Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Bhagwan


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4031 Post No. : 15151

August 1st

Important for me, used to be my mom’s birthday. Thinking of her has only reinforced my feelings that the song with this post convey. She was one lively person who smiled through her illness and never let us know how much pain she was going through. She was always ready to accompany my dad on whatever tour he chose to organise. And I am sure they enjoyed every bit of their time and life together. That is the exact feeling that today’s song speaks of.

“Live life as if there are no tomorrows” – Kal Kya Hoga Kis Ko Pata, Abhi Zindagi Ka Le Lo Mazaa.

August 1st also happens to be the birth anniversaries of Meena Kumari and Bhagwan Dada. Meena Kumari, born Mahjabeen Bano, would have been 86 and Bhagwan Dada, born Bhagwan Abhaji Palav, would have been 103.

Both the actors had their share of fame and were lead actors in many movies. Master Bhagwan, as Bhagwan Dada used to be known in the early years, started his career in the era of silent films. And Meena Kumari stepped into films as a child artist sometimes in the early 1940s. They were part of a few movies together where Meena Kumari was the heroine and Bhagwan lead the comic side plot for example ‘Bandish’ (1955), ‘Main Bhi Ladki Hoon’ (1964} etc.

They had successful careers through the 1960s. We lost Meena Kumari in the beginning of the 70s but Bhagwan Dada was still there and I remember seeing him in many movies doing his signature step dance. In the initial stages of my movie watching I was unaware that he was such a huge star of his times. I always saw him as a side-kick or a dancer who was given prominence in various group dance numbers. Much later I happened to see his songs of ‘Albela’ and I realized that he was being copied by the actors of the 70s – HE was their inspiration. After associating with this blog, I read about his life and times and felt sad that what went up had to go down too. Probably he too subscribed to the thoughts of today’s song and lived in his “todays as if there were no tomorrows”.

Rose Movies’ ‘Kasme Vaade’ (1978) was produced and directed by Ramesh Behl. It had Rakhee, Neetu Singh, Amitabh Bachchan, Randhir Kapoor in the main lead with Rekha in a guest appearance and Amjad Khan in special appearance. Master Bhagwan (Dada) was there for one song at the start of the film. That song was meant to show the happy-go-lucky character of Randhir Kapoor. We find RK on a night out with his cronies, running amok in the streets doing wheelies etc. (it is obvious that all the motor bike stunts are by a body double) and that is the situation for today’s song.

I had always wanted to present this song on the blog to highlight Bhagwan Dada’s steps and dancing. Finally, here it is.

Video

Audio

Song – Praani Bhatak Raha Hai Ban Ban Mein. . . Kal Kya Hoga Kisko Pata  (Kasme Vaade) (1978) Singer – RD Burman, Lyrics – Gulshan Baawra, MD – RD Burman
Male Voice
Chorus

Lyrics (Provided by Prakashchandra)

aa..aayen
praa..aani. . .
bhatak rahaa
ban ban mein. . .

aah haaa
waah bhai waah

ye nahi jaane
paagal pre..ae..ae..ae..mi
rabb hai
uske..ae..ae..ae mann mein

arre isi liye to keh gaye hain

jati sati
karmi gati

aaye
miley jo sang pisach ka
sada miley
buri mati
buri mati

but where is bhaanumati?

ha ha ha ha
bhanumati?

arrey bhanumati ne qunba joda
bhanumati ne qunba joda
aaye haaye eent yahan ki wahaan ko roda
eent yahan ki wahaan ko roda

arre phir se gao
bhanumati ne qunba joda
(hoooo oooooo)
eent yahan ki wahaan ko roda
(hoooo oooooo)
bhanumati ne qunba joda
(hoooo oooooo)
eent yahan ki wahaan ko roda
(hoooo oooooo)

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
la laa laa laa laa
laa la laa la laa
la laa laa laa laa
laa la laa la laa

kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

hey
dil waalo
duniya ki aisi taisi. . .
har pal
apna hai
din kaisa raat kaisi
oo hoooo hooo
hhooooo hoooo
hhooooo hoooo
hhooooo hoooo

hey
hey
aish karo
aish karo
nacho gao khao piyo
nacho gao khao piyo.
hey
hey
arre jeena hai to
jeena hai to
masti mein reh ke jiyo
masti mein reh ke jiyo

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

hey hey hey
hum jahaan
halla gulla hoga wahin
hum se ye
duniya hai
duniya se hum nahi
pak pakau pakau pakau pakau
pak pakau pakau pakau pakau
hey hey hoo haa
hey hey hey hey
hey hey hoo haa
hey ae ae ae

hey
hey
jab tak
jab tak
dum mein hai dum pyaare
dum mein hai dum pyaare
hey
hey
tab tak
tab tak
kahe ka hai gum pyaare
kaahe ka hai gum pyaare

arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa

he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa

kal kya hoga
kis ko pata
abhi zindagi ka
le lo mazaa

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आ॰॰आ॰॰आयें
प्रा॰॰आणि॰ ॰ ॰
भटक रहा
बन बन में॰ ॰ ॰

आह हा
वाह भई वाह

ये नहीं जाने
पागल प्रे॰॰ए॰॰ए॰॰ए॰॰मी
रब्ब है
उसके॰॰ए॰॰ए॰॰ए॰॰ मन में

अरे इसी लिए तो कह गए हैं

जति सती
करमी गति
आय
मिले जो संग पिशाच का
सदा मिले
बुरी मति
बुरी मति

बट व्हेर इज़ बहनुमती?

