Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1964’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Just browsing on the blog, through the list of songs by film, I come across the film ‘Sangam’ from 1964. As per records, the film has eight songs, and seven are already posted here on the blog. The last entry for this iconic film and its songs is from August last year. As I paused on this list, I immediately realized what is missing. The missing song is the famous multi-lingual creation in the voice of Vivian Lobo. And friends, that was the easy part. Getting down to decipher just the four lines of non-English verses, turned out to be a multi hour marathon exercise. Don’t know why, but I just got fixed on this today, and now, after having spent a better part of the night and day, I am thinking, I should have left it alone. Or maybe not. 🙂 🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A romantic song in the garden, with the hero and heroine moving between the flowers and around the trees, has been almost a fixture in the formula of social drama movies, almost from the word go. A difference that one can point out that in 30s and 40s, for such songs, the lead pair would be more sober with their movements, and probably be singing with very little movements. This changed in the 50s and 60s, when dancing, running and chasing each other became important elements of picturization of such songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is the 1000th guest post in this blog.

Joy Mukherjee and Saira Banu were one of the popular lead pairs of Hindi movies in 1960s. They acted together in ‘Door Ki Aawaz’ (1964), ‘Aao Pyaar Karen’ (1964), ‘Saaz Aur Aawaz’ (1966), ‘Ye Zindagi Kitni Haseen Hai’ (1966) and ‘Shagird’ (1967). However, except for ‘Shagird’ (1967), none of their other 4 films could succeed at the box office. On the other hand, during the same period, Joy Mukherjee also paired with Asha Parekh in ‘Phir Wohi Dil Laaya Hoon’ (1963), ‘Ziddi’ (1964) and ‘Love in Tokyo’ (1966) all of which became box office hits. Most of these films were directly or indirectly associated with Mukherjee family and their production company Filmistan and later Filmalaya.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Many poet-saints were born across India between the 14th to 16th centuries. I recallthe names of a few of them mainly because films were made on their lives. They were Guru Nanak, Sant Kabeer, Sant Gyaneshwar, Sant Tukaram, Narsinh Mehta, Chandidas, Purandara Dasa, Kanaka Dasa, Arunagirinathar, Appiah Dikshitar etc. These saints wrote poems in praise of Gods. Some of them even composed music for their poems. In eastern India, there was a poet-saint Vidyapati Thakur (also known as Maithili Kavi Kokil or simply Vidyapati) who was born in the 15th century in Madhubani, Bihar. He wrote poems in Maithili dialect in praise of Lord Shiva but also wrote love lore on Radha-Krishna in keeping with the popularity of Lord Krishna in this region. Over a period of time, his poems and love lore spread across whole of eastern India. His influence over Bengal was so much that at one point of time, many including me thought that he was a poet-saint belonging to Bengal.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most of us like to watch films, be it on a TV, in a cinema hall, or through DVD. Some like old films and some like new films.

Did you ever see films like, Khooni Khanzar, Dagabaj Doctor, Shaitaan ka paash, Char chakram, Daku Rani Talwarwali, Jaadu ka dandaa, Zinda Laash, Revolver Rani, Sindbad-Alladin-Alibaba, Flying man, Fighter Sheela, Khooni Darinda, Tarzan aur Jadugar, Tarzan aur Jadui Chiraag, Golden Gang, Murde ki jaan khatare mein, or Jadui putli ?
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the last few months, I must have listened to a large number of non-filmy songs (NFSs) on the internet especially those recorded in the 40s to 60s. While I was familiar with some of them from my younger days, others have been new to me. I enjoyed listening to most of the NFSs and I have shared on this blog a few of them. I am sure that If these NFSs were exposed to the listeners in a same way as Hindi films songs then they would have become equally popular. However, Majority of listeners of Hindi songs are the fan of film songs and there is no way NFSs could compete with Hindi films songs in the popularity chart. Of course there are exceptions to the rule.
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