Posts Tagged ‘Snehal Bhatkar’
Lagi lagi lagi haaye
Posted on: November 29, 2022
- In: Asha Bhonsle solo | Asha Bhonsle songs | Blog Ten Year Challenge (2012-2022) | Dance song | Lyrics by Prakashchandra | Lyrics contributed by readers | Shammi Kapoor present (without lip syncing) | Shammi Kapoor songs | Songs of 1950s (1951 to 1960) | Songs of 1955 | stage dance | Yearwise breakup of songs
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Blog Day : |
5247 | Post No. : | 17247 |
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Blog 10-Year Challenge (2012-2022) – Song No. 133
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On this date ten years back viz on 29 November 2012, Seven songs from seven movies were covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 7088 | Dekho aaya ye kaisa zamaana | Daag (1952) | Movie YIPPEED in the blog with this song |
| 7089 | Aasmaan ka ticket kataa lo | Daaku (1955) | four songs covered out of 6 by now |
| 7090 | Taraste hain tadapte hain machalte hain | Chham Chhama Chham(1952) | 9 songs covered out of 11 by now |
| 7091 | Be ikhtiyaar hokey pyaar ka shikaar hokey | Johny Walker (1957) | Movie YIPPEED in the blog with this song |
| 7092 | Har shaam shaam e gham hai | Mera Salaam (1957) | 4 songs covered out of 12 by now |
| 7093 | Tak dhoom tak dhoom baaje | Bambai Ka Babu (1960) | Movie YIPPEED in the blog with this song |
| 7094 | Phir thhes lagi dil ko | Kashmir Ki Kali (1964) | Movie YIPPEED in the blog with this song |
We can observe that four movies (out of seven) have already been YIPPEED in the blog. In fact, three movies were YIPPEED on the blog on that very day (29 november 2012).
That leaves us with three movies that are technically eligible for Blog Ten Year Challenge today (29 november 2022).
“Daaku”(1955) is one BTYC eligible movie today.
“Daaku”(1955) was directed by Aspi Irani for Basant Pictures, Bombay. The movie had Shammi Kapoor, Shashikala, Kuldip Kaur, Anwar Hussain, Maya Das, Babu Raaje, Sheikh, Naagpal, Michael, Habib, Gulnar, Wazir Muhammad Khan, Azurie, Iqbal, Adib etc. Sulochana was also there in a guest appearance.
“Daaku”(1955) had six songs in it. Four songs have been covered so far.
Here is the fifth song from “Daaku”(1955) to appear in the blog. The song is sung by Asha BHonsle. Manoharlal Khanna is the lyricist. Music is composed by Snhal Bhatkar.
Theb song is picturised as a stage dance song of sorts on Shashikala and Shammi Kapoor who seem to be playin Indian version of gypsies. One can watch Kuldeep Kaur among the audience who seems to be disturbed at the sight of the dancing duo on stage.
Lyrics of the song and other details were sent to me by Prakashchandra.
Audio link:
video link:
Song-Lagi lagi lagi haaye (Daaku)(1955) Singer-Asha Bhonsle, Lyrics-Manoharlal Khanna, MD-Snehal Bhatkar
Lyrics(Provided by Prakashchandra)
lagi lagi lagi haayye lagi lagi lagi lagi
chhot dil par
lagi lagi lagi haayye lagi lagi lagi lagi
chhot dil par
dil kaa kyaa qasoor hai
dil ne tujhe pyaar kiyaa
itnaa zaroor hai aey ae
itnaa zaroor hai
lagi lagi lagi haayye lagi lagi lagi lagi
chhot dil par
dil kaa kyaa qasoor hai
dil ne tujhe pyaar kiyaa
itnaa zaroor hai ae
itnaa zaroor hai
aankhon ne dekhaa tujhe
nazron ne pyaar kiyaa
dil ne salaam kiyaa
tujhe sau sau baar kiyaa
mere huzoor meraa
itnaa qasoor hai
lagi lagi lagi haayye lagi lagi lagi lagi
chhot dil par
lagi lagi lagi haayye lagi lagi lagi lagi
chhot dil par
dil kaa kyaa qasoor hai
dil ne tujhe pyaar kiyaa
itnaa zaroor hai ae ae
itnaa zaroor hai
kadmon mein tere mera pyaar bharaa dil hai ae
kadmon mein tere mera pyaar bharaa dil hai ae
yehee meraa raastaa hai ae yehee manzil hai ae
gham deney waaley dil
teraa machkoor(?) hai ae
lagi lagi lagi haayye lagi lagi lagi lagi
chhot dil par
lagi lagi lagi haayye lagi lagi lagi lagi
chhot dil par
dil kaa kyaa qasoor hai
dil ne tujhe pyaar kiyaa
itnaa zaroor hai
itnaa zaroor hai
lagi lagi lagi haayye lagee lagee
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5181 | Post No. : | 17157 |
“Daaku”(1955) was directed by Aspi Irani for Basant Pictures, Bombay. The movie had Shammi Kapoor, Shashikala, Kuldip Kaur, Anwar Hussain, Maya Das, Babu Raaje, Sheikh, Naagpal, Michael,Habib, Gulnar,
Wazir Muhammad Khan, Azoori, Iqbal, Adib etc with Sulochana in guest role.
“Daaku”(1955) had six songs in it. Three songs have been covered so far.
Here is the fourth song from “Daaku”(1955) to appear in the blog. HFGK mentions the singer as ust “mahila swar”. Listening to the voice, it is clear that Asha Bhonsle is the singer. Manoharlal Khanna is the lyricist. Music is composed by Snehal Bhatkar.
Prakashchandra, who sent the lyrics of the song and other details is not sure about the identity of the female dancer. He guesses her to be Maya Das.
