Posts Tagged ‘Salaam Memsaab’
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5373 | Post No. : | 17622 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Salaam Memsaab-1979)
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On this blog we have at least two movies (that I came across) where the movies have made their debut with songs originally part of some earlier movie and not really part of the movie being discussed.
One such movie is ‘Salaam Memsaab-1979’.
This movie made its debut on the blog with a re-used song ‘pyaar huaa ikraar huaa hai’ which originally is the song from the movie ‘Shri 420’.
So, today we get introduced to the actual first song from this movie ‘Salaam Memsaab-1979’ on the blog.
“Salaam Memsaab-1979” was directed by Asrani for ‘Roshan Films’. It had Asrani, Zareena Wahab, Manju Bansal, Rehman, Keshto Mukherjee, Asit Sen, Jugnu, Leela Mishra, Sulochana (Senior), Tom Alter, C.S. Dubey, Arvind Rathod, Anand Girdhar, Amol Sen, Dilip Tahil, Neelu Arora, Master Jeetu, Yusuf, Raju, Ranjeet and others.
Ashok Kumar, Sunil Dutt, Yogita Bali and Rishi Kapoor made a special appearance in this movie.
This movie was passed by Censor Board on 12.01.1979.
“Salaam Memsaab-1979” has seven songs (other than the song of Shri 420 which was re-used) written by Majrooh Sultanpuri. Music for this movie was composed by R.D. Burman.
Here is the detail of the songs of this movie:-
| SNo | Song Title | Singer/s |
|---|---|---|
| 01 | Salaam memsaab… ham bhi raahon mein khade hain | Kishore Kumar,Lata Mangeshkar |
| 02 | Na sharaab se koi waastaa | Mohd Rafi, Bhupendra Singh |
| 03 | Jaanewaale suntaa jaa hamaari kahaani | Kishore Kumar |
| 04 | ham bhi raahon mein khade hain | Lata Mangeshkar |
| 05 | Tum bhi meri jaan… haay re mar jaaun | Asha Bhonsle |
| 06 | Tera kahaa maine kiyaa, ab na kiyaa jaaye re haay | Asha Bhonsle |
| 07 | ham bhi raahon mein khade hain | Kishore Kumar |
While presenting the ‘used’ song of ‘Shri 420’ from this movie Shri Sudhir ji has mentioned about the background of the story of this movie ‘Salaam Memsaab-1979’ in brief. I am re-producing the same below.
Radha (role played by Zarina Wahab) and Sunder (role played by Asrani) are two young people, friends and in love. They are the street tamaasha people who sing and dance on the roadside to earn their living. Sunder has high aspirations, and wants to become rich quickly. Radha also has aspirations, but she is averse to making compromises with her principles of honesty and truthfulness. They work together, but this difference in their view of life generates arguments.
`
This background helps us to understand the context for the today’s songs (multiple versions) in this movie.
The duet sung by Kishore Kumar and Lata Mangeshkar gives us an idea of the ‘initial song’ when Radha and Sunder must be performing their ‘roadside tamaasha’.
The second part (or version) of this song which is a female version sung by Lata Mangeshkar seems to happen when Radha and Sunder gets separated and are not in touch with each other.
ham nahin bhoole tumko
tum bhoolaa baithhe hamko o
bewafaa phir bhi keh de
kaise apne baalam ko
dil ko tadpaane waale ae
laut aa jaanewaale ae
(It seems that the video for the above two versions is not available, or I was unable to locate it?).
However the video for the third version which is sung by Kishore Kumar is available and from the video we can guess that Sundar had already become a rich person but missing Radha and he sings this version at a party held by other actress (Manju Bansal) I guess.
The verses by Majrooh Sultanpuri are very nice and so is the composition by Pancham which deserves to be well known. Kishore Kumar has sung this song with gusto with Lata Mangeshkar supporting him equally. However, I guess that the songs from this movie seem to have forgotten may be because the movie itself didn’t performed well at the box-office.
I would request knowledgeable readers who have watched this movie to throw more light on this movie and its songs.
