Posts Tagged ‘Kaifi Azmi’
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4397 | Post No. : | 15774 |
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Blog 10-Year Challenge (2010-2020) – Song No. 47
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Today’s song is from the ‘1967’ movie ‘Naunihaal’ which is eligible for ‘Blog ten-years challenge’ of today, as its song was posted on this day on the blog ten years back.
There were six posts on that day on the blog and that was well going with the average posts per day on the blog then.
The songs represented on 01.08.2010 on the blog were as follows;
| Song | Movie title-Year | Remarks |
|---|---|---|
| Raat suhaani jaag rahi hai | Jigri Dost-1969 | All songs covered |
| Zulf bikhraati chali aayi ho | Ek Kali Muskaayi-1968 | All songs covered |
| Aasmaan se aaya farishtaa pyaar ka sabak sikhlaane | An Evening In Paris-1967 | All songs covered |
| Meri aawaaz suno | Naunihaal-1967 | 04 songs posted |
| Tere mere sapne ab ek rang hain | Guide-1965 | All songs covered |
| Dekhi zamaane ki yaari bichhde sabhi baari baari | Kaaghaz Ke Phool-1959 | All songs covered |
Out of the six movies represented then five movies viz. ‘Jigri Dost-1969’, ‘Ek Kali Muskaayi-1968’, ‘An Evening In Paris-1967’, ‘Guide-1965’ and ‘Kaaghaz Ke Phool-1959’ have already covered with all their songs posted on the blog and have attained ‘Yippeeeeee’ status on the blog.
‘Naunihaal-1967’ was directed by Raj Marbros for ‘Mercury Productions, Bombay’.
It had Balraj Sahni, Indrani Mukherji, Sanjeev Kumar, Master Babloo, Harendranath Chattopadhyay, Abhi Bhattacharya, Madhvi, Jagdeep, Asit Sen, Brahm Bharadwaj, Manmohan and others.
This movie had seven songs written by Kaifi Azmi and composed to music by Madan Mohan.
So far, the following four songs from this movie have been posted on the blog;
| Song | Posted On |
|---|---|
| Tumhaari zulf ke saaye mein | 06.05.2009 |
| Meri aawaaz suno | 01.08.2010 |
| Patthar ke bhagwaan pighal jaa | 10.05.2013 |
| Na re na re baabu | 14.07.2016 |
Today we are going to listen a song sung by Asha Bhonsle and Usha Mangeshkar. Lyrics are by Kaifi Azmi and music is composed by Madan Mohan.
This song is picturised on Laxmi Chhaya, Madhumati. Manmohan and many others are also seen in the picturization of this song.
Lyrics for the today’s song were sent by Prakashchandra.
Let us now enjoy today’s song …
Full audio
Video (Partial)
Song-Roop ke pujaariyo husn ke bhikaariyo (Naunihaal) (1967) Singers – Asha Bhonsle, Usha Mangeshkar, Lyrics – Kaifi Azmi, MD – Madan Mohan
Both
Lyrics (Provided by Prakashchandra)
roop ke pujaariyo
husn ke bhikhaariyo
(loud laughing sound)
roop ke pujaariyo
husn ke bhikhaariyo
aao aao aao gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ki bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
(mob making loud screaming noise)
mujh se tumko pyaar hai
tumse mujhko pyaar
chhoti si ek baat par kaahe ki taqraar
kaahe ki taqraar
o jee kaahe ki taqraar
raat milan ki jo sajan beet jaayegi
phir ye jawaani naa kisi kaam aayegi
tumne tadpaa diya
haath phailaa diya
ye naa kehna kabhi ee
hamne thukraa diya
le lo le lo le lo le lo le lo
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ke bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
(mob making loud screaming noise)
masti meri aankh mein laali honthon par
dekho maine roop kyaa paayaa hai dilbar
paayaa hai dilbar
o maine paayaa hai dilbar
dar se sawaali jo koyi laut jaayega
dard bhare dil ko kahaan chain aayega
jaam chhalkaa diyaa aa
rang barsaa diyaa
dekho pyaar mein
daan kya kya diyaa
le lo le lo le lo le lo le lo
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ki bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
(mob making loud screaming noise)
pariyon jaise baal hai hirni jaisi chaal
jaane kaisa aaj hai mere jee ka haal
mere jee ka haal
haaye mere jee ka haal
dil ki tadap dil ki sadaa jaan jaaungi
aaj kaho aaj kahaa maan jaaungi
roz taqraar kyaa
jeet kya haar kyaa
jo bujha de na pyaas
wo mera pyaar kyaa
le lo le lo le lo le lo le lo
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ke bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
roop ke pujariyo
husn ke bhikhaariyo
aao aao aao
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ki bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
Piya bin nis din roun saheli
Posted on: December 19, 2019
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4171 | Post No. : | 15345 | Movie Count : |
4230 |
Hindi Songs in Bangla Films – 13
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‘Monihar’ (‘Jeweled Neckless’, 1966, Bangla film) was directed by Salil Sen. The main cast included Soumitra Chatterjee, Biswajeet, Sandhya Roy, Kamal Mitra, Pahadi Sanyal, Chhaya Devi etc. The film is available on a video sharing site with English sub-titles. The film belongs to the genre of the musical family drama and is about two brothers who share a cordial relationship yet there are misunderstandings regarding the financial matters as well as their likings for the same girl. Yet there is no villainous attitude towards each other. And this is the highlight of the film. This is one more among Bangla films which has got the theme of declining influence of aristocracy in Bengal during the British rule. The gist of the story of the film is as under:
Ajay (Soumitra Chatterjee) and Arun (Biswajeet) are two brothers belonging to an aristocratic family who stay with their widowed mother. The family’s financial position is not good. Except for a huge palace and some business ventures which are running at losses, they have almost nothing to indulge in aristocratic life style. Ajay being the elder, looks after the family business. He is also a good trained singer under the tutelage of an Ustad (Pahadi Sanyal). Arun, the younger one has gone to Calcutta (Kolkata) for higher study to become a doctor.
The mother, before her death, had taken an assurance from Ajay the he would look after Arun in the same way as she would have looked after him. She also hands over a ‘monihar’ (jeweled necklace) to Ajay for her prospective wife whenever he gets married as this has been passed over three generation to the eldest daughter-in-law in the family.
