Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A little over three weeks ago, Kamal Barot’s first non film song was posted on these pages –“Ye Haseen Taare Teri Yaad Dilaa Dete Hain”. The post was followed with comments from readers, with requests for other non film songs from the same singer. The song in this post was specifically requested, as it had been by AK ji, in his earlier communications.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Anand Bakshi on the anniversary of his passing away.

Anand ji, a most prolific songwriter that this industry has seen. His claim to fame is having penned more than 3,500 songs for nearly 640 films. A writing career that lasted for more than four decades, and his creations continued to appear in films as late as last year (2012), ten years after his passing away from this world. In his lifetime, he was nominated for no less than 40 times for the Filmfare awards, which sounds like almost one nomination every year of his active career from 1957 to 2002. That in itself may be a record that no one may be close to in the industry. He won this award four times.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ganesh Sharma, the prodigious composer and the creator of melodies of everlasting memories. Pick up any film done by him, any song created by him, and as you listen, and if you are not aware of the identity of the music director, you will surely wonder who would it be, the creator of such a lovely melody. Somehow, the combination of the tones, the octaves and the emphases make the tunes created by this hugely talented musician simply touch a very endearing nerve, and the heart simply wants to sing along with the flow of the song.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

हाँ भई, होली हो और गीतों में रंग न हो तो, तो क्या मज़ा है, हाँ?

बस, भला हो उस ऊपर से ideas देने वाले का। गाने में एक से ज़्यादा आवाज़ हो तो पंक्तियों को color code कर दो। और फिर देखो गीत की लाईनें पढ़ने का मज़ा। और होली के दिन तो बस मज़ा रंगदार गीतों का ही है। सो, पेश है एक ऐसा ही रंगदार पंक्तियों वाला गीत – होली भी और रंग भी, दोनों ही गीत में गुथे हुये मिल गए।

होली मुबारक
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music anda regular contributor to this blog.

Navin Nischol, an unlikely hero, who seems to be gone too soon. A gold medalist from the Pune Film and Television Institure, he made his debut with the film ‘Saawan Bhaadon’ in 1970. He rode the popularity wave for less than a decade and soon transitioned over to character roles. He continued to be active both on the big screen and small screen. But seeing him always gave a feeling that he went past his prime too quickly – the best was still out there.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Vintage Kishore Kumar. And I thank Shekhar Vaishnav ji, who is connected to our blog from Sydney. Thanks for the reminder for this song.

The fun songs by Kishore Da are a class apart by themselves. There is nothing at all in this world to compare them to. And during the 50s and 60s, when Kishore Da also acted in many films, there is a number of very wonderful songs that he has sung and also performed on the screen. An accomplished actor that he was, he has done the best interpretations of his own singing, and has performed his own songs, as no other actor can even consider it possible. Each one of the pictures that he acted in, contain fantastic gems that are superb both from the singing as well as from the performance aspects.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Aha, the 7700th. Congratulations and celebrations. 🙂 🙂

Welcome all to yet another century milestone on this blog. Habit forming, and on the dot, never missing a beat. The regularity is so predictable, that we can set our calendars accordingly. A hundred new songs on the blog – ah yes, about 18 days must have passed. Kudos to Atul ji for managing and controlling the pace of new songs, no matter what.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Just browsing on the blog, through the list of songs by film, I come across the film ‘Sangam’ from 1964. As per records, the film has eight songs, and seven are already posted here on the blog. The last entry for this iconic film and its songs is from August last year. As I paused on this list, I immediately realized what is missing. The missing song is the famous multi-lingual creation in the voice of Vivian Lobo. And friends, that was the easy part. Getting down to decipher just the four lines of non-English verses, turned out to be a multi hour marathon exercise. Don’t know why, but I just got fixed on this today, and now, after having spent a better part of the night and day, I am thinking, I should have left it alone. Or maybe not. 🙂 🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Pooja’ (1954) is a social drama in a village setting. The film is produced under the banner of Verma Films, Bombay, and is produced and directed by Bhagwandas Verma. The main cast of actors includes Bharat Bhushan, Purnima, Om Prakash, Badri Prasad, Ulhas, Shakuntala, Heeralal, Raj Mehra, S Nazir and Jankidas etc. The film has nine songs in all, and the lyrics are shared by Shailendra and Hasrat Jaipuri. This particular song is from the pen of Shailendra. The music is composed by Shankar Jaikishan.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A romantic song in the garden, with the hero and heroine moving between the flowers and around the trees, has been almost a fixture in the formula of social drama movies, almost from the word go. A difference that one can point out that in 30s and 40s, for such songs, the lead pair would be more sober with their movements, and probably be singing with very little movements. This changed in the 50s and 60s, when dancing, running and chasing each other became important elements of picturization of such songs.
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