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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Chitragupt


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4020 Post No. : 15132

21st July, 1969 – a tiny me was waiting for the arrival of the school bus, around 6.40 am in the morning, at the end of the lane where we lived, in Karol Bagh area of Delhi. Three, maybe four other friends, going to the same school – executing the normal morning routine, with strap bags on shoulders, waiting to espy the school bus that we all recognized oh so well, to take a turn from a crossing about 200 metres away – to come, and to gobble us up, and to carry us to yet another day at the school. I think, it was too early in life to philosophize about the love-hate relationship with education, school and school teachers. It was still kind of an eager fun to travel in the bus and get to a classroom, and spend time watching teachers do their things on the blackboard, for us. Ah yes, the blackboards back then were actually black, and white chalks were then the standard instrument of communication between the teacher and us.

Sorry, I am jumping the gun – classroom and education is not the topic today; ‘waiting for the bus’ is. So as I was saying, four five of us kids were at the appointed place, at the appointed time – waiting to be picked. Some of these memories are so vivid and crystal clear in the mind, as if it was just yesterday. Ah yes, does seem like yesterday. I remember there was a bakery and confectionery shop right on the corner where we used to wait for the bus. It was a family run business – two brother partners. Over the years, the ownership of that shop has remained in the family, but the subject matter of the shop has changed from confectionery to designer clothing today. I still remember, the board on the shop – ‘Paul’s – Bakers and Confectioners’.

The kids’ interest of course was in the candies, toffees and chocolate items displayed in the shop’s show cases. The shop would be open before we reached the waiting point, because being a baker, he was catering to the early morning needs of milk and bread supply, to the early riser families, which, in those times, was practically all the families in the neighborhood.

Ah, sorry, I digress again – waiting for the bus it was. So the different thing that happened on that morning was the the bus did not come on time. It was kind of a pleasant, expectation filled feeling in the kiddy hearts – is the bus not coming today? Well, bus used to be late once in a while. And the tiny minds would be inventing conjectures about the school being closed for this or that unimaginable reason. But then, those dreams used to be shattered within a matter of minutes – late it would be, but then it would appear on the horizon, and the young footsteps would prance on to the four steps and into bus, starting another day at the school.

But that day, the few minutes extended into many minutes – and no bus. Although we were all in the mood to run back home and make a pompous announcement of the mystery of the disappearing bus. Of course, none had the courage to do so. It was a mindless wait, but the instructions to this kiddy platoon was to stay rooted to the bus stop area, and not to wander away – no matter how late the bus was. And we waited. No, the parents were not with us. We kids were in that gray transition zone of trust building age, that the parents would drop us at the bus stop, and head back home, with the confidence that the kid would certainly board the bus and spend another productive day at the school. And so we waited.

One of the more enterprising member of this waiting platoon ventured into the bakery shop and asked for time. “Seven o five”, we were told – goodness the bus was twenty five minutes late. This had never happened before. It was a first in the long years of the tiny age of experiences that the kiddy minds had accumulated till then. But then, in the absence of any instructions for this unexpected, first time, unheard of situation, we were clueless as to what should be done. So we waited – did not have courage to venture back home – the certain thought in mind was that parents would simply scold us and ask us to get back to the bus stop immediately and wait some more. There must be a valid reason – breakdown, accident, petrol finish – whatever, but it will come. So go back.

But it didn’t come. Another fifteen minutes passed. Still no bus. The uncomfortable squirming had now transformed into an anxious fear – have we already missed it? Has the bus come and gone and all of us missed it by a minute or something. Now the fear started to grow, since if the bus had already gone, then the fault would be ours that we were a minute or two too late to reach the bus stop. And so what were we doing, while ambling towards the bus stop from home, how did we reach the bus stop late? And why? All sorts of uncomfortable thoughts were now cycling through the mind. And we waited.

But the tension was unbearable now. The urge was to rush back home, but in the absence of an explanation, the apprehension of the consequences did not allow us to move. First time in the long years of tiny experiences, we were facing a helpless situation, the CPUs of mind were primitive and no conclusive directions were forthcoming.

Finally, we saw a ray of hope. We espied a senior student of our school, walking towards our bus stop. This person used to board from the next stop on the route, about half a mile ahead. He came, he declared, and we conquered. 😀 😀

He informed us that the bus would not be coming that day, since the school had declared a holiday. So head back home and take a day off. Whoosh. . . the mounds of stones of uncertainty were suddenly lifted, a new energy seemed to flow now, in place of the helpless limbo. I am very very sure, all would have had this ‘Whoosh’ experience sometimes in school life – an unexpected holiday announcement. It was like ‘छप्पड़ फाड़ के’ – I am using this phrase in hind sight. Of course I was not aware of this phrase or its implications at that time.

Then one of us had the curiosity strong enough to ask, what happened, why this unannounced holiday. The senior was not very sure himself. He said his father had called the school, and the school had announced the holiday – it was because of the moon landing. Totally bewildered with this information the tiny brains could not process, we externally expressed relief and happiness, lugged the bags over the shoulders once again, and walked back home.

It was almost one hour after the bus time, and of course the parents were totally surprised to see me back at the doorway. Dad asked what was the matter. And I recounted in brief, about the wait, the senior student, the information about the holiday announcement and moon landing. Dad started to laugh. He had already known about this news – well he was part of the editorial team that published the morning paper. So he already had the information about the event in the late hours of the previous night. But there was no news in the papers about the school holidays. So then he ventured to confirm – went to another neighbor’s place to make a call to the school. We did not have a phone at home in those times. He returned after a few minutes, and his smile confirmed the announcement, and laid to rest any apprehensions, that I would be held to fault, for making up such tall story.

I asked him, and he explained, quite lucidly of course – he had prepared the news story for print just a few hours prior. But much of that did not register into the brain. The moon landing, Apollo 11, US spacecraft, Neil Armstrong – some key phrases stuck in the mind. I took up the newspaper and read through the story. The quantum and the quality of significance did not sink in then. But yes, this idea did sink in very earnestly that the event that happened was some towering, huge, first of its kind accomplishment by USA. In the later years, as my interest grew in scientific topics, I would come to realize the depth of significance and importance of this huge event. The man had landed on another celestial body for the first time in the history (known history??) of the mankind. Yes, it was huge.

On 25th May, 1961, John F Kennedy, the then US President, made this proposal to the US Congress, to land a man on the moon before the end of the decade. Of course, the objective was achieved on 20th July, 1969.

And so the event, and its earth shattering significance has stayed with me now, for all these years – all because the schools declared a holiday that day – to celebrate this towering achievement of the human race. The man had reached the moon, and the school was closed in celebration.

Today, we are celebrating the 50th anniversary of that accomplishment. Over the past 50 years, the science of astronautics, and the technology had progressed by leaps and bounds. But the ‘man on the moon’ event has this envious and non-duplicate-able quality about it – what more to say. The US scientists and NASA took almost 8 years to accomplish the target that their famous president had set for them. Long before that, the Indian cinema had already responded with the film ‘Rocket Girl’, in 1962, and with this humorous and lilting melody created by Prem Dhawan and Chitragupt.

Searching for an appropriate song for this celebration, I chanced to discover this fabulous gem of a song that has probably been considered lost and consigned to the deep. I tried to search for songs with reference to ‘chaand’. Another song from this film – “Na Jaane Chaand Kaisa Hoga” – is an iconic, popular hit song that is already posted on the blog. When I read the words of the mukhda of this, I was very curious to search and pull out this song, because the mukhda kind of hints at traveling to the moon. With some time spend, I am able to locate this song in my collection. As far as I could check online, this song is not yet available. So I prepared and uploaded this song, and here am presenting it for this celebration today.

Listening this song, I am so surprised that this song has remained obscure all these years. A vintage Chitragupt melody that takes the listener on a journey of lilting extravaganza – so beautifully tuned and so exquisitely arranged. The humming composition simply is not getting out of my mind at this time – the lady wants to travel to the land of the moon and have a romance amongst the stars, and gentleman is not at all convinced that they would reach there alive. 🙂  The words of the song are so interestingly crafted – it is a veritable treat to listen to.

‘Rocket Girl’ is a film from 1962, produced under the banner of Film Sansar, Bombay and is directed by Nanabhai Bhatt. The cast of actors is listed as Naaz, Sudesh Kumar, Jagdish Raj, Nilofer, Kanchanmala, Brahm Bhardwaj, Genius, Lal Bahadur, Mohammad Bhai, Ameer, Sandow, Shafi, Shammi, and Bhagwan Dada. Six songs are listed for this film, all from the pen of Prem Dhawan, with wonderful music compositions coming from the mind of Chitragupt.

I have no idea whether this film is about space travel, and visit to the moon. Listening to the two songs, it appears that his film is about space travel, I request our more knowledgeable readers to add more information about this film.
[Ed Note: Details about the film ‘Rocket Girl’ have already been posted by Arun ji, our in-house encyclopedia, with the earlier posted song of this film – “Na Jaane Chaand Kaisa Hoga”. The same are also available at Atul Movies – Rocket Girl (1962). Thanks to Aero Survey for this reminder.]

Fifty years of moon landing – and a surprisingly wonderful song to go along with – enjoy.

