Archive for the ‘Songs of 1957’ Category
Subah uthh ke Mirze yaar ne
Posted on: July 5, 2020
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4370 | Post No. : | 15702 |
Today’s song is a special song from the film Mirza Sahibaan-1957. It is special because it is almost a 9 minute song – 8 minutes and 36 seconds, to be exact. There is one more-Punjabi- song in this film, which is about 6m 30s long. Today’s song is written by Verma Malik and the music is composed by Sardul Kwatra- one of the 3 Sikh composers in Hindi films during that period ( the other two were G S Kohli and S Mohinder). His younger brother Bhagwant Kwatra was his assistant here.
Sardul Singh Kwatra was one of the very few Sikh Music Directors Hindi Films had. He was born in Lahore in 1928. He was educated and trained in classical music at Lahore. His teacher in music was Sardar Awatar Singh, who was quite famous in Lahore. Later Sardul singh joined Hansraj Behl as his assistant.
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Chal aisi jagah ae dil
Posted on: July 3, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4368 | Post No. : | 15697 | Movie Count : |
4373 |
Hindi songs in Bangla Films – 33
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Music Directors, Ravi (Ravi Shankar Sharma) and Hemant Kumar (Hemant Mukherjee or Hemant Mukhopadhyay as he is known in Bangla films industry) had an interesting and collaborative partnership in the 1950s. As revealed in his multiple TV interviews, Ravi came to Mumbai in 1950 to become a playback singer. He started as a chorus singer and his first song as a chorus singer was for zara jhoom le jawaani ka zamaana in ‘Naujawaan’ (1951).
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Bach jaa nazar ke teer se
Posted on: May 3, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4307 | Post No. : | 15579 |
“Paataal Pari”(1957) was produced by Bakht Bahadur Singh and directed by S P Bakshi for Sardar Pictures, Bombay. This fantasy movie had Shakila, Jairaj, Tiwari, Kumkum, Ramesh Thakur, Yashodhar Katju, Mohinder, Habeeb, Ramkumar, Zippy, Uma Dutt, H Prakash, Gulnaar, Khairaati, Sheikh etc alongwith guest artists Shree Mohan, Heera Sawant and Indra.
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Kaa karoon sajni aaye na baalam
Posted on: April 25, 2020
- In: Bade Ghulam Ali Khan Songs | Classical composition | Devnagri script lyrics by Sudhir | Guest posts | Hindi Songs in Non-Hindi Films | Lyrics contributed by readers | Post by Sadanand Kamath | Song from regional movies | Songs of 1950s (1951 to 1960) | Songs of 1957 | Stage song | Yearwise breakup of songs
- 11 Comments
This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4299 | Post No. : | 15559 |
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Hindi Songs in Bangla Films – 25
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The personality I am going to persent in this article is one of the greatest exponents of Hindustani classical music. He has been often referred to as the ‘Tansen of the 20th Century’. He is also credited with creating an unique style of rendition with shorter ‘aalaaps’ and ‘vilambit’ (slow), greater emphasis on ‘taans’ and ‘sargams’ much against the likings of purists among the Hindustani classical vocalists. He did these improvisations to make his presentation interesting to his audience. This style of renditions was later to become an integral part of Kasur-Patiala Gharana for the nextgen vocalists. He is none other than Padma Bhushan Ustad Bade Ghulam Ali Khan whose 52nd Remembrance Day falls today, the April 25th.
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So jaa re so jaa mere laal
Posted on: March 11, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4254 | Post No. : | 15474 |
“Aadhi Roti” (1957) was produced by Amritlal Gandhi and Vallabk Choksi and directed by Chandrakant for Gandhi and Choksi, Bombay. the “social” movie had Bhagwan, Sulochana, Ulhas, Prem Adib, Kumud Tripathi, Manorama, Al Nasir, Bima Kumari, Master Dabboo, Roop Kumar (Daisy Irani), Ratnamala, Rajan Haksar, Radheshyam, Amirbai Karnataki, Baby Akhtar, Mehrunnissa, Bagla, R S Dubey, Champak Lala, Rajesh Sharma, Shrawan Kumar, Uma Khosla, Shakuntala etc in it.
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