हा हा हा हा
बहनुमती?

अरे भानुमती ने कुनबा जोड़ा
भानुमती ने कुनबा जोड़ा
आय हाय ईंट यहाँ की वहाँ का रोड़ा
ईंट यहाँ की वहाँ का रोड़ा

अरे फिर से गाओ
भानुमती ने कुनबा जोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
ईंट यहाँ की वहाँ का रोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
भानुमती ने कुनबा जोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
ईंट यहाँ की वहाँ का रोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हेहे
ल ला ला ला ला
ला लल्ल ल ला
ल ला ला ला ला
ला लल्ल ल ला
ल ला ला ला ला
ला लल्ल ल ला

कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

हे
दिल वालो
दुनिया की ऐसी तैसी॰ ॰ ॰
हर पल
अपना है
दिन कैसा रात कैसी
ओ होsss होssss
होsss होssss
होsss होssss
होsss होssss

हे
हे
ऐश करो
ऐश करो
नाचो गाओ खाओ पियो
नाचो गाओ खाओ पियो
हे
हे
अरे जीना है तो
जीना है तो
मस्ती में रह के जियो
मस्ती में रह के जियो

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हे हे
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

हे हे हे
हम जहां
हल्ला गुल्ला होगा वहीं
हमसे ये
दुनिया है
दुनिया से हम नहीं

पक पकाऊ पकाऊ पकाऊ पकाऊ
पक पकाऊ पकाऊ पकाऊ पकाऊ

हे हे हू हा
हे हे हे हे
हे हे हू हा
हे ए ए ए

हे
हे
जब तक
तब तक
दम में है दम प्यारे
दम में है दम प्यारे
तब तक
तब तक
काहे का है ग़म प्यारे
काहे का है ग़म प्यारे

अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा

हे हे हे हे
हे हे हे हे
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा

कल क्या होगा
किसको पता
अभी ज़िंदगी का
ले लो मज़ा

Advertisements

This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4006 Post No. : 15110

“Labelaa”(1966) was directed by Bhagwan for Young India Entertainers, Bombay. The movie had Sujit Kumar and Kum Kum in lead roles. Others in the movie were Bhagwan, Om Prakash, Helen, Bela Bose, Ratanmala, Maruti, Anwar Husain etc in it.

The movie had six songs in it. Two songs from the movie have been covered in the blog.

Here is the third song from “Labelaa”(1966) to appear in the blog. This song is sung by C Ramchandra Asha Bhonsle and chorus. Anand Bakshi is the lyricist. Music is composed by C Ramchandra.

The song is picturised as a dance song on Bhagwan Dada and Bela Bose, with many others also present. I request our knowledgeable readers to help identfy the other actors visible in the picturisation. The video has several cuts so putting together entire lyrics is a tall order and there may be errors in the lyrics. I request our readers with keener ears to help correct the lyrics.


Song-Raat din kis tarah ab guzaara karen (Labelaa)(1966) Singers-C Ramchandra, Asha Bhonsle, Lyrics-Anand Bakshi, MD-C Ramchandra
Both
Chorus

Lyrics

yeah

waah

aah

arre waah
hahahaahaha
hahaha

raat din kis tarah ab guzaara karen
tu hamen ham tujhe na pukaara karen
lalalaaluralu
lalalaaluralu
hahaahauaha
lalaallalularalu

raat din kis tarah ab gujaara karen
tu hamen ham tujhe na pukaara karen

chup rahen
bas nazar se ishaara karen
ae dil mere dil
huaa ru
aa padi hai mushqil
huaa ru
dil ki baat
laahu
kaise kahen
laa hu
kaise kahen
kaise sun rahi hai mahfil
ae dil

har kisi baat ka ek fasaana bana
o deewaani sabhi ko diwaana bana

lalalalluralu
lalalaluraalu
hahahahuahua
lalalaluraaru

har kisi baat ka ek fasaana bana
o deewaani sabhi ko deewaana bana
aaj tu heer ko bhi nishaana bana
ae dil mere dil
huaaru
ha kar yaahu yaahu


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3901 Post No. : 14952

This song is from Master Bhagwan’s film ‘Damaad’ (1951).

This is the film which inspired Bhagwan to write a comedy social musical film story for his evergreen film Albela. In the decade of 1940’s, Bhagwan had specialised in low budget C grade action and stunt films. Usually his films would be completed in Rs. 60 to 70 thousand rupees only. He used to churn out films after films with the same set of actors with almost the same story in all his films. The audience of Master Bhagwan’s films came to the theatre to see his antics and comedy, coupled with action scenes of fighting and incredible stunts.

