Posts Tagged ‘S K Pal’
Mhaane chaakar raakho jee
Posted on: December 23, 2018
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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3810 | Post No. : | 14806 | Movie Count : |
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My first article was posted on this Blog on 1-10-2012. Before that, for almost an year and a half, I used to post my comments on the songs posted on the Blog. In those comments, I used to give information about not only the songs, but also about the film, the cast, story. MD, Lyricist and in general any matter connected with the film or the song. For example, while commenting on a song from film Chandralekha-48, I had mentioned how Vasan made more than 100 prints of the film for its All India release and how the famous ‘ Nagara’ dance was choreographed etc etc.
Other readers gave me lot of support by liking and appreciating my informative comments. This and Atul ji encouraged me and I started writing posts on the Blog with great enthusiasm. I have always believed that Knowledge increases by sharing and indeed it did. Within a week’s time I brought up my first series on ” Less Known Singers”. Looking at the welcome it received from people in the Blog and the visitors, I continuously ran as many as 26 series of songs on selected themes.
Some themes were my favourites, like ‘ Flavour of the 30’s ‘, ‘ The vibrant 40’s ‘, ‘ Vintage Naushad “, ‘ Bhajan Mala ‘, ‘Gems from the Migrators’, and ” songs from the Artiste name films”.
One of the series was ” The Great souls of India”, which ran from 1-11-2013 to 15-11-2013, covering 10 songs. In this series I had selected songs from films on Sant Kabir, Sant Tulsidas, Sant Surdas, Sant Tukaram, Sant Dnyaneshwar, Bhakt Dhruv, Bhakt Prahlad, Narsi Bhagat, Sri Chaitanya Mahaprabhu and Jagadguru Shankaracharya.
That time I regretted that I could only include 10 ‘ Great souls ‘ in the series, when another 8 to 10 were left out. I felt particularly sad that Sant Meerabai was left out. I am making amends to that lapse now. DER AAYE DURUST AAYE. It is never too late to repair the damage. So, today’s song is from a film ” Meerabai”-47. There was yet another film ” Meera’ in 1947. Two songs from that film were already discussed here, therefore I have selected this film, which makes a Debut here.
There was one thing common in these two films on Meerabai. Both films had songs predominantly sung by just One Singer. In the film ‘Meera’-47, 17 songs out of the 18 songs were sung by its Heroine M.S.Subbulakshmi. In the film ‘ Meerabai’-47, all the 13 songs were sung by Sitarabai Kanpuri. While Meera was originally a Tamil film of 1945, dubbed in Hindi in 1947, Meerabai was a fresh film made in Hindi only. In Meera, it was a feast and delight to listen to M.S. in Hindi. Her conspicuous Hindi pronunciations were never a barrier in savouring her divine rendering. Most bhajans in her film had the traditional tunes, but in film Meerabai, the MD S.K.Pal had tried newer tunes to these Bhajans. To his credit, I must say that his attempts were praiseworthy. Just listen to today’s song and you will agree with me.
Mirabai was a great saint and a devotee of Sri Krishna. Despite facing criticism and hostility from her own family, she lived an exemplary saintly life and composed many devotional bhajans. Historical information about the life of Mirabai is a matter of some scholarly debate. The oldest biographical account was Priyadas’s commentary in Nabhadas’ Sri Bhaktammal in 1712. Nevertheless, there are many oral histories, which give an insight into this unique poet and saint of India.
Mira was born around the start of the 16th Century in the Chaukari village in Merta, Rajasthan. Her father was Ratan Singh a descendant of Rao Rathor, the founder of Jodhpur. When Mirabai was only three years old, a wandering Sadhu came to her family’s home and gave a doll of Sri Krishna to her father. Her father saw this as a special blessing but was initially unwilling to give it to his daughter, because he felt she would not appreciate it. However, Mira had, at first sight, become deeply enamoured with this depiction of Lord Krishna. She refused to eat until the doll of Sri Krishna was given to her. To Mira, this figure of Sri Krishna embodied his living presence. She resolved to make Krishna her lifelong friend, lover, and husband. Throughout her turbulent life, she never wavered from her youthful commitment.