I request our knowledgeable readers to help identify the dancer.
video link:
Song-Qismat dikhaati hai kaise kaise rang (Daaku)(1955) Singer-Asha Bhonsle, Lyrics-Manohar Khanna, MD-Snehal Bhatkar
Lyrics(Provided by Prakashchandra)
Qismat dikhaathi hai kaisey kaisey rang
qismat dikhaati hai kaisey kaisey rang
qismat dikhaati hai kaisey kaisey rang
kabhi phoolon se kheley
kabhi kaanton ke sang
kabhi kaanton ke sang
qismat dikhaati hai kaisey kaisey rang
qismat dikhaati hai kaisey kaisey rang
kabhi din mein andheraa
kabhi raat mein ujaalaa aa
raat mein ujaalaa aa
kabhi khushiyon ke moti
kabhi ashqon ki maalaa aaa aaaa
aaa aaa aaaa
kabhi dhoop kabhi chhaaon
kabhi rang mein ho bhang
kabhi rang mein ho bhang
qismat dikhaati hai kaisey kaisey rang
qismat dikhaati hai kaisey kaisey rang
deepak kaheen kaa pahunchaa kaheen pe
taaraa gagan kaa tootaa zameen pe
taaraa gagan kaa tootaa zameen pe
khazaanon ka maalik hai roti se tang
khazaanon ka maalik hai roti se tang
kabhi phoolon se kheley
kabhi kaanton ke sang
kabhi kaanton ke sang
qismat dikhaati hai kaisey kaisey rang
qismat dikhaati hai kaisey kaisey rang
kabhi phoolon se kheley
kabhi kaanton ke sang
kabhi kaanton ke sang
qismat dikhaati hai kaisey kaisey rang
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5153 | Post No. : | 17116 |
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Blog 10-Year Challenge (2012-2022) – Song No. 84
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This date ten years ago (viz 27 August 2012) saw a whopping ten songs from ten different movies getting covered in the blog.
Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6522 | Jeevan sapna toot gayaa | Anokha Pyaar(1948) | Movie YIPPEED by now |
| 6523 | Mohabbat bhi jhoothhi zamaana bhi jhoothha | Hamaari Beti(1950) | 6 songs covered out of 10 by now |
| 6524 | Mast bahaaron ka main aashiq | Farz(1967) | Movie YIPPEED by now |
| 6525 | Ham to jaate apne gaaon apni raam raam raam | Deewaana(1967) | Movie YIPPEED by now |
| 6526 | Ae sakhi raadhike baawri ho gayee | Jurmaana (1979) | Movie YIPPEED by now |
| 6527 | Balma mere balma | Shyaamla (1979) | Movie YIPPEED by now |
| 6528 | Kabhi kabhi mere dil mein khayaal aata hai | Kabhi Kabhi(1976) | Movie YIPPEED by now |
| 6529 | Ho ooperwaale tera jawaab nahin | Avtaar (1983) | 3 songs covered out of 5 so far |
| 6530 | Tan pe lagti kaanch ki boonden | Aastha (1997) | One song covered out of 5 so far |
| 6530 | Mastaana albela sirf ek tu hai laakhon mein akela | Sharaarat(2002) | One song covered out of 7 so far |
It can be observed that six movies (out of ten) whose songs were covered in the blog on this Date ten years ago have since been YIPPEED. That leaves us with four movies that are eligible for Blog Ten Year Challenge today (27 August 2022).
“Hamaari Beti”(1950) is one of the eligible movies.
“Hamaari Beti”(1950) was produced and directed by Shobhana Samarth for Shobhana Samarth Pictures Bombay. This movie was produced to launch the career of Shobhana Samarth’s eldest daughter Nutan.
The movie had Nutan, Shekhar,Baby Tanuja, Motilal, Shobhana Samarth, Veera, David, K.N.Singh, Randhir, Agha, Pramila, Cuckkoo, Amir bai, Nandani, Master Ratan etc in it.
The movie had ten songs in it. As many as six songs have been covered so far.
Here is the seventh song from “Hamaari Beti”(1950) to appear in the blog. The song is sung by Lata Mangeshkar. Lyricist is not mentioned in HFGK. Snehal Bhatkar is the music director.
Only the audio of the song is available. It is easy to guess that the song, given the nature of its lyrics (expression of love) was picturised on Nutan. However, I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song were sent to me by Prakashchandra.
Song-Pehli mulaakaat mein haath leke haath mein (Hamaari Beti)(1950) Singer-Lata, MD-Snehal Bhatkar
Lyrics(Provided by Prakashchandra)
pehli mulaakaat mein
haath leke haath mein
haa aaa aa haaa aaa
le gaye haayye sajan dil hamaaraa aaa aaaa aaa
pehli mulaakaat mein
pehli mulaakaat mein
haath leke haath mein
haa aaa aa haaa aaa aaaaa
le gaye haayye sajan dil hamaaraa aaa aaaa
pehli mulaakaat mein
naach uthhaa naach uthhaa naach uthhaa ang ang
main jo chali sajan sang
main jo chali sajan sang
jhoom uthhi mann mein umang
chaandni..ee raat mein aen aen aen
pehli mulaakaat mein
pehli mulaakaat mein ae
haath leke haath mein ae
haa aaa aa haaa aaa aaaaa haa
le gaye haayye sajan dil hamaaraa aaa aaaa aa
pehli mulaakaat mein
pyaar bharey pyaar bharey pyaar bharey unke geet
sunn ke jaagi mann mein preet
sunn ke jaagi mann mein preet
haar huyi meri jeet
pee ki baat baat mein aen aen aen
pehli mulaakaat mein
pehli mulaakaat mein ae
haath leke haath mein
haa aaa aa haaa aaa aaaaa
le gaye haayye sajan dil hamaaraa aaa aaaa
pehli mulaakaat mein
chhup chhupke chhupp chhuppke chhup chhupke dil mein aaye
chhup chhupke chhupp chhuppke chhup chhupke dil mein aaye
dil se nikli meri haayye
unn bin mann birhaa gaaye
rimjhim barsaat mein aen aen
pehli mulaakaat mein
pehli mulaakaat mein ae
haath leke haath mein ae
haa aaa aa haaa aaa aaaaa
le gaye haayye sajan dil hamaaraa aaa aaaa aaa
pehli mulaakaat mein
pehli mulaakaat mein ae
haath leke haath mein ae
haa aaa aa haaa aaa aaaaa
le gaye haayye sajan dil hamaaraa aaa aaaa
pehli mulaakaat mein
Main albeli naar saj solah singaar
Posted on: May 16, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5050 | Post No. : | 16963 |
Today’s song is from the movie ‘Bholaa Shanker-1951’.
