk-in just as song is coming to a close. This is the first time that the couples meet.

Let us pray for the speedy recovery of Lata Mangeshkar who sings today’s song with Asha, Bupinder and Kishore Kumar.
Happy Birthday to you Zeenie a.k.a Zeenat Aman.

Audio

Video

Song-Kahiye kahaan se aana hua (Heeralal Pannalal)(1978) Singers-Kishore Kumar, Lata, Bhupinder Singh, Asha Bhonsle,Lyrics-Majrooh Sultanpuri, MD-R D Burman
Kishore Kumar + Bhupinder Singh
Lata + Asha Bhonsle
All

Lyrics

Hae ae kahiye kahaan se aana hua
chehra toh hai pehchaana hua
hae ae kahiye kahaan se aana hua
chehra toh hai pehchaana hua

ho oo sochiye nayi baat koyi
ab ye mazaak puraana hua

woh suhana milan
pyaar ki woh lagan
bhool gaye kya sanam

tarram parram parram pam
kahiye kahaan se aana hua
chehra toh hai pehchaana hua
ho o o sochiye nayi baat koyi
ab ye mazaak puraana hua

woh suhana milan
pyar ki woh lagan
bhool gaye kya sanam

yaad ab aaya re ha
aagre ki kunj galiyaan

pa ra paa, pa ra paa,
pa ra paa, pa ra paa

yaad ab aaya re haan
aagre ki kunj galiyaan

o o peechhe peechhe ladkon ki fauj
aage aage tum meri jaan

phir lage the gale tajmahal tale
bhool gaye kya sanam
tarram parram parram pam
kahiye kahaan se aana hua
chehra toh hai pehchaana hua

sochiye nayi baat koyi
ab ye mazaak purana hua

aaine me kabhi, dekh lete chhavi
bhool gaye kya sanam

waa waa waa waa waa waa
waa waa waa waa waa waa
waa waa waa waa waa waa

yaad hai saawan ki rumjhum
jab thhe mere pyaar mein gum
pa ra paa, pa ra paa,
pa ra paa, pa ra paa

yaad hai saawan ki rumjhum
jab thhe mere pyaar me gum
maar ke thokar apnon ko
ghar se bhaag liye thhe tum

phir humari chhadi, yaar kaisi padi
bhool gaye kya sanam

tarram parram parram pam
kahiye kahaan se aana hua
tara raa
chehra to hai pehchaana hua
tara raa
sochiye nayi baat koyi
ab ye mazaak puraana hua

laa la lalaa laa la
laa la lalaa laa la
laa la lalaa laa la

tarram parram parram pam
kahiye kahaan se aana hua
chehra to hai pehchaana hua

are are
ye toh asli tapak pade
kahiye kahaan se aana hua
chehra to hai pehchaana hua
aaaaaa

hu kaa hua
hu kaa hua
hu hu hu kaa hua


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3984 Post No. : 15073

“Jeet”(1972) was produced and directed by Adurthi Subba Rao for Babu Movies Combines Private Limited. This social movie had Randhir Kapoor, Babita, Jeevan, Rajendra Nath,Sunder, Roopesh Kumar,Dulari,Hina Kausar, Sulochana Latkar, Manorama, Nana Palsikar, Hari Shivdasani, Anwar Hussain, Sanjana, Dada Mirasi,Keshav Rana, Bhatt, Master Shahid, Jateen (new find), Bhanumati, Shanti, Prabha, Kalavathi, Baby Sudha etc in it.

The movie had six songs in it. Four songs have been covered in the past.

Here is the fifth song from the movie to appear in the blog. This song is sung by Lata and chorus. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a “sagaai” song where sahelis of bride (played by Babita) sing this song. The song is lip synced by Hina Kausar (in Lata voice) and others viz Shirlie, Sheila Ramchandra, Dulaari, Sundar etc are also visible. Randhir Kapoor (groom) is also visible in the picturisation.

Lyrics of the song were sent to me by Prakashchandra.

Audio

Video

Song-Dholak bajaao aao sakhi aao (Jeet)(1972) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics (Provided by Prakashchandra)

dholak bajaao
aao sakhi aao
dholak bajaao
aao sakhi aao
gaao bajaao taaliyaan..aaan..aan

ke dulhan banti hai haayye
dulhan banti hai
haayye
naseebon waaliyaan
dulhan banti hai haayye
naseebon waaliyaan

dulhan banti hai
naseebon waaliyaan
dulhan banti hai
naseebon waaliyaan..aaaan
dulhan banti hai haayye
naseebon waaliyaan..aaaa

ye din sabko mubaarak ho ree
mubaarak ho ree
ye chandaa woh chakori
ho bandh gaye
prem ki reshmi
dori mein aaj se
jhuk gayee laaj se
ankhiyaan
sunke prem ki
batiyaan
chal dee chhodke
sakhiyaan
likhna jaaye ke
patiyaan
ho mann mein phootey phuljhadiyaan
honthon pe gaaliyaan
dulhan banti hai
haayye
dulhan banti hai haayye
naseebon waaliyaan
dulhan banti hai haayye
naseebon waaliyaan……..aan

aaa aaa aaa aaa aaa
aaa aaa aaa aaa aaa
aaa aaa aaa aaa aaa aaa
ye rang roop
teraa haayye haayye
jiyaa dhadkaaye
mera jee ghabraaye
lag jaaye na nazar kahin bairan
duniyaa ki meri jaan ko
mukh pe daal do
aanchal
jaise chaand pe
baadal
daalo aankh mein
kaajal
baandho paanv mein
paayal
ho o o o
khanke kangan chamke mundri damke baaliyaan
dulhan banti hai
haayye
dulhan banti hai haayye
naseebon waaliyaan
dholak bajaao
aao sakhi aao
gaao bajaao taaliyaan..aaan…aaan

ke dulhan banti hai haayye
naseebon waaliyaan
dulhan banti hai haayye
naseebon waaliyaan


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 17000 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17035

Number of movies covered in the blog

Movies with all their songs covered =1329
Total Number of movies covered=4609

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Active for more than 5000 days.

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