Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1981


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5017 Post No. : 16925

Memories of visit to London in September 2021

This post has been a long time in arriving actually.  We went to UK not as tourist, but to see family, mainly the daughter of the family and the new grand-daughter.  We came back to Mumbai in October’21.  Lot of water has flown down the bridge since then and the grand daughter is growing by leaps and bounds since we were with her, by the grace of Almighty.

Upon returning, I found myself under pressure to find a song good enough, to write a post covering the visit.  I looked, searched and watched, found many songs, newer ones mainly filmed in the UK, and some also showing locations of the London city.  It has been a favorite location for Hindi film picturization of film makers since the 60’s, i.e. when the trend of filming on location really started in the industry. Unfortunately, I was less than satisfied with the newer songs, and characteristically, was reluctant to post a new song, which had song/dance, band/bajaa/baraat routine. The songs were quite good in their own genre, I might yet post at least one of them.

And all this while, Avinash ji has been doing a series of the songs of 70’s decade and his posts appear regularly. Now Avinash ji has also acquired a new degree, I have deduced from the Peevisie’s Mom’s post.  Congratulations to the happy parents and best wishes for the daughter and the son-in-law.

One lucky day, while browsing the YouTube, I found this Rafi-Asha duet from the film ‘Professor Pyarelal’ (1981).  It is a happy sounding romantic song and a much heard on the radio, which makes it a dear familiar friend, in my opinion.  The song is filmed in London, mostly around the city center area, around Thames River, Westminster Abbey, the London Clock Tower etc.  The famous London Tower Bridge is also visible in all its centuries old splendor.

Centuries old splendor is the term I was looking for to describe the architectural beauty of London city and its many monuments.  It is evident that it is one of the oldest surviving cities of the world.  And it has managed to maintain its beauty and its instinct for survival, adaptability to the modern times and modern architectural and infrastructure requirements can only be applauded and wondered at.

My search for a suitable song for this post ended the day I saw this song on YouTube.  But the actual writing kept getting deferred.  I thought this was a late 70’s song, and was apprehensive that Avinash ji or someone else may post this song and I will lose the opportunity to write this post.  Now I find that this movie is from 1981.  But the songs were released and popular for some years before the movie eventually released after production delays.

Getting back to the brief about our visit. As soon as we arrived in UK, various scheduling and planning for visits to different places were underway.  My uncle, our host, insisted upon a visit to London city.  The planning for the London city was so short, due to the leave constraints of my son-in-law, that I was on the verge of postponing it to the next visit.  But the window of opportunity, and my son’s contention that everybody is going to ask, “hey you went to England and didn’t see London!”, decided in favor of the visit, so it happened.

London and some other landmark locations of England are a part of the consciousness. Just as we exist, these buildings – man made creations – also exist, and are famous for the events, known as historical turning points. Unlike other major cities of the modern world, London has seen wars too and has been destroyed and built again many times over, from what ever history I have read about it. England, on the whole has had a most violent history, in the medieval and pre-medieval eras. The fault lines between the Welsh, Scots, Irish and Brits, is evident even today in the various ruins and forts, and castles.  But they did learn their lesson that divided they fall, decided to unite at some given point in history to conquer the world.  I think it was the threat of the Romans that eventually united the British Isles. The glue could only have been an ideology of self-interest, binding the factions despite bitter animosity and gruesome wars behind them. Maybe the Protestant church had something to do with it, so Britain rose to great heights as a dominant civilization in the world and they were motivated enough to write and re-write the worlds history, literally and figuratively.  British historians are also a notorious breed.  Their language, is the dominant language in the world for centuries now.  The rise of the British Empire took centuries to happen, where as the fall was swift in the 19th and 20th century.  But the cultural and linguistic dominance continues to remain on top now, and for the foreseeable future too in the 21st century.  Willingness to adapt to other cultures and language habits is said to be a major factor in the success of the English language.   Historically speaking, the Roman empire was greater and more successful in the world, before the new found land of Americas.  But the impact is all but lost in today’s world.  The geopolitical scenario keeps changing with time and passing of centuries. These changes happen faster now in a matter of decades.  There are catalysts recognizable and visible to these power shifts. This is a very heavy and deep topic, so better to leave it here.

Yes, I had to chalk out a fool proof plan and schedule, wherein a few places I wanted to visit, were not missed.  Lords cricket ground and Thames River cruise were two things I was not willing to miss.  So we worked around this, to do the Lords tour, city ride in the red bus, short cruise of Thames river, Madame Tussaud’s, Harrods, a long walk inside the Hyde Park, especially where equestrian clubs are situated, visit to Science Museum and Natural History Museum (free entry), Bakers Street and Sherlock Holmes Museum, etc.  We gave a miss to Tower of London and Buckingham Palace tours, as they were more time consuming and also expensive. The London Eye is also a popular choice, which we could not take.  Other tourist locations in UK also have a giant wheel rides, as an attraction. The Giant wheel is a common feature in other places, like Dubai, Sydney, etc. I am wondering why we don’t have a thing like this in Mumbai.

We were based in Manchester, so could visit the nearby areas too like Lake District, North Wales, Blackpool, Lancaster, Chester, Preston etc. We passed through Oxford too on our way back from London. When we had arrived in UK, everyone told us the weather is good for only 2-3 days, so enjoy as much as you can, as it is really foul from September onward.  But luckily the weather held for the entire period of our stay, and we had rains to enjoy only in North Wales and for an hour or two in London, while we were riding the red bus and we had to cross the Bridge near Westminster on foot as we missed the stop for the Westminster Pier.  A part of the song I am presenting is filmed on the same bridge, where Zeenat Aman is standing in the middle of the road and crosses to join Dharmendra on the curb. The famous Tower Bridge is now painted in azure blue. I find that the Bridge has been painted blue since 1977, but in the song, it is not looking blue, so the song was filmed before 1977, it would seem.

Some trivia about the film:

This film took so long to complete – five years – and its plot was so convoluted that after director Brij had finished shooting it, nobody could figure out how to put the film together. The producers had then called in Hrishikesh Mukherjee to edit and salvage the film. He was credited prominently in the film’s posters and publicity material.

Astonishingly, no part of the city which is showcased as the beautiful attractions, looks old or dilapidated. All of them look freshly painted and well maintained, except for the bridges on the Thames River and the Westminster Abbey, which is the family church of the British Royals. London is best enjoyed on foot, I was told and I agree. After covering a few miles on foot, in and around Exhibition Street, Marylebone, Kensington, Hyde Park, we can be surprised and find the unexpected. In fact, the most parts of UK are best enjoyed on foot, which is the common consensus. Walking trails are taken as granted in different parts of UK.

I am told that the whole of UK is connected through rivers and canals and one can go from anywhere to anywhere on a boat. I was mentally prepared to be impressed by all that I was going to see in this visit, but was more than impressed and wish to do more trips which include visits to the remaining places in England, Scotland and Wales.

We took a pre-booked guided tour of the Lord’s cricket ground at the MCC.  Seeing the many Indian in the group taking the tour, the guide asked us “Where is Sachin Tendulkar’s home?”.  The common answer was the obvious – Mumbai.  But the guide insisted that “No. Sachin’s home is right here in Marylebone.” No surprises there too, for the evidence is everywhere in London especially, that who can afford to, would prefer to stay in London. On the other hand, Sachin Tendulkar was here in Mumbai in February 2022, as we all saw him attending the funeral of Lata Mangeshkar.  Incidentally, I could not find Sachin Tendulkar’s name in the list of Test centurions at the Lords. Extensive lists are put up inside the Pavilion, of all centurions and also 5+ wicket takers in an innings.  The guide was in full form and regaled us with a story about the ‘death row’ in the viewers gallery or members gallery.  There are two such galleries, one for the home team and one for the away team. As both India and West Indies are ‘away teams’, I guess the away team gallery was the one, where Kapil Dev stood with the Prudential Cup trophy after his team’s victory in 1983 World Cup. The original Prudential Cup is still there in the small Museum for memorabilia, related to the MCC.

I have read and heard at various places, that London was the favourite place in the world for Rafi Sahab also. He is said to have been fond of the city, as his sons are settled there.

I can go on remembering things and my impressions of the visit, but the post is got to end somewhere. The song being presented in this post is filmed in London on Dharmendra and Zeenat Aman. Rafi Sahab and Asha Bhonsle are giving playback to them in the song written by Rajendra Krishan and composed by Kalyanji-Anandji.

