Posts Tagged ‘1952’
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6406 | Post No. : | 19872 |
“Badnaam”(1952) was directed by D.D. Kashyap for Filmistaan Limited, Bombay. This “social” movie had Shyama, Balraj Sahni, Ulhas, Murad, Prabhu Dayal, Pappu, Narendra Kumar, Sheela, Jankidas, D.S. Panchotiya, Bhujbal Singh, Talwar, Shakeel, Mishra, Munna, Helen and others.
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O Mrignainee Madhubainee Menaka
Posted on: January 26, 2026
- In: Duet | Geeta Dutt solo | Geeta Dutt songs | Guest posts | Multi part song | Post by Sadanand Kamath | Seduction song | Shamshad Begam songs | Shamshad Begam-Talat Mehmood duet | Songs of 1950s (1951 to 1960) | Songs of 1952 | stage dance | Talat Mehmood songs | Yearwise breakup of songs
- 4 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6401 | Post No. : | 19856 |
Mr. Sampat (1952) was produced and directed by S S Vasan under the banner of Gemini Pictures. The film starred Motilal, Padmini, Vanaja, Sundari Bai, Swaraj, Agha, Kanhaiyalal, Badriprasad, Kailash Nath, Ramamurthy, J S Casshyap, B S Kalla etc. The film was adapted from R K Narayan’s novel, ‘Mr. Sampat – Printer of Malgudi’ (1949). It is a satirical film. This was Padmini’s first Hindi film in a lead role while Motilal was in the title role of Mr. Sampat. The film was first made in Tamil in 1948 but R K Narayan made some revision in the story based on which the Hindi version was made.
I have already given the story of the film in some detail while covering one of the film’s songs, laila laila pukaaroon main ban mein. So, I will cover here only the gist of the story which is as under:
Mr. Sampat, (Motilal) sustains himself by coning the people through presenting himself in immaculate western attires with his smooth and humourous talks. He has the power to convince his potential targets with his believable schemes. One of his potential targets is Malini (Padmini), a stage artist who has a good fan base. Simultaneously, he has one more target, Seth Makhanlal Gheewala (Kanhaiyalal) who is standing for a municipal election. Sampat uses Malini in the guise of an interview for a newspaper and brings her at Gheewala’s tea party for her. Because of Malini’s fan base, Gheewala wins the municipal election thus creating a confidence in the ability of Sampat.
With this success, Sampat spells out a scheme, both for Malini and Gheewala to start a bank by offering the customers a high interest rates on deposits. The new bank thrives in its business and attract huge deposits. Raj Mohan (Kailash Nath) from a former royal family member has put a large chunk of deposits in the banks because he has developed infatuation with Malini. For Sampat, things are working nicely as per his plans and he has now improved his status. One day, Malini rejects Raj Mohan’s advances which angers him. He immediately withdraws his entire deposits from the bank. Soon the bank collapses and the entire investments made by Malini and Gheewala are lost. Creditors are queuing up and to meet their demand, Malini’s house is under auction. Knowing that he has nothing to gain now, Sampat leaves them after pocketing Malini’s theatre collections and moves on to select his next potential target for coning. And this time, he has been seen as a godman giving an impressive lecture to his followers.
The film was under production before India became a republic in 1952 and before the first general election took place. So, there was no major corruption and fraudsters cases at the time of making the film. The Haridas Mundra case and much later, Natwarlal’s coning instances came to light only sometime in mid-1950s though he was involved in theft and cheatings during the British Rule. Hence, it is to the credit of story writer, R K Narayan that he could foresee such scenarios which became realities in India in the later years. The film is still relevant and it is for the reason that film is enjoyable to watch even after seven decades from its release. Despite the role of Sampat having some negative shades, Motilal in the title role, has given an excellent performance and has been successful in creating an impression on the audience of his likeable character mainly because of his natural acting.
The film had 13 songs written by Pandit Indra (10) and others (3) which were set to music by Balkrishna Kalla and E Shankar Shastri. All are the stage songs. Surprisingly, not a single song was picturised on Motilal.
Five songs have been represented on the Blog. I present the 6th song, ‘o mrignaini madhubani……o bairaagi banwaasi’ which is tandem song rendered by Talat Mehmood, Shamshad Begum and Geeta Dutt. The soundtrack of the song in the film appears as a continuous song. Due to technical reasons, this song on gramophone records have been released in two parts. Geeta Dutt parts of the song is composed in Baul style, a type of kirtan song, which has been prevalent in Bengal.
This tandem song is a part of the mythological story of Menaka and sage Vishwamitra being staged in a theatre. In the first part of the song, Menaka (Padmini) is directed by Lord Indra () to entice sage Vishwamitra (Ramamurthy) who is on a deep meditation to attain the highest status of a Brahmarishi which can dethrone Lord Indra in heaven. In the second part of the song, Menaka goes from heaven to earth and starts singing and dancing. Towards the end of the song, Menaka is successful in breaking sage Vishwamitra’s meditation and he gets attracted to Menaka.
Incidentally, HFGK shows the song under discussion as two different songs because it has been issued on 78 RPM gramophone records with two different matrix numbers. In the film, it is a continuous but tandem song. Since the theme of both the songs is a part of the same story with continuity in stage performance, I felt that both the songs should form a part of the single post for the better understanding of the context of the song.