 

Song – Aa Ja Chalen Piya Chaand Waale Des Mein  (Rocket Girl) (1962) Singer – Suman Kalyanpur, Manna Dey, Lyrics – Prem Dhawan, MD – Chitragupt

Lyrics

aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge

basti nai sitaaron mein basaayenge
gaye jo wahaan palat ke naa aayenge
basti nai sitaaron mein basaayenge
gaye jo wahaan palat ke naa aayenge
aisi baaton se hum nahin darenge
na na na na
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge
oo oo oo
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge

jhoothe hain sabhi ye kisse chaand waand ke
le chaloon tujhe main zulfon mein baandh ke
jhoothe hain sabhi ye kisse chaand waand ke
le chaloon tujhe main zulfon mein baandh ke
jaao akele hum aahen bharenge
na na na na
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
oo oo oo
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge

kehte the tumhin
sitaare doonga tod ke
honge meri jaan
ye waade kisi aur ke
mil ke jiye hain mil ke hi marenge
na na na na
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge
oo oo oo
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
oo oo oo
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे

बस्ती नई सितारों में बसाएँगे
गए जो वहाँ पलट के ना आएंगे
बस्ती नई सितारों में बसाएँगे
गए जो वहाँ पलट के ना आएंगे
ऐसी बातों से हम नहीं डरेंगे
ना ना ना ना
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे
ओ ओ ओ
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे

झूठे हैं सभी ये किस्से चाँद वांद के
ले चलूँ तुझे मैं ज़ुल्फों में बांध के
झूठे हैं सभी ये किस्से चाँद वांद के
ले चलूँ तुझे मैं ज़ुल्फों में बांध के
जाओ अकेले हम आहें भरेंगे
ना ना ना ना
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
ओ ओ ओ
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे

कहते थे तुम्हीं
सितारे दूँगा तोड़ के
होंगे मेरी जान
ये वादे किसी और के
मिल के जिये हैं मिल के ही मरेंगे
ना ना ना ना
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे
ओ ओ ओ
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
ओ ओ ओ
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4003 Post No. : 15106

———————————————–——————————————
Blog 10-Year Challenge (2009-19) – Song No. 37
——————————————————————————————

This day, ten years ago – as such sections are generally titled in newspapers that carry a review of their news content from 50 or 100 or 150 years in the past. Well yes, our antecedents are more modest, and so we hark back 10 years into our collection on the blog. On 4th July, ten years ago, the films that got posted were,

 

Jauhri 1951
Dholak 1951
Chaand Mere Aaja 1960
Bank Manager 1959
Faulaad 1963
Jawaab 1970

 

Of these six films, three had made their debut on that date. The debut making films are ‘Jauhri’ (1951), ‘Chaand Mere Aaja’ (1960) and ‘Jawaab’ (1970).

And then, of these six films, three have been yippeee’d so far – ‘Dholak’, ‘Bank Manager’ and ‘Faulaad’. Of the remaining six, one film is on the threshold of being announced as a yippee film. And this film is ‘Chaand Mere Aaja’. So we are posting the final song of this film, to formally announce this film as being yippeee’d today.

Reminds me, it would be an interesting analysis to know, how many of the Ten Year Challenge posts are resulting in the film being yippeee’d. Meaning that the film’s debut date and the yippee date are exactly 10 years apart.

The film ‘Chaand Mere Aaja’ of 1960 has 7 songs listed in the Geet Kosh. Of these, six are already showcased on our blog. We bring on board, the final song of this film today. It is interesting to note that, as per the Geet Kosh, six of the songs of this film are available on gramophone records. And the 7th, which is today’s song, is available only in the film’s soundtrack. Thankfully, the video clip of this song is available online.

The song is written by IC Kapoor. Music composition is by Chitragupt. And the singing voice is of Mohammed Rafi. On screen, this song is performed by Bharat Bhushan. The song is presented in a party, where apparently, the tone of the song does not quite jell with the mood and ambience of a get together of the rich and well to do people.

In any case, we bring on board the last and final song of this film, adding it to the list of films with all songs covered –  over a period of ten years – exactly. 🙂

 

Song – O Duniyawaalo Kaisa Tumhaara Ye Sansaar Hai (Chaand Mere Aaja) (1960) Singer – Mohammed Rafi, Lyrics – IC Kapoor, MD – Chitragupt

Lyrics

o duniya waalo..oo
oo oo oo oo
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
jhoothe ki jeet yahaan
sachche ki haar hai
jhoothe ki jeet yahaan
sachche ki haar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo..oo

bade bade bazaar saja kar
gali gali mein dhol baja kar
sona dikhla peetal bechen
gin kar paise poore letey
dil ka sauda jaan ka sauda
hota hai imaar ka sauda
khoon pasina bik jaata hai
maut aur jeena bik jaata hai
pooch raha hai tumse bolo
kaisa ye vyohaar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo..oo

aansoo le lo aanhen le lo
hasrat le lo chaahen le lo
taambe ka ik tukda phenko
toote dil ki duaaen le lo
loot chuke ho duniya saar
is par bhi taqraar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo..oo

sapnon ki duniya ko chhodo
asliyat se munh na modo
kab tak jhoothi shaan rahegi
do din to ye jaan rahegi
saaz samay ka bol raha hai
raaz ke taale khol raha hai
kaath ki handiya jal ke rahegi
khota ye vyopaar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo
kaisa tumhaara ye sansaar hai
o duniya waalo..oo

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ओ दुनिया वालो॰॰ओ
ओ ओ ओ ओ
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
झूठे की जीत यहाँ
सच्चे की हार है
झूठे की जीत यहाँ
सच्चे की हार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो॰॰ओ

बड़े बड़े बाज़ार सजा कर
गली गली में ढ़ोल बजा कर
सोना दिखला पीतल बेचें
गिन कर पैसे पूरे लेते
दिल का सौदा जान का सौदा
होता है ईमान का सौदा
खून पसीना बिक जाता है
मौत और जीना बिक जाता है
पूछ रहा है तुमसे बोलो
कैसा ये व्योहार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो॰॰ओ

आँसू ले लो आहें ले लो
हसरत ले लो चाहें ले लो
तांबे का इक टुकड़ा फेंको
टूटे दिल की दुआएं ले लो
लूट चुके हो दुनिया सारी
इस पर भी तक़रार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो॰॰ओ

सपनों की दुनिया को छोड़ो
असलियत से मुंह ना मोड़ो
कब तक झूठी शान रहेगी
दो दिन तो ये जान रहेगी
साज़ समय का बोल रहा है
राज़ के ताले खोल रहा है
काठ की हँडिया जल के रहेगी
खोटा ये व्योपार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो
कैसा तुम्हारा ये संसार है
ओ दुनिया वालो॰॰ओ


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3989 Post No. : 15080

Today’s song is from a less known film – ‘Zindagi ke Mele’ (1956). The reason for selecting this song is that it is a duet of Shamshad and Rafi and is composed by my favourite composer Chitragupt – The King of Melody. For this film, his assistant was Dilip Dholakiya.

This was the last film of producer-director KB Lall (1911 – 25.8.1975). The other films he directed were, ‘Lal Haveli’ (1944), ‘Samrat Ashok’ (1947), ‘Lal Dupatta’ (1948), ‘Hanste Aansoo’ (1950) and ‘Angaarey’ (1954).

The cast of this film consisted of Chitra, Jagirdar, Dulari, Chandrashekhar, KN Singh, Kum Kum, Rashid Khan, Jankidas and many others. There were 3 lyricists – Manohar Khanna (father of music director Usha Khanna), Shevan Rizvi and Tanvir Naqvi. Today’s duet is written by Manohar Khanna.

The title of the film ‘Zindagi Ke Mele’ is actually very apt for the film industry. Film Industry is the only association of people which is truly secular from the beginning. Like a mela has all types of people, the film industry too has people from all over India, males and females and even a transgender. All religions merge into One Community – Community of Artistes, in this industry.

The film industry worked like a magnet, from the day it started. People of all religions, regions and colours joined here. Some made their mark, others just came, survived and left. The magnetism of film industry attracted people from all walks of life – doctors, engineers, architects, dentists, teachers, police officers, military persons etc. – all came here to try their Luck. One such person was music director Chitragupt Shrivastav, double MA, lecturer in a Patna College. It is worthwhile to take a  look at his life story again here.

Chitragupt was born on 16-11-1917 at village Karmaini in Gopalganj district of Bihar. He was brought up and educated in Bihar. He was perhaps the most educated composer of his times. He had done double MA in Economics and Journalism from Patna University and also taught for few years. He came to Bombay in 1945 and  having learnt classical music wanted to become a composer. He started as an assistant to SN Tripathi. His first break came in 1946 with ‘Lady Robinhood’, with the help of its director Ramnik Vaidya. Initially he got only stunt and devotional films to do. In 1952, film ‘Sindbad The Sailor’ songs became famous. In 1955, Dada Burman recommended him to AVM for ‘Shiv Bhakta’. This was a landmark film for Chitragupta, because he used Lata for the first time. Later Lata and Chitragupt had very good relations, till the end.

Actually Chitragupt should be counted as No 1 composer who gave very melodious songs to Lata, but this is forgotten because like Madan Mohan, Roshan, S-J, C. Ramchandra or SD Burman, he never got big banner films (at least not very often), which became a reason to discuss only their Lata songs frequently. Chitragupt always got only B and C grade films, which were not famous, but he was in no way less capable of composing good tunes for Lata.

Chitragupt was a very homely family man with a middle class mentality. He had a fun group comprising of  Lata, Usha, Meena, Dilip Dholakiya, Prem Dhawan and Chitragupt. They used to have lot of fun at the home of Chitragupt. Lata liked their food very much. Chitragupt Shrivastav was a Kayastha (‘Lalaji’ as they are called in Bihar ) and their non veg food was excellent.

In the late 1980s, I came in personal contact with Chitragupt, when my close friend’s daughter married his elder son. When Chitragupt learned that I liked ‘sattu ki poori‘ (a Bihari veg dish) very much, he called me to his house and we ate sattu puris and aaloo sabji, to our heart’s content !

His house in Prabhat building on Khar Road, Bombay had a music room on the ground floor, where he composed most of his tunes during 1959 to 1990. During the early 1960s up to 1965, he was so busy with work that – according to his son Anand – at one time 4 lyricists were writing lyrics in his home, Anand Bakshi in the garden, Majrooh in a room, Rajendra Krishna in the music room and Prem Dhawan under a palm tree and Chitragupt would visit one by one to see their progress !!

