Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Melancholic song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6400 Post No. : 19853

“Ratnaghar”(1955) was produced by Sudhir Phadke and Y H Joshi and was directed by Pethekar for Navbharat Chitra Bombay. The movie had Raja Paranjpe, Shakuntala, Lalita Pawar, Suryakant, Madan Mohan, Takalkar etc in it.

The movie had five songs in it. Three songs have been covered so far.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6398 Post No. : 19848

#the Decade of Forties – 1941 – 1950 #
—————————————————————

The song in this post is from the movie ‘Rangeen Kahaani-1947’. It was directed by Anjum Hussaini for ‘New Roshan Art Productions, Bombay’. This “social” movie had Surekha, S. Irshad, Dulari, Agha Mirza, Sayyad Ahmed, Bibi Jaan, Khursheed Parvez, P.D. Lal, Maqbool, M.K. Hasan, Ghulam Mohiddin, Sarita, Faiyyaz Begam, Mehrunnisa, Azim Hyderabadi, Mahshar Shirazi and others in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6398 Post No. : 19847

Today’ song is from an eminently resounding flop film from a highly successful film banner. The film was Ram baan-1948. It was made by Prakash Pictures, Bombay, who were famous for their outstandingly popular films on Ramayana stories. The failure of this Ram katha based film was a terrible shock not only to the banner, but its owner and director Vijay Bhatt, reportedly, went into a depression for some time !

Film Rambaan-1948 had almost the same winning team of the earlier two Blockbusters – Bharat Milap-1942 and Ram Rajya-1943. The lead pair of Shobhana Samarth, Prem Adib, and umakant and the Music Director Shankar Rao Vyas were the same The director was also the same- Vijay Bhatt. Even the writers, Lyricists and singers were the same. Then what went wrong ?
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6393 Post No. : 19832

ہر ایک بات پہ کہتے ہو تم کہ تو کیا ہے

تمہیں کہو کہ یہ انداز گفتگو کیا ہے

نہ شعلہ میں یہ کرشمہ نہ برق میں یہ ادا

کوئی بتاؤ کہ وہ شوخ تند خو کیا ہے

یہ رشک ہے کہ وہ ہوتا ہے ہم سخن تم سے

وگرنہ خوف بد آموزی عدو کیا ہے

چپک رہا ہے بدن پر لہو سے پیراہن

ہمارے جیب کو اب حاجت رفو کیا ہے

جلا ہے جسم جہاں دل بھی جل گیا ہوگا

کریدتے ہو جو اب راکھ جستجو کیا ہے

رگوں میں دوڑتے پھرنے کے ہم نہیں قائل

جب آنکھ ہی سے نہ ٹپکا تو پھر لہو کیا ہے

وہ چیز جس کے لیے ہم کو ہو بہشت عزیز

سوائے بادۂ گلفام مشک بو کیا ہے

پیوں شراب اگر خم بھی دیکھ لوں دو چار

یہ شیشہ و قدح و کوزہ و سبو کیا ہے

رہی نہ طاقت گفتار اور اگر ہو بھی

تو کس امید پہ کہیے کہ آرزو کیا ہے

ہوا ہے شہہ کا مصاحب پھرے ہے اتراتا

وگرنہ شہر میں غالبؔ کی آبرو کیا ہے

हर एक बात पे कहते हो तुम कि तू क्या है
तुम्हीं कहो कि ये अंदाज़-ए-गुफ़्तुगू क्या है

न शो’ले में ये करिश्मा न बर्क़ में ये अदा
कोई बताओ कि वो शोख़-ए-तुंद-ख़ू क्या है

ये रश्क है कि वो होता है हम-सुख़न तुम से
वगर्ना ख़ौफ़-ए-बद-आमोज़ी-ए-अदू क्या है

चिपक रहा है बदन पर लहू से पैराहन
हमारे जैब को अब हाजत-ए-रफ़ू क्या है

जला है जिस्म जहाँ दिल भी जल गया होगा
कुरेदते हो जो अब राख जुस्तुजू क्या है

रगों में दौड़ते फिरने के हम नहीं क़ाइल
जब आँख ही से न टपका तो फिर लहू क्या है

वो चीज़ जिस के लिए हम को हो बहिश्त अज़ीज़
सिवाए बादा-ए-गुलफ़ाम-ए-मुश्क-बू क्या है

पियूँ शराब अगर ख़ुम भी देख लूँ दो-चार
ये शीशा ओ क़दह ओ कूज़ा ओ सुबू क्या है

रही न ताक़त-ए-गुफ़्तार और अगर हो भी
तो किस उमीद पे कहिए कि आरज़ू क्या है

हुआ है शह का मुसाहिब फिरे है इतराता
वगर्ना शहर में ‘ग़ालिब’ की आबरू क्या है

No need to say here that the above ghazal is the kalam of Mirza Ghalib. His takhallus is his signature in the last Shair. Like the painters sign at the bottom of the canvas. Newer trend here is the thumb impression, biometric is the new signature. Going back in time.

The trigger for the above ghazal is here in the last stanza of this song:

aakaash se taare toot padey
aankh se tapki jo meri daastaan

Read more on this topic…


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6388 Post No. : 19811

Naa to kaarwaan ki talaash hai,
naa to hamsafar ki talaash hai

Clickbait?

