Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Roshan


“Chhora Chhori” (1955) is by now an obscure movie. This movie was a “Show Peoples” production. It was produced and directed by Kidar Sharma. Cast of this movie includes names like Nand Kishore, Pratima Devi, Geeta Bali, Pesi Patel, Madhvi, Rashid Khan, Agha, Tony Walker etc.
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16th november 1966 was the day when Roshan, then at the peak of his career expired all of a sudden. That happened exactly 45 years ago and lots of water has flown under the bridge since. His two sons managed to have reasonable careers in Hindi movies, with one of his songs following in his steps as a music director. and his grandson, who was born several years after his death became a superstar of Hindi movies. Today many people of the younger generation remember Roshan as the grandfather of Hrithik Roshan. As far as people of my generation as well as older generation is concerned, Hrithik Roshan is the grand son of Roshan and not vice versa. The fact that the first name of Roshan Lal Nagrath should be adopted as the surname by his sons and grandsons shows what a huge star Roshan was. His name sold, and it sells today, and it will sell long after Hrithik Roshan has retired.
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Helen has been the most well known item song dancer in Hindi movies. But she was not the first one. The original item song dancer in Hindi movies was Cuckoo. In fact, it was Cuckoo who was instrumental in getting Helen her initial breaks in Hindi movies. So in a way Helen was Cuckoo’s protege.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

About two weeks ago, I had posted the qawwaali ‘Waaqif Hoon Khoob Ishq Ke. . .’ from the film Bahu Begum (1967). As promised, here is the second qawwaali from the same film, that is another wonderful specimen of Roshan Saab’s compositions.
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“Bheegi Raat”(1965) is a Maya movies production, which was directed by Kalidas. the movie had Meena Kumari, Pradeep Kumar, Shashikala, Rajendranath, Ulhas, Raj Mehra, Ashok Kumar, Kamini Kaushal, I. S. Johar, Hari Shivdasani etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Continuing the search for the qawwaali form of music in Hindi films, I come across two wonderful qawwaalis from the film Bahu Begum (1967). I present the first one in this write up.
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Barsaat Ki Raat (1960) – just take away everything else, all the story, the screenplay, the characters, the histrionics, all the songs and music, and on screen plays, just take it all away, and leave just the three qawwaalis, and the greatness of this film will not be dimmed one bit. The three qawwaalis are the epitome of what this music and art form is all about. The first in the sequence, Nigaah e naaz ke maaron ka haal kyaa hogaa was discussed yesterday. The third, and the best known iconic qawwali of the three, Na to kaarwaan ki talaash hai…ye ishq ishq hai(Barsaat ki raat) has been discussed almost a little over three years ago, and then recently updated to its complete form. We are now left with the second offering in sequence, which is the subject of this post.
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“Devar” (1966) was a De Luxe fims production and it was directed by Mohan Segal. This cast of this movie included names like Dharmendra,SKishore Kumar, Sabita Chatterji,Sharmila Tagore,Deven Verma, Shashikala,Dhumal, Sulochana, Raj Mehra, Sapru, Tarun Bose, Durga Khote etc.
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