On one occasion, when Mira was still young, she saw a wedding procession going down the street. Turning to her mother, she asked in innocence, “Who will be my husband?” Her mother replied, half in jest, half in seriousness. “You already have your husband, Sri Krishna.” Mira’s mother was supportive of her daughter’s blossoming religious tendencies, but she passed away when Meera was only young.
At an early age, Mira’s father arranged for her to be married to Prince Bhoj Raj, who was the eldest son of Rana Sanga of Chittor. They were an influential Hindu family and the marriage significantly elevated Mira’s social position. However, Mira was not enamoured of the luxuries of the palace. She served her husband dutifully, but in the evening she would spend her time in devotion and singing to her beloved Sri Krishna. While singing devotional bhajans, she would frequently lose awareness of the world, entering into states of ecstasy and trance.
Her new family did not approve of her piety and devotion to Krishna. To make things worse, Mira refused to worship their family deity Durga. She said she had already committed herself to Sri Krishna. Her family became increasingly disproving of her actions, but the fame and saintly reputation of Mirabai spread throughout the region. Often she would spend time discussing spiritual issues with Sadhus, and people would join in the singing of her bhajans. However, this just made her family even more jealous. Mira’s sister-in-law Udabai started to spread false gossip and defamatory remarks about Mirabai. She said Mira was entertaining men in her room. Her husband, believing these stories to be true, tore into her room with sword in hand. However, he saw Mira only playing with a doll. No man was there at all. Throughout these hysterical slanders, Mirabai remained unmoved by both the criticism and praise of the world.
After this experience, her family continued to torture her. They restricted her movements and sought to make her life as uncomfortable as possible. In the face of all these trials and tribulations, she remained detached from her physical suffering. There was nothing that could disturb her inner connection to Giridhara (epithet of Sri Krishna as young cowherd boy). It is said that twice her family tried to kill her, once through a venomous snake and once through poisonous drink. On both occasions, it is said Mirabai, protected by the Grace of Sri Krishna, came to no ill harm.
However, the relentless torments and hostility interfered with her life of devotion and contemplation on Krishna. She sought the advice of learned men and saints. They advised her to leave the palace and return to Brindaban. Secretly, with some followers, she slipped out of the palace and escaped to the holy city of Brindaban. In Brindaban Mirabai was free to worship Giridhara to her heart’s content. She would spend her time in singing bhajans and in ecstatic communion with Krishna. Like a true Bhakti, she worshipped God wholeheartedly. The riches of the world offered no attraction to Mirabai; her only satisfaction came from her single-minded devotion to Sri Krishna. Her soul was ever yearning for Krishna. She considered herself to be a Gopi of Vrindaban, mad only with pure love for Sri Krishna.Her devotion and spiritual magnetism were infectious.
Even learned Sadhus would come to her for inspiration. There is a story of one respected Spiritual Master, who refused to speak to Mirabai because she was a woman. Mirabai replied there was only one real man in Brindaban, Sri Krishna; everyone else was a Gopi of Krishna. On hearing this, the spiritual Master accepted the wisdom of Mirabai and agreed to talk to her. Later, Mirabai would become his student.
Much of what we know about Mirabai comes from her poetry. Her poetry expresses the longing and seeking of her soul for union with Sri Krishna. At times, she expresses the pain of separation and at other times the ecstasy of divine union. Her devotional poems were designed to be sung as bhajans, and many are still sung today.
Mirabai was a devotee of the highest order. She was immune to the criticism and suffering of the world. She was born a princess but forsook the pleasures of a palace for begging on the streets of Brindaban. She lived during a time of war and spiritual decline, but her life offered a shining example of the purest devotion. Many were inspired by her infectious devotion and spontaneous love for Sri Krishna. Mirabai showed how a seeker could attain union with God, only through love. Her only message was that Krishna was her all.