Let us now listen to the today’s song (or songs rather) and re-welcome ‘Salaam Memsaab-1979’ on the blog …
Audio (Kishore Kumar-Lata Mangeshkar version)
Audio (Lata Mangeshkar version)
Audio (Kishore Kumar version)
Video (Kishore Kumar version)
Song-Ham bhi raahon mein khade hain idhar dekh lo (Salaam Memsaab)(1979) Singers-Kishore Kumar, Lata Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
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Kishore Kumar-Lata Mangeshkar duet version
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salaam saab
arrey salaam memsaab
arey zaraa idhar bhi
nazar phenkiye ae
ahaa
ahaa
ahaa
ae he
o ho
ee hi
o ho
o ho
ahaa aahaa aa
arey bohni to ho gayi
ae jiyo raaja
arey jiyo raani
ae haan aan
arey haan re haan aan
haay haay haay
o le lo
le lo duaa
kisi beqaraar ki ee
ham bhi raahon mein
khade hain
yaar idhar dekh lo
ham bhi raahon mein
khade hain
yaar idhar dekh lo
jaaneman pyaar se
ek nazar dekh lo o
ham bhi raahon mein
khade hain
yaar idhar dekh lo
jaaneman pyaar se
ek nazar dekh lo o
ham bhi raahon mein
khade hain
haa haa
ham dukhon ke paale hain
haan magar dilwaale hain
ek nazar pe lut jaayen
aise ham matwaale hain
ho o o o
o o o o
o o
apne ho yaa begaane ae
ham to sab ke deewaane
har galey mein baahon ke
haar hamne daale hain
ho o o o
yahi to hai galiyaan
wo pyaar ki ee
aanewaalon
aanewaalon mere dil ka nagar dekh lo
o jaaneman n n
pyaar se ek nazar dekh lo
ham bhi raahon mein
khade hain
ae bhaai
dil ka saathi hai jab dil
kaisa rastaa kyaa manzil
chal pado to rastaa hai
thhehar jaao to manzil
rang ye baazaaron kaa
roop ye dildaaron kaa
jo nazaaraa dekho hai
choom lene ke qaabil
ho o
hawaa khaanewaalon
mere gulzaar ki
kyaa ho thhodaa sa
ae bhaai
kyaa ho thhodaa sa
hamen bhi
agar dekh lo o
jaaneman pyaar se
ik nazar dekh lo
ham bhi raahon mein
khade hain ae
ham to chaahat se haare
phirte hain maare maare
tum raho hanste baste
saath hon chandaa taare
phir yoonhi jaan e jaana aa
kal kahin pe mil jaanaa
ham chaley gaate naghme ae
khush raho tum bhi pyaare
ho o o
jaao looto maze
shaam hain bahaar ki ee
jaate jaate
o maamu
jaate jaate ho sake to
ae
idhar ke dekh lo o
jaaneman pyaar se
ik nazar dekh lo
ham bhi raahon mein
khade hain aen
ho kisi rut ka baadal
ghir ke phir khul jaata hai
ho andheraa jaisaa bhi
aakhir(?) dhhal jaata hai
dil sadaa jisko dhhoondhhe ae
maamtaa jisko dhhoondhhe ae
kho gayaa ho jo koyi ee
ek din mil jaataa hai
ho o suno
roti nahin rut intezaar ki ee
ham bhi raahon mein
haaye haaye
ham bhi raahon mein
khade hain
yaar idhar dekh lo
jaaneman pyaar se
ik nazar dekh lo o
le lo
le lo duaa
kisi beqaraar ki
ham bhi raahon mein
khade hain
yaar idhar dekh lo o
jaaneman pyaar se
ik nazar dekh lo o
ham bhi raahon mein
khade hain
arey bhaai
aap log bhi gaayiye na
mere saath
arey
gaayiye gaayiye
la la laa laa laa
(ahaa he)
la la la laa laa
laa laa laa aa
(oye oye)
laa laa laa aa
laa laa laa laa aa
(ahaa haa)
(oye ae)
ham bhi raahon mein
khade hain
yaar idhar dekho lo
jaaneman pyaar se
ek nazar dekh lo o
(raahon mein)
(zaraa idhar dekh lo)
(pyaar se )
(dekh le dekh le)
(raahon mein)
ham bhi raahon mein
khade hain
yaar idhar dekho lo
jaaneman pyaar se
ek nazar dekh lo o
ham bhi raahon mein
khade hain
yaar idhar dekho lo
jaaneman pyaar se
ek nazar dekh lo o
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(Lata Mangeshkar solo version)
———————————
ham bhi raahon mein
khade hain ae
idhar dekh lo o
jaaneman pyaar se
ik nazar dekh lo o
ham bhi raahon mein ae
o le lo
le lo duaa
kisi beqaraar ki ee
ham bhi raahon mein
khade hain
idhar dekh lo
jaaneman pyaar se
ik nazar dekh lo o
ham bhi raahon mein ae
ham to chaahat ke maare
kya karen dil se haare ae
aas milne ki le kar
phirte hain maare maare
har gali dekha tumko
har nazar dhhoondhha tumko
jaa ke tum kis duniyaa mein ae
kho gaye saajan pyaare
ho o o
ab to beete nahin ghadi intezaar ki ee
soonaa kab se ye dil ka
nagar dekh lo
jaaneman pyaar se
ik nazar dekh lo o
ham bhi raahon mein ae
ham nahin bhoole tumko
tum bhoolaa baithhe hamko o
bewafaa phir bhi keh den
kaise apne baalam ko