Usually Bhagwan never played the hero’s role in his own films. The hero in his films would necessarily be Baburao Pehelwan and Bhagwan used to be his side kick. Both had their love interests – usually the heroine for Baburao and her friend or maid for Bhagwan. Like Baburao and Bhagwan, even the lady actors were fixed. He had a set of such actresses like Shanta Patel, Chanchal, Leela Gupte, Vitha Lokare, Usha Shukla etc. They used to be in his films by turns. Actor Azim Bhai (who later became the famous Fight Master in Hindi films) was usually the good natured but timid employer of these two. Their job was to protect the Seth ji from goons, fight with them and finally win the girls in the end. Film after film the same story was used with slight changes here and there. The audience was least bothered about the story or the histrionics etc. They came for the dialogues, the fights and stunts.

Very few people know that both Raj Kapoor and Dilip Kumar were his great fans. When Bhagwan fell on bad times and shifted to a 2-room tenement in a chawl in Dadar, Dilip Kumar, while going for his daily shootings, used to stop at the chawl, honk till Bhagwan appeared in the gallery and waved to him, and then he proceeded to his work.

It was Raj Kapoor, who used to see his shootings in Jagriti studio, very near to RK studio. He once suggested to him to try making a social film. Incidentally, his good friend C Ramchandra (Anna for Bhagwan) also pressed him to dare making a social film. CR even promised him to give music to his social film in his popular name C Ramchandra (he gave music to Bhagwan’s films in the name of ‘Annasaheb ‘ till then). Bhagwan started thinking seriously on this issue. At that very time he got an offer to work in a social comedy film, to be produced by Beema Films of MT Mudnani and directed by Brij Rani. Since this was a social film Bhagwan wanted to give it a try. He wanted to assess the feasibility of making his own social film.

The film was ‘Damaad’ (1951). The story was simple. A simpleton is made a ‘ghar jamai’ (resident son-in-law) and has a miserable life. Incidentally, he becomes a successful singer. The film was absolutely an ordinary one. Being a director himself, Bhagwan understood the potential of the story to become a hit film. In addition the offer of C Ramchandra’s music was also inviting him. The film ‘Damaad’ came and went without making any ripples. Neither the producer made any more films, nor the director got any other film. The cast and the 3 MDs employed were also C grade anyway.

Taking inspiration from film ‘Damaad’, Bhagwan started writing the story of ‘Albela’ . For this film, he needed a cast other than his usual C grade film cast. Other actors were booked but no reputed heroine was ready to work in his film. Those days, Bhagwan’s name was only associated with C grade action stunt films. Then one day he approached Geeta Bali. She agreed – a bit reluctantly – to listen to his story. After listening to the story, Geeta Bali realized the potential of a hit film and said yes.

The shooting of ‘Albela’ started but Bhagwan kept it a secret. After few weeks of shooting, he invited Anna (CR) to come to see the shooting, without telling him anything. Anna went to Jagriti studios to see the shooting. After some shots were taken, he asked, ‘Bhagwan, this is your film, but where are the fights?”. Bhagwan smiled and said,”Anna, there are no fights. This is a social film I am making which you wanted me to do. Now it is your turn to stand by what you had promised to give your best music”. Sure enough C Ramachandra gave immortal music to film ‘Albela’ and the rest is history as they say.

Bhagwan’s planning for ‘Albela’ was so perfect that he got the Censor Certificate on 13-12-1951 and the film was released on next day i.e. on 14-12-1951 at Imperial Talkies in Bombay. Within 3-4 days, the film became houseful in every show. It was so successful that it overshot the combined collection of first week opening of BR Chopra’s ‘Afsaana’, Raj Kapoor’s ‘Awaara’, Dev Anand’s ‘Baazi’, AVM’s ‘Bahaar’ and Nitin Bose’s ‘Deedaar’, all released in 1951 only!

The tremendous success of ‘Albela’ made the financiers, producers and directors to line up Bhagwan’s doorstep with project proposals. The success of ‘Albela’ had also gone to the head of Bhagwan dada. He did not realize or acknowledge the contribution of Geeta Bali and C Ramchandra’s music to its success. He thought that it was due to him and he went on signing film after films in that period. As his new films started failing, the incomplete films were abandoned and ‘Albela’ became his swan song. The downward slide of his career and popularity started right after this film, although some more films like ‘Bhagam Bhag’ (1956) etc were hits-again due to music and Kishore Kumar.

Anyway the producer NT Madnaney never ever tried to produce any more films after ‘Daamad’, which was not at all successful at the box office.
The screenplay and direction was by Brij Rani. There were 3 composers, Shamoo who had given music to ‘ Yeh hai zindagi-48’ and ‘Begunah’ (1949) with Haribhai. Indravadan Bhatt had given music to 10 films in the late 40s. Ram Panjwani had been an actor in Berozgaar-36 and Chhotisi duniya-39, a singer in Damad-51 and Maa ka pyar-49, an MD for Magroor-50 and Damad-51 and also a Lyricist for one song in film Teen Batti chaar Rasta-53

The story was more or less same as ‘Albela’ – a good for nothing fellow sings well and makes a fortune – that is the one line story of this film.

