Posts Tagged ‘1950’
Chaar dinon kee athhkheliyaan
Posted on: November 1, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6315 | Post No. : | 19553 |
Today’s song is from the film Aahuti-1950.
This unknown film was made by Sansar Movietone, Bombay. Produced by L.Shankar, it was directed by Kulbhushan. The story, screenplay and the dialogues were by a team of H.C.Jaiswal, G.Saran and L.Shankar. The music for the 12 songs of the film was given by D.C.Dutt. There is not much information available about D.C.Dutta, not even what the initials D.C. stand for.
All of us know that Lata Mangeshkar had to struggle very hard in her initial attempts to get into Playback singing in Hindi films. In her early struggle, 3 Duttas helped her. The first was of course Datta Davjekar who gave her the first opportunity to sing a Playback song for his film Aapki sewa mein-1947. The second was K.Datta or Datta Korgaonkar, who, after his favourite singer Noorjehan left India, took Lata under his wings and gave her songs. The third Dutta was this-D.C.Dutt. No information is available about him whatsoever, except what is printed in HFGK and its duplication in Pankaj Raag’s book “Dhunon ki Yatra”. Thanks to this, we know that his debut was through the film Sona Chandi-1946. Out of 12 songs of the film, only two were his and one of them was by Lata Mangeshkar.
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Phailee deepon kee ujiyaalee
Posted on: October 20, 2025
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6303 | Post No. : | 19509 |
I cannot but help notice that the festivals of Holi and Deepawali are almost diametrically opposite to each other. They fall six months apart. Holi is observed on Poornima. Deepawali is observed on Amawasya. Holi is celebrated in day time (mostly first half of the day). Deepawali is celebrated at night time. On the day of Holi, roads are deserted. Public transport services that are usually jam packed run empty on this day. During Deepawali, public transport services run overbooked and there is no way one can get accomodation on trains on this day.
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Mere sapne baney aaj apney
Posted on: October 2, 2025
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6285 | Post No. : | 19453 |
“Hamaari Beti”(1950) was Produced and directed by Shobhana Samarth for Shobhana Pictures,Bombay. It was the launch vehicle for Nutan , Shobhana Samarth’s eldest daughter into film world. The movie had Nutan, Shekhar, Baby Tanuja, Moti Lal, Shobhana Samarth, Veera, David, K N Singh, Randhir, Agha, Pramila, Kukku, Ameerbai, Nandani, Master Ratan etc in it.
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Kaanee kudbee ek ustaanee
Posted on: September 27, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6280 | Post No. : | 19436 |
Today’s song is from the film Hamari Beti-1950.
The film was produced and directed by Shobhana Samarth, for her own banner ‘Shobhana Pictures’ Bombay. Music was by Snehal Bhatkar. Vasudev G. Bhatkar was working with H.M.V. and he had recorded some of his own songs as a singer. Impressed, Sudhir Phadke joined hands with him to give music to filmm “Rukmini Swayamvar”-1946. Being in service with HMV, Bhatkar could not use his real name, hence the pair was named as Vasudev-Sudhir. For more films, he used different names like B.Vasudev, V.G.Bhatkar and Snehal. In 1949, he left HMV to become a full time Music Director.
His first film was Hamari Beti-1950, for which he used the name Snehal Bhatkar- which continued till his last Hindi film, Sehme hue Sitare-1994. Snehal was his daughter’s name.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6263 | Post No. : | 19383 |
#the Decade of Forties – 1941 – 1950 #
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‘Dushmani-1950’ was directed by S. Upendra for ‘Manju Films, Bombay’. As per HFGK Vol-II (1941-1950) it was a stunt movie. It had Bhagwan, Arvind Kumar, Habib, Hari Mohan, Madan Jeet, Khushi Mulwani, Sarla Devi, Usha Shukla, Shaikh and others. Geet Kosh lists six songs for this movie sung by Shaikh, Sulochana Kadam, Khan Mastana and Vinod. For one song the singer’s name is not mentioned.
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Dekho dekho ghoonghat kee oat se
Posted on: August 27, 2025
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6249 | Post No. : | 19326 |
#the Decade of Forties – 1941 – 1950 #
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Today’s Sulochana Kadam song is from the 1950 movie ‘Bheeshm Pratigya’. It was directed by Vasant Rao Painter for Vishal Chitra, Bombay. This mythological movie had Nargis, Shahu Modak, Mishra, Mahipal, Poornima, Nimbalkar, H. Prakash, Kamlakant, Moti Beena, Kumar, Meenakshi, Kusum Thakur and others in it.
This movie has seven songs. S.K. Pal was the composer and Manohar Khanna wrote the lyrics of these songs. Geeta Roy, Sulochana Kadam and Asha Bhonsle were the singers in this movie. Geet Kosh doesn’t mentions singer’s names for three individual songs. Singers for the other four songs are Geeta Roy (two songs), Sulochana Kadam and Asha Bhonsle (one song each).
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6224 | Post No. : | 19242 |
#the Decade of Forties – 1941 – 1950 #
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The song in this post is from the movie ‘Saagar Tarang-1950’. This movie had made its debut on the blog on 06.02.2014. While presenting the first song from this movie our editor Atul jee had mentioned the following.
“Saagar Tarang” (1950) is a movie about which hardly any information is available, other than the fact that Geeta Dutt has sung a few songs in this movie and these songs are available on line. Other than that, hardly any information is available on this movie.
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6221 | Post No. : | 19226 |
Today’s song is from the film Pagle-1950.
The film was made by Markari Productions, Bombay. It was directed by Pratima Dasgupta. The music director was V.G.Bhatkar aka Snehal Bhatkar. The cast of the film was Begum Para, Madhuri, Jahagirdar, Pratima Devi, Mubarak, David, Agha, Cuckoo and some others. I have neither seen this film nor I could get my hands on its story, but I believe this was a dual story of a failed love and true love pair.
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Badaa rangeen fasaana hai
Posted on: July 26, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6217 | Post No. : | 19205 |
Today’s song is from the film Alladin ka Beta-1955.
Can there be a child who has not read the story of Alibaba or Alladin or Sindbad the sailor ? All of us have read these stories in our younger days,but not many know that these stories are from ‘Arabian Nights’ or ‘The 1001 Nights’.
These are collections of stories from West and south Asia.The history of this book is very complex.Suffice to say that it is a composite work and that the earliest tales came from India and Persia. Perhaps in the 8th century,these were translated into Arabic and authors from every generation went on adding stories to it. However,the basic Frame story remains the same for centuries.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6216 | Post No. : | 19202 |
Today’s song is from the film Babuji-1950.
The film was made by Uday Productions, Bombay. It was a regular stunt film from the stable of Master Bhagwan – who had done a great job of keeping this genre alive through the 1940’s. In the beginning of the 1950s, Bhagwan turned to making social films, with the Blockbuster musical film Albela-1951.
Bhagwan was elated highly with the unexpected success of his foray into the social Genre and he went on making such social films. He had, however, not realised that 10 Albela was a novelty for his captive audience and 2) 75 % success of Albela was due to superb music by C.Ramchandra, who was at the pinnacle of his career that time !
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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