This movie was directed by Vishram Bedekar for ‘Famous Pictures, Bombay’.
‘Bholaa Shanker-1951’ was a mythological movie. It had Prem Adeeb, Vijaylakshami, Mahipal, Sheela Naik, Prakash Gupta, Sadhna Bose, Bhagwan, Kamal, Balaram, Ram Avtar, Jyoti, Samant, Raj Kishore, Radheyshyam and others.
This movie was passed by Censor Board on 24.01.1951.
This movie had eight songs that were written by Bharat Vyas and composed to music by Snehal Bhatkar.
Following is the list of songs in this :-
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Dim dim dim dim dimak dimak… Chandra bhalnath bhole bhasm ang re | Snehal Bhatkar, Rajkumari, chorus | |
| 02 | Main hirni si ban ban phiroon mera hirna kho gaya re | Rajkumari | 11.12.2013 |
| 03 | Jai jai maata parvati… laaj tumhaare haath maat mere pranpati ko amar karo re | Snehal Bhatkar, Rajkumari, Sadashiv Gurjar | |
| 04 | Shankar kaanta lagey na kankar… hare hare rang mein sil batte ke sang mein | Snehal Bhatkar, Sadashiv Gurjar, chorus | |
| 05 | Chanda tujhko laaj na aaye, mere chhod piya ka saath akela | Lata Mangeshkar | 26.10.2020 |
| 06 | Main albeli naar, saj solah singaar aayi hoon… jogi bol re zaraa | Lata Mangeshkar | Being discussed today |
| 07 | Chham chhamaa chham chham, naacho gaao re, prem bhara mod bhara mangal | Various artists | |
| 08 | Ritu basant ki madbhari… chaloge kya sang mere, thhirak rahe ang mere | Rajkumari | 16.12.2013 |
As mentioned above three songs from this movie have been posted on the blog.
Today’s song sung by Lata Mangeshkar is the fourth song from this movie to be presented on the blog. I had come across this song long back, however this song has managed to stay undiscussed so far.
Let us listen to this song. Only audio of this songs is available
Bharat Vyas is the lyricist for this song and music is composed by Snehal Bhatkar.
Song-Main albeli naar saj solah singaar (Bhola Shankar)(1951) Singer-Lata, Lyrics-Bharat Vyas, MD-Snehal Bhatkar
Lyrics
Jogi ee ee
Jogi ee
Bol re ae ae
Bol re ae
Main albeli naar
Saj solah singaar
Aayi hoon tere dwaar
Jogi bol re ae
Jogi bol re
Jogi bol re ae
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
Aa aa aa aa
Main albeli naar
Chandaa ki sheetal hoon
Main chaandni
Chandaa ki sheetal hoon
Main chaandni
Veena ki hoon main madhur raagini
Main madhur raagini
Mere nainon mein geet
Mere praanon mein preet
Mere man mein sangeet ras ghol re ae
Jogi bol re
Mere man mein sangeet ras ghol re ae
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
Bijli ki saanche mein hoon main dhali
Baadal ke godi mein hoon main pali
Mera naache hai ang
Jaise jal ki tarang
Jaise hirni kare hai kilol re ae
Jogi bol re
Jaise hirni kare hai kilol re
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
h
Jogi ye jhoothi teri saadhna
Aao karen prem aaraadhanaa
Prem aaraadhanaa
Mere man ke o meet
Kar le humse tu preet
Ghadi jaaye naa beet anmol re
Jogi bol re
Ghadi jaaye naa beet anmol re
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
Aa aa aa aa
Main albeli naar
Main albeli naar
Main albeli naar
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4511 | Post No. : | 16056 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part IX: Year 1955
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In this episode, we arrive at the tenth year of Lata Mangeshkar as a playback singer in Hindi movies. She completed a decade of playback singing in HFM this year. She had already notched some firsts in HFM playback singing that did not get noticed at that time. For instance, she had become the first playback singer ever to sing more than one thousand songs in Hindi movies by 1954. She kept setting benchmarks that others could only dream of. We will discuss them at appropriate occasions.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1955 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aaj Ki Baat | Snehal Bhatkar | 1 | 3 | 3 | 0 | 0 | 0 | Raj Baldev Raj (2) Hasrat Jaipuri (1) |
| 2 | Aazaad | C Ramchandra | 8 | 8 | 5 | 1 | 2 | 0 | Rajinder Krishan |
| 3 | Adl e Jahaangeer | Husnlal Bhagatram | 3 | 3 | 3 | 0 | 0 | 0 | Qamar Jalalabadi |