Chitragupt was such a simple person that when S-J demanded 5 Lakhs per film, he hesitated to ask for 50000 !

He remained a typical gentleman till the end. He was expert in using Bihari folk tunes in his songs. He became the MD of the first Bhojpuri film ‘Ganga Maiyya Tohe Piyari Chadhaibo’ (1962). His main singers remained Lata, Rafi and Mukesh.

As far as singing songs is concerned, it was his hobby. He had sung 29 songs in 16 films in his career. Most songs were for SN Tripathi, who was his guru in film music. He gave music to 149 Hindi films, composing 1036 songs-  from ‘Lady Robinhood’ (1946) to ‘Shiv Ganga’ (1987).

He suffered a heart attack in 1968 and a paralytic stroke in 1974. He died on the 14th of January 1991. His children, Anand and Milind (who can forget their song from QSQT, “Papa Kahate hai Bada Naam Karega” which launched Amir Khan into incredible stardom!), the composer duo have also made an impact on the film world.

One can understand that people in India, with whatever vocation they followed, were attracted to film industry. But even a person with exceptional achievements at international levels, one who represented India 3 times in international games and established records –  he too? Yes, surprisingly one gentleman of this description and calibre, was keen to join films. His name was JANKIDAS MEHRA.

Jankidas was born on 14th June 1916. He completed his MA from Punjab University. He was an athlete and a cycling champion. By the age of 22 years, he represented India in 3 international meets and in 1938 had established a record for 1/2 mile race. He was the first and the only Indian to win the British Empire Games Distinction Medal.

Jankidas was also an author. He wrote and published books like, ‘Mahatma Gandhi In His Own Words’, ‘Extinction of Tasmanian Race’, ‘From Brothel To Victory Stand’, and ‘My Sports Ventures’. He was described as “. . . a rare combination of student, sportsman, idealist, aristocrat and democrat” by Australia’s leading weekly ‘Smith Weekly’, dated 22nd January 1938!

Jankidas was keen to join film industry. His first role was in Pancholi’s ‘Khazanchi’ (1941). On coming to Bombay, he found that his high qualifications and achievements were deterrents for most illiterate producers, to get him roles. Frustrated, he told a lie to a producer that he was illiterate and he got a role in film ‘Her Highness’ (1946), but he was not credited. Disgusted on some friend’s advice, he contacted V Shantaram. Here he got a role in film ‘Jeevan Yatra’ (1946) and ‘Dr. Kotnis Ki Amar Kahani’ (1946).

Jankidas went on to do 344 films in his career of 60 years. In the later stage of his career he became India’s first ‘Production Designer’. (Nowadays, this is a very important post in the industry). Jankidas always remembered what his dear friend Dalsukh Pancholi told him, just minutes before his death, he had said, “Jankidas, never put your children in film industry”. Pancholi died on his shoulders in the car itself.

Jankidas expired on 18th June 2003.

Another interesting, but less known actor in this film was Rashid Khan. Senior readers will surely remember this thin, short but talented actor. I always remember his comic role in film ‘Ek Phool Chaar Kaante’ (1960) (by the way, there came a movie ‘Ek Phool Teen Kaante’ in 1997!).

Born on 5-7-1915 at Baroda, Rashid Khan, a Sulemani Muslim, studied upto BA, LLB and came to Bombay to become either an advocate or an actor. Instead he joined All India Radio as an announcer. Balraj Sahni was after him that he should act in their drama, but he initially refused and then joined them. Balraj gave him a break in the film ‘Dharti Ke Laal (1946). Then came ‘Hasrat’ (1946), ‘Gudiya’ (1947), ‘Aaj Aur Kal’ (1947), ‘Anjuman’ (1948), ‘Aarzoo’ (1950), ‘Afsar’ (1950) etc. He acted in total 95 films.

He was a fixture in Navketan films, Guru dutt films and Hrishikesh Mukherjee films. He was loved by all directors and actors. Being a Gujarati, initially he had a problem with Urdu, which he learnt quickly and mastered it.

In 1953, he married one Suraiya. His son Fazal is a photographer and daughter Heena married into Fida Hussain family.

Rashid Khan rarely got long and big roles, but he made his small roles also memorable. He was not typecast. He did roles as villain, comedian and character artiste as father, brother or friend of the hero. While shooting at Famous studio, on 7-11-1972, he got massive heart attack and died while working (just like Gope). (Thanks to Harish Raghuwanshi ji for info on Rashid Khan)

So, here is the duet of Rafi and Shamshad Begum from film ‘Zindagi Ke Mele’ (1956), composed by the King of Melody – Chitragupt.

 

Song – Tu Meri Heroine Main Tera Hero (Zindagi Ke Mele) (1956) Singer – Mohammed Rafi, Shamshad Begum, Lyrics – Manohar Khanna, MD – Chitragupt

Lyrics

tu. . . . . .
meri heroinnn. . .

tu meri heroine
main tera hero
dil hai tumhaara
chaahe kaato chaahe cheero
tu meri heroinnn. . .

main teri heroinnn. . .
main teri heroine
tu mera hero
oyy dil hai tumhaara
chaahe kaato chaahe cheero
ae ji main teri heroinnn. . .

zulfon mein teri
dil mera atka
pyaar ka kaanta
mere dil mein hai khatka
zulfon mein teri
dil mera atka
pyaar ka kaanta
mere dil mein hai khatka
tadpun main tere liye
pal pal chhinn chinn
tadpun main tere liye
pal pal chhinn chinnn
main teri heroinnn. . .
main teri heroine
tu mera hero
arrey tumse kya darr hai
mere hero number zero
ae ji main teri heroinnn. . .

ho oo oo oo oo
holi diwali beeti
beeti hai eid bhi
tu ne na bheji raja
dil ki raseed bhi
tu ne na bheji raja
dil ki raseed raja
dil ki raseed bhi
pyaar ki duniya meri
sooni hai tere bin
pyaar ki duniya meri
sooni hai tere bin
main teri heroinnn. . .
main teri heroine
tu mera hero
tum se kya darr hai
mere hero number zero
haa haa haa
main teri heroinnn. . .

kirkit kabaddi tujhe
haaki khilaaungi
baaksing bataaungi
main kushti sikhaaungi
din mein dikhaaun pyaare taare tujhe gin gin
in mein dikhaaun pyaare taare tujhe gin gin

main teri heroinnn. . .
main teri heroine
tu mera hero
haaaye dil hai tumhaara
chaahe kaato chaahe cheero
hoy main teri heroinnn. . .

———-———————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————————

तू॰ ॰ ॰ ॰ ॰
मेरी हीरोइन॰॰न॰॰

तू मेरी हीरोइन
मैं तेरा हीरो
दिल है तुम्हारा
चाहे काटो चाहे चीरो
तू मेरी हीरोइन॰ ॰ ॰

मैं तेरी हीरोइन॰ ॰ ॰
मैं तेरी हीरोइन
तू मेरा हीरो
ओय दिल है तुम्हारा
चाहे काटो चाहे चीरो
ए जी मैं तेरी हीरोइन॰ ॰ ॰

ज़ुल्फों में तेरी
दिल मेरा अटका
प्यार का काँटा
मेरे दिल में खटका
ज़ुल्फों में तेरी
दिल मेरा अटका
प्यार का काँटा
मेरे दिल में खटका
तड़पूँ मैं तेरे लिए
पल पला छिन्न छिन्न
मैं तेरी हीरोइन॰ ॰ ॰
मैं तेरी हीरोइन
तू मेरा हीरो
अरे तुमसे क्या डर है
मेरे हीरो नंबर ज़ीरो
ए जी मैं तेरी हीरोइन॰ ॰ ॰

हो ओ ओ ओ ओ
होली दिवाली बीती
बीती है ईद भ
होली दिवाली बीती
बीती है ईद भ
तूने ना भेजी राजा
दिल की रसीद भी
तूने ना भेजी राजा
दिल की रसीद राजा
दिल की रसीद भी
प्यार की दुनिया मेरी
सूनी है तेरे बिन
प्यार की दुनिया मेरी
सूनी है तेरे बिन
मैं तेरी हीरोइन॰ ॰ ॰
मैं तेरी हीरोइन
तू मेरा हीरो
तुमसे क्या डर है
मेरे हीरो नंबर ज़ीरो
हा हा हा
होय मैं तेरी हीरोइन॰ ॰ ॰

किरकिट कबड्डी तुझे
हाकी खिलाऊँगी
बाक्सिंग बताऊँगी
मैं कुश्ती सिखाऊँगी
दिन में दिखाऊँ प्यारे तारे तुझे गिन गिन
दिन में दिखाऊँ प्यारे तारे तुझे गिन गिन

मैं तेरी हीरोइन॰ ॰ ॰
मैं तेरी हीरोइन
तू मेरा हीरो
हाय दिल है तुम्हारा
चाहे काटो चाहे चीरो
होय मैं तेरी हीरोइन॰ ॰ ॰


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3882 Post No. : 14907 Movie Count :

4072

Missing Films of 1960s – 93
– – – – – – – – – – – – – – –

With this song, we introduce the film ‘Nai Zindagi’ from 1969. As I check the Geet Kosh listings, I find two more films with the same name – one from 1943 and the second from 1951. The 1943 film has Sheikh Mukhtar and Anees Khaatoon as the lead pair. In the 1951 movie, the lead pair is Nirupa Roy and Amarnath. The one in 1969 has Dev Kumar and Kumkum as the lead stars.

This film is produced under the banner of Naaz Productions and is directed by Dada Pathaare. The star cast of this film is listed as Prithviraj, Kumkum, Dev Kumar, Jeevan, Kan Mohan, Meenakshi, Niranjan Sharma, Jagirdar, Ratnamala, Gopikrishan, and Madhumati.