This duet is typical of the Kalyanji-Anandji style of duet composition, sounding very similar to the Rafi-Asha duet from ‘Qurbani’. We the radio fans, listened to the song in late 70’s, loved and liked it, but had all but forgotten it. Even the links on YouTube are few, with only one video available.

Video

Audio

Song – Tere Siwa Na Kisi Ka Banoonga (Professor Pyaarelal) (1981) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Rajendra Krishan, MD – Kalyanji Anandji
Mohammed Rafi + Asha Bhosle

Lyrics

tere siwa na
kisi ka banoonga aa
tere siwa na
kisi ka banoonga
khoon e jigar se
ye likh ke main doonga
ye waada aa
ye wada raha dilruba aa
ye wada raha dilruba aa
qadmon mein tere
jannat hai meri
ho ke rahoongi
hamesha main teri
ye waada aa
ye waada raha saajna aa
ye waada raha saajna

aayenge mausam
aayenge mausam
jaayenge mausam
hum ko sada
saath paayenge mausam
koi saaz badle
koi raag badle
na badlegi apni
muhabbat ki sargam
har saans meri
tere liye hai ea
har saans meri
tere liye hai
yeh waada raha saajna
yeh waada raha saajna aaa
tere siwa na
kisi ka banoonga
khoon e jigar se
ye likh ke main doonga
ye waada aa
ye wada raha dilruba aa
ye wada raha dilruba aa

awaaz de ke ea
awaaz de ke
jo roke zamaana
zamaane ki baaton
mein hargiz na aana
aankhon mein aankhen
baahon mein baahen
daale huey saathh chalte hi jaana
tera pyaar hi to
meri zindagi hai
tera pyaar hi to
meri zindagi hai
ye waada raha dilruba
ye waada raha dilruba
qadmon mein tere
jannat hai meri
ho ke rahoongi
hamesha main teri
ye waada aa aa
ye waada raha saajna
ye waada raha saajna
saajna
ye waada raha saajna
saajna
ye waada raha saajna

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
तेरे सिवा ना
किसी का बनूँगा
तेरे सिवा ना
किसी का बनूँगा
खून ए जिगर से
ये लिख के मैं दूँगा
ये वादा॰॰आ
ये वादा रहा दिलरुबा
ये वादा रहा दिलरुबा

कदमों में तेरे
जन्नत है मेरी
हो के रहूँगी
हमेशा मैं तेरी
ये वादा॰॰आ
ये वादा रहा साजना
ये वादा रहा साजना

आएंगे मौसम
आएंगे मौसम
जाएंगे मौसम
हमको सदा साथ पाएंगे मौसम
कोई साज बदले
कोई राग बदले
ना बदलेगी अपनी
मोहब्बत की सरगम
हर सांस मेरी
तेरे लिए है
हर सांस मेरी
तेरे लिए है
ये वादा रहा साजना
ये वादा रहा साजना
तेरे सिवा ना
किसी का बनूँगा
खून ए जिगर से
ये लिख के मैं दूँगा
ये वादा॰॰आ
ये वादा रहा दिलरुबा
ये वादा रहा दिलरुबा

आवाज़ दे के॰॰ए
आवाज़ दे के
जो रोके ज़माना
जमाने के बातों में
हरगिज़ ना आना
आँखों में आँखें
बाहों में बाहें
डाले हुये साथ चलते ही जाना
तेरा प्यार ही तो
मेरी ज़िंदगी है
तेरा प्यार ही तो
मेरी ज़िंदगी है
ये वादा रहा दिलरुबा
ये वादा रहा दिलरुबा
कदमों में तेरे
जन्नत है मेरी
हो के रहूँगी
हमेशा मैं तेरी
ये वादा॰॰आ
ये वादा रहा साजना
ये वादा रहा साजना
साजना
ये वादा रहा साजना
साजना
ये वादा रहा साजना


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 5011 Post No. : 16915 Movie Count : 4593

Today’s song is from the ‘1981’ movie ‘Meri Aaawaaz Suno’.

This movie was passed by Censor Board with ‘A’ certificate, so people of my age then (I was around 13 years old) were not eligible to watch this movie during its first run.
However, I remember that our seniors used to discuss this movie and the brutal violence shown in it. What I vaguely remember about this movie is that Jeetendra plays a double role – one of dreaded murderer and one of a sincere and dedicated police officer. I think the music of this film was also overall good. I carried the memory of a couple of songs from this movie. I am presenting one of them today.

I did not remember the other songs of this movie. While preparatiing of this post I visited other songs and found one more song that was familiar to me.

Today’s song has a catchy tune and foot tapping music. Jeetendra and Parveen Babi perform on screen on this song.

Today 7th April’2022 is the eightieth birthday of Jeetendra (born on 07.04.1942). He was a major lead actor in the movies of ‘seventies’ and continued to shine in the ‘eighties’ too. Today he will be celebrating his 81st birthday. On this occasion, we wish him a healthy and peaceful life ahead.

Parveen Babi the actress in this song (04th April’1954 – 20th January’2005) had her birthday falling on 04th April. She would have turned sixty-eight on that day. She wore her usual ‘Parveen Babi looks’ 🙂 in this song and looks ‘gorgeous’. This picturisation brings back memories of her other movies from the ‘seventies’ and ‘eighties’ too.

Coming back to today’s movie ‘Meri Aaawaaz Suno’ was directed by S.V. Rajendra Singh for ‘Padmalaya Films, Madras’. It was produced by G.A. Sheshgiri Rao.

Story of this movie was written by H.K. Ananta Rao. S.V. Rajendra Singh also wrote this movie and screenplay of this movie.

Dialogues of this movie were written by Kader Khan. Editing of this movie was done by K. Gopala Rao.

The star cast of this movie included Jeetendra, Hema Malini, Parveen Babi, Ranjeet, Vijay Arora, Kader Khan, Om Shivpuri, Shakti Kapoor, Tamanna, Urmila Bhatt, Asrani, Pinchoo Kapoor, Raj Mehra, Rajan Haksar, Manmohan Krishan and others.

This movie was passed by Censor Board on 23.11.1981. It seems that this movie was released in the theatres in Dec’1981, or later than that.

This movie had five songs written by Anand Bakshi which were composed to music by Laxmikant-Pyarelal.

Here is the list of songs of this movie :-

SNo Song Title Singer/s
01 Haay kya soch rahi ho … Kishore Kumar, Asha Bhonsle
02 O tumhe dekha hai to aisa lagta hai Asha Bhonsle
03 Achchaa hua tum mil gaye Asha Bhonsle
04 Gudiya re gudiya re, tu batlaa meri gudiya kaisi hogi (two versions) Asha Bhonsle
05 Mehmaanon ko salaam hai mera, he he Kishore Kumar, Asha Bhonsle

Today’s song is sung by Kishore Kumar and Asha Bhonsle. It is lip-synced by Jeetendra and Parveen Babi. Ranjeet, Raj Mehra, Rajan Haksar (hope I am correct), Pinchoo Kapoor, Kader Khan and others are also present among the audience in the song.

With this song, ‘Meri Aawaaz Suno-1981’ makes its debut on the blog.

Let us now enjoy this song.

Video

Audio

Song-Mehmaanon ko salaam hai mera (Meri Aawaaz Suno)(1981) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Chorus

Lyrics

mehmaanon ko salaam hai mera
hey ae haay
mehmaanon ko salaam hai mera
naam zaraa badnaam hai mera
ae ji kanwarlal
naam hai mera
hey kanwarlal
ae ji kanwarlal naam hai mera

kabhi tu andar
kabhi tu baahar
kabhi tu andar
kabhi tu baahar
andar baahar

baahar andar
naam hai mera
ae ji kanwarlal
naam hai mera
hey kanwarlal
ae ji kanwarlal naam hai mera

tu u u u bemisaal hai
tu u hai kamaal
tujhpe sabhi qurbaan hain
haan tu u bemisaal hai
tu u hai kamaal
tujhpe sabhi qurbaan hain

sab jaante hain
main kaun hoon
phir bhi sabhi anjaan hain
anjaanon ko
anjaanon ko salaam hai mera
ae ji kanwarlal
naam hai mera
hey kanwarlal
ae ji kanwarlal naam hai mera

sunte hain jo galiyon mein log
afsaane hain mere sabhi
is raat is mehfil mein magar
deewaane hain mere sabhi

aji sunte hain jo galiyon mein log
afsaane hain mere sabhi
is raat is mehfil mein magar
deewaane hain mere sabhi
deewaanon ko
deewaanon ko salaam hai mera

ae ji kanwarlal
naam hai mera
hey kanwarlal
ae ji kanwarlal naam hai mera

aa aa
aa aa
aa aa

jisne mujhe
hey hey
dil naa diya
ho ho
aisaa koyi dilwalaa nahin

jiski mere paas chaabi na ho
aisaa koi bhi taalaa nahin
ho jisne mujhe
hey ae
dil naa diya
o
aisaa koyi dilwalaa nahin

jiski mere paas chaabi na ho
aisaa koi bhi taalaa nahin
naadaanon ko
naadaanon ko
salaam hai mera

ae ji kanwarlal
naam hai mera
hey kanwarlal
ae ji kanwarlal naam hai mera

mehmaanon ko salaam hai mera
naam zaraa badnaam hai mera
ae ji kanwarlal
naam hai mera
hey kanwarlal
ae ji kanwarlal naam hai mera


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4991 Post No. : 16884 Movie Count : 4589

Hullo Atuldom

A very very Happy Holi to all the followers of this wonderful blog. May there be lots of ‘rang and umang’ all around.