| 4 | Albeli | Ravi | 2 | 2 | 1 | 1 | 0 | 0 | Ravi |
| 5 | Baaradari | Naashaad | 8 | 8 | 4 | 2 | 2 | 0 | Khumar Barabankwi |
| 6 | Bahu | Hemant Kumar | 3 | 3 | 3 | 0 | 0 | 0 | S H Bihari |
| 7 | Bandish | Hemant Kumar | 1 | 3 | 3 | 0 | 0 | 0 | S H Bihari (2) Ravi shankar(1) |
| 8 | Chaar Paise | B D Burman | 3 | 3 | 3 | 0 | 0 | 0 | Sartaj |
| 9 | Chhora Chhori | Roshan | 1 | 5 | 4 | 1 | 0 | 0 | Kidar Sharma |
| 10 | Chingaari | Manohar Arora | 5 | 6 | 6 | 0 | 0 | 0 | Shailendra |
| 11 | Devdas | S D Burman | 3 | 3 | 3 | 0 | 0 | 0 | Sahir Ludhianvi |
| 12 | Do Dulhe | B S Kalla | 2 | 4 | 2 | 2 | 0 | 0 | Pt Indra Chandra |
| 13 | Duniya Gol Hai | C Ramchandra | 5 | 6 | 4 | 1 | 1 | 0 | Rajinder Krishan |
| 14 | Ekaadashi | Avinash Vyas | 0 | 5 | 5 | 0 | 0 | 0 | Pt Madhur |
| 15 | Garam Coat | Amarnath | 5 | 5 | 5 | 0 | 0 | 0 | Majrooh Sultanpuri (4) Meera Bai (1) |
| 16 | Ghar Ghar Mein Deewaali | Roshan | 4 | 5 | 2 | 3 | 0 | 0 | Prem Dhawan (4) Indeewar (1) |
| 17 | Hoor e Arab | Ghulam Mohammad (5) Sardar Malik (1) | 2 | 6 | 5 | 0 | 1 | 0 | Shakeel Badayuni |
| 18 | House no. 44 | S D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Sahir Ludhianvi |
| 19 | Insaaniyat | C Ramchandra | 4 | 6 | 3 | 2 | 1 | 0 | Rajinder Krishan |
| 20 | Jagadguru Shankaracharya | Avinash Vyas | 0 | 1 | 1 | 0 | 0 | 0 | Bharat Vyas |
| 21 | Jashn | Roshan | 0 | 2 | 2 | 0 | 0 | 0 | Rajinder Krishan |
| 22 | Jhanak Jhanak Paayal Baaje | Vasant Desai | 6 | 9 | 5 | 4 | 0 | 0 | Hasrat Jaipuri (5) Saraswati Kumar Deepak (1) Meerabai (1)Dewan Sharar (2) |
| 23 | Joru Ka Bhai | Jaidev | 2 | 2 | 2 | 0 | 0 | 0 | Vishwamitra Adil (1) Sahir Ludhianvi (1) |
| 24 | Kundan | Ghulam Mohammad | 4 | 5 | 3 | 1 | 1 | 0 | Shakeel Badayuni |
| 25 | Lagan | Hemant Kumar | 1 | 3 | 3 | 0 | 0 | 0 | Rajinder Krishan |
| 26 | Lutera | C Ramchandra | 1 | 4 | 3 | 1 | 0 | 0 | Rajinder Krishan |
| 27 | Mad Bhare Nain | S D Burman | 5 | 5 | 5 | 0 | 0 | 0 | Shailendra |
| 28 | Madhur Milan | Bulo C Rani | 3 | 4 | 4 | 0 | 0 | 0 | Jaan Nisaar Akhtar (2) Nigar (1) Raja Mehdi Ali Khan (1) |
| 29 | Milaap | N Datta | 2 | 2 | 2 | 0 | 0 | 0 | Sahir Ludhianvi |
| 30 | Munim Ji | S D Burman | 6 | 6 | 6 | 0 | 0 | 0 | Sahir Ludhianvi (4) Shailendra (2) |
| 31 | Naata | S Mohinder | 9 | 9 | 6 | 0 | 2 | 1 | Tanveer Naqvi (8) Kaifi Azmi (1) |
| 32 | Naqaab | Pt Govindram | 2 | 4 | 3 | 1 | 0 | 0 | Prem Dhawan |
| 33 | Oot Pataang | Vinod | 2 | 2 | 2 | 0 | 0 | 0 | D N Madhok |
| 34 | Patit Paawan | Jamal Sen | 1 | 3 | 2 | 1 | 0 | 0 | Bharat Vyas |
| 35 | Railway Platform | Madan Mohan | 3 | 3 | 3 | 0 | 0 | 0 | Sahir Ludhianvi |
| 36 | Ratnaghar | Sudhir Phadke | 2 | 5 | 5 | 0 | 0 | 0 | Pt Narendra Sharma |
| 37 | Riyaasat | Avinash Vyas | 0 | 2 | 2 | 0 | 0 | 0 | Prem Dhawan |
| 38 | Sardaar | Jagmohan Sursagar | 2 | 2 | 2 | 0 | 0 | 0 | Kaif Irfani |
| 39 | Seema | Shankar Jaikishan | 5 | 5 | 5 | 0 | 0 | 0 | Hasrat Jaipuri (4) Shailendra (1) |
| 40 | Shikaar | Bulo C Rani | 1 | 2 | 1 | 1 | 0 | 0 | Arshi Ajmeri |
| 41 | Shiv Bhakt | Chitragupta | 1 | 4 | 4 | 0 | 0 | 0 | Gopal Singh Nepali |
| 42 | Shri 420 | Shankar Jaikishan | 10 | 6 | 2 | 4 | 0 | 0 | Shailendra (4) Hasrat Jaipuri (2) |
| 43 | Sitaara | Ghulam Mohammad | 4 | 6 | 6 | 0 | 0 | 0 | Shakeel Badayuni |
| 44 | Society | S D Burman | 1 | 1 | 1 | 0 | 0 | 0 | Sahir Ludhianvi |
| 45 | Taanga Waali | Salil Chaudhari | 6 | 6 | 4 | 2 | 0 | 0 | Prem Dhawan |
| 46 | Teerandaaz | C Ramchandra | 2 | 6 | 6 | 0 | 0 | 0 | Rajinder Krishan |
| 47 | Tees Maar Khan | Sardul Kwatra | 0 | 1 | 1 | 0 | 0 | 0 | Shailendra |
| 48 | Udan Khatola | Naushaad | 9 | 9 | 9 | 0 | 0 | 0 | Shakeel Badayuni |
| 49 | Veer Rajputaani | Bulo C Rani | 3 | 3 | 3 | 0 | 0 | 0 | Gopal Singh Nepali |
| 50 | Yaasmeen | C Ramchandra | 9 | 9 | 8 | 1 | 0 | 0 | Jaan Nisaar Akhtar (8) Tanveer Naqvi (1) |
| Total | 50 movies | 31 MDs | 165 | 218 | 177 | 30 | 10 | 1 | 32 lyricists |
Statistically, this was the second most prolific year ever d]for Lata Mangeshkar. This year she sang 218 songs, which was just 5 songs fewer than her all time record of 223 songs that she had set in 1951.