The film has 6 songs, all written by Prem Dhawan. Music is composed by Chitragupt. The song presented today is rendered by Lata Mangeshkar. In this song, the lady is expressing her desire to meet her beloved again, calling out to him – that her tresses are flowing like a snake, and he should come as a snake charmer. Given that Kumkum is the leading lady, my thought is that this song could have been performed by her on the screen. But that is just a guess. I request other knowledgeable friends who may have seen this film, to please add more information about the film and this song.

With this post, the 1969 film ‘Nai Zindagi’ makes a debut on our blog.

 

Song – Bikhri Hain Laten Naagan Ki Tarah  (Nai Zindagi) (1969) Singer – Lata Mangeshkar, Lyrics – Prem Dhawan, MD – Chitragupt

Lyrics

bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa

bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa
bikhri hain laten nagan ki tareh. . .

bhooli
kabhi raahen
milte hi tumse nigaahen
oo oo oo
bhooli kabhi raahen
milte hi tumse nigaahen
behki nazar to hum behke
behki nazar to hum behke
bheki dagar kadam behke
kahaan jaaun
ye to bata jaa
bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa
bikhri hain laten nagan ki tareh. . .

chal di
tere sang mein
mohey rang le apne hi rang mein
oo oo oo
chal di
tere sang mein
mohey rang le apne hi rang mein
mann ka diya jala baithi
mann ka diya jala baithi
sapne tere saja baithi
piya mujhko galey laga ja
bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa
bikhri hain laten nagan ki tareh. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा

बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा
बिखरी हैं लटें नागन की तरह॰ ॰ ॰

भूली
कभी राहें
मिलते ही तुमसे निगाहें
ओ ओ ओ
भूली कभी राहें
मिलते ही तुमसे निगाहें
बहकी नज़र तो हम बहके
बहकी नज़र तो हम बहके
बहकी डगर कदम बहके
कहाँ जाऊँ
ये तो बता जा
बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा
बिखरी हैं लटें नागन की तरह॰ ॰ ॰

चल दी
तेरे संग में
मोहे रंग ले अपने ही रंग में
ओ ओ ओ
चल दी
तेरे संग में
मोहे रंग ले अपने ही रंग में
मन का दिया जला बैठी
मन का दिया जला बैठी
सपने तेरे सजा बैठी
पिया मुझको गले लगा जा
बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा
बिखरी हैं लटें नागन की तरह॰ ॰ ॰


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3875 Post No. : 14897

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 9
————————————————

Great idea this, the ten year challenge series. Works as a great reminder across the years and makes us pay attention to films and songs that have been waiting in the wings for a long time.

Today, I pick that lovely little film from 1965 – ‘Akashdeep’. It had made its debut on our blog ten years ago today – 26th Feb, 2009. Dharmendra was a very fresh face, just about four or five years into his career that year, and Nanda was somewhat senior. Ashok Kumar plays the role of a right thinking but apparently an abrasive mill owner and businessman, with Nimmi in the role of his mute wife. Mehmood plays the younger brother of Ashok Kumar, with Shobha Khote as his wife. Mehmood and his family lives separately from his brother, in relative poverty – he runs a small tea shop. The story of the film is woven around a village community where the mill is major work provider – the story of the workers in conflict with the wealthy capitalists. The film has a socialist message. Ashok Kumar’s intentions are always good, but he is impatient with the people who do not understand his viewpoint. After the conflict, the story comes to a happy ending with Ashok Kumar transforming the factory into a co-operative, giving equal shares to all the workers.

The film has some really memorable songs penned by Majrooh Sb and tuned to wonderful melodies by Chitragupt. We have “Dil Ka Diya Jalaa Ke Gaya”, an enchanting Lata solo played on the gramophone player in the film – the song that introduces Nimmi to Ashok Kumar; then the ecstatic rendition by Rafi Sb – “. . . Mujhe Aap Kis Liye Mil Gaye”, presented on screen by Dharmendra in a soft late evening setting, by the waters of a lake; the lovely duet by Lata and Mahendra Kapoor – “Suniye Jaana. . .” – on screen Dharmendra and Nanda; and the lilting springy Lata solo again – “Miley To Phir Jhuke Nahin. . .” performed by Nanda next to the seashore, late evening setting once again. I list these four songs, for these are the most popular songs of this film and all of them are already showcased here on our blog.

Besides these, there are four more songs in this film. Two of the songs are of the social messaging type, one is a parody song performed as a stage presentation, and the fourth pending song is an all female duet sung by Asha Bhosle and Usha Mangeshkar. As I checked out the online availability, I am surprised to note that this Asha-Usha duet song is not available anywhere. I was curious, for I could not recall having heard this song before. So, pulling it out of my collection, as I played it, I am completely bowled over by the melody construct that Chitragupt has weaved around the words of Mahrooh, and presented it as a twin dance song. Absolutely fresh and lovely presentation, even after more than sixty years.

‘Akashdeep’ is directed by Phani Majumdar – and coincidentally, we have a write up on this talented director published just yesterday by Sadanand ji, with the song “Taaron Se Akhiyaan Milaaun Main”.

So, presenting the fifth song of this film. A very less heard melody, which I am sure you will fancy immediately. Cheers and happy listening.

 

Song – Gudia Ban Ke Naachoon Saajna Ke Dwaare  (Akashdeep) (1965) Singer – Asha Bhosle, Usha Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – Chitragupt
Asha Bhosle + Usha Mangeshkar

Lyrics

oo oo ooo oo oo
oo oo ooo oo oo

gudia ban ke naachoon
saajna ke dwaare
gudia ban ke naachoon
saajna ke dwaare
pyaar ka kajra
nainwa mein daare
gudia ban ke naachoon
saajna ke dwaare
gudia ban ke naachoon

ban ke daal main to jhool chali
tan mera hai sab phool kali
ban ke daal main to jhool chali
tan mera hai sab phool kali
naujawaani
zindgaani
gaati rahegi pyaar ki kahaani
gudia ban ke naachoon
saajna ke dwaare
gudia ban ke naachoon
saajna ke dwaare
pyaar ka kajra
nainwa mein daare
gudia ban ke naachoon

kal kisi ne yahi baat kahi
zindgaani ik raat sahi
kal kisi ne yahi baat kahi
zindgaani ik raat sahi
raat bhai to
chaand nikla
chanda dooba kho gaye sitaare
gudia ban ke naachoon
saajna ke dwaare
gudia ban ke naachoon
saajna ke dwaare
pyaar ka kajra
nainwa mein daare
gudia ban ke naachoon
saajna ke dwaare
gudia ban ke naachoon
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ओ ओ ओs ओ ओ
ओ ओ ओs ओ ओ

गुड़िया बाँके नाचूँ
साजना के द्वारे
गुड़िया बाँके नाचूँ
साजना के द्वारे
प्यार का कजरा
नैनवा में डारे
गुड़िया बाँके नाचूँ
साजना के द्वारे
गुड़िया बाँके नाचूँ

बनके डाल मैं तो झूल चली
तन मेरा है सब फूल कली
बनके डाल मैं तो झूल चली
तन मेरा है सब फूल कली
नौजवानी
ज़िंदगानी
गाती रहेगी प्यार की कहानी
गुड़िया बाँके नाचूँ
साजना के द्वारे
गुड़िया बाँके नाचूँ
साजना के द्वारे
प्यार का कजरा
नैनवा में डारे
गुड़िया बाँके नाचूँ

कल किसी ने यही बात कही
ज़िंदगानी इक रात सही
कल किसी ने यही बात कही
ज़िंदगानी इक रात सही
रात भई तो
चाँद निकला
चंदा डूबा खो गए सितारे
गुड़िया बाँके नाचूँ
साजना के द्वारे
गुड़िया बाँके नाचूँ
साजना के द्वारे
प्यार का कजरा
नैनवा में डारे
गुड़िया बाँके नाचूँ
साजना के द्वारे
गुड़िया बाँके नाचूँ


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3717 Post No. : 14650

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 23
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ड’ – डाल भी दे ज़ुल्फों की छाँव ज़ालिमा धूप चढ़ी जाये ॰ ॰ ॰

– – – –

दिल तोड़ने वाले, तुझे दिल ढूंढ रहा है
आवाज़ दे तू कौन सी नगरी में छुपा है

But maybe not. जिस नगरी में तुम चले गए हो, वहाँ से आवाज़ इधर नहीं आ सकती। The only sound that remains is the recordings available,

– – – –

Now this song today has a very interesting peculiarity, that was brought to our group’s notice by Bakshish Singh ji. I will come that shortly.

Today’s song, another vintage Chitragupt creation, which has remained kind of obscure and unfamiliar to the listening public. In its time, the music of this film was quite popular on the radio, especially the Mukesh song “Babam Babam Bam Bam Lehri” and the Kamal Barot song “Suna Hai Jabse Mausam Hai Pyaar Ke Kaabil”. The song presented in this post was also heard on the radio, but now it has been unheard for a long time.

Ramu Dada is a film by Sheikh Mukhtar. It is directed by Adarsh for the banner of Adarshlok, Bombay. The main star cast is listed as Sheikh Mukhtar, Jaimala, Prince Saleem, Honey Irani, Sapru, Nilofer, Rajan Haksar, Jagdish Shrivastav and Chand Usmani etc. In this, the name Prince Saleem is the same person as Salim Khan that we are more familiar with – part of the Salim-Javed team of story writers (‘Sholay’ (1975) et al.), father of actor Salman Khan.

Geet Kosh lists 9 songs of this film. Three of these are already showcased on our blog. This post brings on board the fourth song of this film. All the songs are penned by Majrooh Sb and the music is composed by Chitragupt. In this song, Rafi Sb’s voice is accompanied by the voice of Lata ji. On screen, this song is performed by Salim Khan and Jaimala.