Due to losses in business, Ajay finds it difficult to meet the expenses of Arun. He takes loans from a moneylender who eyes his palace in case he fails to repay the loan. Over a period of time, he had to sell his investments in losses and also the family jewelries to repay the loan to the moneylender. Arun is aware of the financial conditions of the family but Ajay tells him to concentrate on his studies and leave the financial matters to him.
As a part of improving his financial position, Ajay takes to teaching music with a pseudo name, Kumar and one of the students is Bandana (Sandhya Roy) whom he likes for her good singing. But before that Bandana has met Arun in a picnic and both fall in love. All the three – Ajay, Arun and Bandana are unaware of these developments. In the meanwhile, due to his popularity as a singer and the music teacher, Ajay’s financial position improves.
During one of his occasional visits, Arun comes to know that Ajay has sold family assets without consulting him. But he is not aware that Ajay has sold them mainly to take care of Arun’s education. This create some misunderstanding between the two brothers. Also, during his musical training to Bandana, Kumar ( who in reality is Ajay) had given to her monihar as a token of his blessing. When Arun see Bandana with monihar, he thinks that Ajay has sold monihar to Kumar for raising money. The monihar also creates misunderstanding between Arun and Bandana as he thinks that Bandana loves Kumar.
In the meanwhile, Ajay is sick and also to avoid further misunderstanding with his younger brother, he transfers all his assets in the name of Arun and decides to leave the house forever. However, the call of his mother for the responsibility of Arun brings him back to his house. The explanations from Ajay and also from Bandana’s parents about the monihar, clear all misunderstandings and Arun gets married to Bandana.
‘Monihar’ (1966) had 9 songs of which one song was in Hindi. The highlight of remaining 8 Bengali songs was that Lata Mangeshkar sang for Sandhya Roy, Hemant Kumar sang for both Soumitra Chatterjee and Biswajeet. One dance song was sung by Suman Kalyanpur.
I am presenting the only Hindi song from the film ‘piya bin nis din roun saheli’. I was pleasantly surprised to find that this song was rendered by the great maestro Pankaj Mullick who lent his voice for Pahadi Sanyal in the film. In fact, the film starts with this song. I was under the impression that Pankaj Mullick had no occasion to sing filmy songs in Hindi after ‘Kasturi’ (1954). Probably, this song may be his last filmy song in Hindi. The song is available only on sound track and no gramophone record of the song seems to have been issued. Mp3 clip of the sound track of the song is now available on SAREGAMA for sale. The song was penned by Kaifi Azmi which was set to music by Hemant Kumar.
It is a lovely song. Pankaj Mullick sings in almost the same resonance as he used to sings in the 1940s.
Video Clip:
Audio Clip:
Song-Piya bin nis din roun saheli (Monihar)(Bangla)(1966) Singer-Pankaj Mullick, Lyrics-Kaifi Azmi, MD-Hemant Kumar
Lyrics
aa aa aa aa aa
piya bin nis din roun saheli
piya bin nis din roun saheli
piya bin nis din roun saheli
piya bin nis din roun saheli
o o o
mann ki paheli sab jag boojhe
mann ki paheli sab jag boojhe
kisko bujhhaaun tan ki paheli
piya bin nis din roun saheli
o o o
kajara ko tarase kaare naina
kajara ko tarase kaare naina
mehndi ko tarase gori hatheli
piya bin nis bin roun saheli
o o o
pi ko bulaaun dhoondhan jaaun
pi ko bulaaun dhoondhan jaaun
kaise bitaaye roun akeli
piya bin nis din roun saheli
piya bin nis din roun saheli ee ee ee
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4144 | Post No. : | 15310 | Movie Count : |
4217 |
Hindi Songs in Bangla Films – 8
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‘Aalor Pipasa’ (Thirst for Light) was a Bangla film released in January 1965. The film was directed by Tarun Majumdar. The film is available on-line with English sub-titles. The story of the film is about a courtesan (Sandhya Roy) who sacrifices her life for the betterment of her son. The entire story is depicted in the film by way of flash back when a senior doctor (Pahadi Sanyal) tells the story of the courtesan to his junior doctor (Asit Baran). The junior doctor happens to be the courtesan’s son.
Obviously, the story of the film revolves around Sandhya Roy and I must say that she has given an outstanding performance in the film. Hitherto, my knowledge about Sandhya Roy was limited to her Hindi films like ‘Asli Naqli’ (1962), ‘Pooja Ke Phool’ (1964), ‘Jaane Anjaane’ (1971) etc. But in Hindi films she had only secondary roles like Dev Anand’s ‘munhboli bahen’ (adoptive sister) in ‘Asli Naqli’ (1962) where she displays her combative but soft at heart attitudes. The song from the film laakh chupaao chhup na sakega was picturised on her.
In Bangla films, Sandhya Roy has been one of the prominent actresses who has been active in Bangla film industry for over 5 decades starting with lead roles and switching over to character roles. She has worked in more than 100 films. She is also in politics having successfully contested parliamentary election from Mednipur in 2014 on Trinamul Congress ticket.
Sandhya Roy (born 11/04/1941) was born in Nabadwip (West Bengal). However, her family belonged to Khulna (now in Bangla Desh) where her grand father was a landlord. In her childhood, she lost her parents. She was brought up by her maternal uncle at Khulna where she had her early education.
In 1957, Sandhya Roy returned to Kolkata and stayed with her sister. This was the beginning of her unexpected journey to Bangla films. While watching the shooting of the film ‘Mamlar Fol’ (1957), the director saw her and offered her a role in the crowd. Her first full-fledged film was ‘Antariksha’ (1957). After the success of this film, she started getting offers of lead roles in many Bangla films. She remained one of the leading actresses in Bangla films during 1960-80. During this period, she was paired with Biswajeet in about 20 films.
Sandhya Roy had her stint in Hindi films with ‘Asli Naqli’ (1962) which was followed by ‘Pooja Ke Phool’ (1964), ‘Raahgir’ (1969), ‘Jaane Anjaane’ (1971), Bandagi’ (1972) etc. The last Hindi film she acted was ‘Ek Anaar Sau Bimaar’ (2008). However, despite her good acting, she could not actively pursue her career in Hindi films.