In 1955, she gave playback in 50 movies. To put things in perspective, 120 movies were released in 1955 and they contained 1016 songs. So Lata Mangeshkar gave plaback in 42 % of the movies released in 1955 and her voice appeared in 22 % of the songs created that year !
In 1955, Lata Mangeshkar worked with 31 music directors and 32 lyricists. She worked with nine music directors for the first time this year. They were Amarnath, B D Burman, Chitragupta, Jagmohan Sursagar, Jaidev, Manohar Arora, N Datta, Ravi and S Mohinder. This yaer, she worked with seven lyricists for the first time. They were Arshi Ajmeri, Raj Baldev Raj, Meera Bai, Pt Madhur, Nigar, Ravi and Sartaj.
By the end of 1955, Lata Mangeshkar had sung 1344 songs in 326 movies. The blog contains 1110 of these songs. This year, she became the first playback singer to sing over one thousand solo songs in Hindi movies. By the end of 1955, she had worked with 79 Music directors and 106 lyricists. That way, she completed a century of lyricists as well.
Here is the summary of her playback career in Hindi movies till end of 1955 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| Total upto 1955 | 326 movies | 1110 | 1344 | 1006 | 245 | 63 | 30 |
One can see that Lata Mangeshkar sang in 50 movies that were released in 1955. All Lata Mangeshkar songs have been covered in 24 of these movies. So we only have 26 movies left from which Lata Mangeshkar songs can still be covered.
Alphabetically the first such movie is “Aaj Ki Baat”(1955). This movie was produced and directed by Leela Chitnis to launch the career of her son Ajeet Chitnis. The movie had Ajeet Chitnis, Uday, Chitra, Bipin Gupta, Manmohan Krishna, Sunder, Leela Chitnis etc in it.
The movie had eight songs in it. Three songs have been covered in the blog. The movie had three Lata solos. One of these songs has been covered.
Here is the second Lata song from “Aaj Ki Baat”(1955) to appear in the blog. This song, sung by Lata Mangeshkar is penned by Raj Baldev raj (working with Lata Mangeshkar for the first time). Snehal Bhatkar is the music director.
A very nice song, appearing fresh as daisy. I listened to this song for the first time only just now. A forgotten gem of a song that deserves to be better known among music lovers.
Song-Aaj ki raat dil mein na rakhna dil ki baat(Aaj Ki Baat)(1955) Singer-Lata, Lyrics-Raj Baldev Raj, MD-Snehal Bhatkar
Lyrics
aaj ki raat
aaj ki raat
dil mein na rakhna dil ki baat
aaj ki raat
dil mein na rakhna dil ki baat
aaj ki raat
dil ki dabee aawaaz ko sun le ae ae ae
dil ki dabee aawaaz ko sun le ae ae ae
kaliyaan phool bani hain chun le
kaliyaan phool bani hain chun le
bhar le jholi
jholi bhar le
jholi bhar le
preet laga (?)
dil mein na rakhna dil ki baat
aaj ki raat
dil mein na rakhna dil ki baat
aaj ki raat
idhar nazaare
udhar nazaare
raat ke haathhon mein aen aen
chaand aur taare
idhar nazaare
udhar nazaare
raat ke haathhon mein aen
chaand aur taare
kar le chori
chori kar le
chori kar le ae
soch na baat
dil mein na rakhna dil ki baat
aaj ki raat
dil mein na rakhna dil ki baat
aaj ki raat
jo karna hai
kar le ek dam
jo karna hai
kar le ek dam
kal kya hoga
kar na koi gham
kal kya hoga
kar na koi gham
keh de dil se
dil se keh de
dil se keh de
dil ki baat
dil mein na rakhna dil ki baat
aaj ki raat
dil mein na rakhna dil ki baat
aaj ki raat
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4499 | Post No. : | 16032 |
Today’s song is from film Pagle-1950.
1950 was the last year of the second decade of Talkie cinema. The effects of Partition had started showing effects. Entry of actors, directors and composers from Bengal – due to the crumbling of New Theatres – entry of newer artistes to replace the migrators and the changing tastes of the Indian people was being reflected in the films made in this year. The migration of artistes-both ways-continued with force till about the early 50s and slowed down in the early 60s, where finally it was stopped in 1965 by Pakistan rulers.
The social film Pagle-50 was produced and directed by Protima Dasgupta. The cast of the film was Begum Para, Madhuri, Jagirdar, Pratima Devi, Mubarak, David, Cuckoo etc.etc. The music was by V.G. Bhatkar – who was no one else, but Snehal Bhatkar. Since he was still w2orking in H.M.V., he could not use his real name. Some other composers also did this under same conditions. For example, C Ramchandra was working Filmistan, under a contract and he gave music to his friend Master Bhagwan’s films like Bhedi Bungala-49, Bhole Bhale-49, Babuji t50 and Bakshish-50. For these films CR used the name of his long time assistant P.Ramakant (Ramakant Paingankar). Similarly, Anil Biswas, while in contract with National Studios, gave music to Bombay Talkies film Basant-1942, using the name of Pannalal Ghosh, his own Brother in Law (sister singer Parul Ghosh’s husband). In 1942, Anil Biswas was very busy with as many as 5 films – Vijay, Jawani, Gareeb, Apna Paraya and his famous film Roti.