It is said in her death she melted into the heart of Krishna. Tradition relates how one day she was singing in a temple when Sri Krishna appeared in his subtle form. Sri Krishna was so pleased with his dearest devotee that he opened up his heart centre, and Mirabai entered leaving her body while in the highest state of Krishna consciousness. (free adaptation from biographyonline.net, with thanks)
Film Meerabai-47 was made by Shalimar Pictures, Poona. Its direcor was W.Z.Ahmed. Lyrics were by Meerabai and MD was Suryakant aka S.K.Pal ( he was the nephew of another MD Ramchandra Pal of Bombay Talkies). The cast of the film consisted of Neena, Masood Pervez, Neelam, Tiwari, Shyama (Dulari), Ramavtar, Noorjehan sr. etc etc.
There is a general and wrong feeling among some movie buffs in India that, artistes who opted to migrate to Pakistan after partition had failed there and died in penury and misery. While some such cases indeed were there unfortunately, but not ALL had failed. On the contrary, I feel most of the Directors, Music composers and Heros succeeded in Pakistan. This was because they were all ready made available to Pakistan industry. Many of them like Khursheed Anwar, Inayat Hussain or G.A.Chisti were regarded as pioneers of Pak film industry. Same case with directors like Dawood Chand, M Sadiq, Shaukat Husaain Rizvi etc who became pillars of Pak film industry. unfortunately, once the crop of artistes who migrated from India ended their careers, their film industry had a premature death. This was because, there was no second line of artistes to take over.
The Hero of the film Meerabai-47, Masood Pervez was also one such migrant who succeeded in Pakistan. He was born in 1918 in Amritsar, Punjab, India. He passed his M.Sc. and joined films. His first film as a Hero was Punjabi film ” Mangati “-42, which became a Golden Jubilee film. He further worked in film Gulami-45 and Meerabai-47. After Partition, he went to Pakistan.
His first film as a Director in Pakistan was ‘ Beli’-50 It had a moderate success. His big breakthrough came with film ‘ Intezar ‘-56, which was a colossal hit. He directed 23 films between 1950 and 1982. he is considered to be one of the pioneers of Pak films. He directed 3 Folk stories Mirza Jat-67, Heer Ranjha-70 and again Mirza Jat-82, all very successful. he died on 11-3-2001 in Lahore. He was the nephew of Saadat Hassan Manto.
Film Meerabai-47 had 13 songs, most of them quite good. The original Meera Bhajans were translated in plain Hindi by Pt. Bharat Vyas. With this song the film makes its Debut on this Blog.
Song-Mhaane chaakar raakho jee (Meera Bai)(1947) Singer-Sitarabai Kanpuri, Lyrics-Meera bai, MD-S K Pal
Lyrics
mhaane chaakar raakho ji ee
chaakar raakho ji
sanwariyaa aa
mhaane chaakar raakho ji
mhaane chaakar raakho ji ee
chaakar raakho ji
saanwariyaa
mhaane chaakar raakho ji
chaakar rah toon baag lagaa doon
nis-din darshan paa toon
brindaawan ki kunj-galin mein
brindaawan ki kunj-galin mein
teri leelaa gaa toon
teri leelaa gaa toon
maane chaakar raakho ji
chaakar raakho ji
saanwariyaa
mhaane chaakar raakho ji
unche unche mahal banaaun
jis bich raakhoon baari
saanwariyaa ke darshan paaun
saanwariyaa ke darshan paaun
jaaun tan man vaari
jaaun tan man vaari
mhaane chaakar raakho ji
chaakar raakho ji
saanwariyaa
mhaane chaakar raakho ji
jogi aayaa jog karan koon
jogi aayaa jog karan koon
tap karne sanyaasi
hari-bhajan ko saadhu aayaa
bindraaban ke waasi
kaahe neer jhare nainan se
kaahe neer jhare nainan se
dheer dharo ji meeraa
aadhi raat prabhu darshan de hai
aadhi raat prabhu darshan de hai
prem nadi ke teeraa aa
prem nadi ke teeraa
mhaane chaakar raakho ji
chaakar raakho ji
saanwariyaa
mhaane chaakar raakho ji
Pyaase nainon ki pyaas bujha de
Posted on: June 17, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3621 | Post No. : | 14431 |
“Pyaase Nain”(1954) was produced by K P Shahani and directed by S Ram for Tekchand Talkies, Bombay. This “social” movie had Nimmi, Rehman, Gope, Shyama, Vikram Kapoor,mAnwari Begam, Mumtaz, Parvati, Mirza, Baby Feroza, Shamim etc in it.