Now coming to the interesting peculiarity of this song. This song is one of those that has a slight variation in between the audio and video versions; or in other words, in between the 78 rpm recording and the recording actually filmed. Readers will recall that I discussed another such song earlier in the year – “Rangeen Bahaaron Se Hai Gulzaar China Town” from the 1962 film ‘Chinatown’. This song has a similar peculiarity. The verses noted in the lyrics section below are based on the audio version of this song, taken from the 78 rpm record. That version also supplies the title line for this post, and that is because the Geet Kosh takes this as the original wording for listing. The lines of the mukhda of this song has been modified in the video version.

The mukhda in the audio version is worded as,

Male Voice:
daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye
Female Voice:
lo na sanam zulfon ka naam
baat mein baat badhi jaaye

In the video version filmed, the mukhda is worded as

Male Voice:
daal bhi de palkon ki chhaaon
zaalima dhoop chadhi jaaye
Female Voice:
lo na sanam palkon ka naam
preet mein reet badhi jaaye

Please listen to the mukhda rendition in the two versions. When we listen to the audio version, it sounds very normal and correct, nothing is amiss. However, when we listen to the video version, the lines of the mukhda rendition sound somewhat altered and out of sync with the music. The most likely explanation is that these lines have been overlaid on to an earlier version of this song. Meaning that the song was filmed with the version that is present on the 78 rpm records. Then for some reason (unknown at this time), the mukhda lines were re-recorded with the sight variation in words, and then this recording was carefully dubbed onto the existing celluloid reels. However, the dubbing is not perfect. We can clearly make out a slight variation in the pace of music for these lines. And careful examination will also show that the lip sync for the mukhda lines is out of sync.

Having established this variation, however I have not been able to locate any information as to why this change was made, why was this change was so essential and necessary. I request friends and readers to add more information regarding the why of this change.

Meanwhile, check out these variant versions of the song.

(Audio – . . .zulfon ki chhaon. . .)

(Video – . . .palkon ki chhaon. . .)

Song – Daal Bhi De Zulfon Ki Chhaon  (Ramu Dada) (1961) Singer – Mohammed Rafi, Lata Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – Chitragupt

Lyrics (based on the audio version)

daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye
lo na sanam zulfon ka naam
baat mein baat badhi jaaye
daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye
lo na sanam zulfon ka naam
baat mein baat badhi jaaye

kaahe tera
jalta dil hai bechara
aata nahin
aanchal haath tumhaara
kaahe tera
jalta dil hai bechara
aata nahin
aanchal haath tumhaara
ye rangeen ghata
paa ke hawa
udti jaaye
lo na sanam zulfon ka naam
baat mein baat badhi jaaye
daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye

ye kya hua
uljhi chaal tumhaari
dekho na ji
latt phir bikhri hamaari
ye kya hua
uljhi chaal tumhaari
dekho na ji
latt phir bikhri hamaari
na kyun jaaye bikhar
ham se nazar
ladti jaaye
ke daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye
lo na sanam zulfon ka naam
baat mein baat badhi jaaye

duniya kahe
sajna pyaar bura hai
yehi na ho
to ye duniya bhi kya hai
duniya kahe
sajna pyaar bura hai
yehi na ho
to ye duniya bhi kya hai
ye main dekh rahi
chaah teri
badhti jaaye
ke lo na sanam zulfon ka naam
baat mein baat badhi jaaye
daal bhi de zulfon ki chhaaon
zaalima dhoop chadhi jaaye
lo na sanam zulfon ka naam
baat mein baat badhi jaaye

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

डाल भी दे ज़ुल्फों की छाँव
ज़ालिमा धूप चढ़ी जाये
लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये
डाल भी दे ज़ुल्फों की छाँव
ज़ालिमा धूप चढ़ी जाये
लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये

काहे तेरा
जलता दिल है बेचारा
आता नहीं
आँचल हाथ तुम्हारा
काहे तेरा
जलता दिल है बेचारा
आता नहीं
आँचल हाथ तुम्हारा
ये रंगीन घाटा
पा के हवा
उड़ती जाये
लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये
डाल भी दे ज़ुल्फों की छाँव
ज़ालिमा धूप चढ़ी जाये

ये क्या हुआ
उलझी चाल तुम्हारी
देखो ना जी
लट फिर बिखरी हमारी
ये क्या हुआ
उलझी चाल तुम्हारी
देखो ना जी
लट फिर बिखरी हमारी
ना क्यों जाये बिखर
हमसे नज़र
लड़ती जाये
के डाल भी दे ज़ुल्फों की छाँव
ज़ालिमा धूप चढ़ी जाये
लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये

दुनिया कहे
सजना प्यार बुरा है
येही ना हो
तो ये दुनिया भी क्या है
दुनिया कहे
सजना प्यार बुरा है
येही ना हो
तो ये दुनिया भी क्या है
ये मैं देख रही
चाह तेरी
बढ़ती जाये
के लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये
डाल भी दे ज़ुल्फों की छाँव
ज़ालिमा धूप चढ़ी जाये
लो न सनम ज़ुल्फों का नाम
बात में बात बढ़ी जाये


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3693 Post No. : 14607

Songs to Tickle Your Memory – 36
– – – – – – – – – – – – – – – – – –

Seriously, for some reason, I have always carried this impression that this song is already posted on our blog. And not just that, also that it has been posted long back. The song itself has not been seen online for a long time. And dear friend, Shri Arvinder ji, has been requesting me for months now to upload it. And I have been postponing it, for reasons of other preoccupations. His requests have recently been turning more sinister. So I was just by the way checking status of films of 1960s. And found that this song is not on the blog.

So now that I could also do post on the blog, then it became imperative that the song be uploaded. And seriously, I had to revive this series, which I had kind of set aside since September of 2016, after having posted 35 episodes. But this song, realizing that it is still to be posted, definitely merits consideration for this series. It certainly is a song that will tickle your memory. A song that was quite popular and often heard on the radio in those days, is now being reprised after a long gap. I am sure you are going to love it.

The words by Bharat Vyas are simple and yet exquisite. They capture the emotions of a heart that seems to be falling in love for the first time. A tussle is one between the a newly blossomed flower of champa, and the marauding bhanwara. The fresh champakali is trying to hide herself from the prying eyes of the bhanwra. She is afraid that he may not steal her heart away, and come to reside in it. And the bhanwra is floating around her, humming away, and telling her that this wonderful weather of fresh rains will pass soon. Yes, it is time to fall in love.

Surely it is. The melody is vintage Chitragupt, twining the verses of Bharat Vyas in such an enchanting manner that the heart simply gets carried away with this expression and description of budding love between the champakali and the bhanwra, a phenomena that is so intrinsic to the nature. Beautiful words, enchanting music and very playful and joyous rendering by Asha Bhosle. A very special song, indeed.

The film is ‘Mahabharat’ from 1965. The film is produced under the banner of AG Films, Bombay and is directed by Babubhai Mistry. The star cast is impressive and includes Pradeep Kumar, Padmini, Dara Singh, Abhi Bhattacharya, Jeevan, Ambika, Manhar Desai, Tiwari, Anoop Kumar, Maruti, and Achla Sachdev amongst others. Song list in Geet Kosh contains 9 songs, all created by Bharat Vyas and Chitragupt.

This is the second song of this film to come on board here. Listen, and get that ticklish feeling of meeting a very dear friend after a very long gap. Enjoy.

 

Song – Champakali Chhup Chhup Jaaye Re (Mahabharat) (1965) Singer – Asha Bhosle, Lyrics – Bharat Vyas, MD – Chitragupt
Chorus

Lyrics

aha haa haa haa haa haa haa ha..aa..aa..aa

champakali chhup chhup jaaye re
bhanwra lalchaaye re
jhaanke chori chori laaj nahin aaye re
jhaanke chori chori laaj nahin aaye re
champakali chhup chhup jaaye re
bhanwra lalchaaye re
jhaanke chori chori laaj nahin aaye re
jhaanke chori chori laaj nahin aaye re
champakali chhup chhup jaaye re

aaaa aaaaaaa aa
aaaa aaaa aaaa aaaaaaaa aa
aaaa aaa aa
aaaa aaa aa aaaaaa

chhui mui nanhi kali badi ghabraaye
koi anjaana mora jiya na le jaaye
chhui mui nanhi kali badi ghabraaye
koi anjaana mora jiya na le jaaye
boley nahin
palken khole nahin
koi kajraare nainan mein bas na jaaye re
champakali chhup chhup jaaye re
bhanwra lalchaaye re
jhaanke chori chori laaj nahin aaye re
jhaanke chori chori laaj nahin aaye re
champakali chhup chhup jaaye re

dheemi dheemi hawa chale ghata lehraaye
gun gun bhonwra bole mausam beeta jaaye
dheemi dheemi hawa chale ghata lehraaye
gun gun bhonwra bole mausam beeta jaaye
dhadhke jiya
bairi ye chhalia
mere kaanon mein preet bhara geet gaaye re
champakali chhup chhup jaaye re
bhanwra lalchaaye re
jhaanke chori chori laaj nahin aaye re
jhaanke chori chori laaj nahin aaye re
champakali chhup chhup jaaye re

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

आहा हा हा हा हा हा हा हा॰॰आ॰॰आ॰॰आ

चम्पाकली छुप छुप जाये रे
भँवरा ललचाये रे
झाँके चोरी चोरी लाज नहीं आए रे
झाँके चोरी चोरी लाज नहीं आए रे
चम्पाकली छुप छुप जाये रे
भँवरा ललचाये रे
झाँके चोरी चोरी लाज नहीं आए रे
झाँके चोरी चोरी लाज नहीं आए रे
चम्पाकली छुप छुप जाये रे