Under such situations, normally just one pseudo-name is used to hide the real identity legally, but in the case of Snehal Bhatkar he used several names for different films-
Rukmini Swayamwar-46….Vasudev-Sudhir (Phadke)
Neel Kamal-47….B.Vasudev
Sant Tukaram, Sati Ahilya-48 and Pagle-50….V.G.Bhatkar
Suhag Raat-48….Snehal
Thes-49….Snehal and finally
Hamari beti-50….Snehal Bhatkar. By this time he had resigned from HMV and was a free bird !
The film’s director Pratima Dasgupta started as an actress and then turned to be a Producer and Director. She was born on 5-9-1922 into a wealthy family of Bhavnagar, in Kathiyawar state. Her father was the Chief Engineer of Kathiyawar state. Her family was related to Rabindranath Tagore. So, after the initial education in England, she came to Shanti Niketan and completed her studies. She was a favourite and a favoured student throughout.
Looking at her acting skills, it was Tagore himself who recommended her to act in the Bangla film “Gora”-38, based on his own novel. Her role of Latika-daughter of Paresh babu in the film-who falls in Love with Bijoy and marries her- was liked by Tagore. She did one more film ‘Na hone wali baat’-38 in Hindi, followed by the Hindi version of Rukmini in 1939. After doing 4 Bangla films, she did the Trilingual film (Bangla, Hindi and English)- Raj nartaki-1941. This was made by Wadia movietone in Bombay and was directed by Modhu Bose, husband of the Heroine Sadhana Bose-the international dancer. She married Major Manzoor-ul- Huq, brother of actress Begum Para.
Her other Hindi films were Kunwara baap-42,Raja-43 and Shararat-44, all directed by Kishore Sahu. She also did Namaste in 1943.. After this she turned to Direction and did her first film Chhamiya-45, with Begum Para and David as a Lead pair. She repeated this team again in Pagle-50 also. However her second film ‘Jharna ‘-48 was banned by Morarji Desai, the then Chief Minister of Bombay Province, on the plea that the film had explicit sexual scenes in it. This was a financial disaster for Pratima and she decided to quit films.
In all, Pratima Dasgupta did 10 Hindi films and 8 Bangla films.
In Hindi film industry, branding is very common or rather Popular, from the beginning. Actually, Branding reconfirms the actor’s strong points, his expertise in acting. For example, Ashok kumar and Motilal were known for Natural acting, for beauty it was Madhubala, for excellence in acting- Meena kumari, Sanjeev kumar for variety in roles, Sohrab Modi and Raaj Kumar for dialogue delivery, Tragedy king was Dilip Kumar (only till 1955), Ajit was Sophisticated Villain etc. etc. There was one actress who was famous for her ” Oomph”. It is said that her sexy photos were pasted by U.S. soldiers in their rooms, during Vietnam war. The ” TIME ” photographer did a Photo session with her. She too conscientiously maintained her ‘ Sexy ‘ image and so she was never known as a good actress in acting. Her name – BEGUM PARA.
Begum Para (née Para Haq; 25 December 1926 – 9 December 2008) was a Hindi film actress who was active mostly in the 1940s and 1950s. After 50 years, she returned to films with her last role in Sanjay Leela Bhansali’s Saawariya (2007) as Sonam Kapoor’s grandmother. In her times in 1950s, she was considered a glamour girl of Bollywood, so much so, that Life magazine had a special session with her devoted to her fine sensuous photographs.
Begum Para was born as Para Haq in Jehlum now a days in Pakistan. Her family was from Aligarh. Her father, Mian Ehsanul-Haq, was a judge who at some point in his life went into the judicial service of the princely state of Bikaner, now northern Rajasthan, where he became chief justice of its highest court. He was a fine cricketer of his time. She was brought up very disciplined yet liberal. She spent her childhood in Bikaner. She was educated at the Aligarh Muslim University. Her elder brother Haq, had gone off to Bombay in the late 1930s to become an actor. There he met and fell in love with the Bengali actress Protima Dasgupta, and married her.
Whenever she visited them in Bombay, she was quite taken up with the glitzy world of her sister-in-law. She used to accompany her on many occasions and get-togethers. People would get quite impressed with her looks and offer her a lot of roles. One such offer came from Shashadhar Mukherjee and Devika Rani. Her father consented to her wishes reluctantly, and requested her to never work in Lahore.
Begum Para’s first break turned out to be 1944 film Chand, from Prabhat Studios in Poona. Prem Adib was the hero, and Sitara Devi was the vamp in the film. It did extremely well and Para started getting paid about Rs. 1500 a month. Soon after, she and her sister-in-law Protima made a film called Chamia (1945) based on the novel ‘Pygmalion’, which again was a huge success. Para signed a lot of films after Chamia, but she couldn’t quite establish herself as an actress. Because she had a highly scandalous image, people always gave her the role of glamour doll in most films. She didn’t mind it because she always played herself on screen.
She did Sohni Mahiwal (1946) and Zanjeer (1947) with Ishwarlal and Dikshit; Neel Kamal (1947) with Raj Kapoor; Mehendi (1947) with Nargis; Suhaag Raat (1948) with Bharat Bhushan and Geeta Bali; Jhalka (1948); and Meherbani (1950) with Ajit Khan. She also worked in Ustad Pedro (1951), produced and directed by the then well-known actor, Sheikh Mukhtar. It was a fun film, and was packed with action, romance, and stunts.
In 1951 she posed for photographer James Burke for a Life magazine photo shoot. Para’s last role was in the movie Kar Bhala in 1956. She was also offered to play Nigar Sultana’s role ‘Bahar’ in Mughal-e-Azam (1960). However, she refused to play the role because she considered it against her image. In all, she acted in 34 films in her career.