The movie had eight songs in it that were penned by three lyricists and composed by two music directors.
One song has been covered in the past.
Here is the second song from “Pyaase Nain”(1954) to appear in the blog. This song is sung by Meena Kapoor. Wahiq Qureshi is the lyricist. Music is composed by S K Pal.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Pyaase nainon ki pyaas bujha de (Pyaase Nain)(1954) Singer-Meena Kapoor, Lyrics-Wahid Qureshi, MD-S K Pal
Lyrics
pyaase nainon ki pyaas bujha de
bichhad gaye hain jo
bichhad gaye jo
unko mila de
unko mila de
apna sahaara koi nahin hai
jag mein hamaara koi nahin hai
jiska kinaara koi nahin hai ae
koi nahin hai
us dariya se paar lagaa de
unko mila de
honthon par hai thhandi aahen
dekh dekh kar thhaki nigaahen
kho gayi sab jeewan ki raahen
aasha ka koi deep jala de
unko mila de
pyaase nainon ki pyaas bujha de
bichhad gaye jo
bichhad gaye jo
unko mila de
unko mila de
din raat yoon jo dukh main paaun
darr hai ke tujhko bhool na jaaun
dukh paa kar bhi main muskaaun
main muskaaun
aisi koi raah bata de
unko mila de
pyaase nainon ki pyaas bujha le
bichhad gaye hain jo
bichhad gaye jo
unko mila de
unko mila de
Thhi jin se pal bhar ki pehchaan
Posted on: March 4, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3516 | Post No. : | 14122 |
“Tamaasha”(1952) was directed by Phani Majumdar. The star cast comprises of Ashok Kumar, Dev Anand, Meena Kumari, Kaushalya, Kishore Kumar, Sunalini Devi, Bipin Gupta, Shivraj, Randhir, Krishnakant, Haroon, S N Banerjee, Amit Bose etc. in it.
The movie which was produced by by Ashok Kumar and Savak Vacha under the banner of Bombay Talkies, under the management of Workers’ Cooperative.
The movie had eight songs in it which were composed by Khemchand Prakash (one), S K Pal (two) and Manna Dey (five songs). Six of these songs including all Manna Dey compositions have been covered in the past.
Here is the seventh song from “Tamaasha”(1952) to appear in the blog. The song is sung by Asha Bhonsle. Bharat Vyas is the lyricist. Music is composed by S K Pal.
The song is lip synced by Meena Kumari.
Video
Audio
Song-Thhi jin se pal bhar ki pehchaan (Tamaasha)(1952) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-S K Pal
Lyrics
Thhi jin se pal bhar ki pehchaan
bane ab man ke wo mehmaan
ye kya paagalpan hai
ye kya paagalpan hai
Thhi jin se pal bhar ki pehchaan
huye hain jab se wo apne
huye hain jab se wo apne
main dekhoon din mein bhi sapne
ye kaisi uljhan hai
ye kya paagalpan hai
Thhi jin se pal bhar ki pehchaan
kisi ki haar
kisi ki jee eet
kisi ki haar
kisi ki jeet
anokhi hai yahaan ki reet
anokhi hai yahaan ki reet
bina sur goonjta sangeet
ye kaisa gunjan hai
ye kya paagalpan hai
Thhi jin se pal bhar ki pehchaan
gulaabi zindagi ki bho o o o or
o o o or
gulaabi zindagi ki bhor
sunahri hai kiran ki dor
sunahri hai kiran ki dor
baandhne aaya hai chitchor
baandhne aaya hai chitchor
ye kaisa bandhan hai
ye kya paagalpan hai
Thhi jin se pal bhar ki pehchaan
bane ab man ke wo mehmaan
ye kya paagalpan hai
ye kya paagalpan hai
Thhi jin se pal bhar ki pehchaan
Ye raag papeeha gaataa hai
Posted on: January 21, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3474 | Post No. : | 13951 |
This song is a rare non-film song rendered by Umaraziya Begum.
