Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Naazneen


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Blog Day :

4914 Post No. : 16734

‘Chaalu Mera Naam’ (1977) was directed by Krishna Naidu for BC Deora Films, Bombay. This B grade movie had Vinod Mehra, Mahendra Sandhu, Vidhya Sinha, Helen, Madan Puri, Anwar Hussain, Deven Verma, Nazneen, Maruti, Jagdish Raj, Prakash Thapa, Radheshyam, Ramesh Deo, Chandrashekhar Vaidya, Sajjan, Sulochana Latkar, Anand Girdhar, Gurbachan Singh etc. in it.

The movie had four songs in it. One song has been covered so far.

Here is the second song from ‘Chaalu Mera Naam’ (1977) to appear in the blog. The song is sung by Asha Bhonsle and Kishore Kumar. Verma Malik is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a celebration song (birthday celebration?) where Helen and Vinod Mehra (in disguise ?) perform this song and dance. Villains are in attendance in full strength , as we can notice in the picturisation.

I request our knowledgeable readers to tell us what is going on in this picturisation.

The song itself is quite wonderful to listen to. It reminds me of music of ‘Don’ (1978), composed by the same music director duo. Sadly, this movie, which predates ‘Don’ by one year could not take advantage of such a fantastic sounding song.

It is a nice song that has been forgotten with time, mainly because the movie failed at the box office.


Song-Tumse hi is mehfil mein aayi hai bahaar(Chaalu Mera Naam)(1977) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Verma Malik, MD-Kalyanji Anandji
Both

Lyrics

is rangbhari mehfil se
ek cheez churaane aaye hain
kisi ke dil ki basti mein
hum aag lagaane aaye hain
hum kuchh galat no nahin keh gaye

nahin to
aapka matlab hai
khushiyon ke deep jalaane aaye hain
haan

arre tumse hi is mehfil mein aayi hai bahaar
tumse hi is mehfil mein aayi hai bahaar
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar

hamko bhi kheench laaya yahaan tera pyaar
hamko bhi kheench laaya yahaan tera pyaar
bhanwron se bachna hoga rehna hoshiyaar
haan haan
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar khabardaar
hoshiyaar khabardaar

ummeedon ke din hain
muraadon ki raaten
ummeedon ke din hain
muraadon ki raaten

hoti naseeb se hain aisi mulaakaaten
dil mein umang leke
aaj naya rang leke
dil mein umang leke
aaj naya rang leke
barson ke baad aaye karne deedaar
bhanwron se bachna hoga rehna hoshiyaar haan
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar hey khabardaar arre hoshiyaar arre khabardaar

palkon mein apni tujhko chhupaayen
palkon mein apni tujhko chhupaayen
jeewan ki baazi tujhpe lagaayen
maano hamaara kehna
duniya se bach ke rehna
maano hamaara kehna
arre duniya se bach ke rehna
duniya ke logon ka kya hai aitbaar
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
arre tumse hi /font>
is mehfil mein aayi hai bahaar
tumse hi is mehfil mein aayi hai bahaar

hey
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar

arre
khabardaar
arre hoshiyaar
hey
khabardaar
:ff00ff;”> 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

All numbers are unique unto themselves – inasmuch as each number has its own claim to fame just by being what it is. And but for the imagination and fancies applied by our minds, which at times picks on certain characteristics and binds some special stature to some of them, all these numbers would be as interesting, or for that matter disinteresting, as any other number. Let me quote the instance of a number that has now become famous as the ‘Hardy – Ramanujan Number’. This anecdote is attributed to a conversation in or about 1919 (wow, ninety seven years ago), that happened in London. Indian mathematician Srinivas Ramanujan, who was based in London for some time, was ill and confined to his bed at his residence. His friend, Godfrey Hardy, another mathematician (who had invited and arranged for Ramanujan’s travel etc. to London), came visiting him. The initial conversation was about Hardy’s journey to see Ramanujan. He mentioned off hand that the number of the taxicab in which he had travelled, was 1729 – for all intents a most uninteresting and boring number. To this comment, Ramanujan replied that ‘1729’ was a very special number. In fact it is the smallest number that can be represented as the sum of two cubes, in two different ways. (I am avoiding the calculation details; interested readers can google this for more details).
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naazneen” (1951) was directed by N K Ziri (?) for All India Pictures. The movie had Nasir Khan, Madhubala, Pratima Devi, Cuckoo, Jayant, Agha, Chanchal, Ram Avtaar, Om Prakash etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naazneen” (1951) was directed by N K Ziri (?) for All India Pictures. The movie had Nasir Khan, Madhubala, Pratima Devi, Cuckoo, Jayant, Agha, Chanchal, Ram Avtaar, Om Prakash etc in it.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
———————————————
# Bhoole-Bisre Geet # 39 # Dildaar-1977 #
——————————————–

In my previous posts I have mentioned about the summer vacatons during my childhood days when I would be watching movies in the company of my Uncles, brothers and cousins. We used to visit the Akola, the nearest city for many reasons (viz buying provisions etc), but watching movies was the main attraction for us – children- to go to Akola.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = = = = = = = = =
The Many Colors of Love #22 – Dwelling in the Lover’s Eyes
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

And so wrote the scribe

oooo
meri aankhon mein bas gaya koi re
mohey neend naa aaye main kyaa karun

Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naazneen” (1951) was directed by N K Ziri (?) for All India Pictures. The movie had Nasir Khan, Madhubala, JPratima Devi, Cuckoo, Jayant, Agha, Chanchal, Ram Avtaar, Om Prakash etc in it.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16900 song posts by now.

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