आsss आsssssss आs
आsss आsss आsss आsssssss आs
आsss आss आs
आsss आss आs आssssss

छुई मुई नन्ही काली बड़ी घबराए
कोई अंजाना मोरा जिया ना ले जाये
छुई मुई नन्ही काली बड़ी घबराए
कोई अंजाना मोरा जिया ना ले जाये
बोले नहीं
पलकें खोले नहीं
कोई कजरारे नैनन में बस ना जाये रे
चम्पाकली छुप छुप जाये रे
भँवरा ललचाये रे
झाँके चोरी चोरी लाज नहीं आए रे
झाँके चोरी चोरी लाज नहीं आए रे
चम्पाकली छुप छुप जाये रे

धीमी धीमी हवा चले घटा लहराए
गुन गुन भौंरा बोले मौसम बीता जाये
धीमी धीमी हवा चले घटा लहराए
गुन गुन भौंरा बोले मौसम बीता जाये
धड़के जिया
बैरी ये छलिया
मेरे कानों में प्रीत भरा गीत गाये रे
चम्पाकली छुप छुप जाये रे
भँवरा ललचाये रे
झाँके चोरी चोरी लाज नहीं आए रे
झाँके चोरी चोरी लाज नहीं आए रे
चम्पाकली छुप छुप जाये रे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3677 Post No. : 14568

ASAD 10th Anniversary Celebrations – 20
———————————————————————

And now, continuing the saga of the 10th anniversary celebrations. 🙂

First off, thanks to Mahesh ji for announcement that “The last batsman is in”. Quite true, and well, almost. One reason (of the many excuses that I am going to converse about today 🙂 ), is that, quite truly, I was waiting for at least one more contribution to land in, before I announce the closure of celebrations. But as the events transpired, I realized that waiting for that article would probably be like waiting for Mr. Godot.

I refer to Ben Kayti, who has promised me that she will be sending in a write up, but then – well, days have just been following one after the other. In an earlier communication she mentioned that she was little down in health, and that she has a doctor’s appointment. And then – silence. One day, two days – messages on WhatsApp, emails, phone calls, voice mail remained unanswered. When no response came, I had no option but to press the panic button. I tried to contact three other people in the family. And finally, her daughter-in-law responded to my SOS. The family is out to a vacation – Glacier National Park in Montana, where no connectivity is available. The vacationers also include the other two members of the family who I was attempting to get in touch. So it was a relief to know that all was well, and also somewhat vexing that there was a communication gap that created some worries. I will return to this and tie up the loose end left here, and continue with the mainstream of celebration.

‘19’ seems to be a lucky number for me. Quite a few significant things in my life are connected with this number. And thus, not surprisingly, I get connected with this blog that celebrates its birthday on 19th July. And then, more, I was not planning it to be so – my (previous) post comes at 19th in the series. Ah yes, as Atul ji has mentioned often, there is a hand of providence with what goes on with this blog. And let me add one more very interesting ‘19’ phenomena. As per the statistics that the WordPress maintains, the date which has had the highest number of visitors on this blog (10,630) is also a 19 – 19th October, 2011.

On 14th January this year, the visitor’s ticker on our blog home page turned into an 8 digit number for the first time. We clocked in 10 millionth visitor that evening (IST) – and it translates to 1 crore, in domestic terminology. As I write to complete this article, the ticker has already gone past 10 million 6 hundred thousand, clocking in on average ~ 3,000 visitors per day in this year so far. I would like to give it a name today – this presence that ASAD makes on the worldwide web – it is the “ASAD Phenomena“. Nowhere else probably (once again, as far as I am aware) is there any such endeavour that combines the interests and the determination of such a like-minded team with such dedication, to sustain such a significant level of interest in the central theme of this blog. All I can say is – there are music lovers in this world, and then there are ‘music lovers’ in this world.

Looking back at my association, the date was 1st October 2010 when I clicked on the subscribe button for getting the RSS feed and became a regular reader-member of this blog. And guess, what is the first song feed that arrived into my mailbox next day (on 2nd October) – “Ham to tere dil ke bangley mein aanaa maangtaa”. Now that I read this song title, I wonder whether it was a message intended for me from Atul ji, or was it supposed to be from me to Atul ji. 😀 😀  Whichever way, I think it just worked out very famously. 🙂

My first step into lyrics contribution was published on 1st Feb, 2011 and it is the famous Suraiya song from ‘Bilwamangal’ (1954) – “Parwaanon Se Preet Seekh Len”. And then it just went on from there. The first post written by me appeared on 18th Feb, 2011, a song from the film ‘Gul e Bakaavali’ (1963) “Ye Kehdo Tumhe Hamse Kyaa Chaahiye”. Missed the 19th by just a day, although there is a post on the 19th Feb also, my second one. And then it just went on from there.

कुछ लगता नहीं के सात साल गुज़र गए। Seriously, it seems just like last week or last month. In that very year (2011), in the subsequent months, we had a spectacular event on the blog, something of the type that has not yet been repeated. An event that truly marks this blog to be a Phenomena. Starting on 28th June, 2011, the blog saw an unbroken series of articles on the great KL Saigal Sb, that lasted all the way up to 18th Sep, 2011. The last song of this unbroken series, posted on 18th Sep is “Baalam To Pe Sabar Padey” from the film ‘Parwaana’ (1947). I quote a brief paragraph from that write up here,

With this post, I have now published 61 posts on Saigal Saab’s songs. In one of the interim emails, Atul ji wrote to me that every day morning, he eagerly opens his mailbox to look for an email from me. And the eagerness and urgency was no less on my side. Some of the ghazals took anywhere from 3 to 6 hours to complete the write up, with the translations and commentary to my satisfaction. There have been nights when I have sent the write ups to Atul ji at 2 am, 3 am and even past 4 am. There have been occasions that (after having fallen asleep on my laptop) I got to complete the write up later in the morning; you can identify these days by noting the delay in posting the Saigal Saab song for the day.

What a heady time it was. That endeavour was really worth it. We enjoyed it immensely, and it came to a monumental conclusion of documenting and posting each and every one of the available Hindi / Urdu recordings made by the great singer. And truly, nothing comparable to that has again been attempted on the blog so far.

One more reason that I quote this above paragraph from the earlier write up. Something of this relates to the song in this post. I will return to it again, shortly. But yes, I am talking about the relentless tempo with which this blog continues to progress. The support and participative contributions from the entire team are without doubt the bulwark that provides the strength to the arms and shoulders of what this blog is. But then the definitive power of this entire effort is the unflagging dedication and persistence of the leadership from Atul ji, which is truly the backbone of this effort.  It is an accomplishment sans pareil anywhere in the annals of the history of blogging on the internet related to Hindi Film Music.

So, beyond September of 2011, although now done with all the available songs of Saigal Saab, the journey and the saga still continued. Century milestones came with their regularity, then the 5,000th song – “Hamen To Loot Liyaa Mil Ke Husn Waalon Ne” (dated 13th Nov, 2011), more centuries of artists and other interesting statistical achievements. Then on to the 10,000th song – “Phul Rahin Belariyaan Dolen” (dated 20th July,2014), an extraordinary song published first time anywhere on the net, a song of 1931 vintage posted; and the unprecedented organized effort wherein all regular members of the group contributed a post that contains an introduction of another member. And a memorable long afternoon spent by almost the entire group connected on email, as we all waited for the post to appear on the blog.

On and on, tirelessly, doggedly – getting to honky-tonk posts at the nos. 11111, 12345, 12357 . . .

Then we came to the post no. 13182 – “Aag Lagi Shola Uttha Shamma Pe Parwaana Gira”, on 22nd April last year. It was the mostest of the most momentous celebrations, the 10,000th post by dear Atul ji. It was a surprise for Atul ji; he was under the impression that his 10,000th milestone was already past. But that was not the case. The entire group got together and gave him a standing ovation that verily resounded across the internet.

The next big whopper for our blog came on 14th Jan earlier this year, and its celebration was covered in post no. 13921 “Bhalaai Duniya Ki Jo Subh O Shaam Karte Hain” – the visitor ticker on the blog had turned from nine million, nine hundred ninety nine thousand, nine hundred ninety nine to ten million, sometimes in the late evening of 14th Jan (IST). In desi parlance, we would say  निन्यावे लाख, निन्यावे हज़ार, नौ सौ निन्यावे से हम एक करोड़ पर पहुंचे। Once again, this was a major, major occasion for the blog, and the echoes reverberated once again around the globe – literally. 🙂

And now, greetings (balated) for the date of completing 10 years since this blog’s creation by Atul ji. The date is 19th July (and I am late, of course, as usual – I have a reputation to protect and uphold, you know 😀 ). As per the Wikipedia articles, celebrations calendars and other related details available online, the tenth anniversary is represented by tin or aluminum. The color of this anniversary is blue and / or silver. And the gift of this 10th celebration is diamonds. Whooo. . .

Note that 10 is another interesting number on our blog recently – 10,000th post on blog, 10,000th post by Atul ji, 10 millionth visitor on the blog, and now the 10th anniversary of the blog itself; the last three events listed happening within the period of past 16 months. You simply just cannot cease to keep celebrating on this blog. And the wonder of wonders is that we also continue to trace and share absolutely wonderful celebration songs to go along with the event. The patterns that we conjured up for the post nos. 11111, 12345 and 12357 are quite an interesting phenomena in as of themselves, with the ”hand of providence” playing its fair share in making them happen. 🙂 For those who may not be familiar with these stories, I suggest they should view these posts – they are really very interesting tales of happenstance and coincidence. 🙂  Just click on the post numbers in the sentence above.

