Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Semi Classical song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lat uljhi suljha ja baalam
haathon mein mehandi lagi hai mori

Maathe ki bindiya bikhra gayi mori
Apne haath sajaa jaa baalam

Pag paijhaniya uljha gayi mori
Apne haath lagaa jaa baalam

The above is the original bandish written by saint-poet Chandrasakhi and composed in Raag Bihag.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 3
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The first time I heard the name of the film ‘Prarthana’ (1943) was sometime in 2012 when I wrote a short write-up on Jahanara Kajjan, singer-actor of 30s and 40s, for the Blog with her song tumre darshan ka nainaa taras gaye re in Raag Gaud. Since then, the only additional information I could get about this film was that it was a social genre film. The film’s VCD/DVD is not available.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Laal E Yaman” (1933) was the first movie of JBH Wadia that he produced under his banner of Wadia Movietone. The movie had Jaal Khambhata, Karim Jah, Feroz Dastoor, Master Mohammad, Sayani, Nazeer, B Khan, Baman Shroff, Padma, Mohini, Kamla, Mayuri, Miss Leela etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

HFM Songs Statistics by Year -2
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Year 1933
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Having discussed statistics pertaining to HFM songs of 1931 and 1932, we now arrive at the year 1933. This year saw as many as 76 Hindi movies being released. HFGK part I gives us details of 906 songs from these movies. Details of some songs (and in cases all songs) of some movies are not known.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 11400th song post in the blog.

This blog has in the past seen centuries being posted in 15-16 days which was Sehwag like scoring rate so to say. But the century that we achieve today with this song has come at a Chris Tavare like strike rate. 🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Two important birthdays coming together today – 8th September. One is music director S Mohinder and the second is Asha Bhonsle. These two have created a number of songs together. Some memorable, and others, like this one, need to be rediscovered for their sheer beauty and simplicity of pleasure. During our visit to Bombay last month, Bakshi ji and I had the good fortune to spend a whole afternoon with S Mohinder ji.  A session that lasted almost four hours – it was a wonderful trip down the memory lane, for him, as well as for us.  That meeting itself is a detailed writeup that is waiting in the drafts list.  For this occasion, I am quoting two episodes where S Mohinder ji remembered Asha ji very fondly.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The Wonderful Sounds of 1930s – 9
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What an enchanting and rare piece of music this one is.  Coming from the 1935 film ‘Raaj Mukut’, this song is part of the history that is eight decades old now.  Of the fourteen songs that are listed for this film in the Geet Kosh, only this one is so far traceable and available.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Basics of Music part IV (playing swars on keyboard)
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After a longish break, here is the fourth article on the series “Basics of Music”. In the first three articles, we looked at notes (swars) and rhythm (taal). Then we discussed the classification of “Raag” into various categories.

In this part, we will discuss another important topic- viz. how to create swars on a musical instrument.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Basics of Music- Part III (Raag and Thhaat)
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In part I, we introduced swars and mentioned that combination of swars constitutes melody. In part II, we introduced the concept of Rhythm (taal) and mentioned that it is the combination of melody and rhythm that makes music what it is today.

Each of the two parts were quite heavy duty stuff for people not exposed to such stuff earlier. I got some comments on part I, but hardly any for the second part, which may mean that these concepts may have been going above the heads of readers. Nevertheless, these concepts are vital and they needed to be introduced. Here is the third part of the discussion on basics of music.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Basics of Music- Part II (Taal)
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In part I, we introduced the concepts of “octave” and “notes” and mentioned that they are known as “saptak” and “swar” respectively in Hindustani classical music. We used these concepts to discuss “Aaroh” and “Avroh”. Ab aage…
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