Chamak (Bhagwan) is too simple a person, who is a teacher in a school, where even his students make fun of him. He gets married to a rich man’s daughter-Geeta (Krishna Kumari). Chamak loses his job and his father-in-law takes him to his house in a bigger town. Chamak is impressed with all the wealthy living and eats like a hog and sleeps like a dog every day. Honored initially as the son-in-law of the house, slowly he is despised, insulted and treated shabbily by in laws for doing nothing.

One day when Chamak is singing alone, the manager of the local theatre hears him, gets impressed and offers him job of a singer. Chamak accepts it and in no time becomes a famous singer and tours all over India. Seeing that he is famous, his in laws start pampering him. Now Chamak has become clever. He teaches a lesson to his in laws and finally they realize their folly and all is well that ends well.

The cast of the film was Bhagwan, Krishna Kumari, Yashodhara Katju, Protima Devi, Cuckoo, Habib, Kathana, Ishu Jahagirdar etc. etc. The story and screenplay was by director Brijrani.

Brij Rani was born in 1921 at Shikarpur, Sindh province, in a well to do business family. She studied up to Matriculation and also qualified as a Middle School Teacher. However, she opted to join films as an actress. Her first film was Jeewan Jyoti-37, doing an un credited small role to get the feel, followed by Calcutta after Midnight-37, Aurat-40, Wayda-40, Ulti Ganga-42, Daughters of the Jungle-43, Bhagta Bhoot-43, Circus Girl-43 and Lal Haveli-44.

She was getting roles only in stunt films and C grade films. Being from a business community, she started her own company- Bharat productions and herself made stunt films.

Meanwhile she continued acting in films like Lal Haveli-44 and acted and directed film Circus King-46 and film Sajni-47. Then there was a gap. probably she looked after her family. In 1951, she directed film Daamaad-51.

As far as Yashodhara Katju is concerned, there is a bizarre story behind her entry into films. Earlier there was a Kashmiri girl working in Hindi films,in the late 30s. Her name was Shyama Zutshi. Actor Chandramohan too was a Kashmiri Bramhin and held the view that Kashmiri Bramhin girls should not work in films as it is below their dignity. He strongly opposed Shyama’s work in the films and put lot of pressure on her to quit films. Fed up of his pestering and also afraid of his anger, Shyama left films. Her last film was Khooni Jadugar-1939.

However, soon after this, yet another girl who too was a Kashmiri Bramhin came into films from 1941. Chandramohan tried all his pressure tactics and tried to force her out of the films, but this girl was different. She was tough and did not fear him or yield to his intimidations. She continued to work in films unabated. Chandramohan died in 1949, but this girl worked in films from 1941 to 1974. She worked in 86 films and earned quite a name.

Her name was Yashodhara Katju ( 15-4-1928 to 1974 ). She was the niece of Pt. Nehru, but never ever used her highly placed relations to get work. Her father K L Katju was U.P.’s well known politician and also a senior bureaucrat. They were from Lahore, where Yashodhara had studied upto Senior Cambridge and also dancing. She was a leading comedienne in the early 50s and had formed a pair with Gope for some films. She married a Navy officer and spent her retired life as a housewife, away from filmdom.

Today’s song is actually in 2 parts, but it is combined in one video. The singers are Sulochana kadam(for Yashodhara katju), Ram Panjwani (for Bhagwan), Ishu Jahagirdar (for Dhobi), and Shrimati Vishnilal ( for elderly lady). VISHNI LAL was born in Hyderabad( Sindh) in 1926. She came to Bombay in 1943 to sing in films. Ram Daryani recommended her to Khemchand Prakash and he gave a break to her in film Chiragh-43. She sang in very few films like Qurbani-43,Anjuman-48 Mitti ke khilaune-48,Maghroor-50,Daamaad-51,Chhoti Duniya-53 etc.

Her family shifted to Bombay in 1947, after Partition. She was married to a businessman Mansukhani. She then settled in Dubai, with her family.

Let us now enjoy the song video.


Song – Dhobiya Re Dhobiya Re Tera Chhora (Daamaad) (1951) Singers – Sulochana Kadam, Ram Panjwani, Shrimati Vishnilal, Ishu Jahagirdar, Lyrics – Bahaar Ajmeri, MD – Indravadan Bhatt
Sulochana Kadam + Ram Panjwani
Chorus