So, connecting back to where we started off. Finally last night (IST), the much awaited call from Ben Kayti and Jagdish Bhai materialized. It was a great relief to hear their voices, and to be assured that all is well. The planned vacation had gone on very well, and quite “frigidly”, given that the vacation spot chosen was the Glacier National Park in Montana (USA). After returning from there earlier this week, they also had some guests visiting and so Khyati Ben was completely busy with family affairs. She has once again promised that she will write a post this coming week now. I decided not to wait any further and put up the 20th post in this series today. If and when her post comes along, it will be now at an auspicious ‘पायदान’ of 21. 🙂

Amongst others in the list of my ‘reasons’ (excuses) is of course that I was also in travel during some of this intervening period. In fact most of the early posts in the 10th anniversary series were actually posted while I was on the move. Getting back home, I almost immediately got busy with celebrations for Guru Purnima at my Guru ji’s place. There, the celebrations last for 5 / 6 days, starting from the Guru Purnima day and continuing till the ‘पंचमी’ in the month of ‘सावन’. So that occupied me for almost a whole week within which I was not able to accomplish much as far as the blog activities are concerned.

Another thing was the song selection. Till almost the last hours of posting my previous article – “Dil Chaahta Hai” – I had no idea what would be the songs I am going to write about. The first song I finally zeroed in was this one. Going by a set of very good celebration songs posted by other friends in the group, I was thinking – most of these songs are of recent origin. How about searching for a similar celebration cum group dance song from the earlier decades? After sifting through many possibilities, I picked up this song from the film ‘Tarang’ of 1952. First of, this song has four singers – Rafi Sb, Geeta Dutt, Shamshad Begum and Chitragupt himself. Secondly, the song (no video available) gives a feeling of a gypsy camp by the banks of a river, where a group dance cum song is being performed.

So actually, this song was originally planned to be the earlier post. But then, in random process, I bumped into the “Dil Chaahta Hai” song, and with some contemplative considerations, my planned post got converted into two posts. And good that it did. If I would have combined both these posts with one song – well. . . 🙂

So here is a fabulous celebration song which promises that the proceedings are going to last all night, and that all are invited. And the best part, this song starts with mentioning the word ‘सावन’.

So let me now take just a couple of more minutes to link in ‘सावन’ (saawan) with this celebration. You are going to love this. After having posted all the posts received from the group, and with Atul ji’s post also in place, I started to get individual messages from members of this group, asking me about the delay as to why my post was not coming in. And me, I was without an answer; what to tell – that I have not yet identified the song even? Well, as part of this set of messages, I get this fond message from Atul ji himself on 26th or maybe 27th July, wherein he prodded me to publish my post on the 28th. Reason, he explained, was that 28th July this year is the start of the month of ‘सावन’. And back, in 2008, when this blog got initiated, the date 19th July was also the start of of the month of ‘सावन’. I was really wonderstruck. I had never made this wonderful connect before. Wow, this blog is born in the month of ‘सावन’ – ‘सावन – मन भावन’, and not just the month, on the first of the month. Now this is really auspicious. I can go on now connecting many more things, along with this connect. . .  but maybe not. Goodness, there are hundreds of songs in Hindi films that have the word ‘सावन’ in the mukhda. So I will move on by saying that this blog is blessed – for it is born in this auspicious month, showering sprinkles of delightful music in drizzles of melodious songs, one after the other. Oh sure, yes, this blog is a ‘सावन’ born. 🙂 Without any doubts. I am glad Atul ji highlighted this point to me, and that now we know what songs to post in the future, when the blog’s birthday comes along. 🙂

Coming back to this film and this song. I got the set of songs of this film from my collector friend. This film has some very wondrous songs, ten in all, eight of which are penned by IC Kapoor, and one each by DN Madhok and Ram Murti. This song is written by Ram Murti. The music composition is by Chitragupt, who has also lent his voice to two of the songs in this film, including this one. The blog already carries 5 songs from this film, and I promise you, the best of the songs are still to come. Just like this song today. It is such a joie de vivre expression of gaiety and celebration. The tempo is so sweet and so infective, that you will be swaying with the beat. When I heard this song for the first time, well, quite a while back now, I was simply bowled over by it. And even now, having heard it so often, whenever I play it again, I simply am not able to get over it.

नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ॰ ॰ ॰

Just listen to this song, and I assure you that at the end of the play, you will feel so un-satiated that you will be playing it again and again.

In some ways, this song also expresses my connect with the blog. Earlier in this article, I had mentioned a quote from the earlier posted last article in the KL Saigal series. So that is the connect here. Practically all my work for this blog happens in the dead of the night and in the wee hours of the morning. This is also mentioned in the quoted paragraph above. Even beyond the Saigal Sb series, my mode of working on the tasks related to this blog has not changed. All the posts that you see getting on to the blog at 7 am and 9 am – all these posts have been worked on and completed the previous night at times like 2 am and 3 am. 🙂

A very happy 10th birthday to ASAD; a ton of congratulations to Atul ji, and all the dear friends and co-passengers on this musical bandwagon. The saga continues. . .

नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ॰ ॰ ॰

 

Song – Nadiya Kinaare Mora Dera, Mashaal Jaley Saari Ratiyaan (Tarang) (1952) Singer – Mohammed Rafi, Geeta Dutt, Shamshad Begum, Chitragupt, Lyrics – Ram Murti, MD – Chitragupt
Chorus

Lyrics

saawan barse
kaari re badariya
phaagun rang ki phuhaar
ho oo
nainan mein mora
baanka re saanwariya

mann mein saanwariya ka pyaar. . .

. . . mashaal jaley saari ratiyaan
hoye nadiya kinaare mora dera
ho oo
nadiya kinaare mora dera
mashaal jaley saari ratiyaan
saari ratiyaan ho saari ratiyaan
saari ratiyaan
hoye nadiya kinaare mora dera
nadiya kinaare mora dera
mashaal jaley saari ratiyaan
ho oo main bhi karunga kabhi phera
main bhi karunga kabhi phera
mashaal jaley saari ratiyaan
hoye
nadiya kinaare mora dera
haa. . .
nadiya kinaare mora dera
mashaal jaley saari ratiyaan

jaise ganga mein lehre lehariya
waise lehre gori tori chunariya
ae ji dekho kahin neha lagaa ke
bhool jaiyo na mori dagariya
oo oo dil mein hai tera basera
dil mein hai tera basera
mashaal jaley saari ratiyaan
hoye
nadiya kinaare mora dera
haa hhaaa
nadiya kinaare mora dera
mashaal jaley saari ratiyaan

chanda se mil mil ke
khele ratiyaan
ho khele ratiyaan
chanda se mil mil ke
khele ratiyaan
bagiya mein khele bahaar
daar galey bainyaan
sajan sang khelun
balam sang khelun
daar galey bainyaan
sajan sang khelun
main albeli naar
ho oo kabhun na hovey savera
kabhun na hovey savera
mashaal jaley saari ratiyaan
hoye
nadiya kinaare mora dera
arre waah waah
nadiya kinaare mora dera
mashaal jaley saari ratiyaan
oye
nadiya kinaare mora dera
ha..an
nadiya kinaare mora dera
mashaal jaley saari ratiyaan

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

सावन बरसे
कारी रे बदरिया
फागुन रस की फुहार
हो ओ
नैनन में मोरा
बांका रे साँवरिया
मन में साँवरिया का प्यार॰ ॰ ॰

॰ ॰ ॰ मशाल जले सारी रतियाँ
होय नदिया किनारे मोरा डेरा
हो ओ
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ
सारी रतियाँ हो सारी रतियाँ
सारी रतियाँ
होय नदिया किनारे मोरा डेरा
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ
हो ओ मैं भी करूंगा कभी फेरा
मैं भी करूंगा कभी फेरा
मशाल जले सारी रतियाँ
होय
नदिया किनारे मोरा डेरा
हा॰ ॰ ॰
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ

जैसे गंगा में लहरे लहरिया
वैसे लहरे गोरी तोरी चुनरिया
ए जी देखो कहीं नेहा लगा के
भूल जइयो ना मोरी डगरिया
ओ ओ दिल में है तेरा बसेरा
दिल में है तेरा बसेरा
मशाल जले सारी रतियाँ
नदिया किनारे मोरा डेरा
हा ह्हा
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ

चंदा से मिलके
खेले रतियाँ
हो खेले रतियाँ
चंदा से मिलके
खेले रतियाँ
बगिया में खेले बहार
डा गले बइन्या
सजन संग खेलूँ
बलम संग खेलूँ
डा गले बइन्या
सजन संग खेलूँ
मैं अलबेली नार
हो ओ कबहूँ ना होवे सवेरा
कबहूँ ना होवे सवेरा
मशाल जले सारी रतियाँ
होय
नदिया किनारे मोरा डेरा
अरे वाह वाह
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ
ओय
नदिया किनारे मोरा डेरा
हाँ॰ ॰ ॰
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3643 Post No. : 14471

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 20
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘न’ – नज़र ने लूटा है, अदा ने मारा है ॰ ॰ ॰

– – – –

फूलों से दोस्ती है, काँटों से यारी है ॰ ॰ ॰
ऐसी मज़े की प्यारे ज़िंदगी हमारी है ॰ ॰ ॰

ज़िंदगी हो भी तो जैसी तुम्हारी थी, वैसी हो॰ ॰ ॰ कोई अच्छा था तो वो भी दोस्त था, कोई अच्छा नहीं था तो भी यार ही था। A big heart such as yours is a rarity in humans.

– – – –

The first line of the song and the mind is tuned in for another gem of a creation from Chitragupt. This next song in this series is vintage Chitragupt.

The film is ‘Police Detective’ from 1960. The melody was still the reigning empress, and the creators of the likes of Chitragupt were still at their inspired best. Such a lovely playful song of two hearts in love, expressing their hearts to each other.

