Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Pt Narendra Sharma


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Pandit Narendra Sharma came to the film industry after having excelled in the field of academics and Hindi Literature as an author, teacher, editor and publisher. His songs have a simplicity, yet they are woven with such chaste choice of words from Hindi language. Listening to his poetry and his writings from films is like a shower of fresh flowers – soft, fragrant and very pleasing to the heart and mind. The sounds of “Yashomati Maiyyaa Se Bole Nandlala”, (‘Satyam, Shivam, Sundaram’, 1978) or “Bhanwre Ne Khilaaya Phool Phool Ko Le Gayaa Raaj Kunwar” (‘Prem, Rog’, 1982), or “Tum Aasha Vishwaas Hamaare” (‘Subah’, 1982) are very endearing to the heart. And even before, looking at the earlier decades, the songs like “Mann More Huaa Matwaala” in the voice of Suraiyya from the film ‘Afsar’ (1950), and “Kahaan Udd Chalen Hain Mann Praan Mere” from the film ‘Bhaabhi Ki Choodiyaan’ (1961) come from his pen.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In this blog we have discussed three pairs of Hindi film personalities having more or less the same name leading to considerable confusion. Shyam vs Shyam Kumar, Shashi (chand) F. Kapoor vs Shashi Kapoor ,and Arun Kumar(Ahuja) vs Arun Kumar (Mukherji).
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Today (29th july) is the death anniversary of Sudhir Phadke (25 july 1919- 29 july 2002). He got the opportunity to compose in very few Hindi movies, but he has left an indelible mark in the annals of Hindi movie music. Who can forget the immortal song Jyoti kalash chhalke from “Bhaabhi Ki Choodiyaan”. Another timeless classic, viz. Din hai suhaana aaj pahli taarikh hai is also his creation.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my younger days, my uncle used to play M S Subbulakshmi’s (MS) LPs of Venkateshwara Suprabhatam or Vishnu Sahastranamam early morning every day which I used to resent as it became virtually a wake-up alarm for me. But as days passed, I not only started liking her renditions, some of its verses got stored in my mind.
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“Bhaabhi Ki Choodiyaan” (1961) is a movie that, for most people, is associated with the immortal song Jyoti kalash chhalke. This song, written in chaste Sanskritised Hindi is so soothing to the mind that one can listen to this song every morning. And indeed there are readers of this blog who do just that every morning.
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