dil ko tadpaane waale ae
laut aa jaanewaale
kab talak thhokar khaayen
le ke ham tere gham ko
ho o o
koyi suntaa nahin
is beqaraar ki ee
dil hai ghaayal to hai
tukde jigar dekh ko
jaaneman pyaar se
ik nazar dekh lo o
ho le lo
le lo duaa
kisi beqaraar ki
ham bhi raahon mein
khade hain
idhar dekh lo
jaaneman pyaar se
ik nazar dekh lo o
hmm hmm hmm hmm hmm
(sobbing sound)
—————————
(Kishore Kumar version)
————————–
hmm
dil ka saathi hai jab dil
kaisa rastaa kyaa manzil
yaad aaaya
gaao memsaab
dil ka saathi hai jab dil
kaisa rastaa kyaa manzil
chal pado to rastaa hai
thhehar jaao to manzil
rang ye nazaaron kaa
roop ye dildaaron kaa
jo nazaaraa dekho hai
choom lene ke qaabil
ho o
aao
looto maze
shaam hai bahaar ki ee
kyaa ho thhodaa sa
haan
kyaa ho thhodaa sa
hamen bhi agar dekh lo
o jaaneman pyaar se
ek nazar dekh lo
arey
sochiye mat
gaayiye gaayiye
(laughing sound)
ham bhi raahon mein
khade hain ae
yaar idhar dekh lo o
jaaneman pyaar se
ik nazar dekh lo
ham bhi raahon mein
khade hain ae
yaar idhar dekh lo o
(ye baat huyi naa)
jaaneman pyaar se
(arey wonderful)
ek nazar dekh lo
(beauty ee)
ham bhi raahon mein
khade hain ae
yaar idhar dekh lo o
jaaneman pyaar se
ik nazar dekh lo
ham bhi raahon mein
khade hain ae
yaar idhar dekh lo o
jaaneman pyaar se
ek nazar dekh lo
la la laa laa laa
la la la laa laa
laa laa laa aa
laa laa laa aa
laa laa laa laa aa
(laughing sound)
la la laa laa laa
la la la laa laa
laa laa laa aa
laa laa laa aa
laa laa laa laa aa
(laughing sound)
Pyaar Hua Iqraar Hua Hai
Posted on: July 11, 2019
- In: "Dream of Wide Awake Eyes" | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lata song | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Manna Dey songs | Manna Dey-Lata duet | Post by Sudhir | Song not figuring in HFGK | Song not mentioned in Hindi Film Geet Kosh | Song used in more than one film | Songs of 1970s (1971 to 1980) | Songs of 1979 | Songs reused again in subsequent movies | Yearwise breakup of songs
- 16 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4010 | Post No. : | 15117 | Movie Count : |
4152 |
Songs Repeated in Hindi Films – 6
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The heart must have missed a beat – on reading the title of this post. Goodness. . . this wonderful iconic song, 65 years ago – it captured the imagination and the hearts of a generation, nay, many a generation of young hearts in love. This unforgettable song is imprinted on the sands of memory, never to be erased by any winds that may blow, till the end of life.
The golden age of melody was at its peak. The manner in which Shailendra knit together the words and lines of this love song – cannot be and has not been bettered since. The melody and the orchestration conceived by Shanker Jaikishan – the arrangement of the instruments, the preludes, the interludes, the rhythm – everything just perfect in this song. The renditions – Manna Da and Lata – the voices working together seamlessly – rising and falling in unison, and in apposition, complementing, merging – the “aa haa haa” lines going up all the way to the clouds. The lines
pyaar jo toota
saath jo chhoota
receding into the depths of somber apprehensions, and then suddenly a rising declaration of a resolution,
chaand na chamkega kabhi
the rendition volume going up all the way to the moon. The resolve expressed with such a dignified confidence in the nature’s machinations. The moon – no it will never stop shining, and thus, by implication, this love will never be broken, this companionship will never part. And suddenly, instinctively, unknowingly there is a lump in the throat and a warm moisture on the corners of the eyelids. Yes, yes – that is what love is – the poet, the music-waala, the singers – yes, they have got it just right, on the dot. Yes that is what love is, what it ought to be. Such noble souls lived in that golden era – who could feel it right, and conjure up an imagination, combining the words, the music and the sound – and then tell it to us so simply – that no further discourse would be necessary.