Lyrics

oo oo oo
dhobia

dhohia re dhobia re tera chhora
ho tera chhora
beech bajaria chhed kare mosey
beech bajaria chhede
dhohia re dhobia re tera chhora
ho tera chhora

main na chhedoon
main na chhedoon is ko dada
jhooth kahe ye tosey
ram kasam. . .
ram kasam iljaam dhare hai
bair karey ye mosey
ram kasam iljaam dhare hai
bair karey ye mosey

hmmm mmmmm

tu chhori re chhori re chhori chhori re
bada sareef hai mera chhora
bada sareef hai mera chhora
oo oo chhori
chhori jhooth kyon boley
o chhori jhooth kyon boley
sundar dekh ke morey lallan ko
kyon tera manwa doley
ho chhori
kyon tera manwa doley

oo oo
oo oo oo oo oo
o dhobia
sunder hai tera chhora to
main bhi naar albeli
sunder hai tera chhora to
main bhi naar albeli
roop dekh sharmaaye jaaye re
dhobia
roop dekh sharmaaye jaaye re
bagia mein haaye chameli
bagia mein haaye chameli
bada theed hai
bada theed hai. . .
o tera chhora
bada theed hai
bada theed hai. . .
o tera chhora
beech bajariya ghere
beech bajariya ghere
dhobia re dhobia re tera chhora
ho tera chhora

kyon ri dhobaniya
lagaai bujhaai to kar ke chali
par main to ko samjhunga
lagaai bujhaai to kar ke chali
par main to ko samjhunga
bhari bajariya mein o chhori
bhari bajariya mein o chhori
teri khabar main loonga
ab teri khabar main loonga
oo oo oo dhobia
chal hatt
parey hatt

oo oo dhobia
samjhaaye lei e ka
nahin to main rapat likhaaye deungi
samjhaaye lei e ka
nahin to main rapat likhaaye deungi
oo oo thaanedar se
thaanedar se keh kar main to
lambardaar se keh kar main to
band karaye deungi
milat mein
milat mein
qaid karaaye deungi
main ghabraaye gai
tere chhore se
phirey hai peeche morey
phirey hai peeche morey
dhobia re dhobia re tera chhora
oo tera chhora

shiv ram
shiv ram
shiv ram
shiv ram
shiv ram

mukhiya ke chhore se chhori
mukhiya ke chhore se chhori
kaahe karey tu ladaai
maafi maang le 
o chhori
maafi maang le 
maine lallan se kar di teri sagaai

oo oo oo oo
teri meri bhool hui o baalam
kar le mosey mel
haan haan
kar le mosey mel
tu mera chaand hai
main teri chandni

oo oo oo oo
chhaila re chhaila re chhaila chhaila re
khelen chaand ka khel
aao khelen chaand ka khel
khel
aa ri dhobaniya
ho gaya tera mera mel
ho gaya tera mera mel
ho gaya tera mera mel
ho gaya tera mera mel. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ओ ओ ओ
धोबिया

बीच बज़रिआ छेड़ करे मोसे
बीच बज़रिआ छेड़े
धोबिया रे धोबिया रे तेरा छोरा
हो तेरा छोरा

मैं ना छेड़ूँ
मैं ना छेड़ूँ इसको दादा
झूठ कहे ये तोसे
राम कसम॰ ॰ ॰
राम कसम इल्जाम धरे है
बैर करे ये मोसे
राम कसम इल्जाम धरे है
बैर करे ये मोसे

हम्मम म्ममम

तू छोरी रे छोरी रे छोरी छोरी रे
बड़ा सरीफ है मेरा छोरा
बड़ा सरीफ है मेरा छोरा
ओ ओ छोरी
छोरी झूठ क्यों बोले
सुंदर देख के मोरे ललन को
क्यों तेरा मनवा डोले
हो छोरी
क्यों तेरा मनवा डोले

ओ ओ
ओ ओ ओ ओ ओ
ओ धोबिया
सुंदर है तेरा छोरा तो
मैं भी नार अलबेली
सुंदर है तेरा छोरा तो
मैं भी नार अलबेली
रूप देख शरमाये जाये रे
धोबिया
रूप देख शरमाये जाये रे
बगिया में हाए चमेली
बगिया में हाए चमेली
बड़ा ठीठ है
बड़ा ठीठ है॰ ॰ ॰
ओ तेरा छोरा
बड़ा ठीठ है
बड़ा ठीठ है॰ ॰ ॰
ओ तेरा छोरा
बीच बज़रिआ घेरे
बीच बज़रिआ घेरे
धोबिया रे धोबिया रे तेरा छोरा
हो तेरा छोरा

क्यों री धोबनिया
लगाई बुझाई तो कर के चली
पर मैं तो को समझूँगा
लगाई बुझाई तो कर के चली
पर मैं तो को समझूँगा
भरी बज़रिआ में ओ छोरी
भरी बज़रिआ में ओ छोरी
तेरी खबर मैं लूँगा
अब तेरी खबर मैं लूँगा
ओ ओ ओ धोबिया
चल हट
परे हट

ओ ओ धोबिया
समझाये लेई ए का
नहीं तो मैं रपट लिखाये देऊंगी
समझाये लेई ए का
नहीं तो मैं रपट लिखाये देऊंगी
ओ ओ थानेदार से
थानेदार से कह कर मैं तो
लंबरदार से कह कर मैं तो
बंद कराये देऊंगी
मिलत में
मिलत में
क़ैद कराये देऊंगी
मैं घबराए गई तेरे छोरे से
फिरे है पीछे मोरे
फिरे है पीछे मोरे
धोबिया रे धोबिया रे तेरा छोरा
हो तेरा छोरा