From 1980s onward, Sandhya Roy continues to work in Bangla films as a character actress beside pursuing her political career.
Sandhya Roy married Tarun Majumdar, one of the leading directors of Bangla films who had also directed Hindi films, ‘Balika Badhu’ (1967) and ‘Raahgir’ (1969).
‘Aalor Pipasa’ (1965) had nine songs of which as many as 5 songs were Hindi semi-classical songs. This was to be expected since the story of the film revolves around a courtesan who entertains her clients by singing and dancing. The film also has a Sanskrit strotra (hymns) which has been rendered by Hemant Kumar as a background song when credit titles roll in the film.
In the film, Lata Mangeshkar sings two solos for Sandhya Roy of which I have selected the song ‘ghir aayi badariya piya naahi aaye’. The song has been written by Kaifi Azmi which has been set to music by Hemant Kumar.
Song-Ghir aayi badariya piya naahin aaye (Aalor Pipaasa)(Bangla)(1965) Singer-Lata, Lyrics-Kaifi Azmi, MD-Hemant Kumar
Lyrics
ghir aayi badariya piya naahin aaye
ghir aayi badariya piya naahi aaye
tan man jale mora birha sataaye
tan man jale mora birha sataaye
ghir aayi badariya piya naahin aaye
jaa jaa re badra tu pi ko manaa laa
jaa jaa re badra……aa aa aa aa aa
jaa jaa re badra tu pi ko manaa laa
pi ke bina mohe kachhu hi na bhaaye
pi ke bina mohe
pi ke bina mohe kachhu hi na bhaaye
ghir aayi badariya piya naahin aaye
ghir aayi badariya piya naahin aaye
jeewan hai pyaasa ankhiyaan hain pyaasi
jeewan hai pyaasa ankhiyaan hain pyaasi
jeewan hai pyaasa ankhiyaan hain pyaasi
megha re kaahe ko jhariya lagaaye
megha re kaahe ko
megha re kaahe ko jhariya lagaaye
ghir aayi badariya piya naahin aaye
tan man jale mora birha sataaye
ghir aayi badariya piya naahin aaye
ghir aayi badariya piya naahin aaye….ye ye
Khata ho kisi ki kisi ko saza do
Posted on: April 2, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3910 | Post No. : | 14968 |
“Bahu Beti”(1952) was directed by C L Dheer for Badoda Theatre Limited Bombay. This “social” movie had Geeta Bali, Amarnath, Jaswant, Vijaylaxmi, Rashid, Leela Mishra, S Nazeer, Nazirabai etc in it.
This movie had seven songs in it. Six songs were penned by Kaifi Azmi and one by Vishwamita Adil. Two song from the movie has been covered in the past.
Here is the fourth song from “Bahu Beti”(1952) to appear in the blog. This song is sung by Geeta Dutt. Kaifi Azmi is the lyricist. Music is composed by S D Batish.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the pictturisation of this rare song.
Song-Khata ho kisi ki kisi ko saza do(Bahu Beti)(1952) Singer-Geeta Dutt, Lyrics-Kaifi Azmi, MD-S D Batish
Lyrics
dil jala yaaden jalin
ek ik tamanna jal gayi
aag ghar mein kya lagi
duniya aa aa ki duniya jal gayi
haaye
khata ho kisi ki
kisi ko saza do
khata ho kisi ki
kisi ko saza do
ye insaaf kaisa hai
itna bata do
khata ho kisi ki
bahaaron ke mausam mein rona pada hai
zara mujhko rona tadapna sikha do
khata ho kisi ki
bahut yaad aayega beeta zamaana
mera kya mujhe tum bhula do bhula do
khata ho kisi ki
basaai thhi kitni muraadon ki duniya
muraadon ki duniya
agar chaahte ho mitaana mita do
khata ho kisi ki
bade qeemti hain mohabbat ke aansu
mohabbat ke aansu
koi jaa ke un par
ye moti luta do
khata ho kisi ki
kisi ko saza do
ye insaaf kaisa hai
itna bata do
khata ho kisi ki
Chali jaati chhabiliya matakti
Posted on: February 28, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3877 | Post No. : | 14899 |
“Razia Sultana”(1961) was directed by Devendra Goyal for Movie India, Bombay. This historical movie had Nirupa Roy (in title role), Jairaj, Kamran, M Kumar, N A Ansari, Agha, Sadhana Chaudhary, Leela Mishra, Rajan Kapoor, S M Sagar, Narad Muni, Madhumati, Jeewan Kala, Meena, Maqbool etc in it.
The movie had seven songs in it. Three of these songs have been covered in the past.
Here is the fourth song from “Razia Sultaana”(1961) to appear in the blog.
This song is sung by Geeta Dutt and chorus. Kaifi Azmi is the lyricist. Music is composed by Pt Lachchiram.
The song is picturised as a “sahelis teasing a lady” genre of song, where the teased lady is Nirupa Roy. She may have played the Empress in this movie, but in Hindi movies, even an empress is not exempted from being teased by her sahelis. 🙂
This song was lying in the drafts pages of the blog for several years and this song finally gets published today.
I am not able to identify the lady lip syncing the song. I request our knowledgeable readers to help identify her.
Chali jaati chhabeeliya matakti(Razia Sultana)(1961) Singer-Geeta Dutt, Lyrics-Kaifi Azmi, MD-Pt Lachchiram
Chorus
Lyrics
ho o o o o
o o o o o
ho o o o o
ho o o o o o
o o o
chali jaati chhabiliya matakti
hoy
o o o o o
o o o o
ho chali jaati
chali jaati chhabiliya matakti
wo to daaman ko apne jhatakti
chali jaati chhabiliya matakti
bhesh badal ke gori nikli nakhre kare hazaar
bhesh badal ke gori nikli
nakhre kare hazaar
ghaat mein baitha
arre ghaat mein baitha
mast shikaari
kar gaya dil par waar
najar ka teer khaaye
hoy
koi peeda chhupaaye
kahin tan man ganwaaye hoy
phire ban ban hirniya hiraniya bhatakti
chali jaati
hoy chali jaati chhabiliya matakti
wo to daaman ko apne jhatakti
chupke chupke chanchal armaan dil mein le angdaayi
chupke chupke chanchal armaan
dil mein le angdaayi
dheeme dheeme
are dheeme dheeme man mein
jaise bajti ho shahnaayi
lage panghat pe mele
hoy
hawa baalon se khele
hawa baahon mein lele
hoy
kaho kyun na jawaani machalti atakti chali jaati
ho chali jaati chhabiliya matakti
wo to daaman ko apne jhatakti
chali jaati chhabiliya matakti
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3832 | Post No. : | 14840 |
Whenever new technoloy is introduced, people feel threatened. But with time, this new technology not only makes life easy and more enriched, it opens up new employment opportunities.
Take movies for example. Initial movies were silent movies. They required technicians as well as actors.
Movies began to speak from 1927, and in India talkies began in 1931. It suddenly opened up new opportunities. Actors who were ony needed to show their face till then, were now required to speak, and sing as well. Suddenly many good looking actors with poor voices found themselves unemploed.
Movies began to speak, which meant they could speak in various languages and so different language movie industries came up. Language related artists, namely dialogue writers, and lyricists became essential for these movies. Since need of songs was felt so music directors and singers were needed.
As one can see, the “simple” advancement in technology opened up new opportunities and that changed the face of movies. Personnel skilled in languages suddenyly found themselves in demand.
Since Hindi movies came into existence in early 1930s, it followed that most artists of talkies were born in and around early 1900s. So, these early pioneers of Hindi movies were born some one hundred years ago. Many of such early pioneers have already completed their birth centenaries.
This blog began on 19 july 2008. Some Hindi movie stalwards who have completed their centuries after than date are Leela Chitnis, K N Singh, K Amarnath, Gope, Kidar Sharma, Jagmohan Sursagar, Gopal Singh Nepali, Khursheed Bano, Bhagwan Dada, Jaan Nisaar Akhtar, Anil Biswas, Lalita Pawar, G P Sippy, Zohrabai Ambalewali, S D Batish, Kishore Sahu, Hansraj Bahl, Bharat Vyas, Shakeel Badayuni, Chitragupta, Kamal Amrohi, Qamar Jalalabadi, Roshan, C Ramchandra etc.
Lots of artists will have their centenaries in the coming years.
The year 2019 has just begun. Birth centenaries of several artists will fall this year.
Today is 14 january 2019. It is the birth centenary of Kaifi Azmi (14 january 1919- 10 may 2002), who was born on this day exactly one hundred years ago. He was born in Azamgarh in Eastern UP which happens to be about 180 km away from the place where I am based at present.
In the past, when I was based in states like MP, Maharashtra and Chhatisgarh, such birth centenary artists appeared to be born “distant” lands, but ever since I arrived in UP in 2015, I find that many of these famous artists, mostly lyricists, were born in nearly places. For instance, Shakeel Badayuni’s birth centenary fell on 2016, and this place Badayun was about 40 km from Izatnagar, Bareilly where I was based at that time. Azamgarh is 180 km away from Gorakhpur. This year will see the birth centenary of Majrooh Sultanpuri, and guess what , Sultanpur is also nearly, some 200 km away. 🙂
Coming to Kaifi Azmi, he was born as Sayyad Akhtar Hussain Rizvi. Like many other persons of literature, he was influenced by communism and Marxism and his literature reflected that. He became a CPI member in 1943 and a member of Progressive Writers movement in 1945.
He was one of the first shaayars to join Hindi movies as a lyricist. His first movie as a lyricist was “Buzdil”(1951) where S D Burman was the music director. He penned three songs in the movie. All these three songs are already covered in the blog.
According to my calculation, Kaifi Azmi penned some 360 songs in 93 movies. His last movie was “Ek Alag Mausam”(2003) whose songs were released after he had already left for the heavenly abode.
Here is the filmography of Kaifi Azmi.
| Movie | Year | MD | Songs of lyricist in the blog | Song penned by lyricist in movie |
|---|---|---|---|---|
| Buzdil | 1951 | S D Burman | 3 | 3 |
| Bahu Beti | 1952 | S D Batish | 1 | 7 |
| Gul Bahaar | 1954 | Dhaniram | 0 | 1 |
| Hatim Tai Ki Beti | 1955 | A R Qureshi | 1 | 2 |
| Naata | 1955 | S Mohinder | 1 | 1 |
| Sakhi Hatim | 1955 | A R Qureshi | 1 | 5 |
| Shaahi Chor | 1955 | Dhaniram | 1 | 1 |
| Laal e Yaman | 1956 | A R Qureshi | 1 | 6 |
| Sultaana Daaku | 1956 | Bipin Baabul | 0 | 2 |
| Yahudi Ki Beti | 1956 | Kamal Mitra | 1 | 7 |
| Zindagi | 1956 | Md Shafi | 1 | 7 |
| Jannat | 1957 | Husnlal Bhagatram | 0 | 6 |
| Lala Rukh | 1958 | Khayyam | 7 | 7 |
| Chaalis Din | 1959 | Baabul | 5 | 8 |
| Kaaghaz Ke Phool | 1959 | S D Burman | 6 | 6 |
| Apna Haath Jaggannath | 1960 | S D Burman | 8 | 8 |
| Chor Darwaaza | 1960 | Frank | 1 | 6 |
| Ek Ke Baad Ek | 1960 | S D Burman | 8 | 8 |
| Razia Sultaana | 1961 | Pt Lachchiram | 1 | 2 |
| Shama | 1961 | Ghulam Mohammad | 12 | 12 |
| Bijli Chamke Jamuna Paar | 1962 | S N Tripathi | 0 | 7 |
| Naqli Nawab | 1962 | Baabul | 2 | 2 |
| Shola aur Shabnam | 1962 | Khayyam | 2 | 3 |
| Haqeeqat | 1964 | Madan Mohan | 7 | 7 |
| Idd Ka Chaand | 1964 | A R Qureshi | 1 | 9 |
| Kohra | 1964 | Hemant Kumar | 5 | 5 |
| Main Suhaagan Hoon | 1964 | Pt Lachchiram | 4 | 4 |
| Do Dil | 1965 | Hemant Kumar | 7 | 7 |
| Faraar | 1965 | Hemant Kumar | 6 | 6 |
| Anupama | 1966 | Hemant Kumar | 5 | 5 |
| Bahaaren Phir Bhi Aayengi | 1966 | O P Nayyar | 1 | 1 |
| Daak Ghar | 1966 | Madan Mohan | 3 | 6 |
| Uski Kahaani | 1966 | Kanu Roy | 2 | 2 |
| Aakhri Khat | 1967 | Khayyam | 6 | 6 |
| Ghar Ka Chiraag | 1967 | Madan Mohan | 4 | 6 |
| Mera Bhai Mera Dushman | 1967 | Khayyam | Unknown | Unknown |
| Naunihaal | 1967 | Madan Mohan | 4 | 7 |
| Anokhi Raat | 1968 | Roshan | 1 | 1 |
| Saat Hindustaani | 1969 | Laxmikant Pyarelal | 1 | 4 |
| Satyakaam | 1969 | Laxmikant Pyarelal | 3 | 3 |
| Daghabaaz | 1970 | Dilip Roy | 1 | 1 |
| Ek Bulbula Paani Ka | 1970 | Jaidev | 0 | 1 |
| Heer Raanjha | 1970 | Madan Mohan | 8 | 8 |
| Maa Ka Aanchal | 1970 | Madan Mohan | 6 | 6 |
| Maharaja | 1970 | Madan Mohan | 2 | 2 |
| Saat Phere | 1970 | Sudhir Sen | 1 | 6 |
| Chhoti Bahu | 1971 | Kalyanji Anandji | 1 | 1 |
| Do Boond Paani | 1971 | Jaidev | 4 | 5 |
| Parwaana | 1971 | Madan Mohan | 6 | 6 |
| Saaz aur Sanam | 1971 | Chitragupta | 0 | 5 |
| Shaan e Khuda | 1971 | Iqbal Qureshi | 0 | 2 |
| Baawarchi | 1972 | Madan Mohan | 4 | 6 |
| Mangetar | 1972 | Sudhir Sen | 1 | 6 |
| Paakeezah | 1972 | Ghulam Mohammad | 1 | 1 |
| Rivaaz | 1972 | Shankar Jaikishan | 0 | 1 |
| Shair e Kaashmir Mahzoor | 1972 | Prem Dhawan | unknown | unknown |
| Sultaana Daaku | 1972 | Madan Mohan | 2 | 4 |
| Alam Ara | 1973 | Iqbal Qureshi | 0 | 7 |
| Garm Hawa | 1973 | Aziz Ahmad Khan Warsi | 1 | 1 |
| Hanste Zakhm | 1973 | Madan Mohan | 5 | 5 |
| Hindustan Ki Kasam | 1973 | Madan Mohan | 4 | 4 |
| Naina | 1973 | Shankar Jaikishan | 1 | 1 |
| Asliyat | 1974 | Madan Mohan | 0 | 2 |
| Faasla | 1974 | Jaidev | 1 | 4 |
| Sankalp | 1974 | Khayyam | 4 | 4 |
| Dhoop Chhaaon | 1977 | Shankar Jaikishan | 0 | 1 |
| Dil Aur Patthar | 1977 | Iqbal Qureshi | 1 | 6 |
| Kanneshwar Rama | 1977 | B V Karanth | 0 | 2 |
| Ooperwaala Jaane | 1977 | Laxmikant Pyarelal | 0 | 2 |
| Shankar Hussain | 1977 | Khayyam | 1 | 1 |
| Inspector Eagle | 1978 | Madan Mohan | 1 | 3 |
| Subhash Chandra | 1978 | Aparesh Lahiri | unknown | unknown |
| Toote Khilaune | 1978 | Bappi Lahiri | 5 | 5 |
| Angaar | 1980 | Sonik Omi | 0 | 2 |
| Shaitaan Mujrim | 1980 | Ratandeep Hemraj | 1 | 1 |
| Suraag | 1980 | Bappi Lahiri | 2 | 6 |
| Aakhri Mujra | 1981 | Kalyanji Anandji | 0 | 1 |
| Kaanoon aur Mujrim | 1981 | C Arjun | 1 | 1 |
| Deedaar e Yaar | 1982 | Laxmikant Pyarelal | 0 | 2 |
| Lakshmi | 1982 | Usha Khanna | 0 | 2 |
| Arth | 1983 | Jagjit Singh | 3 | 3 |
| Razia Sultaan | 1983 | Khayyam | 1 | 1 |
| Bhaavna | 1984 | Bappi Lahiri | 1 | 5 |
| Ham Rahe Na Ham | 1984 | Bappi Lahiri | 1 | 6 |
| Kahaan Tak Aasmaan Hai | 1984 | Raghunath Seth | 0 | 7 |
| Ek Pal | 1986 | Bhupen Hazarika | 0 | 2 |
| Naseehat | 1986 | Kalyanji Anandji | 0 | 1 |
| Main Aazaad Hoon | 1989 | Amar Utpal | 1 | 1 |
| Phir Teri Kahaani yaad aayi | 1993 | Anu Malik | 0 | 1 |
| Tamanna | 1997 | Anu Malik | 0 | 1 |
| Chaand Grahan | 1997 | Anu Malik | 4 | 7 |
| Khamoshi | 2002 | Jagjit Singh | 0 | 1 |
| Ek Alag Mausam | 2003 | Ravi | 0 | 5 |
| Total movies=93 | 199 | 360 | ||
As can be seen from the filmography, Kaifi azmi has penned many memorable songs that need no introduction. For instance, who can forget the songs of “Kaaghaz Ke Phool”(1959), “Haqeeqat”(1964), or the songs of “Kohra”(1964) and “Anupama”(1966). In “Heer Ranjha”(1970), he not only penned the lyrics but also the dialogues, the dialogues being entirely in verse ! One can look at his filmography and recall the songs from those movies.
On the occasion of his birth centenary, here is a song from “Bahu Beti”(1952). This movie was directed by C L Dheer for Badoda Theatre Limited Bombay. This “social” movie had Geeta Bali, Amarnath, Jaswant, Vijaylaxmi, Rashid, Leela Mishra, S Nazeer, Nazirabai etc in it.
This movie had seven songs in it. Six songs were penned by Kaifi azmi and one by Vishwamita Adil. One song from the movie has been covered in the past.
The first song from the movie was deleted from the movie because of objections of censors. Those were the days when censors could often by quite sensitive towards matters that are taken in their stride today. The lyrics of the song were considered objectionable by the censors. Just imagine, a song penned by Kaifi Azmi was deleted from the movie because its lyrics were found objectionable !
The song luckily continued to remain in the records.
Just as fortuitously, this song happens to be 200th song of Kaifi Azmi appearing in the blog.
Here is this special song from Kaifi Azmi, on the occasion of his birth centenary. This song is sung by Geeta Dutt. Music is composed by S D Batish. Since the video of the song is not available, one can only gess about the picturisation. Seeing that Geeta Dutt’s voice appears in six out of seven songs, one can assume that she had sung for Geeta Bali, the lead actress of the movie. By that assumption, it would seem that this song was picturised on Geeta Bali. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Mose chanchal jawaani sambhaali nahin jaaye (Bahu Beti)(1952) Singer-Geeta Dutt, Lyrics-Kaifi Azmi, MD-S D Batish
Lyrics
mose chanchal
mose chanchal
mose chanchal jawaani sambhaali nahin jaaye
mose chanchal
o mose chanchal
mose chanchal jawaani sambhaali nahin jaaye
koi chupke se aaye
koi man ko lubhaaye
koi aakar jawaani ko sang le jaaye
mose chanchal
mose chanchal
mose chanchal jawaani sambhaali nahin jaaye
gudgudaati hai tanhaai hardum mujhe
chhedta hai akele mein mausam mujhe
raat sapne dikhaaye
bhor kaanon mein gaaye
thhandi thhandi hawa mora ghoonghat uthhaaye
mose chanchal
o mose chanchal
mose chanchal jawaani sambhaali nahin jaaye
naachti hain chaman mein hawaayen nayin
seekh lin aaj dil ne aaj adaayen nayi
koi hilmil ke gaaye
koi painge badhaaye
koi majboot baahon mein jhoola jhulaaye
mose chanchal
o mose chanchal
mose chanchal jawaani sambhaali nahin jaaye
more nainon se masti barasne lagi
ujli ujli si ye maang dasne lagi
koi chunri audhaaye koi jhumar pahnaye
koi ujli si maang mein sindoor lagaaye
mose chanchal
o mose chanchal
mose chanchal jawaani sambhali naheeen jaaaaye
Wo nazar le ke rahi dil
Posted on: July 18, 2018
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3652 | Post No. : | 14506 |
Hullo to all atulites
In the euphoria to celebrate the blogs 10th anniversary with an appropriate post last week I missed out on a few anniversaries, occasions for which I always try and send a special song. I just realised that 18th July is the anniversary of another favourite. So here is a song for the occasion.
But I think, we can have a song featuring one in a movie in which the other is the main lead. The two actors I was thinking of combining are Rajesh Khanna and Sanjeev Kumar.
We missed Sanjeev Kumar’s birthday last week, he would have been 80 years on 9th July. And 18th July, it will be six years since Rajesh Khanna passed away. Both the actors were active around the same period. Both had their distinct styles in acting and also the kind of characters they enacted. They have appeared in about five films together – “Bandhan”, “Aap Ki Kasam”, “Chala Murari Hero Banane”, “Suraag” and I think Rajesh Khanna had a guest appearance in “Ram Tere Kitne Nam” which released about the time Sanjeev Kumar passed away. “Bandhan” was essentially a Rajesh Khanna movie where Sanjeev Kumar had a small role as a lawyer who fights a case for Rajesh Khanna. “Aap Ki Kasam” had Sanjeev Kumar play RK’s friend and neighbour and the eventual cause for the separation of Rk and Mumtaz. I don’t remember much about “Chala Murari Hero Banane” which was a movie about movies made by actor Asrani and I feel both RK and SK might have played themselves i.e. film stars, in guest appearances. That brings us to “Suraag” which is a Sanjeev Kumar movie where Rajesh Khanna is in a guest appearance in a song situation along with Tina Munim.
Remembering Rajesh Khanna with this song from “Suraag” which was produced by Jagmohan Mundhra and directed by Jag Mundhra and Ambrish Sangal. It had Sanjeev Kumar as husband to Gita Siddharath, playing a professor in Criminology and Parikshat Sahni playing a doctor who is the professor’s unmarried friend. Shabana Azmi plays Parikshat Sahni’s wife who is kidnapped on her way to New York. And then the movie’s mystery begins. The movie had music by Bappi Lahiri and written by Kaifi Azmi. The playback singers use in the movie were Mohd. Rafi, Asha Bhonsle, Lata Mangeshkar, Bappi Lahiri and Kishore Kumar. Today’s song is a qawwali where Rajesh Khanna is on stage with Tina Munim and Gita Siddharath and Sanjeev Kumar are in the audience. Half way through the song Gita spots Shaban Azmi among the chorus girls and then the chase to find her picks up steam. I have seen this movie ages ago so I don’t remember if the song happens abroad or in India. The movie’s story transports the audience back and forth between India and America.
Here is the song which has Rafi and Asha giving playback alongwith male and female chorus.
(not a very clear video)
Song-Wo nazar le ke rahi dil (Suraag)(1980) Singers-Rafi, Asha Bhonsle, Lyrics-Kaifi Azmi, MD-Bappi Lahiri
Male chorus
Female chorus
All chorus
Lyrics
woh nazar leke
woh nazar leke rahi dil
tanaana haiya hu
woh nazar leke rahi dil
tanaana haiya hu
lut gaye
lut gaye
lut gaye hum sare mehfil
tanana haiya hu uuuu
lut gaye hum sare mehfil
tanana haiya hu uuuu haaye
thham ke baithe hain jo dil
tanaana haiya hu
thhaam ke baithe hai jo dil
tanana haiya hu
hai yahi
haan yahi
hai yahi toh mere kaatil
tanana haiya hu uuuu
hai yahi toh mere kaatil
tanana haiya hu uuuuu haye
woh nazar leke rahi dil ka
tanana haiya hu
woh nazar leke rahi dil ka
tanana haiya hu
thhaam ke baithe hain jo dil
tanana haiya hu uu
thhaam ke baithe hain jo dil
tanana haiya hu
kisliye tezz hawaaon mein
jalaaya hai charaag
kabhi paaoge na tum
khoye huye dil ka suraag
uska paana toh hai mushqil
mushqil
uska paana to hai mushqil
tanaana haiya hu uuuu haaye
woh nazar leke rahi dil
tanana haiya huuu
woh nazar leke rahi dil
tanana haiya hu
aaaaa
aapke dil mein nazar aate hai
yun hi kai daag
aise daagi ka bhala
paayenge kya aap suraag
wo na tha
wo na tha
wo na tha pyaar ke kabil
tanaana haiya hu uuu haaye
thhaam ke baithe hain jo dil
tanana haiya hu
thhaam ke baithe hai jo dil
tanana haiya hu
unko dekho koi aur unki adaayen dekho
ek zara sar ko jo sharmaake jhukaayen dekho
bijliyaan kyun na woh hans hans ke giraayen dekho
unpe qurbaan hai mehfil
mehfil
unpe qurbaan hai mehfil
tanana haiya hu uuuu haaye
wo nazar leke rahi dil
tanana haiya hu
wo nazar leke rahi dil
tanana haiya hu
aaaa aaaaa aaa
aaaaaa aaaaaa aa
pa ni sa ni
pa ni sa ga sa ni
sa ga ma ga sa ni ni sa
pa ni sa ni
pa ni sa ga sa ni
sa ga ma ga sa ni ni sa
mere dildaar ho tum
meri jaan pyar ho tum
main hoon chanda ki kiran
nahi talwar ho tum
kabhi behosh ho tum
kabhi hosiyar ho tum
milti hai mujhko saza
aur gunehagaar ho tum
bikhne aaye ho yahaan
kaise khareedaar ho tum u u u
aaaaa aaaaaaa
aaaaaa aaaaa
bikhne aaye ho yahaan
kaise kharidaar ho tum u u u u
kabhi ikraar ho tum
kabhi inkaar ho tum
kabhi aasaan bahot
kabhi dushwaar ho tum
dil ka bachna to hai mushkil
mushkil
dil ka bachna to hai mushkil
tanana haiya hu uuuu haye
wo nazar leke rahi dil ka
tanana haiya huuu
wo nazar leke rahi dil ka
tanana haiya hu
in nigaahon ki kasam
gori baahon ki kasam
mehke baalon ki kasam
dehke gaalon ki kasam
bikhare gesu ki kasam
jaage jaadoo ki kasam
mast khushboo ki kasam u
uth’te pallu ki kasam
de bhi do husn ki khairaat hamein
banke aaye hain hum saahil
saahil
banke aaye hai hum saahil
tanaana haiya hu u u haaye
tham ke baithe re jo dil
tanana haiya hu
tham ke baithe re jo dil
tanana haiya hu
jhoothi baaton ki kasam
teri ghaaton ki kasam
muskuraane ki kasam
dil lubhaane ki kasam
pyaase tan man ki kasam
dil ki dhadkan ki kasam
teri subahon ki kasam
teri shaamon ki kasam
aaaaa aaaa
hai gunehgaar tera dil
tanaana haiya hu u u u
thhaam ke baithe hain jo dil
tanaana haiya hu
thhaam ke baithe hain jo dil
tanaana haiya hu
wo nazar leke rahi dil ka
tanana haiya hu
wo nazar leke rahi dil ka
tanana haiya hu
tanana haiya hu tanana haiya hu
tanana haiya hu tanana haiya hu
tanana haiya hu tanana haiya hu
tanana haiya hu tanana haiya hu
tanana haiya hu tanana haiya hu
tanana haiya hu tanana haiya hu
Kyun main sharmaaun tumse
Posted on: March 28, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3540 | Post No. : | 14211 |
“Mangetar”(1972) was directed by Rupa Sen for Filmmaker, Bombay. This movie had Deb Mukherjee, Nutan, Anupama, Sudhir Sen, Pradeep Kumar, Kalpana, Nazir Hasain etc in it.
This movie, despite being a “recent” movie by the standards of this blog has been totally foregotten. In fact, I do not recall being aware of this movie during its time, that is how obscure this movie was even during the era when it was made.
The movie had six songs in it. The songs are available. In case even the video of the songs (despite being of poor quality) are available.
Here is the first song from “Mangetar”(1972) to appear in the blog. The song is sung by Suman Kalyanpur and Rafi. Kaifi Azmi is the lyricist. Music is composed by Sudhir Sen.
The song is picturised as a romantic teasing song on a lady (who I guess is Anupama) and Deb Mukherji, with several other ladies playing the shelis of the lady.
I request our knowledgeable readers to help identify the actors visible in the picturisation of the song.
With this song, “Mangetar”(1972) makes its debut in the blog.
Song-Kyun main sharmaaun tumse (Mangetar)(1972) Singers-Suman Kalyanpur, Rafi, Lyrics-Kaifi Azmi, MD-Sudhir Sen
Lyrics
kyun main sharmaaun tumse
kyun main sharmaaun tumse
mujhko chheden meri sakhiyaan
tu laage laage mora sainyaan
tu laage laage mora sainyaan
kyun main ghabraaun tumse
kyun main ghabraaun tumse
mujhko ghoore teri ankhiyan
ja ja ja
laagoon tore painyaan
ho ja ja ja
laagoon tore painyaan
tu laage laage mora saiyan
laage mora sainyaan
kabhi pyaar ?? sanam kijiye
jayda naahin kam se kam kijiye
dil mein ik chor hai
pyaar ka shor hai
jisne baandha hai tujhe
kacchi kacchi dor hai
kacchi kacchi dor hai
khencho na sainyaan
kacchi kacchi dor hai
khencho na sainyaan
tu laage laage mora sainyaan
tu laage laage mora sainyaan
ja ja ja laagoon tore painyaan
laagoon tore painyaan
tera kaun thhikaana
dulha nakhre waala
dulha motor waala
ek chhori rah gayi
wo chhora ban ke rah gaya
bhala maaniye ya bura maaniye
jawaani ka sadka kaha maaniye
pyaar ki baat kyaa
jeet kya maat kya
tu diya hai main hawa
tera mera sath kya
tera mera saath to sapnon ki batiyaan
tera mera saath to sapnon ki batiyaan
ja ja ja
laagu tore painyaan
ja ja ja
laagoon tore painyaan
tu laage laage mora sainyaan
laage mora sainyaan
dekhoon main kab tak kanwaare rahoge
dekhoon main kab tak kanwaare rahoge
hamaare liye ho hamaare rahoge
samjho na tum pe maara rahoonga
shaadi bhi kar ke kanwaara rahoonga
kya bura haal hai
pyaar ka jaal hai
tu gire main na giroon
apni apni chaal hai
apni chaal hai
apni hai galiyaan
apni chaal hai
apni hai galiyaan
ja ja ja
laagoon tore painyaan
ja ja ja
laagoon tore painyaan
kyun main sharmaaun tumse
kyun main sharmaaun tumse
mujhko chheden meri sakhiyaan
tu laage laage mora sainyaan
tu laage laage mora sainyaan
ja ja ja
laagoon tore painyaan
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3539 | Post No. : | 14210 |
“Main Aazaad Hoon”(1989) was produced by Habib Nadiadwala and directed by Tinnu Anand. The movie was an adaptation of Frank Capra’s “Meet John Doe”(1941). Amitabh Bachcahn played the lead role in the movie.
While “Meet John Doe”(1941) was a superhit movie, its Hindi adaptation failed miserably at the box office. “Main Aazaad Hoon”(1989), like its Hollywood original, showed the hero as a common man, helpless against system. Indian audience, brought up on staple diet of escapist movies were not mature enough to appreciate movies that were off the beaten track. People expected Amitabh Bachchan to play his usual larger than life superman like character, but the movie depicted him as an ordinary man, as powerless and helpless as most ordinary men, and movie goers were not prepared for that. While “Meet John Doe”(1941) was a superhit movie, its Hindi adaptation failed miserably at the box office. So it showed, if any proof was needed that Indian audience of 1989 had not reached the maturity of Hollywood audience of 1941 !
Personally I quite liked the movie, but I was in a minority. Most other people had expected to see Amitabh Bachchan as an angry young man of “Trishul” or “Andha Kaanoon” and they felt let down with the non escapist fare that this movie served.
“Main Aazaad Hoon”(1989) had just one song in it.
Here is that sole song from “Main Aazaad Hoon”(1989). This song is sung by Amitabh Bachchan and chorus, in addition to some unidentified voices. The song is sung by Amitabh Bachchan and it is picturised on himself. Kaifi Azmi is the lyricist. Music is composed by Amar Utpal.
Since it is the only song from the movie, this song serves dual purpose simultaneously. This song is the debutant song as well as a YIPPEE song. So one can say, rather pompously that “Main Aazaad Hoon”(1989), makes its debut in the blog with this song and get YIPPEED as well. 🙂
Song-Itne baazoo itne sar (Main Aazaad Hoon)(1989) Singer-Amitabh Bachchan, Lyrics-Kaifi Azmi, MD-Amar Utpal
Chorus
Unknown male voice
Lyrics
itne baazu itne sar
hmm
itne baazu itne sar
gin le dushman dhyaan se
hmm hmm
itne baazu itne sar
gin le dushman dhyaan se
itne baazu itne sar
gin le dushman dhyaan se
haarega wo har baazi
jab khelen hum ji jaan se
haarega wo har baazi
jab khelen hum ji jaan se
jee jaan se
aao
aa jaao
jag pe chha jaao
ji jaan se
haan
ye hui na baat
aise hi gaate hain
ek do
aaye ho tum to aao
jee jaan se
hamen aake raah dikhaao
jee jaan se
manzil pe hamen pahunchaao
jee jaan se
aao
aa jao
jee jaan se
jag pe chha jao
ji jaan se
aao mere saath aao
ji jaan se
meri dhun mein tum gaao
ji jaan se
milke lashkar ban jaao
ji jaan se
aao
aa jaao
ji jaan se
jag pe chha jaao
ji jaan se
itne baazu itne sar
gin le dushman dhyaan se
itne baazu itne sar
ginle dushman dhyan se
haarega wo har baazi
jab khelen hum ji jaan se
haarega wo har baazi
jab khele hum ji jaan se
itne baazu itne sar
gin le dushman dhyaan se
itne baazu itne sar
gin le dushman dhyaan se
haarega wo har baazi
jab khelen hum ji jaan se
haarega wo har baazi
jab khelen hum ji jaan se
aao
aa jaao
ji jaan se
jag pe chha jaao
ji jaan se
aao
aa jaao
ji jaan se
jag pe chha jaao
ji jaan se
maalik ka dhan jo badhaaye
ji jaan se
?? hi dhan ban jaaye
ji jaan se
kyun na ik din lad jaayen
jee jaan se
aao
aa jaao
ji jaan se
jag pe chhaa jaao
ji jaan se
ek duniya sang hai
ye haq ki jung hai
ek duniya sang hai
ye haq ki jung hai
laalach se takraana hai
beshak takraayenge
haan
laalach se takraana hai
beshak takraayenge
jinko jhukna aata hai
saare sar kat jaayenge
jinko jhukna aata hai
saare sar kat jaayenge
aao
aa jaao
ji jaan se
jag pe chha jaao
ji jaan se
aao
aa jaao
ji jaan se
jag pe chha jao
ji jaan se
itne baazu itne sar
gin le dushman dhyaan se
haarega wo har baazi
jab khelen hum ji jaan se
haarega wo har baazi
jab khelen hum ji jaan se
aao aa jaao
jag pe chha jaao
aao aa jaao
jag pe chha jaao
itne baazu itne sar
gin le dushman dhyaan se
haarega wo har baazi jab khelen hum ji jaan se
itne baazu itne sar
gin le dushman dhyaan se
harega wo har baazi
jab khelen hum ji jaan se
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