Based on the details (erroneous, as we now know them to be), the uploader of this song has listed this as a song of the 1942 film ‘Ek Raat’, sung by Neena. The names of the song writer and the music director are also provided along with this upload.
Our friend Sadanand ji was the first one to raise the doubt about the details of this song. Later, we now have a confirmation from Shri Girdharial ji Vishkarma (of Jodhpur). Girdharilal ji has the original record of this song, as published by Jien – o – Phone company.
As per the details available, this song is sung by Umaraziya Begum. The lyricist of this song is not known. Based on certain other inputs, Girdharilal has provided the input that the music director for this NFS song most likely is Ghulam Haider Sb. As per him, there are many other songs in the voice of Shamshad Begum and Umaraziya Begum, that are released on Jien O Phone records, and all are composed by Ghulam Haider Sb.
Thanks to Sadanand ji and Girdharilal ji, for identifying the correct information about this song.
“Ek Raat”(1942) was produced and directed by W Z Ahmad for Shalimar Pictures. The movie had Prithviraj Kapoor and Neena in lead roles with Mubarak, K N Singh, Feroza, Gulab, Prakash, Rajkumari Shukla, Bibi etc.
The movie had 8 songs. One song from the movie has been covered in the past.
This movie was the debut movie of Neena (actual name Shahida) who was launched with an unprecedented media blitz and fanfare prior to the release of the movie. Mr Sadanand Kamath, while covering the first song of this movie has discussed this matter in detail.
Here is the second song from “Ek Raat”(1942) to appear in the blog. This rare song, like the earlier song, is sung by Neena. The lyricist of this movie (for 7 out of 8 songs), including for this song, was Pt Indrajeet Sharma, and not Pt Indra, as is erroneously mentioned in most onine sources.
Music was composed by S K Pal.
The song was picturised on Neena herself.
Song-Ye raag papeeha gaata hai (NFS)(1940s) Singer-Umaraziya Begum, Lyrics-[Unattributed], MD-Ghulam Haider
Lyrics
ye ae ae ae ae ae
raag papeeha gaata hai
ye ae ae ae ae ae ae ae ae ae ae
raag papeeha gaata hai
kyun pawan ke kaandhon par moorakh
kyun pawan ke kaandhon par moorakh
kyun pawan ke kaandhon par moorakh
jeewan ka mahal banaata hai
jeewan ka mahal banaata hai
ik shwaas ka naata hai tera
ik shwaas ka naata hai tera
ye ae ae ae ae ae ae ae
raag papeeha gaata hai
din ke ujiyaale mein kaliyaan
din ke ujiyaale mein kaliyaan
phool banen aur kumhlaayen
phool banen aur kumhlaayen
raat ke
andhiyaare mein
taare
toote
aur
toot toot kar
toot toot kar
toot toot kar
samjhaayen
toot toot kar
samjhaayen
kyon on on on on on on
shwaas ke chhal ke aata hai
ye ae ae ae ae ae ae
raag papeeha gaata hai
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Nayi Reet”(1948) was directed by Shubhkaran Ojha for India Film Corporation, Bombay. This obscure “social” movie had Sulochana Chatterji, Geeta Bali, Rajendra, Krishnkant, Tiwari, Badri Prasad, Tarabai, Leela Mishra, Ramesh Sinha etc in it.
The movie had eight songs in it. Seven of these songs were Meena Kapoor solos and one song was sung by Shamshad Begam.
One song from the movie (a Meena Kapoor solo) has been covered in the past.
Here is the second song from “Nayi Reet”(1948) to appear in the blog. This song is also sung by Meena Kapoor. Music is composed by S K Pal.