She made a comeback on the silver screen in Sanjay Leela Bhansali’s Saawariya in 2007 as Sonam Kapoor’s grandmother.
She married actor Nasir Khan, the younger brother of Bollywood actor Dilip Kumar. They had three children, including the actor Ayub Khan. Begum Para’s father Mian Ehsan-ul-Haq of Jalandhar, was a judge who joined the princely state of Bikaner, now northern Rajasthan, where he became chief justice of its highest court. Her husband died in 1974. Following her husband’s death, she briefly migrated to Pakistan in 1975. Two years later, she relocated back to India.
She died in her sleep on 9-12-2008, at the age of 81 years. (Thanks to wikipedia).
Film Pagle-50 had 9 songs. 6 songs are already presented here. Today’s duet would be its 7th song to be discussed here. It is a duet sung by Rajkumari and Talat Mehmood. The song is quite ordinary. As such, Snehal Bhatkar was not known for many melodious songs in his films. This duet is an average one.
Song-Taaron se ab chaand ki kuchh baat ho gayi (Pagle)(1950) Singers- Rajkumari, Talat mehmood, Lyricist- Qabil Amritsari, MD-V G Bhatkar (Snehal Bhatkar)
Both
Lyrics
Taaron se ab chaand ki kuchh baat ho gayi
Taaron se ab chaand ki kuchh baat ho gayi
aapas mein do dilon ki ee mulaakaat ho gayi ee
aapas mein do dilon ki ee mulaakaat ho gayi
taaron se ab chaand ki kuchh baat ho gayi
taaron se ab chaand ki kuchh baat ho gayi
aapas mein do dilon ki ee mulaakaat ho gayi ee
aapas mein do dilon ki ee mulaakaat ho gayi
koi nazar milaa ke mohabbat dikhaa gaya
dil ko khushi se aaj dhadakna bhi aa gaya
kya jaane aankhon aankhon mein kya ghaat ho gayi
kya jaane aankhon aankhon mein kya ghaat ho gayi
aapas mein do dilon ki ee mulaakaat ho gayi ee
aapas mein do dilon ki ee mulaakaat ho gayi
aankhon mein tere khwaab hain
honthon pe tere geet
aankhon mein tere khwaab hain
honthon pe tere geet
tu aarzoo hai dil ki
har saans tera meet
tu aarzoo hai dil ki
har saans tera meet
ab meri zindagi bhi tere saath ho gayi
ab meri zindagi bhi tere saath ho gayi
aapas mein do dilon ki ee mulaakaat ho gayi ee
aapas mein do dilon ki ee mulaakaat ho gayi
apna bana ke dekho daaman na chhod dena
apna bana ke dekho daaman na chhod dena
dil mein samaane waale
dil ko na tod dena
dil mein samaane waale
dil ko na tod dena
manzoor unki dil ko har baat ho gayi
manzoor unki dil ko har baat ho gayi
aapas mein do dilon ki ee mulaakaat ho gayi ee
aapas mein do dilon ki ee mulaakaat ho gayi
taaron se ab chaand ki kuchh baat ho gayi
taaron se ab chaand ki kuchh baat ho gayi
aapas mein do dilon ki ee mulaakaat ho gayi ee
aapas mein do dilon ki ee mulaakaat ho gayi
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4462 | Post No. : | 15943 | Movie Count : |
4370 |
Kidar Sharma has often been given a title of ‘one-man film industry’. He was producer, director, actor, story/screen-play/dialogue writer, lyricist, editor, still photographer etc. He was also known to have the working knowledge of Hindustani classical music. He also sang a song on himself in the film ‘Inquilaab’ (1935). With a vast knowledge gained from working in New Theatres, Kolkata during 1933-41 and in Ranjit Movietone during 1942-47, Kidar Sharma had directed 11 films and written lyrics for 23 films before he turned producer with ‘Neel Kamal’ (1947).
Kidar Sharma had a passion for film making. Otherwise why a young man of 22 years after completing M.A. in English literature would join the New Theatres (NT) as a painter. He would have very well got the job of a lecturer in any college in around his native Punjab. His progress in filmy career was rapid. Within 2 years of joining NT, he was a still photographer and the lyricist for ‘Devdas’ (1935). he became dialogue writer for the Hindi version of ‘Vidyapati’ (1937) in addition to song writing. By 1939, Kidar Sharma had become a free-lance director with ‘Aulaad’ (1939’, his debut film as a director followed by ‘Chitralekha’ (1941) which became much talked about film. Incidentally, after about 23 years, Nadiadwala of Pushpa Films engaged Kidar Sharma to direct ‘Chitralekha’ (1964), a remake of its 1941 version.
After directing 9 films for Ranjit Movietone, Kidar Sharma decided to produce and direct ‘Neel Kamal’ (1947) under his own banner, Oriental Pictures. In fact, nobody was prepared to produce this film, not even his employer, Ranjit Movietone. So, he was forced to become the producer. He arranged finances by selling the distribution rights of the film in advance. For his maiden venture, he introduced two new comers – Raj Kapoor and Madhubala. Both the actors had done some bit roles in films before they were given the lead roles for the first time in the film. The film was an average success in terms of box office collections. Since then, Kidar Sharma has produced and directed 14 films between 1947 and 1980.
As a producer-director, Kidar Sharma was not a showman like Raj Kapoor for whom the production value in terms of star cast, techniques and costly sets for film shooting were as important as the theme of the film. On the other hand, Kidar Sharma was an antithesis of a showman. He believed in low budget film which ruled out taking star actors for the lead roles. Hence, for almost all his films which he produced and directed, he preferred new comers and his protégées to whom he had earlier introduced in his films. In this process, he gave to the Hindi film industry, popular actors like Raj Kapoor, Madhubala, Geeta Bali, Bharat Bhushan, Mala Sinha, Tanuja etc to whom he introduced in his films as lead actors for the first time. Similarly, he mostly relied on Snehal Bhatkar and Roshan as music directors for his films who were introduced by him in his films ‘Neel Kamal’ (1947) and ‘Sohag Raat’ (1948), respectively for the first time.
Kidar Sharma’s last box office successful film as a producer-director was ‘Baawre Nain’ (1950) with Raj Kapoor and Geeta Bali in the lead roles. All his subsequent films like ‘Shokhiyaan’ (1951), ‘Gunaah’ (1953), ‘Chhora Chhori’ (1954) and Rangeen Raaten’ (1956), did not fare well at the box office. All his films in the 1960s and thereafter numbering 6 either failed miserably at the box office or did not get released. I guess, ‘Sehme Huye Sitaare’ (1994) was his last film which remained unreleased in the theatres.
I have watched selectively a few films of Kidar Sharma from 1940s to 1960s. In most of his films, the story is based on a village or a small town and he tries to depict the intricate human relationships. All his films gives an impression that he had not come out of the Bengali mode of film making which were losing stream in Hindi film industry in the later 1960s where films were seen more as a medium of entertainment to fill the coppers of producers and distributors in terms of profits than covering the social issues concerning the society at large. Kidar Sharma did not fit in this milieu. So, the last 5-6 films produced and directed by him became obscure to such an extent that most of the us do not even remember the title of the films.
‘Pyaase Nain’ (1989) was one of the obscure films produced and directed by Kidar Sharma. The star cast included Kanan Kaushal, Yuvraj, Madhup Sharma, Naaz, Anant Marathe, Gauri Varma, Veena Sood with Shyama, Dev Kumar Gajanan Jagirdar, Hiralal and Maruti as guest artists. The film had 6 songs (including one song re-used from ‘Chhora Chhori’ (1954). Kidar Sharma wrote the lyrics which were set to music by Snehal Bhatkar.
The film was certified by the Censor Board on December 5, 1989. I am not aware whether the film was released in the theatres. I also do not find the gramophone/CD version the songs. Fortunately, the VCD of the film is available on one of the video sharing platforms. After watching the initial part of the film, I lost interest in watching the rest of the film. However, I have watched the picturisation of 3 songs in the film. My take on this film is as under:
1. Kanan Kaushal in 1989 was 50. But in this film, she looks much younger. Incidentally, Kanan Kaushal made her debut in Hindi film in 1969.when she was 30.
2. Of the 6 songs, one song is rendered by Mohammed Rafi with Suman Kalyanpur. The voice of Rafi sounds like his voice of the 60s. There is another duet in which Rajkumari Dubey sings for Kanan Kaushal. There are two songs by ghazal singer, Mahesh Chandra who had also sung in ‘Maikhaana’ (1967) for Kidar Sharma.
3. The treatment in the film in terms of cinematography, costumes and dialogues give an impression that this film was shot in the 60s through early 70s.
My own hunch is that the film was majorly shot between 1970 and 1975. Kanan Kaushal had become a well sought-after actress for mythological films after the tremendous success of her film ‘Jai Santoshi Maa’ (1975). In the wake of her success, I do not think that she would have agreed to act in ‘Pyaase Nain’ post 1975. Going by the style of film making by Kidar Sharma in his later years, during which time he used to shoot the film as and when he could raise finance, this film must have been delayed for want of finance. By the time the film got completed, it was terribly out of date. Probably, the film got released only on Television.
One of the six songs which I liked the most from the film ‘Pyaase Nain’ (1989) is ‘aao aawaaz se aawaaz milaakar gaayen’ sung by Mohammed Rafi and Suman Kalyanpur which I am presenting here. The song is written by Kidar Sharma which is set to music by Snehal Bhatkar. When I said earlier that Rafi’s voice sounds like that of his voice in the 60s, I remember his voice in the song dil-e-betaab ko seene se lagaana hoga from ‘Paalki’ (1967). Incidentally, this song is also sung by Mohammed Rafi and Suman Kalyanpur.
With this song, ‘Pyaase Nain’ (1989) makes its debut on the Blog.
Audio
Video
Song-Aao aawaaz se aawaaz milaakar gaayen (Pyaase Nain)(1989) Singers-Rafi, Suman Kalyanpur, Lyrics-Kidar Sharma, MD-Snehal Bhatkar
Both
Lyrics
aao aawaaz se aawaaz
milaakar gaayen en en en
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en
aa aa aa aa aa
kamse kam kaan mein itna to main keh sakti hoon oon
kamse kam kaan mein itna to main keh sakti hoon oon
itna to tu keh sakti hai
dhadkanen aap ki
seene mein
dhadkanen aap ki seene mein pirona hai mujhe ae ae
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en en
aa aa aa aa
meri aankhon mein nazar aayi tumhen wo tasweer eer
meri aankhon mein nazar aayi tumhen wo tasweer eer
nazar aayi mujhe wo tasweer
nazar aayi mujhe wo tasweer
laaj se soyi kali simti huyi baahon mein ae ae
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en en
aa aa aa aa
neend aaye to teri saans jagaa deti hai ae
neend aaye to teri saans jagaa deti hai ae
meri saans jagaa deti hai
meri saans jagaa deti hai
wo jawaan khwaab ke parda hai jinhen mardon se ae ae ae
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en en
aa aa aa aa
laakh parda ho magar maan bhi jaao na wo baat
laakh parda ho magar maan bhi jaao na wo baat
kaho kaun si baat
hmm
kaho kaun si baat
dil jigar sharabati aankhon ke nazar karne do
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en en en
aa aa aa aa
aao aawaaz se aawaaz milaakar gaayen en en en en
(hmm hmm)
aa aa aa aa
aao aawaaz se aawaaz
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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