The film is a production from the banner of Neo Light Films, Bombay and is produced by Balwant Bhatt and Ram Kamlani. It is directed by Nanabhai Bhatt. The cast of actors listed for the film is impressive and includes Shyama, Sudesh, David, Jaishri Gadkar, Lilian, Ram Kamlani, Helen, Anwar, Shammi, Bhagwan, Meena, Genius, Susheel Kumar, Jai Kumar, Nisar, Roshanlal, Ramesh Roy, Saleem, Ghulam Rasool, Gani, Mohammad Ali, Sevanand, Ameer, Douglas, Tiger (Dog), and Pedro, the human chimpanzee. Hmm. . . Sevanand – interesting, would have liked to see an image of this actor. . . whether any similarity to Dev Anand. 🙂

Six songs are listed for this film, all from the pen of Prem Dhawan. Two of these songs are already showcased here on our blog. This is the third one to come on board from this film. The singing companion of Rafi Sb in this song is Lata Mangeshkar. Given the list of actors, this song is most likely picturized on the lead pair of Shyama and Sudesh Kumar. I request other readers and friends to please comment on this guess.

Listen to this lovely tête-à-tête between two hearts in love – complaints of hearts stolen through deceit and ripostes of challenges that if this is deceit, then welcome to take back the heart. Wonderful play of words, and a lovely tune that ties them together. A pleasure to listen.

Song – Nazar Ne Loota Hai, Ada Ne Maara Hai  (Police Detective) (1960) Singer – Mohammed Rafi, Lata Mangeshkar, Lyrics – Prem Dhawan, MD – Chitragupt

Lyrics

nazar ne loota hai
ada ne maara hai
haseenon ka
ye dhokha bhi
bada hi pyaara hai
nazar ne loota hai
ada ne maara hai
haseenon ka
ye dhokha bhi
bada hi pyaara hai
agar ye dhokha tha
to kis ne roka tha
laga ke dil ye kehte ho
ke dil bechaara hai
nazar ne loota hai

hamaare haal pe to ye zamaana hansta hai
ke jiske paas dil ho wo kabhi to phansta hai
hamaare haal pe to ye zamaana hansta hai
ke jiske paas dil ho wo kabhi to phansta hai
to phir kyon rotey phirtey ho
ke dil nazron ka maara hai
nazar ne loota hai
ada ne maara hai
haseenon ka
ye dhokha bhi
bada hi pyaara hai
nazar ne loota hai

hamaare naaz bhi sehne padenge ulfat mein
likhe hain sainkdo chakkar
tumhaari kismat mein
hamaare naaz bhi sehne padenge ulfat mein
likhe hain sainkdo chakkar
tumhaari kismat mein
jo hum pe guzregi seh lenge
jab dil tum pe waara hai
agar ye dhokha tha
to kis ne roka tha
laga ke dil ye kehte ho
ke dil bechaara hai
nazar ne loota hai
ada ne maara hai
haseenon ka
ye dhokha bhi
bada hi pyaara hai
nazar ne loota hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
नज़र ने लूटा है
अदा ने मारा है
हसीनों का
ये धोखा भी
बड़ा ही प्यारा है
नज़र ने लूटा है
अदा ने मारा है
हसीनों का
ये धोखा भी
बड़ा ही प्यारा है
अगर ये धोखा था
तो किस ने रोका था
लगा के दिल
ये कहते हो
के दिल बेचारा है
नज़र ने लूटा है

हमारे हाल पे तो ये ज़माना हँसता है
के जिसके पास दिल हो वो कभी तो फँसता है
हमारे हाल पे तो ये ज़माना हँसता है
के जिसके पास दिल हो वो कभी तो फँसता है
तो फिर क्यों रोते फिरते हो
के दिल नज़रों का मारा है
नज़र ने लूटा है
अदा ने मारा है
हसीनों का
ये धोखा भी
बड़ा ही प्यारा है
नज़र ने लूटा है

हमारे नाज़ भी सहने पड़ेंगे उलफत में
लिखे हैं सैकड़ों चक्कर
तुम्हारी किस्मत में
हमारे नाज़ भी सहने पड़ेंगे उलफत में
लिखे हैं सैकड़ों चक्कर
तुम्हारी किस्मत में
जो हम पे गुज़रेगी सह लेंगे
जब दिल तुम पे वारा है
अगर ये धोखा था
तो किस ने रोका था
लगा के दिल
ये कहते हो
के दिल बेचारा है
नज़र ने लूटा है
अदा ने मारा है
हसीनों का
ये धोखा भी
बड़ा ही प्यारा है
नज़र ने लूटा है


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3622 Post No. : 14438

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 17
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘थ’ – थोड़ी सी ज़िंदगानी राजा बीते ना जवानी ॰ ॰ ॰

– – – –

दिल तू भी गा, प्यार में मुस्कुरा ॰ ॰ ॰

Yes, we grew up with and learned all about the heart, and the smiles and love, listening to your songs. . . how we wish there were more. . .

– – – –

Scraped through with some difficulty for today’s episode – not many songs, and duet at that, beginning with this letter ‘थ’.

Today’s song is from a lesser known film from 1957 – ‘Laxmi Pooja’.  The film is produced and directed by Jayant Desai for Hemlata Pictures, Bombay. The list of actors of this film reads like – Nirupa Roy, Shahu Modak, Jeevan, Niranjan Sharma, Anant Kumar, Babu Raje, Praveen Pal, Indira, Manju, Shri Bhagwan, Sukumar, Rajrani, and Meenu Mumtaz etc.

The nine songs of this film are all written by Bharat Vyas, and the music is composed by Chitragupt. Quite a melodious song, this offering is. The singing voices are those of Shamshad Begum and Rafi Sb.

Apparently the lady’s beau has a stronger attachment to religious pursuits, much to the dismay of the lady. And she is trying to win him over with her winsome expressions about youth being wasted. And the gentleman replies – it is not just youth, but the entire life that is getting wasted, so let us sing the praises of the Good Lord. The lady is not giving up her rightful claim and she too presses on with her efforts to snare him with the promises of love. Our man, appears to be made of sterner stuff – and absolutely does not give up by the time 3rd antaraa starts to play (somewhat breaking the rule we have always found useful in such song situations).

There is another song of a similar theme – from the 1975 film ‘Sanyaasi’ – “Chal Sanyasi Mandir Mein“. It would be interesting to compare notes and lyrics. . . 🙂

Listen and enjoy.

 

Song – Thodi Si Zindgani Raja Beete Na Jawaani  (Lakshmi Pooja) (1957) Singer – Shamshad Begum, Mohammed Rafi, Lyrics – Bharat Vyas, MD – Chitragupt
Chorus

Lyrics

thodi si zindgani
raja beete na jawaani
kaahe masti bhare din gawaaye re
kyon na nainon se nainan milaaye re

teri thodi si zindgaani
pal pal beeti jaaye jawaani
kaahe heere se janam gawaaye re
kyon na govind ke gun gaaye re
kyon na govind ke gun gaaye re

rang rangeele raja aaja
o raja
rang rangeele raja aaja
kar le dil ki baat re
rang rangeele raja aaja
kar le dil ki baat re
baat baat mein jeevan beete..ey..ey..ey
baat baat mein jeevan beete
kyon na tu sharmaat re
kyon na tu sharmaat re
oo oo hoye
aai hai rut mastaani
rim jhim barse roop ka paani
dekho saawan ke badra chhaye re
kyon na nainon se nainan milaaye re
kaahe heere se janam gawaaye re
kyon na govind ke gun gaaye re
kyon na govind ke gun gaaye re

nain baan hain
palken dori
nain baan hain palken dori
chitwan chhode baan re
chitwan chhode baan re
roop jawaani behta paani..ee..ee
roop jawaani behta paani
kyon karta abhiman re
kyon karta abhiman re
teri preet badi deewaani
preet laga prabhu se agyaani
jahaan dhokha na koi khaaye re
kyon na govind ke gun gaaye re
kaahe masti bhare din gawaaye re
kyon na govind ke gun gaaye re
kaahe masti bhare din gawaaye re
kyon na govind ke gun gaaye re

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

थोड़ी सी ज़िंदगानी
राजा बीते ना जवानी
काहे मस्ती बहरे दिन गवाए रे
क्यों न नैनों से नैनां मिलाये रे

तेरी थोड़ी सी ज़िंदगानी
पल पल बीती जाये जवानी
काहे हीरे सा जनम गवाए रे
क्यों ना गोविंद के गुण गाये रे
क्यों ना गोविंद के गुण गाये रे

रंग रँगीले राजा आजा
ओ राजा
रंग रँगीले राजा आजा
कर ले दिल की बात रे
रंग रँगीले राजा आजा
कर ले दिल की बात रे
बात बात में जीवन बीते॰॰ए॰॰ए॰॰ए
बात बात में जीवन बीते
क्यों ना तू शरमात रे
क्यों ना तू शरमात रे
ओ ओ होए
आई है रुत मस्तानी
रिम झिम बरसे रूप का पानी
देखो सावन के बदरा छाए रे
क्यों न नैनों से नैनां मिलाये रे
काहे हीरे सा जनम गवाए रे
क्यों ना गोविंद के गुण गाये रे
क्यों ना गोविंद के गुण गाये रे

नैन बान हैं
पलकें डोरी
नैन बान हैं पलकें डोरी
चितवन छोड़े बान रे
चितवन छोड़े बान रे
रूप जवानी बहता पानी॰॰ई॰॰ई॰॰ई
रूप जवानी बहता पानी
क्यों करता अभिमान रे
क्यों करता अभिमान रे
तेरी प्रीत बड़ी दीवानी
प्रीत लगा प्रभु से अज्ञानी
जहां धोखा ना कोई खाये रे
क्यों ना गोविंद के गुण गाये रे
काहे मस्ती भरे दिल गवाए रे
क्यों ना गोविंद के गुण गाये रे
काहे मस्ती भरे दिल गवाए रे
क्यों ना गोविंद के गुण गाये रे


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15212

Number of movies covered in the blog

Movies with all their songs covered =1178
Total Number of movies covered =4181

Total visits so far

  • 12,220,242 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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