According to HFGK, all the songs were jointly penned by Ratan Kumar Gupta and Bal Krishna Gupta under the joint name of Kumar-Gupta. So this was the first (and last) example of a lyricist jodi in Hindi movies.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Song-Tujhe maaloon bhi hai koi aane ko hai (Nayi Reet)(1948) Singer-Meena Kapoor, Lyrics-Ratan Kumar Gupta + Bal Krishn Gupta (Kumar Gupta), MD-S K Pal
Lyrics
Tujhe maaloon bhi hai
koi aane ko hai
koi aane ko hai
koi aane ko hai
Tujhe maaloon bhi hai
koi aane ko hai
koi aane ko hai
koi aane ko hai
kaali raaton mein chaandi lutaane ko hai
kaali raaton mein chaandi lutaane ko hai
lutaane ko hai
Tujhe maaloon bhi hai
koi aane ko hai
koi aane ko hai
koi aane ko hai
mere sapnon ki duniya aa aa aa
duniya
mere sapnon ki duniya sajaane ko hai
mere sapnon ki duniya sajaane ko hai
koi man’ne ko hai aur manaane ko hai
koi man’ne ko hai aur manaane ko hai
Tujhe maaloon bhi hai
koi aane ko hai
koi aane ko hai
koi aane ko hai
man ko singaara hai
man ko singaara hai
tan ko singaara
man ko singaara hai
tan ko singaara
joban singaara hai
jeewan singaara
joban singaara hai
jeewan singaara
aaj dharti aakaash mil jaane ko hai
aaj dharti aakaash mil jaane ko hai
koi man’ne ko hai aur manaane ko hai
Tujhe maaloon bhi hai
koi aane ko hai
koi aane ko hai
koi aane ko hai
kaali raaton mein chaandi lutaane ko hai
kaali raaton mein chaandi lutaane ko hai
lutaane ko hai
Tujhe maaloon bhi hai
koi aane ko hai
koi aane ko hai
koi aane ko hai
Do baat na ki aur chale gaye
Posted on: December 3, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Nayi Reet”(1948) was directed by Shubhkaran Ojha for India Film Corporation, Bombay. This obscure “social” movie had Sulochana Chatterji, Geeta Bali, Rajendra, Krishnkant, Tiwari, Badri Prasad, Tarabai, Leela Mishra, Ramesh Sinha etc in it.
The movie had eight songs in it. Seven of these songs were Meena Kapoor solos and one song was sung by Shamshad Begam.
Here is the first song from “Nayi Reet”(1948) to appear in the blog. This song is sung by Meena Kapoor. Music is composed by S K Pal.
According to HFGK, all the songs were jointly penned by Ratan Kumar Gupta and Bal Krishna Gupta under the joint name of Kumar-Gupta. So this was the firs (and last) eample of a lyricist jodi in Hindi movies.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
With this song, “Nayi Reet”(1948) makes its debut in the blog.
Song-Do baat na ki aur chale gaye (Nayi Reet)(1948) Singer-Meena Kapoor, Lyrics-Kumar Gupta, MD-S K Pal
Lyrics
do baat na ki
aur chale gaye
chale gaye
do baat na ki
aur chale gaye
chale gaye
main khadi rahi
aansoo bhar ke
sahmi dar se
main khadi rahi
aansoo bhar ke
sahmi dar se
chale gaye
tum chale gaye
jaise badri
jaise badri ghir nikal gayi ho
bin barse
upar se
upar se
do baat na ki
aur chale gaye
chale gaye
kayi(?) raat gayin
barsaat gayin
kayi(?) raat gayin
barsaat gayin
aankhon se utar kar baat gayi
ik bol na mukh se bol sakey
ik bol na mukh se bol sakey
ae nithur man ke
dil paatthar ke
nithur man ke
dil paatthar ke
chale gaye
chale gaye
do baat na ki
aur chale gaye
chale gaye
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Saagar”(1951) was produced and directed by P Jairaj for his P J Films production. The movie had Veera, Nargis, Jairaj, Durga Khote, K. N. Singh, Bharat Bhushan, David Abraham etc in it.
Read more on this topic…
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