शिव राम
शिव राम
शिव राम
शिव राम
शिव राम

मुखिया के छोरे से छोरी
मुखिया के छोरे से छोरी
काहे करे तू लड़ाई
माफी मांग ले ओर छोरी
माफी मांग ले
मैंने ललन से कर दी तेरी सगाई

ओ ओ ओ ओ
तेरी मेरी भूल हुई ओ बालम
कर ले मोसे मेल
हाँ हाँ
कर ले मोसे मेल
तू मेरा चाँद है
मैं तेरी चाँदनी

ओ ओ ओ ओ
छैला रे छैला रे छैला छैला रे
खेलें चाँद का खेल
आओ खेलें चाँद का खेल
खेल
आ री धोबनिया
हो गया तेरा मेरा मेल
हो गया तेरा मेरा मेल
हो गया तेरा मेरा मेल
हो गया तेरा मेरा मेल॰ ॰ ॰


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3782 Post No. : 14763

“Dulhan”(1958) was produced by A A Nadiadwala and directed by V M Vyas for Pushpa Pictures, Bombay. This “social” movie had Nirupa Roy, Rajkumar, Bhagwan, Nanda, Jageerdaar, Sheila Kashmiri, Manorama, Agha, Jeewan, Indira Bansal, Munshi Munaqqa, Maqbool, Iqbal, Kanchan, Ansari, Moti (the dog) etc in it.

The movie had nine songs in it. Four songs from the movie have been covered in the blog.

Here is the fifth song from “Dulhan”(1958) to appear in the blog. This song is a duet sung by Shamshad Begam and Rafi. P L Santoshi is the lyricist. Music is composed by Ravi.

The song is sung in a rock and roll style (which was quite popular in India at that time. The song is picturised as a club dance song. One can see Bhagwan lip syncing in Rafi’s voice. I am unable to identify the lady who lip syncs in Shamshad Begam’s voice. I request our knowledgeable readers to help identify her.

With this song, the blog now has 4800 songs from the decade of 1950s (1951 to 1960), which is easily the most well represented decade in the blog.


Song-Mere gore gore gaal (Dulhan)(1958) Singers-Shamshad Begam, Rafi, Lyrics-P L Santoshi, MD-Ravi
Both
Bhagwaan

Lyrics

yaa hoo

mere gore gore gaal
mere kaale kaale baal
mera husn laajawaab
meri ada bemisaal
that’s all
o tere neele neele nain
tere meethhe meethhe bain
loote mere dil ka chain
kya kahoon main dil ka haal

that’s all
mere gore gore gaal
mere kaale kaale baal
mera husn laajawab
meri ada bemisaal

husn waale kahte nahin kitne hum hain haseen
apne husn per unhen hota nahin hai yakeen
o husn vaale kahte nahin kitne hum hai haseen
apne husan pe unhe hota nahin hai yakeen
poochhe kaun husn ko na ishq ki jo shah mile
poochhe kaun husn ko na ishq ki jo shah mile
chaahne valo ki nazar ka hai ye sab kamaal

that’s all
mere gore gore gaal
mere kaale kaale baal
mera husn laajawaab
meri ada bemisaal
that’s all
o tere neele neele nain
tere meethhe meethhe bain
loote mere dil ka chain
kya kahoon main dil ka haal

pahle kisi but pe kabhi marna nahin chaahiye
mar gaye to shor kabhi karna nahin chaahiye
pahle kisi but pe kabhi marna nahin chaahiye
mar gaye to shor kabhi karna nahin chaahiye
aaye thhe ye ban ke chacha majnu farhaad ke
laila
haaye laila

aaye thhe ye ban ke chacha majnu farhaad ke
kuchh na ban pada to kahen that’s all
that’s all
that’s all
o tere neele neele nain
tere meethhe meethhe bain
loote mere dil ka chain
kya kahoon main dil ka haal

that’s all
mere gore gore gaal
mere kaale kaale baal
mera husn laajawaab
meri ada bemisaal
that’s all
tere gore gore gaal

that’s all
tere kaale kaale baal
that’s all
tera husn laajawaab
that’s all
teri ada bemisaal
that’s all


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3729 Post No. : 14672

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 24
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

 

‘प’ – प्यार की बातें कोई ना जाने याद तेरी फिर आए ॰ ॰ ॰

– – – –

पल दो पल का साथ हमारा, पल तो पल के याराने हैं
इस मंज़िल पर मिलने वाले

उस मंज़िल पर खो जाने हैं

Yes, we know, and we realize it. But still, it does seem that this साथ was not even justified as दो पल or even one. खो जाने वाली मंज़िल, कुछ बहुत ही जल्दी आ गई. . .