I have been following this blog for 13 years i.e. from March 2009. The head-over-heels involvement began almost instantly. I see that 66 songs, connected with this colourful festival, have been posted in all these years. I find a few songs showcasing the festival have been posted on ‘non-holi’ days too. So that must indicate that we will not have sufficient songs in coming years to post on festival days. But that is not so.

The film industry has been in existence since 1912/1913, and its romance with the festival of colours may have started almost immediately. (I did my own searching, on our blog, and found a post by Sudhirji where he has mentioned that “the songs of Holi go as far back as 1931.”)

A search on Google for the first song of Holi in Indian films came up with the song from Mehboob Khan’s “Aurat”. That song is on the blog with a post by Sudhirji which I have spoken of in the previous para. In that post he has written, and I quote

“As is inseparable, the festival of Holi and its songs from our lives, so it is also inseparable from the Hindi film screen. It is no wonder that the most celebrated of all the festivals on the Hindi screen is this festival of colors.” He also writes “In fact, many times, the situation of Holi is simply engineered into the storyline. Just so that one more song and dance sequence can be inserted into the screenplay.”

That being the love between the festival of colours and films, we will never run out of songs to post. I don’t remember the last time I wrote out a Holi-Song for the blog, but I recalled a few possible songs for the festival this year. And as is my habit I have tried to combine two occasions with this one post.

18th March would have been the 84th birthday of the smart, cute, gentleman actor Shashi Kapoor -of the charming smile. The DTH channel, that I currently follow, keeps playing interviews of yesteryear heroines like Moushumi Chatterjee, Sharmila Tagore, Zarina Wahab etc. All of them have one thing to say about this actor – “He was very gracious and courteous. Very caring and went out of his way to make the ladies comfortable”. He never had any qualms about acting the second lead and we know of his pairing with Amitabh Bachchan, but he was equally at ease sharing screen space with Rajesh Khanna, Vinod Khanna, Shatrughan Sinha, Sanjeev Kumar, Dharmendra etc. He may not have been the best of dancers, so what, he moved with a sense of rhythm and never seemed to miss a beat.

Today’s song is from the 1981 release “Ek Aur Ek Gyarah” that was directed by Ashok Roy. It had Neetu Singh, Zarina Wahab, Shashi Kapoor, Vinod Khanna, Prem Chopra, Om Prakash, P. Jairaj, Bharat Bhushan, Asrani, Master Bhagwan, etc in the cast. Laxmi-Pyare and Majrooh Sultanpuri were responsible for the music and produced by Ram Prasad Sharma. This holi-song is sung by Hemlata, Asha Bhonsle and Kishore Kumar. It has all the standard, filmy, elements needed viz. dry and wet colours, bhang, and eve-teasing too towards the end of the song. But we can also see the lady replying sternly to the guy that “joote maaroongi”. If we see the dance closely, at one point we have Shashi Kapoor desperately trying to match Neetu Singh step-for-step and breaking into some choreography of his own. A thing that always catches my attention in holi-songs is however wet the actors get their dresses are dry in the very next instant.

I must say that I have actively participated in the merry-making of Holi and I have never seen anyone go crazy yelling ‘holi hai’. I have never seen people breaking into song and dance about it. Possible that these things happen in Brij bhoomi, and parts of North India. I would like to tour that region during holi, if possible. Also I would like to see the Lath-Maar Holi of Nandgaon and Barsana.

Happy Holi to one and all once again.

Remembering Shashi Kapoor …………

Video

Audio

Song-Gareebon ki holi tarang waali (Ek Aur Ek Gyaarah)(1981) Singers-Kishore Kumar, Asha Bhonsle, Hemlata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
All chorus
Male chorus
Female chorus

Lyrics

he ae ae

he he
he he
he he
he ae
holi re holi maston ki toli
boodhe jawaan sab yaar hamjoli
holi re holi maston ki toli
boodhe jawaan sab yaar hamjoli

gareebon ki holi tarang waali
kitne rang badle ye matwaali
he ae
he ae
gareebon ki holi tarang waali
kitne rang badle ye matwaali

ho oooo
sara ra ra ra ra ra ra
pichkaari maaro re
gori ke gaalon pe
laali pe chadh jaaye aur laali
gareebon ki holi tarang waali
kitne rang badle ye matwaali

gareebon ki holi tarang waali
kitane rang badale ye matwaali

thhodi si kaalakh hai
thhoda sa rang bhi ee
thhodi si kaalakh hai
thhoda sa rang bhi

thhodi mithaai hai
thhodi si bhang bhi

jhoom adhoora
masti poori

laaj kahaan ki
kya majboori

laaj kahaan ki kya majboori
ho ooo
sara ra ra ra ra ra ra
mausam basanti hai
kaahe ko banti hai
mil jaa re hamse o dilwaali
gareebon ki holi tarang waali
kitne rang badle ye matwaali

rangon ki barkha
rageenon ka saath hai
aise mein aa jaaye
baalam toh baat hai ae ae
aise mein aa jaaye
baalam toh baat hai

bheega joban
bheegi saari
aaj toh hai har cheez hamaari

aaj toh hai har cheez hamaari
ho ooo
sara ra ra ra ra ra ra
mausam basanti hai
kaahe ko banti hai
mil ja re hamse o dilwaali
gareebon ki holi tarang waali
kitne rang badle ye matwaali

aa aa aa aa aa a
ho o o ho ho ho

ho ho
ho ho
ho ho
ho ho

chhaila ji kya rakha rangon ke thhaal mein
ho ho
ho ho

chhaila ji kya rakha rangon ke thhaal mein
jo rang chaaha wahi mere gaal mein

ho ho
ho ho
ho ho
ho ho
ae ae

dhina dhin taak dhina dhin
dhina dhin taak dhina dhin
dhina dhin taak dhina dhin
dhina dhin taak dhina dhin

arre rang biranga mukh gori ka
ang bhi hai satranga
rang biranga mukh gori ka
ang bhi hai satranga
arre bhar ke baahon mein kas doon
toh bhool jaaye hudanga
re phir dekh dekh aha ha
haa aa aa
aa chhaila ji main bhi joote ka maaroon aisa dhakka
ho chhaila ji main bhi joote ka maaroon aisa dhakka
nikal jaaoge ticket bina hi
tum seedhe culcutta
re phir dekh dekh aha ha

haa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4977 Post No. : 16853

“Umrao Jaan” (1981) was produced and directed by Muzaffar Ali for Integrated Films, Bombay. The movie had Rekha, Farooq Sheikh, Naseruddin Shah, Raj Babbar, Shaukat Kaifi, Bharat Bhushan, Satish Shah, Prema Narayan, Dina Pathak, Leela Mishra, Akbar Rashid, Gajanan Jagirdar, Khan Ghizlai, Rita Rani Kaul etc in it.

The movie had nine songs in it. Eight of these songs have been covered in the past. Here are the details of the songs that are covered so far:-

Blog Post number Song Date of post Singer(s)
610 In aankhon ki masti 24 January 2009 Asha Bhonsle
3105 Dil cheez kyaa hai aap meri jaan leejiye 10 October 2010 Asha Bhonsle
5460 Ye kya jagah hai doston 15 February 2012 Asha Bhonsle
5556 Zindagi jab bhi teri bazm mein lati hai hamen 1 March 2012 Talat Aziz
6578 Justju jiski thhi usko to na paaya hamne 4 September 2012 Asha Bhonsle
9432 Pratham dhar dhyaan 10 February 2014 Ustad Ghulam Mustafa Khan, Shahida Khan, Runa Prasad
15463 Jhoola kinne daala re 1 March 2020 Shahida Khan (in record version), Ustaad Ghulam Mustafa Khan (in movie version)
16829 Jab bhi milti hai mujhe ajnabi lagti kyun hai 15 February 202 Asha Bhonsle

Here is the ninth and final song from “Umrao Jaan”(1981). The song is sung by Jagjit Kaur and chorus. The lyrics are traditional, and it is popularly believed that they were written by Amir Khusro. Music is composed by Khayyam.

The song is picturised on Umme Farwa, Seema Sathyu and others.

Lyrics of the song were sent to me by Prakashchandra.

With this song, all the songs of “Umrao Jaan” (1981) are covered in the blog and the movie thus joins the list of movies that have been YIPPEED in the blog.
With this song, Khayyam now has 200 of his music compositions in the blog.
audio link: (full song )


video link: (partial)

Song-Kaahe ko byaahe bides (Umrao Jaan)(1981) Singer-Jagjit Kaur, Lyrics-Amir Khusro, MD-Khayyam
Chorus

Lyrics

kaahey ko byaahey bides
arrey lakhiyaa baabul mohey ae
kaahey ko byaahey ae bides
arrey lakhiyaa baabul morey ae
kaahey ko byaahey ae bides

hum to baabul torey beley ki kaliyaan..aan
hum to babul torey beley ki kaliyaan
arrey ghar ghar maangey hain ??
arrey aey ae lakhiyaan babul mohey
kaahey ko byaahey bides
arrey lakkhiyaa babul morey ae
kaahey ko byaahey ae bides

hum to baabul torey
pinjrey ki chidiyaan….aan
hum to baabul torey
pinjrey ki chidiyaan

arrey kuhuk kuhuk rahee jaaye
arrey aey ae lakhiyaa babul morey aey ae
kaahey ko byaahey ae bides
arrey lakhiyaa baabul morey aey ae
kaahey ko byaahey ae bides

mehlaa taley se ae
dolaa jo niklaa..aaa
mehlaa taley se ae
dolaa jo niklaa..aaa

arrey beeran ne khaayee pachchaad
arrey aey ae lakkhiyaa babul mohey ae
kaahey ko byaahey bides
arrey lakhiyaan babul morey
kaahey ko byaahey ae bides

bhaiyyaa ko diyo baabul
mehlaa do mehlaa…aaa
bhaiyya ko diyo babul
mehlaa do mehlaa

arrey hamko deeyo pardes
arrey aey ae lakhiyaan baabul morey
kaahey ko byaahey ae bides
arrey lakhiyaa baabul morey ae
kaahey ko byaahey ae bides
arrey lakhiyaa baabul morey ae
kaahey ko byaahey ae bides


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4960 Post No. : 16829

———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 19
————————————————————————————–

February 2012 was a month that saw as many as 178 songs getting covered in the blog, at an average of over 6 songs a day. There were several days when even 8 and nine songs were covered in one day !

The date of 15 February 2012 was a sedate day in comparison. Only four songs were discussed on this date. Here are their details:-

Blog Post number Song Movie (Year) Remarks
5458 Ek teer chala dil pe laga Mahal(1949) Movie YIPPEED by now
5449 Wo dekhen to unki inaayat Funtoosh(1956) Movie YIPPEED by now
5460 Ye kya jagah hai doston Umrao Jaan(1981) 7 songs covered out of 9
5461 Yoon to milney ko ham miley hain bahut Faasle(1985) 3 songs covered out of 10

One can observe that two out of four movies whose songs were covered on this date ten years ago are already YIPPEED. That leaves us with only two movies whose songs can still be discussed today, ten years later, as part of “Blog Ten Year Challenge”.

“Umrao Jaan”(1981) is one such movie. This movie, a musical extravaganza, had as many as nine sons in it. Seven songs have been covered in the past.

Here is the eighth song from “Umrao Jaan”(1981) to appear in the blog.

This song is sung by Asha Bhonsle. Shahariar is the lyricist. Music is composed by Khayyam. The song is picturised on Rekha, with Rita Rani Kaul, Farooque Shaikh and Umme Farwa also seen in the picturisation.

It is a very short song, less that two minutes long. The audio and video versions contain one extra stanza not available in the other version.

Lyrics of the song have been provided by Prakashchandra. The lyrics combine all the stanzas that are available either in the audio or in the video version.

audio link:

video link:

Song-Jab bhi milti hai mujhe ajnabi lagti kyun hai (Umrao Jaan)(1981) Singer-Asha Bhonsle, Lyrics-Shaharyar, MD-Khayyam

Lyrics(Provided by Prakashchandra)

jab bhi miltee..ee hai mujhey ae
ajnabi lagtee..ee kyun hai aey ae
zindagi roz naye aey rang
badaltee..eee kyun hai aey ae ae
zindagi roz naye rang
badaltee..ee..ee kyun hai ae

tumse bichchdey aey ae hai to ab
kis se milaatee..ee hai hamein aen
zindagi dekh ye kyaa rang
dikhaathee..ee..ee hai hamein aen aen
zindagi dekh ye kyaa rang
dikhaatee..ee..eee hai hamein aen aen

gardish-e-waqt ka kitnaa..aan..aa
badaa ehsaan ke aaj
ye zameen chaand se
behtar nazar aatee..ee..ee hai hamein aen aen
ye zameen chaand se
behtar nazar aatee..eee hai hamein..aen


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4940 Post No. : 16793

Rafi Sahab’s Legendary Associations – 10
———————————————————

73rd Republic Day of India

ek hai apni zameen
ek hai apna gagan
ek hai apna jahaan
ek hai apna watan
apne sabhi sukh ek hain
apne sabhi gham ek hain
aawaaz do
aawaaz do ham ek hain
ham ek hain

“What is it that I want? The same as you, the same as everyone else. I want to be physically safe and healthy, financially secure and personally happy. I want the same confidence in my abilities, in my environment and social acceptance. I have the same worries and aspirations for future. Same apprehensions if the children will turn out well and have good careers or not.”
This is me, in conversation with a dear friend and a long-time colleague. This conversation happened some 15-16 years ago. Actually, we were on the same page in the topic, she was not coming from any opposite direction at all. But she was the one clear on the causes of a problem, I was the one confused.
But things are a lot clearer to me now, exactly what I wanted to explain at that time is more obvious now.

apne sabhi sukh ek hain
apne sabhi gham ek hain

The causes of happiness for the common man are the same everywhere, whatever is the religion, caste, race, region, language, state or country they are allied to. The aspirations are same and the apprehension and causes of sadness are also the same essentially. This is the way a social environment develops, where people go and join hands with each other in times of happiness and sadness.

Today the country is celebrating 73rd Republic Day.

The constitution gives us the right to live with dignity. What is a person’s dignity? it is not just the pride in its citizenship, its values and its integrity. A person’s dignity is the self-belief that I have done nothing wrong and don’t mean any harm to anyone. And a feeling of security, that me, my life, my livelihood and my family is safe. A sense of belonging that makes us feel responsible for the safety and security of fellow citizens and has assurance of reciprocation. Also, that I deserve all that I command. Personally, socially and professionally.

As a citizen it is a right to demand and acquire good education, an adequate health facility, a great judicial system and better law enforcement agencies, plus a media which gives us information, that really mattered. Real information, on what has been done to give the above rights to the citizens.

With the slow and gradual increase of opportunities in education and personal growth, the inequalities have also increased. A success story in monetary terms and career, is just not enough. It is also important to have balanced and broad-minded success stories. Rationality and seeing an issue in a truly international perspective are what will make a successful person intellectually empowered.

At the ripe old age of 75, we should have been a mature people.
Do we see enough, do we care enough?
Do we bother to call out the misbehaviour, of miscreants we see on the streets? Are we bold to speak out against injustice?
Are we smart enough to sift through the crap fed to us day in and day out in the guise of news and entertainment?
Do we bother to check the authenticity of WhatsApp forwards before sharing with other people?
Do we even care that our ‘can’t care less’ attitude is destroying the centuries old social fabric of our society and stripping us of our identity as a people, the whole world, looked at with respect?

Munshi Premchand said “Communalism, whenever it raises its head, it comes within a cloak. Because it is ashamed of coming alone or walking alone. “
Yes, at the age of 75, we are a nation of most young people in the world. Being second largest population in the world, with an average age of 28 years, the figures of young people and children are just hugest in the world. If these young people are a part of work force and aspire for personal growth and are able to collectively individually, contribute to the nation building, what can be built and achieved is mind boggling.
But are we looking at what the young population of this country is aspiring to be?
What is the ambition of an average Indian youngster?
what are their hopes?
What are their priorities?

It is very important to channelise the energies and ambitions of youth towards personal and professional excellence. There is enough talent, brains and hands in this country to make it an economic force. But for that we have to rise above the politics of religion, caste, us and they, region etc.

There was a story of cats and a monkey, we used to hear and read as children. Lately I have not seen it repeated anywhere. So here is the story for refreshing the memory of readers:

Two cats are fighting for a roti. The monkey comes and tells them to stop fighting and make two equal pieces of the roti. The cats agree and make two parts. The monkey tells them the two parts are not equal, one is larger and the other is smaller. He advises the cat holding the larger piece, to break a small part and give it to him, so both the cats have equal portions. The result is again the same, the parts of the roti the cats have are still not equal. So, the other cat is asked to break a small piece and give it to the monkey, to establish the equality. So on and so forth the dispute continues, till the whole roti is finished, while the cats remain empty handed in the end.

Similar is the case of inequality in opportunities in our set up. In the name of equalising those opportunities, the opportunists among us are gobbling up the parts and parcel. Keeping the marginalised sections divided and fighting imaginary/perceptive fights with each other. It is not a true cut and dried, there are multiple layers to these differences, perceptions of not getting a fair share of the ‘roti’. The majority/minorities tussle is but one layer of it and the cloak which Munish Premchand referred to. The real divide here is still the have’s and have nots. Then there is a gender divide, which is inherent and keeps getting uglier.

Where does all this leave the common man, with its apprehensions and aspirations? With their same dukh and sukh, I spoke about in the first para.
“I have the same worries and aspirations for future. Same apprehensions if the children will turn out well and have good careers or not.”

It is true, that once I had children, all my self-interests and care less impulsiveness gave way to worries of the future. Not the least of which was the worry for their safety, physical, emotional and psychological. Major part of their time was spent outside the home, in school and in the creche. How the things that they imbibe from the social atmosphere will affect their character, their thought processes and their choices and priorities? This was a cause of worry for me.

Yes, these ills in society are stemming for this one vice, i. e. selfishness. A few days ago, I had a big discussion with my son, regarding the self-interest of sections of society, and the marginalised sections of the society, who are still outside a certain margin. This margin is not unbreachable. We can see it breached in some developed states in the country. In most parts of the country, the focus of the populace is on the personal growth, better life quality and the common interests of the common man.

My son, interestingly was coming from the other direction in the discussion. I have managed to make an inroad in the way, he looks at opportunities for himself and for others, his fellow countrymen, who have the talent, ability and deserve to take their rightful place in the progress and development of the country, I hope, because he has not come to me with any counter-arguments on the topic :-).

This is my quest to make a balanced, truly intellectual success story out of my children. There is no ‘ism’ in this thought process, just a bit of logic and unselfishness. The conscious unwillingness to get embroiled in a conflict of interests which is a matter of perception. This really is a distraction, which our youth do not need.

The problems and issues in our country are centric and specific to our country. These have to be looked at with a prism of our own, not look for solutions to it, from examples of other nations and other societies.

I will move on to the song post.

The song is an iconic song from the 1981 film “Kranti’. The punch line, or the concluding line of the song is

Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa

“mera chana’ can be interpreted as ‘my passion’ or ‘my goal’, which really is to treat ‘khudgarzi’ i.e. selfishness as the enemy.

The song is iconic, as it has three legends of hindi film music singing it with the son of another legend. Mohammed Rafi, Kishore Kumar and Lata Mangeshkar are singing for Dilip Kumar, Shatrughan Sinha and Hema Malini, whereas Nitin Mukesh is giving playback to Manoj Kumar in the song, which is written by Santosh Anand and composed by Laxmikant-Pyarelal.

I used to hear the ‘sponsored programme’ of this film on Vividh bharati, I have seen the movie also long back. But I only recalled that Rafi Sahab is singing just one line for Dilip Kumar in this song. But now that I have seen and heard the song multiple times, the lines Rafi sahab is singing towards the end of the song, are definitely very significant and elevate the whole song to another level. The composition and orchestration have been kept very simple and basic by Laxmikant-pyarelal, so this is not a crowded song, with all these greats singing their parts, independently and together, with male and female chorus to add to the group.

This is the only song of these four singers. For Rafi sahab’s series, this must be the last such song remaining to be posted in the blog where Rafi sahab and Kishore Kumar are singing together, with or without Lata Mangeshkar and Nitin Mukesh. For Rafi-Lata duets, there are a few songs, at least one of them I plan to include in the series. So, this post takes care of Rafi sahab’s association with Kishore kumar, Nitin Mukesh and Santosh Anand.

Let us go to the song, and listen to the rendition which is a real ‘hair raising’ experience.

Audio:

Video:

Song-Chana jor garam baabu main laaya mazedaar chana jor garam(Kraanti)(1981) Singers-Lata Mangeshkar, Kishore Kumar, Nitin Mukesh, Mohammed Rafi, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
Lata Mangeshkar + Kishore Kumar
Female chorus
Male chorus

Lyrics
(Provided by Avinash Scrapwala)

Tum tum ta ra ra ra
Tum tum ta ra
Tum tum ta ra ra ra
Tum tum ta ra
Tum tum ta ra ra ra
Tum tum taram
Tum tum ta ra ra ra
Tum tum taram

Tum tum taram taram
Tum tum taram taram
Duniya ke hain laakh dharam
Par apna ek karam
Chana jor garam

Chana jor garam baabu
Main laayi majedaar
Chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Mera chana bana hai a’alaa
Jis mein daala garam masaala
iss ko khaayegaa dilwaala
Chana jor garam
Mera chana khaa gayaa goraa
Mera chana khaa gayaa goraa
Khaa ke ban gayaa tagda ghodaa
Main ne pakad ke usse marodaa
Maar ke tangdi uss ko todaa
Chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Mere chane ki aankh sharaabi
Sharaabi ee
chane ki aankh sharaabi
Ho oo
Iss ke dekho gaal gulaabi
Gulaabi ee
dekho gaal gulaabi
ho …
iss ka koyi nahin jawaabi
iss ka koyi nahin jawaabi
jaise koyi kudi punjaabi
jaise koyi kudi punjaabi ee

naache chhanan chhanan
naache chhanan chhanan
kothhe chadh ke tainu pukaaraan
sun le mere balam
chana jor garam
Chana jor garam baabu
Main laayi majedaar
Chana jor garam

Meraa chana khaa gaye gore
Gore meraa
chana khaa gaye gore
ho gore
jo ginti mein hain thhode
ho phir bhi maare ham ko kode
phir bhi maare ham ko kode
Tum tum taram taram

Tum tum taram taram
Laakhon kode toote phir bhi
Toota na dum kham
chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Chana jor garam
Chana jor garam
Chana jor garam
Chana jor garam(hoo oooo)
Chana jor garam(oooooo)
Chana jor garam(aa aaaa)
Chana jor garam(aaa aaaa)
Chana jor garam(ooo oooo)
Chana jor garam(ooo oooo)
Aaa aaaaaa
Aaaaa aaaaaa
Aaaaa aaaa
Ooooo oooo
Oooooo oooo

Oooo oooooo
Ooooooo
Aaaa aaaaaa
Aaaaaa
Aaaaaaaa
Aaaaaa
Ho oooo oooo
Mera chana hai apni marzi kaa

Marzi ka bhai marzi ka
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Sar kafan baandh ke niklaa hai
Deewaana hai yeh pagla hai
Mera chana hai apni marzi kaa

Marzi ka bhai marzi ka
Apnon se naataa jodegaa
Gairon se sar ko phodegaa
Apna yeh vachan nibhaayegaa
Maati ka karz chukaayegaa aa

chana hai apni marzi kaa
Marzi ka bhai marzi ka
Mit jaane ko mit jaayegaa
Azaad watan kar jaayegaa

Na to chori hai
Na to daakaa hai
Bas yeh to ek dhamaaka hai
Dhamaake mein aawaaz bhi hai
Ek soz bhi hai ae
Ek saaz bhi hai
Samjho to baat yeh saaf bhi hai
Aur na samjho to raaz bhi hai
Apni dharti apna hai gagan
Yeh meraa hai meraa hai watan
Apni dharti apna hai gagan
Yeh meraa hai meraa hai watan
Iss par jo aankh utthaayegaa
Zinda dafnaayaa jaayegaa
Mera chana hai apni marzi kaa

Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Aaa aaaaa
Aaaa aaaaa
Aaaa aaaaa
Aaaa aaaaa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4899 Post No. : 16702 Movie Count :

4548

Hullo Atuldom

So, we have post number 16700 up. Congratulations to Atulji on yet another Hundred. There was a time, not so long back, when we used to have a century every month. Atulji, please confirm, wasn’t there a fastest century too- a century in 16 days? In the run up to my previous post I had noticed that “this date last year” i.e. 15th December 2020, the blog had celebrated its 16100th post with this post which also happened to be the music director duo Shankar-Jaikishan’s 1000th on the blog. I was wondering how Atulji will make post number 16700 special and it is indeed special considering the time-period of that song (1947). Hearty congratulations Atulji.

Let us kick-start the new century with a song from the 1981 release “Shradhanjali”. This was written and directed by Anil Sharma (who was only 21 then), produced by K C Sharma and had Hemant Bhonsle’s music and songs written by Anjaan. Bhupinder Singh, Asha Bhonsle, Amit Kumar, and Shobha Gurtu were the playback singers used.

The movie had a cast headed by Rakhee (in one of her sacrificing Naari roles) and Deepak Parasher was her romantic hero. Arun Govil played her Devar (brother-in-law) who is in awe of her and simply worships her. Madhu Kapoor was Arun Govil’s romantic interest, Sulochana was mother to Deepak Parasher and Arun Govil and Rakhee’s mother-in-law. Suresh Oberoi played the spoke-in-the-wheel that topples Rakhee’s apple cart. Then the movie had K.N. Singh, Jankidas, Yunus Parvez, Manik Dutt, Keshto Mukherjee, Sonia Sahni etc bringing up the supporting cast; all of whose characters together make the movie a ‘sob-story-movie’ which became Rakhee’s forte’ for a few years in the 80s. The Qawwali singer Shakeela Banu Bhopali also makes an appearance in the movie for the song that was sung by Shobha Gurtu.

I have very little knowledge about the Qawwali singer Shakeela Banu, though I have seen the song from ‘Shradhanjali’ a few times in my life. Her facial expressions were very pretty. This is what our dear Shri. Arunkumar Deshmukhji has written about Shakeela Banu Bhopali in his latest post (and I quote, hope he doesn’t mind it)

The other famous qawwal in films was Shakeela Banu Bhopali. She was multitalented. She acted in 32 films, but sang only 4 songs in 3 films. She too gave music to just 1 film- ‘Maze Le Lo’- 1975. She died on 16-12-2002.

This was part of a post that highlighted Jaani Babu Qawwal in Arunkumarji’s current series on ‘songs from artiste name films’

As per what I read somewhere on the internet, she had lost her voice due to the Bhopal gas tragedy in 1984. She passed away of a cardiac arrest on 16th December, 2002.

On to the song that is part of the wedding rituals of Madhu Kapoor and Arun Govil. We can see Suresh Oberoi welcoming the groom and the baaraat of which Arun Govil’s bhabhima (Rakhee) and her chief advisor (K.N. Singh) who is helping her in resurrecting her husband’s business after Suresh Oberoi ruins it and is the cause of Deepak Parasher’s death.


Song-Sainyya doli leke aaye tere dwaare sawere leke jaayenge(Shradhhanjali)(1981) Singer-Shobha Gurtu, Lyrics-Anjaan, MD-Hemant Bhonsle
Chorus

Lyrics

sainya doli leke
sainya doli leke aaye tere dwaar
sawere leke jaayenge
sainya doli leke aaye tere dwaar
sawere leke jaayenge

gori kar le tu solah singaar
ye din phir na aayenge
gori kar le tu solah singaar
ye din phir na aayenge

sainya doli leke aaye tere dwaar
sawere leke jaayenge

maathe pe chanda ki bindiya lagaa doon
haan haan bindiya laga doon
maathe bindiya lagaa doon

ankhiyon mein badra ka kajra saja doon
haan haan kajra sajaa doon
naina kajra saja doon

phoolon ke ras mein
chunri ranga ke
phoolon ke ras mein chunri ranga ke
gale pehna doon
gale pehna doon ye chandrhaar
to raaja lut jaayenge
sainya doli leke aaye tere dwaar
sawere leke jaayenge

saj saj ke aaya tere sapnon ka raaja
haan haan sapnon ka raaja
tere sapnon ka raaja

peechhe baaraati
aage aage band baja
haan haan aage band baja
sajeela band baja

gore gore haathon mein hogi varmaala
gore gore hathon mein hogi varmaala
hogi unse
hogi unse teri ankhiyaan chaar
to naina sharmaayenge
sainya doli leke aaye tere dwaar
sawere leke jaayenge

chunri dupatte ka bandhan judega
haan haan bandhan judega
naya bandhan judega

phir saath pheron mein jiyara udega
haan haan jiyara udega
tera jiyara udega
paanv ke neeche neeche honge sitaare
paanv ke neeche neeche honge sitaare
tere aanchal mein
tere aanchal mein hogi bahaar
do pyaase dil mil jaayenge
sainya doli leke aaye tere dwaar
sawere leke jaayenge


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4887 Post No. : 16684

Hullo Atuldom

Chal chameli baagh mein was a post by our Nahmji to wish Pyarelal Ramprasad Sharma (one-half of the Laxmi-Pyare duo) on his 80th birthday. The song was from Shubash Ghai’s “Krodhi”. The post also gives us a brief synopsis of the movie, the cast and people associated with the music of the film.

Today’s song is sung by Kishore Kumar and Asha Bhonsle as playback for Shashi Kapoor and Zeenat Aman. It is a song at the wedding of Zeenat’s sister (Madhu Malhotra is the actress) and of the chhed-chhaad variety where the ‘ladkiwaale’ and ‘ladkewaale’ keep talking of the benevolence of the bride and groom towards each other. It was a song which I had in memory for a long time and Nahmji’s post last year brought it out of cold-storage (so to speak).

We remember the cute gentleman ‘Shashi Kapoor’ today on his 4th death anniversary today. He had a long run on the silver screen having begun as a child actor in the late 40s with movies like his brother, Raj Kapoor’s directorial “Aag” & “Awaara”. He had played the childhood of Ashok Kumar in ‘Sangram’ and Bharat Bhushan in ‘Dana Paani’, he was credited as Master Shashiraj in these movies. An interesting trivia that I just recollected is that he has played Ashok Kumar’s son in a few films in the ’70s and ’80s and Bharat Bhushan’s son in ‘Pyar Ka Mausam’ (there may be other such movies too).

He made a charming pair with all of his female co-stars be it Nanda, Mumtaz, Rekha, Rakhee, Hema, Parveen Babi, Sharmila Tagore, Babita and many others. He was cast opposite Indrani Mukherjee in his first adult role in ‘Dharmputra’ and his final film appearance was in the 1998 Pakistani-British epic biographical film ‘Jinnah’ where he was the narrator.

I was particularly in love with his pairing with Amitabh Bachchan, the two appeared together in 12 films starting with ‘Roti Kapda Aur Makaan’. He had acted in about 116 films of which 61 were as solo hero and 55 were multi-starrers. At one point in his career his older brother Raj Kapoor had called him a ‘Taxi’ as he was working in many movies at the same time.

Let us also take this opportunity to wish our own Zeenie Baby on turning 70 this year. Her birthday was on 19th November. For fans of Bollywood, who were young or kids in the ’70s, it may be difficult to believe that Zeenat Aman turned 70. Zeenat- who was a style icon in her days. An actress who was not always cast as the typical Bharatiya Nari. An actress who was comfortable in whatever she wore even if it was a two-piece bikini- which was, not exactly, a preferred costume of the actresses of her period specially if they played the main lead. She had a unique style and diction for delivering her dialogues which made her the perfect choice for playing modern convent-educated characters back then. She was a decent dancer too.

Missing the super cute Balbir Raj Kapoor a.k.a. Shashi Kapoor and wishing health and happiness to Zeenat Aman.

Audio

Video

Song-Ladki tumhaari kanwaari rah jaati (Krodhi)(1981) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Male chorus
Female chorus

Lyrics

ladki waalon
hoy ladke waalon
ladki waalon
hoy ladke waalon

hmmmm
ladki tumhaari kanwaari rah jaati
ladki tumhaari kanwaari rah jaati
ji maano hamaara ehsaan
ke ladke ne
ke ladke ne haan kar di
maano hamaara ehsaan
ke ladke ne haan kar di

ho o ho o o
ho o
ladka tumhaara kanwaara rah jaata
ladka tumhaara kanwaara rah jaata
ji maano hamaara ehsaan
ke ladki ne
ke ladki ne haan kar di

maano hamaara ehsaan
ke ladki ne haan kar di

o ladke ke doston
o o o o
o ladke ke doston
pehle tum yeh kaam karo
ladki lene aaye ho
jhuk kar hamko salaam karo o o

jhuk kar hamko salaam karo
ladki ki saheliyon
ho o o o
ladki ki saheliyon
ham jo zidd par aayenge
ladki lene aaye hain
tumko bhi le jaayenge
tumko bhi le jaayenge
tumko bhi le jaayenge
hey ae
gussa yeh saara ka saara rah jaata aa
gussa yeh saara ka saara rah jaata
ji maano hamaara ehsaan
ke ladki ne haan kar di

maano hamaara ehsaan
ke ladki ne haan kar di

ho o o o o

ham kab maan’ne waale thhe
ham kab maan’ne waale thhe
jaane kaise maan gaye
ladki jaadugarni hai
jaan gaye pehchaan gaye
ham jaan gaye pehchaan gaye
ladke ne sau kat likhe
tab ham ne ikraar kiya
ladki ko iss shaadi pe
mushkil se taiyyaar kiya

mushkil se taiyyaar kiya
saari ki saari taiyyaari rah jaati
saari ki saari taiyyaari rah jaati
ji maano hamaara ehsaan
ki ladke ne haan kar di
maano hamaara ehsaan
ke ladke ne haan kar di

maano hamaara ehsaan
ke ladki ne haan kar di

ke ladke ne haan kar di
ke ladki ne haan kar di
ke ladke ne haan kar di
ke ladki ne haan kar di


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4861 Post No. : 16652

Hullo Atuldom

Hope all are fine after a week of festivities and excitement. This morning I got a smart message on WhatsApp: “Tyohaar ke baad ghar mein Lakshmiji aaye na aaye, shareer mein Ganeshji zaroor aa jaate hai”- I am sure, many are facing this syndrome as well as a lot of lethargy after the bout of eating sweets and savouries. So, we are going to have a song that will compel us to wear our dancing shoes, shake a leg etc. This should help to shake away the extras that have gathered in our system, in this last week.

The song is from the opening years of the ’80s when songs with Disco music was a rage. Songs from “Karz” (1980) music by Laxmi-Pyare, “Qurbani” (1980) music by Kalyanji Anandji (remember ‘Aap Jaisa Koi’), “Yaarana” (1981) music by Rajesh Roshan, and a few more movies were already popular. Bappi Lahiri, who was associated with movies like “Aap Ki Khaatir” (1977), “Aangan Ki Kali” (1979), “Ahsaas” (1979, having one disco based song roothho na roothho na) and “Agreement” (1980) and many more successful albums came up with songs of different genres in “Armaan” (1981).

There were the philosophical songs jeewan mitaanhai deewaanapana and ‘saare jahan ki amaanat hai yeh’; as well as a few romantic and folksy songs. And then there were songs with Goan musical beats which were a must-play in all the discotheques of that period. “Rambha ho ho ho” with Usha Uthup singing for both the ladies – Kalpana Iyer and Prema Narayan, and “Aah meri jaisi haseena ka dil” which was sung by Sharon Prabhakar and Bappi Lahiri– two songs which have not been forgotten till date, at least by fans who were teenagers then.

8th November was the 74th birthday of the singer with a unique voice quality- Usha Uthup. And she has made a place for herself in the hearts of film music lovers all over the world, from the first time she was heard in “Hare Rama Hare Krishna” in 1971. That makes it fifty long years in public eye. She may not be in a position to say that she has 100s and 1000s of songs to her name; but then that was because of her different voice which may not have suited the kind of songs emoted by the female leads of our movies. But the kind of songs that she has rendered cannot be sung by anyone else. She can sing in 16 different languages and has also had screen time in a few movies. The longest being in a Malayalam movie where she played mother to Mammoothy. She was also seen in ‘Bombay To Goa’, ‘Hattrick’ etc. in song situations. Wishing this hyper-energetic lady who dazzles her stage shows and public appearances in her grand sarees, bangled wrists and brilliant Bindis –all health and happiness forever.

This song written by Indeevar has Deepak Parasher, Shakti Kapoor, Shammi Kapoor and Prema Narayan and Kalpana Iyer partaking in the Goan Carnival fest.
Let us also enjoy the song

Audio

Video

Song-Rabha ho ho ho ho sambha ho ho ho ho(Armaan)(1981) Singer-Usha Uthup, Lyrics-Indeewar, MD-Bappi Lahiri

Lyrics

ru ru ru ru
ru ru ru ru
ru ru ru ru

rambha ho ho ho ho
sambha ho ho ho ho
rambha ho ho ho ho
sambha ho ho ho ho

main naachoon tum naacho
jitani tum pyar se ji loge utni hi zindagi
rambha ho ho ho ho
sambha ho ho ho ho

main naachoon
tum naacho
jitni tum pyaar se jiyoge
utni hi zindagi
rambha ho ho ho ho
sambha ho ho ho ho

hey hey hey hey
hey hey hey hey
hey hey hey hey

ho ho
tu mera
jaaneman jaaneman
main teri mahbooba
o o
muskura muskura raahon mein tu
kyun dooba kyun dooba
living
we ?? living
dancing
yeah year dancing
viva
rambha ho ho ho ho
sambha ho ho ho ho

main naachoon
tum naacho
jitni tum pyaar se jee loge utni hi zindagi
rambha ho ho ho ho
sambha ho ho ho ho

o o o o
duniya mein logon ke mele ye
aayenge jaayenge
ho o o
yaaron se milke hum jhoomenge jhoomenge gaayenge
shining
stars are shining
singing
yeah yeah singing
o ho viva
o o o
rambha ho ho ho ho
rambha ho ho ho ho

main naachoon
tum naacho
jitni tum pyaar se jee loge utni hi zindagi
rambha ho ho ho ho
sambha ho ho ho ho

rambha ho ho ho ho
sambha ho ho ho ho

rambha ho ho ho ho
sambha ho ho ho ho

rambha ho ho ho ho
sambha ho ho ho ho

rambha ho ho ho ho
sambha ho ho ho ho


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4790 Post No. : 16547

Pancham’s Music – Eighties (1981-1990) -1 (1981)
————————————————————–

We are back to ‘Pancham’s musical world’ again, or rather let me take you there once again 😊!

Regulars on the blog are well aware that I have been looking for movies that made their debut in the initial months of the blog and later got neglected so much so that, they had to wait for their second song on the blog for more than ten to twelve years.

Today’s movie is one such movie. Though this movie got its second song posted immediately after its’ first song, but now it has been more than twelve years that this movie is waiting for the third song.

This movie is ‘Daulat-1981’. Knowledgeable readers must surely be aware of the scintillating music of this movie which was composed by R.D. Burman.

I had also listened some of its songs earlier, but I was not aware that they were from ‘Daulat-1981’.

Two songs from this movie ‘Daulat-1981’ have been posted on the blog – the first one ‘zindagi ye zindagi’ on 30th January’2009, and the second song posted was – ‘teri har adaa hai haseen’ – posted on 1st February’2009.

Both these songs have very nice music and especially I like ‘zindagi ye zindagi’ very much.
But when I checked the remaining songs of this movie, I discoverd today’s song. I was surprised that this lesser-known movie had such great songs too. I am saying it a lesser-known movie because I do not remember to have heard or read about this movie during all these years.
I am sure readers must be remembering today’s song very well or they may have listened to it frequently on radio.

This song is sung by Kishore Kumar.

Lyrics for all songs of this movie are written jointly by Vitthalbhai Patel and Nida Fazli.

HFGK Vol-VI (1981-1985) mentions this in the footnote of this movie’s information.

Today’s movie ‘Daulat-1981’ was directed by Mohan Saigal for ‘Milan Movies, Bombay’.

It was produced by Jawaharlal Bafna- C.D. Mehta –Vasant Doshi- Smt. B.N. Shah

It had Vinod Khanna, Zeenat Aman, Raj Babbar, Sarika, Deven Verma, Dr Shreeram Lagoo, Amjad Khan, Om Shivpuri, Dev Kumar, Mohan Shery, Ramesh Deo, Poornima Jairam, Chand Usmani, Shivraj, Yunus Parvez, Mac Mohan, Brahm Bharadwaj, Yusuf Khan, Birbal, Padma Chavan, Parveen Pal, Madhu Malhotra, Gauri Verma, Asha Chandra, Ranveer Raj, Manmauji, Raj Kaul, Prince Shakeel, Madhav Achwal, Shabnam, Sunil Dhawan, Baby Geeta, Master Raju, Master Gautam, Master Rajesh, C.S. Dubey, Ashok Saxena, Bholanath, Raj Kishore, Gopal Saigal, Yogesh Chandra, Baby Gazala, R.R. Somaiyya and others.

This movie was passed by Censor Board on 11.12.1981.
(As per HFGK Vol-VI (1981-1985) there have been two more movies with the same title ‘Daulat’ passed by Censor Board in ‘1937’ and ‘1949’).

This movie had five songs as per details given below.

SNo Song Title Singer/s
01 Moti ho to baandh ke rakh doon Kishore Kumar
02 Teri har adaa hai haseen Asha Bhonsle, Kishore Kumar
03 Main to hoon sholaa badan Asha Bhonsle, chorus
04 Aa aa aji taaron mein chamak Asha Bhonsle, Suresh Wadkar, Chandrashekhar Gadgil, chorus
05 Zindagi ye zindagi, do ghadi ki zindagi

Lyrics writing for above songs is jointly credited to Vitthalbhai Patel-Nida Fazli.

As mentioned above music for this movie was composed by R.D. Burman.

In spite of having good songs, no songs from this movie featured in the ‘annual list’ of ‘Binaca Geetmala’ of the year 1981.

However, songs from the following movies, where R.D. Burman had composed music, featured in the ‘Binaca Geetmala annual list of 1981’. (Though top three songs in this list were ‘non-Pancham’ songs.
1) Love Story-1981
2) Shaan (1980)
3) Rocky – 1981
4) Biwi O Biwi – 1981
5) Sanam Teri Kasam (1982)

(Songs of the following movies where music was composed by R.D. Burman and passed by Censor Board in ‘1981’ made it to the ‘annual list of Binaca Geetmala-1982’, but again none of them featured in the ‘top three’ of the list.
1) Zamaane Ko Dikhaanaa Hai – 1981
2) Satte Pe Sattaa – 1981
3) Kaaliyaa – 1981)

Let us have a look on the movies passed by Censor Board in 1981 and where the music is composed by R.D. Burman with their respective status on the blog.

Sno Movie Title Director Lyricist Date of Censor Certificate Status on the Blog
1 Angoor Gulzar Gulzar 31.12.1981 Yippeeee’ed
2 Barsaat Ki Ek Raat Shakti Samanta Anand Bakshi 06.02.1981 3 of 5 songs posted
3 Baseraa Ramesh Talwar Gulzar 05.09.1981 1 of 6 songs posted
4 Biwi O Biwi Rahul Rawail Vitthal Bhai Patel, Nida Fazli 15.05.1981 2 of 7 songs posted
5 Daulat Mohan Saigal Vitthal Bhai Patel-Nida Fazli 11.12.1981 2 of 5 songs posted
6 Dhuaan Dulal Guha Majrooh Sultanpuri 23.03.1981 Yet to be introduced
7 Gehra Zakhm Deepak Bahri Vitthal Bhai Patel, Nida Fazli 05.10.1981 1 of 5 songs posted
8 Ghunghroo Ki Aawaaz Tulsi Ramsay-Shyam Ramsay Vijay Anand 29.09.1981 2 of 5 songs posted
9 Harjaai Ramesh Behl Gulshan Bawra, Vitthal Bhai Patel, Nida Fazli 22.04.1981 4 of 8 songs posted
10 Jail Yaatraa Bhappie Soni Majrooh Sultanpuri 07.09.1981 Yet to be introduced
11 Kaaliyaa Tinu Anand Majrooh Sultanpuri 11.12.1981 Yippeeee’ed
12 Kachche Heere Narendra Bedi Majrooh Sultanpuri 10.07.1981 Yippeeee’ed
13 Love Story Rahul Rawail-David Dhawan Anand Bakshi 21.01.1981 2 of 6 songs posted
14 Mangalsutra B. Vijay Kavi Pradeep, Nida Fazli 13.03.1981 1 of 5 songs posted
15 Naram Garam Hrishikesh Mukherjee Gulzar 28.02.1981 3 of 6 songs posted
16 Qudarat Chetan Anand Majrooh Sultanpuri, Qateel Shifai 27.02.1981 Yippeeee’ed
17 Rakshaa Ravikant Nagaich Anand Bakshi 31.10.1981 2 of 5 songs posted
18 Rocky Sunil Dutt Anand Bakshi 28.04.1981 3 of 6 songs posted
19 Satte Pe Sattaa Raj N. Sippy Gulshan Bawra 28.12.1981 3 of 7 songs posted
20 Zamaane Ko Dikhaanaa Hai Naseer Hussain Majrooh Sultanpuri, Joseph Alwariz 30.12.1981 3 of 6 songs posted

From the above list we can already see how this year ‘1981’ was a great year for Pancham as he delivered some of his very best music in many of the movies as mentioned above…

We now move to the listening of the today’s wonderful song from ‘Daulat-1981’…

On screen Vinod Khanna is lip syncing for Kishore Kumar’s voice and also seen in the picturisation of the song is Zeenat Aman and others.

Video

Audio (Longer)

Song-Moti ho to baandh ke rakh doon (Daulat)(1981) Singer-Kishore Kumar, Lyrics-Vitthal Bhai Patel-Nida Fazli, MD-R D Burman

Lyrics

moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise

moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise
moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise

ho o chaand nahin
phool nahin
koyi nahin unsaa haseen een een
chaand nahin
phool nahin ee ee
koyi nahin unsaa haseen
kaun hai wo
kya naam hai unka
yahaan bataaun kaise
moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise ae

ho o khoya huaa hai har samaa aa
yaar binaa soonaa hai jahaan aan aan
khoya huaa hai har samaa aa aa
yaar binaa soonaa hai jahaan
neel gagan ke chaand ko baanhon mein
le aaun kaise
moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise ae

ho o chaahe jinhen meri nazar
haaye nahin unko khabar r r
chaahe jinhen meri nazar
haaye nahin unko khabar
band hai mandir ka darwaaza
phool chadhaaun kaise
moti ho to baandh ke rakh doon
pyaar chhupaaun kaise
wo chehraa hai
har chehre mein
usey bhulaaun kaise ae
usey bhulaaun kaise ae

—————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————–

मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में
उसे भुलाऊं कैसे

मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में
उसे भुलाऊं कैसे

मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में
उसे भुलाऊं कैसे

हो ओ चाँद नहीं
फूल नहीं
कोई नहीं उनसा हसींन ई
चाँद नहीं
फूल नहीं ई ई
कोई नहीं उनसा हसीन
कौन है वो क्या नाम है उनका
यहाँ बताऊँ कैसे
मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में
उसे भुलाऊं कैसे ए

हो ओ खोया हुआ है हर समा आ
यार बिना सूना है जहान आँ
खोया हुआ है हर समा आ
यार बिना सूना है जहान
नील गगन के चाँद को बाहों में
ले आऊं कैसे
मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में
उसे भुलाऊं कैसे ए

हो ओ चाहे जिन्हें मेरी नज़र

हाए नहीं उनको खबर ,र ,र
हो ओ चाहे जिन्हें मेरी नज़र
हाए नहीं उनको खबर ,र ,र
बन्द है मंदिर का दरवाज़ा
फूल चढाऊं कैसे
मोती हो तो बाँध के रख दूं
प्यार छुपाऊं कैसे
वो चेहरा है
हर चेहरे में ए
उसे भुलाऊं कैसे ए


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16900 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16949

Number of movies covered in the blog

Movies with all their songs covered =1313
Total Number of movies covered=4587

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