Video Clip (Part-1):
Video Clip (Part-2):
Audio Clip (Part-1):
Audio Clip (Part-2):
Song-O mrignainee madhubainee Menaka (Mr Sampat)(1952) Singers-Talat Mehmood, Shamshad Begum/ Geeta Dutt, Lyricist-Pt Indra Chandra, MD-B S Kalla
Chorus
Lyrics:
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Part-1 (Based on Video Clip)
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Devendra dev ki jai jai jai
?? kee jai jai jai
Gajpati Narendra kee jai jai jai
Gajpati Mahendra kee jai
Mahendra kee jai
Mahendra Kee jai
[Dialogues]
o o
mrignaini madhubaini Menaka
tum ho kahaan
tum ho kahaan
swaami ee
o o o o
haazir hoon main naath yahaan
haazir hoon main naath yahaan
haazir hoon main naath yahaan
o o o
mrignaini madhubaini Menaka
tum jaao
tum jaao
o o o
o o
meree laaj aabroo
ab to tumheen bachaao
salonee jaao
tum jaao
ab tajo shok tum swaami naath hamaare
ab tajo shok tum swaami naath hamaare
naath hamaare
sab bade bade brahmchaaree mujhse haare
mujhse haare
main jaaun
main jaaun aur suljhaaoon sabhee samasya
taphaaree kee kar aaoon
bhang tapasyaa
bhang tapasyaa…..aa
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Part-2 (Based on Audio Clip)
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o o o
bairaagee banwaasee..ee
o o o
bairaagee banwaasee ee
charnon kee daasee
darash ko pyaasee
bairaagee banwaasee
o o o
bairaagee banwaasee ee
ab nain khol kar dekh re
ab nain khol kar
ab nain khol kar dekh
dwaar tere chhaayee pooranmaasee
o bairaagee banwaasee
main daaroongee galbaiyaan
tod de maala
main daaroongee galbaiyaan
tod de maala
main apnaa hriday bichhaaoon
phenk mrigchhaala
dho daal bhaal ke bhabhoot
bhagwa taj de
?? ang ang ras bhar le
dho daal bhaal ke bhabhoot
bhagwa taj de
?? ang ang ras bhar le
preet mohse kar le
preet mohse kar le
preet mohse kar le
chhod udaasee
preet mohse kar le
chhod udaasee
o banwaasee
o banwaasee
o banwaasee
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6355 | Post No. : | 19702 |
‘Sindbaad The Sailor” (1952), also known as ‘Sindbaad Jahaazi’ was produced by Balwant Bhatt under the banner of Deepak Pictures and was directed by his brother, Nanabhai Bhatt. The cast included Naseem Bano, Ranjan, Nirupa Roy, Pran, Jayant, Bhagwan, Yashodhara Katju, Samson, etc. In some places including the poster of the film, Sindbaad is written/printed as ‘Sinbad’. The Arabic name is ‘Sindibaadu’. So, using the title of the film as ‘Sindbaad The Sailor/Sindbaad Jahaazi’ seems appropriate.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6353 | Post No. : | 19692 |
Today’s song is a duet from the Mythological film – Veer Arjun-1952.
The film was produced by Ratilal Punatar ( he was the nephew of Sardar Chandulal Shah of Ranjit Movietone), for his own banner Ajit Pictures ( Ajit was his son’s name). The film was directed by Ramchandra Thakur ( highly educated, originally from Sagar Movietone). 6 songs of this film were composed by Avinash Vyas while one song was composed by S.Mohinder- who made G.M.Durrani sing, probably his life’s only bhajan in this film !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6352 | Post No. : | 19688 |
Today’s song is from a Mythological film-Mordhwaj-1952. This film was produced by M.N.Gautam and directed by a B grade film specialist Balwant Bhatt. Music was by a Debutant, Narayan (Datt). The cast included Durga Khote, Prem Adib, Ram Singh, Tiwari, Shashi Kapoor, Manju, Leela Mishra, Bindu, Neeru etc etc.
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Baat takat morey naina haarey
Posted on: November 3, 2025
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6317 | Post No. : | 19560 |
“Devyaani”(1952), a mythological movie, was produced by Madhukar Harihar and directed by Vasant Painter for Madhav Pictures, Bombay. The movie had Shakuntala, Sapru, Mahipal, Meenakshi, Vasantrao Pahalwan, Banke Bihari, Baburao Pendharkar etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6308 | Post No. : | 19526 |
“Devyaani”(1952), a mythological movie, was produced by Madhukar Harihar and directed by Vasant Painter for Madhav Pictures, Bombay. The movie had Shakuntala, Sapru, Mahipal, Meenakshi, Vasantrao Pahalwan, Banke Bihari, Baburao Pendharkar etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6247 | Post No. : | 19321 |
Today’s song is from the film Usha Kiran-1952.
In the month of September-2014, I had started a series on this Blog, titled “songs from Artists’ name films”. It ran from 18-9-2014 to 8-10-2014. I covered 10 films like Madhubala-1950, Nargis-1946, Veena-1948, Renuka-1947, Madhuri-1932, Hurricane hansa-1937, Zubeida-2001, Kamla-1946 and Asha-1948. When I came to the 10th and the last film Usha Kiran-1952, I realised that actress Usha Kiran was not in the cast of that film. In all other films, then discussed, the titled actress was in its cast. I was shocked. Nevertheless, I wrote the article and sent it for posting. But then on, I became alert and checked all the films selected for any series, fully and carefully.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6231 | Post No. : | 19262 |
Today’s song is from a social family drama film- Bahu Beti-1952.
The film was made under the banner of Baroda Theatres Limited, Bombay. It was directed by C.L.Dheer. he was the father of actor Pankaj Dheer, while it was produced by Sutlaj Dheer, mother of Pankaj Dheer. C.L.Dheer directed only 3 films. Today’s film, Zindagi-1956 and Aalingan-1974.
The music was by S.D.Batish – a cousin of Husnlal and Bhagatram. He later went to the U.K, where he worked for BBC and then migrated to the USA for good. Here he opened a Hotel and an Indian Music School . He also wrote several books on Indian music. His contribution in promoting Indian culture and music in the USA is praiseworthy.
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