– – – –

Skipping the letters ‘ढ’ and ‘ण’
‘ढ’ – very few songs starting with this letter – either all used, or not applicable to this series.
‘ण’ does not have any song starting with this letter. Made a very interesting discovery as I browsed the Hindi dictionary for words starting with ‘ण’. There is only one word that starts with this letter. More interestingly, the letter itself has uses as a monosyllabic word, and has at least 10 meanings associated. Wow.

So we come to the letter ‘प’ today. And here is a wonderfully lovely song to go with it.

Today’s episode of this series brings up the second song of the film ‘Magic Carpet’ (1964), one of the ‘jaadugar sainyaan’ category of films, which were a popular genre in the 1950s and 60s. Although classified as B/C grade films, this category of films had their own distribution circuits, their own cinema halls where they were exhibited, and a very loyal coterie of audience who would not let go even one of this category without a visit.

The film is produced by AM Bhanji under the banner of Unique Pictures, Bombay and is directed by Babubhai Mistry. In the Geet Kosh, the cast of actors is listed as a very short list – Chitra, Azaad, BM Vyas and Bhagwan. The additional names of actors in this film, as taken from the casting credits in the film (that has now become thankfully available in public domain), are Bela Bose, Dalpat, Bimla Kashmiri, Kesri, Aroon, Maqbool, Radhe Shyam, Arvind Kumar, Mehroo Bai, Bakshi, Master Kishore, Kalla, Rafiq, Sandow, MD, Dawood, Amir, Musa, Julian, Khalil, Rehman, Salim, Zippy and Nagina.

Geet Kosh lists five songs for this film, penned by four poets, Jia Dehlavi, Shakeel Nomaani, Aish Farooqi and Farooque Kaiser. This song is written by Shakeel Nomaani. The music – by Ram Prasad. Yes, he is the same Ram Prasad Sharma, father of Pyaarelal (of Lxmikant Pyaarelal duo) and Ganesh. A brief about this music director is included in the post for the song “Antul Habi Ke Dekho Kabhi. . .“.

The singing voices are of Rafi Sb and Asha Bhosle. On screen, we see this song initiated by Bhagwan Dada, and a lady, whose name, if I may hazard a guess, is Bimla Kashmiri. I could be wrong, and I welcome inputs from more knowledgeable readers and friends, to correct or confirm this guess.

As the song progresses, we also see Azaad and Chitra in the clip. Majority of the performance of the song is by Bhagwan and Bimla Kashmiri. Azaad does not appear to lip sync any of the lines, but Chitra does take up lip syncing in one of the stanzas. So in all, the onscreen performance and mapping to the playback voices, is kind of mixed up in this song.

And so, this song brings up the 24th episode in this series. Listen and enjoy.

Song – Pyaar Ki Baaten Koi Na Jaane Yaad Teri Phir Aaye  (Magic Carpet) (1964) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Shakeel Nomaani, MD – Ram Prasad
Mohammed Rafi + Asha Bhosle

Lyrics 

pyaar ki baaten koi na jaane
yaad teri phir aaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye

chaand sa chehra zulfen kaali
nazar na lag jaaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye

dil ko teri tirchhi nazar ne
de diya hai sahaara
dil ko teri tirchhi nazar ne
de diya hai sahaara
jaao aji jhoothe kahin ke
tum na samjhe ishaara
hum shama aur tum parwaane
raaz na khulne paaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye
chaand sa chehra zulfen kaali
nazar na lag jaaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye

kaabu ab dil par nahin hai
gaa rahi hain bahaaren
kaabu ab dil par nahin hai
gaa rahi hain bahaaren
jaise tujhe dulhan banaane
aa rahi hain bahaaren
door ka jalwa dil na maane
dil se nikle haaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye
pyaar ki baaten koi na jaane
yaad teri phir aaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye

dekho mujhe aise na dekho
kya kahega zamaana
dekho mujhe aise na dekho
kya kahega zamaana
jaayen kahaan teri gali se
koi nahin hai thikaana
meri ada ke o deewaane
kaun tujhe samjhaaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye
chaand sa chehra zulfen kaali
nazar na lag jaaye
wallah tauba meri haaye
allah tauba meri haaye
o wallah tauba meri haaye
allah tauba meri haaye

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

प्यार की बातें कोई ना जाने
याद तेरी फिर आए
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए

चाँद सा चेहरा ज़ुल्फें काली
नज़र ना लग जाये
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए

दिल को तेरी तिरछी नज़र ने
दे दिया है सहारा
दिल को तेरी तिरछी नज़र ने
दे दिया है सहारा
जाओ अजी झूठे कहीं के
तुम ना समझे इशारा
हम शमा और तुम परवाने
राज़ ना खुलने पाये
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
चाँद सा चेहरा ज़ुल्फें काली
नज़र ना लग जाये
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए

काबू अब दिल पर नहीं है
गा रही हैं बहारें
काबू अब दिल पर नहीं है
गा रही हैं बहारें
जैसे तुझे दुल्हन बनाने
आ रही हैं बहारें
दूर का जल्वा दिल ना माने
दिल से निकले हाए
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
प्यार की बातें कोई ना जाने
याद तेरी फिर आए
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए

देखो मुझे ऐसे ना देखो
क्या कहेगा ज़माना
देखो मुझे ऐसे ना देखो
क्या कहेगा ज़माना
जाएँ कहाँ तेरी गली से
कोई नहीं है ठिकाना
मेरी अदा के ओ दीवाने
कौन तुझे समझाये
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
चाँद सा चेहरा ज़ुल्फें काली
नज़र ना लग जाये
वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए
ओ वल्लाह तौबा मेरी हाए
अल्लाह तौबा मेरी हाए


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13919

“Sultaana Daaku”(1972) was produced by A V Mohan and directed by Mohammad Hussain for Sangam Films. The movie had Dara Singh, Randhawa, Helen, Shaminder, Ajit, Bhagwan, Hiralal, Padma Khanna, Saudagar Singh, Sham Kumar, Kamal Mehra(guest artiste), D K Sapru, Mumtaz Begum, Daljit, Habib, Sanjid, Shefali, Vishwas Kunte, Sabir, Gulab Singh, Dhanraj, Aazam, Inderpal, Satnam Singh, M Ali, Aravind Kumar, Uma Dutt, Nazir Kashmiri, Master Chikkoo etc in it.

The movie had four songs in it. One song from the movie has been covered in the past.

Today (14 january 2018) is the 99th birth anniversary of Kaifi Azmi (14 january 1919-10 may 2002). On this occasion, here is a song from “Sultaana Daaku”(1972). This song is sung by Asha Bhonsle. Kaifi Azmi is the lyricist. Music is composed by Madan Mohaan.

The song is picturised as a mujra song on Padma Khanna, with Dara Singh, Habib and Bhagwan also visible.

Lyrics of this song were sent to me by Prakashchandra (long long ago).


Song-Toone dil mera churaaya hai bhari mehfil mein (Sultana Daaku)(1972) Singer-Asha Bhonsle, Lyrics-Kaifi Azmi, MD-Madan Mohan

Lyrics (Provided by Prakashchandra)

Toone dil meraa churaayaa hai
bhari mehfil mein
toone dil meraa churaayaa hai
bhari mehfil mein
kaisa deewaanaa banaayaa hai
bhari mehfil mein
kaisa deewaanaa banaayaa hai
bhari mehfil mein
toone dil meraa churaayaa hai
bhari mehfil mein
toone dil meraa

aake baithhe hain mohabbat ke talabgaar kayee ee ee ee ee ee
aake baithhe hain mohabbat ke talabgaar kayee
hain yahaan husn-o-jawaani ke khareedaar kayee
hain yahaan husn-o-jawaani ke khareedaar kayee
maine dil tujhse ae ae ae ae ae ae ae ae
maine dil tujhse lagaayaa hai
bhari mehfil mein
toone dil meraa churaayaa hai
bhari mehfil mein
toone dil meraa

daag aayegaa toh aayegaa
mere daaman pe ae ae ae ae ae ae
daag aayegaa toh aayegaa
mere daaman pe
tujhpe qurbaan chhuri pher de tu garden pe
tujhpe qurbaan chhuri pher de tu garden pe
dekh sar maine
ae ae ae ae ae ae ae ae
dekh sar maine jhukaayaa hai bhari mehfil mein
toone dil meraa churaayaa hai bhari mehfil mein
toone dil meraa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 35
– – – – – – – – – – – – – – –

Her name is listed as the fourth lady music director in Hindi cinema. But then, that is where the comparison ends. The first three names considered are Ishrat Sultana, better known as Bibbo, then Jaddan Bai, and then we have Khorshed Minocher-Homji, more popularly known as Saraswati Devi. These stalwart composers from the earlier decades (1930s and 40s) of Indian cinema, were formally trained in Hindustani classical music, which also defined their style and the types of songs they composed.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulites

Today is 1st August 2017 – the birth anniversary of Bhagwan Dada. He would have been 104. Phew! Whatever I know of Bhagwan Dada or Bhagwan is all hearsay and whatever I have read up on the various sites on the net.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chhaila Baabu”(1967) is often confused with “Chhaila Baabu”(1977). While the later was a Rajesh Khanna movie, “Chhaila Baabu”(1967) was a small budget movie that began in early 1960s. Financial and other thoubles delayed its release and it was finally released only in 1967.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to all friends and readers for the most auspicious celebration of Ganesh Chaturthi.  Today is the day of birth of Ganesh ji.  It the fourth day of the waxing cycle of the moon, in the month of Bhadrapad, also known as ‘bhaadon’. Today starts the eleven days of special worship of Ganesh ji. Most households would have brought into their homes, the colorful Ganesh icons. Thus starts the visit, of this elephant headed Dev, to the households of the believers and the faithful. And there He shall stay anywhere from one day to eleven days, as per plans for specific household.
Read more on this topic…


Advertisements

Important Announcement

(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15261

Number of movies covered in the blog

Movies with all their songs covered =1179
Total Number of movies covered =4192

Total visits so far

  • 12,430,555 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,769 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Advertisements
%d bloggers like this: