Posts Tagged ‘C Ramchandra’
Iss waade ka matlab kyaa samjhoon
Posted on: July 18, 2012
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This song is from the film “Duniya”(1949). The singer is Rafi and Music Director is C.Ramchandra, with lyrics by Aarzoo Lucknowi.
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Apni naakaami se mujhko kaam hai
Posted on: July 18, 2012
“Subah Ka Taara” (1954) was a Rajkamal Pictures production. It was produced and directed by V Shantaram. The movie had V Shantaram,Pradeep Kumar, Jayshree, Rajshree, Amirbai Karnataki, Shakuntala, Neelam, Nimbalkar, Naaz, Chhagan, Romeo etc in it.
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Tum mere main teri
Posted on: July 5, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In my school days, our Hindi teachers quite often used to mention about the troika of Hindi poets, Prasad-Pant-Nirala ( Jaishankar Prasad, Sumitranadan Pant and Suryakant Tripathi ‘Nirala’). They were the pioneers of ‘chhaayawadi’ (romanticism) movement in Hindi poetry. At a time when norms for writing Hindi poetry were different, these poets created a niche for themselves and set a new standard for Hindi poetry. About four decades later, a similar troika of poets was continuing the tradition of writing poetry in similar style but for Hindi films. The poetry was written in simple words for the benefit of masses. In doing so, they extended their coverage beyond ‘chhaayawad’ to include social issues, philosophy of life etc. These poets also created a niche for themselves at a time when the Hindi film songs were mostly written in Hindustani ( mix of Hindi and Urdu words). Pandit Bharat Vyas was one among the troika of poets who wrote lyrics for Hindi film songs, the other two being Pandit Narendra Sharma and Kavi Pradeep.
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“Yasmin” (1955) was a musical pictures presentation. It was directed by A R Kardar. The movie had Suresh, Vyjyantimala, Jayant, Shyam Kumar, S. N. Banerjee, Maruti, Rashid Khan etc in it.
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“Patanga” (1949) was a Varma Films Production. It was directed by H S Rawail. The movie had Shyam, Nigar Sultana, Yacub, Gope, Cuckoo, Purnima, Randhir, Mohana, Ramesh Sinha, Shyama, Raj Mehra etc in it.
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Shama par jalke bhi parwaana
Posted on: May 26, 2012
This article is written by Shekher Gupta, a fellow enthusiast of Hindi movie music and a new contributor to this blog.
Without detracting one bit from her merit, capability and musico-longevity, I have to admit that I am not a fan of Asha Bhosle in the same manner as I am of Lataji. That said, there are quite a few of Ashaji’s evergreens – some of them lesser known than her racy raunchy numbers – which touch me more or less the same as some of Lataji’s best.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
‘Yaasmeen’, a film from 1955 is well known for some wonderful gems coming from the pen of Jaan Nisaar Akhtar and the music composition by C Ramchandra. The film has ten songs out of which four are already represented on this blog, including the evergreen iconic rendering of “Bechain Nazar Betaab Jigar” by Talat Mehmood, and “Mujh Pe Ilzaam e Bewafaai Hai” by Lata Mangeshkar. Here is the fifth offering from this film – another iconic song that would qualify for the tag ‘how come this song was not posted earlier’.
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Mehandi lagi thhi mere haath
Posted on: April 30, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Ever since Ghulam Haider introduced dholak (belonging to the percussion family) as a major musical instrument for song compositions in the super hit film ‘Khazaanchi’ (1941), it has become an inseparable part of Hindi film songs. In fact in the 50s, prominent music directors started engaging specialist dholak players in the songs’ orchestration. The introduction of dholak in the Hindi film songs has made some of them so rhythmic that a music lover consciously or unconsciously replays the rhythmic beats with his fingers on whatever place he find near him, be it on a sofa hand rest or on a table top or play it on any of the kitchen vessels as Bhagwan did in ‘ kismet ki hawa kabhi garam kabhi naram’ (Albelaa-1951).
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Shama pe aake o parwaane
Posted on: March 30, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Given that during most of the 50s, C Ramchandra was very favorably inclined towards Lata, I was just wanting to find out what is the earliest that he had used the voice of Asha Bhosle. I did a quick scan of the films for which C Ram has composed music, in the Geet Kosh, from 1950 onwards. And unless I made a mistake in my scanning, the film ‘Meenaar’ in 1954 seems to be the first time that Asha Bhosle has sung for C Ramchandra. If not mistaken, then this is likely the first such occasion.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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