Not really.

The above qawwali couplet from Barsaat ki Raat (1960) is quite viral these days. This post is however on the genius music director who composed the well-known qawwali.

Roshan Lal.

I have provided the qawwali link above, so that readers can enrich their knowledge regarding the origins and making of the popular number. There are many comments by knowledge readers in the article which give a lot of information.

And, as is my habit, here is a digression.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6384 Post No. : 19797

Today’s song is from a non descript C grade stunt film, Namumkin aka Impossible – 1946.

1946 was an important year in the history of Hindi films. This was the period when the impending Independence of India was on the Anvil and everyone knew that in the year 1947 it would take place. At the same time when the country was to be divided on the basis of Religion and another muslim country Pakistan was to come into existence. Many of the muslims in the film industry were excitedly awaiting their departure from India to the Utopia. This would, naturally, create a lot of vacancies in every department of film making. However, there was enough talent available in the remaining India to fill up the void. Hence from the year 1946 itself there were several debutantes. This made the year 1946 an year of Debuts of several new actors, directors, MDs, Lyricists etc etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6382 Post No. : 19792

‘Gaman’ (1978) was produced and directed by Muzaffar Ali who also wrote the story. The cast included Smita Patil, Farooq Shaikh, Jalal Agha, Geeta Sidharth, Sulabha Deshpande, Arvind Deshpande, Nitin Sethi, Arun Joglekar, Nana Patekar, Amir Bano, Hiradevi Mishra, Satish Shah, Protima Bedi etc. It was a debut film for Muzaffar Ali as producer-director. Others who made debut in this film were Nana Patekar, Shahryar as lyricist, Chhaya Ganguly and Hariharan as playback singers. The film was certified by the Censor Board on October 24, 1978, and was released by the Film Finance Corporation (now NDFC) at Eros and other theatres in Mumbai on March 16, 1979.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6381 Post No. : 19788

Today’s song is a special song from a Muslim Social film – Darwaza-1954.

The film was produced by the famous writer of Urdu, Ismat Chugtai (21-8-1915 to 24-10-1991). She was the wife of this film’s director Shahid Lateef (11-6-1913 to 16-4-1967). His famous films were Naya Sansar-41, Jhoola-41, Anjaan-41, Ziddi-48, Arzoo-50, Fareb-53, Darwaza-54, Sone ki chidiya-58 and Baharen phir bhi aayengi-66. This pair of story writer, screenplay writer and producer- Ismat Chugtai and director Shahid Lateef worked in many films, including today’s film Darwaza-1954. The banner was Film India Corporation, Bombay. Music for this film was by Nashaad.

Film Darwaza-1954, true to its name, was the entry door for many artists. Singers Suman Kalyanpur and Sabita Bannerjee debuted as Hindi film singers with this film. Lyricist Khumar Barabankvi also debuted as a Lyricist with this film. The cast of the film was Shyama, Shekhar, Nazir Hussain, Leela Mishra, Neelam, Kumkum, Altaf (husband of Khurshid Jr, actress and singer as well as sister of Meena Kumari). Master Romi was a Guest artist.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6380 Post No. : 19784

Today’s song is from a social family drama- Bhai Saheb-1954. I have not seen this film, but as per Wiki and IMDB, the story revolves around a kind and talented man who works in Radio as a counselor for needy people and solves their problems by his means, which has a positive response. He falls in love with a sweet girl and wants to marry her but first he must complete the task of reuniting other individuals, leading to consequences. The story is not very attractive or different from normal love stories. As compared to the other musical and entertaining films of 1954, this film was actually nowhere.

The 50’s decade was called the Golden Era of HFM, not for nothing. Year after year, the films provided excellent songs, different film Genres, convincing stories, superb acting and Full Paisa Vasool Entertainment. In such a scenario an average music, beaten track stories, mediocre acting, poor direction and lustreless short lived songs had no chance of winning. Today’s film was one such film.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6379 Post No. : 19778

Today’s song is the last and final song of the social film Bade Bhaiya-1951.

As seen in the ‘Hindi film Index’ by Hamraz ji, I found that there were at least 25 films having titles of ‘Bada’, ‘Badi’ and ‘Bade’. There was also another film Bade Bhaiya made in 1957. There films like Bada bhai, Badi behen (3 films), Badi Beti, Bada Ghar, Bade nawab, Bade miyan, Bade Saheb, Bade Sarkar, Bade thakur, Badi bahu, Badi baat etc. etc.

The film Bade Bhaiyya-1951 was probably one of the last films in which actor Agha was the Hero. The film was made by Super Pictures, Bombay. The owner of the banner- Aspi Irani was also the director of this film. The music was by Premnath ( Wadhwan), who was a member of the ‘Same Name Confusion’ pair with actor Premnath (Malhotra). Looking at the persona of actor Premnath, it was strange how so many people thought that he also gave music. Of course actor Premnath actually had received a regular training in classical music from Ustad Jagannath Prasad. He had also sung 2 songs in Hindi films, Rangbhoomi-1946 and Chand Sitare- 1948. However, he stopped singing after that.
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