I am reminded of another quintessential song from the same film –
ramaiya vasta vaiya
maine dil tujhko diya
And once again, the simplest of words, the simplest verse one can conjure up – and there is no better way, no better words invented, before or since, to say – I love you.
And the scene, the depiction – the conceptualization – a master presenter is at work here. Here is an emotional entanglement coming to fruition in the hearts of two young people, almost at the very bottom of the ladder of social significance. A part time employee at a laundry, who has “borrowed” a suit that has come for cleaning, and his shoes are in tatters. A self employed teacher, who gives basic education to the underprivileged children in the backyard of her own home. But then love does not check on social status, or verify your bank balances, before making a burrow into the hearts. That love is simple. That love is without embellishments. That love is honest and innocent. That simply is love, and it happens, just happens.
The overcast skies, the lashing rains, the amused witness – the chaiwaala (tea seller), the incidental umbrella, the handy tootle that the young man plays, the happenstance of three cheruby toddlers in raincoats – all put together in a scenario that simply cannot now be erased from the memory’s palette.
The emotional expressions of the leading pair are just as consummate and accomplished as the scenario itself. The sharing of the umbrella becomes such a pivotal exchange. The young man offers it to the lady. And she hands it back, seeing him getting drenched. He takes it, but then sees that she is in the same plight, so immediately offers it back to her. She once again takes it, and with a helplessness writ large on her face, sees him getting drenched once again. And then the inevitable happens. With her eyes clenched, and her lips trembling with apprehension, she inches closer to him – dawning of the realization that one must share when there is a need. And the two come close now, holding the same umbrella – realizing that in love, one has to share, one has to hold together, and one has to steady each other against the squall of the winds and outpourings of this ruthless world.
And then the song begins – question by the young man, not specifically directed at her, but at himself too. And the lady answers, for both of them together – “. . . Maaloom Nahin Hai Kahaan Manzil . . .”. One of the supreme examples of cinema at its very best, in telling about emotions that shake a heart when the love is just starting to take baby steps in there. Marvellous . . . simply marvelous – much more than the best of the words can express.
Um. . . kind of got carried away with the original. 🙂
25 years after the release of the original, this song was used once again in the 1979 film ‘Salaam Memsaab’. And the manner of use is so very innovative. A little earlier, back in 1970, when ‘Mera Naam Joke’ was released, at the beginning of part II we see Raj Kapoor at the Bombay Carnival, hosting a bioscope stand, singing “Kehta Ha Joker, Saara Zamaana. . .”. And as he sings, he is operating the bioscope in which we are treated to clips of his earlier films, especially ‘Awaara’ and ‘Shri 420’. It is fun to watch those clips in fast forward mode.
In ‘Salaam Memsaab’, a similar presentation is used. A little background. Radha (role played by Zarina Wahab) and Sunder (role played by Asrani) are two young people, friends and in love. They are the street tamaasha people who sing and dance on the roadside to earn their living. Sunder has high aspirations, and wants to become rich quickly. Radha also has aspirations, but she is averse to making compromises with her principles of honesty and truthfulness. They work together, but this difference in their view of life generates arguments.
Near the beginning of the film, just about half hour into it, Radha chances to see a bioscope man, playing his machine near the Gateway of India. She gets in line and starts watching – she gets in when the song “Pyaar Hua Iqraar Hua Hai. . .” is starting to play. We can see her enjoying the show, and then as the lead pair comes on at the beginning of the song, she gets into a different dreamy dimension of fantasy, and instead of seeing Raj Kapoor and Nargis on the screen, she sees herself and Sunder there, performing the same song, singing and expressing their newly discovered love for each other. She is fascinated, and the entire song is replayed on the screen in front of her, performed now by the two new lovers.
This is a very innovative presentation. In the singing parts of the clip, we can see Radha and Sunder performing, and in the other parts of the clip, the director uses the original footage and scenes. The entire song moves back and forth between the now Radha and Sunder, and the earlier scenes. Very interestingly edited and put together. E.g. when the line “Phir Bhi Rahengi Nishaaniyan” is playing, the scene clips back to the original version and we see the three toddlers with raincoats, toddling through the rain. Readers may recall that in the original version, the three kids are the children of Raj Kapoor – Ritu, Randhir and Rishi. The clip cuts back and forth between the current version, shown in subdued colors and shades, and the original version shown in black and white. Very intelligently designed.
In her dream of wide open eyes, Radha sees herself and Sunder, in an exact image of the hero and heroine on screen. As one watches their movements and expressions, the effort has been made to create an exact replica not just of the scenario, but also of the performance and expressions. You can open up two windows in the video playing software, and play the two songs, this one and the original, side by side. One is amazed by the effort made by Zarina and Asrani to replicate the performance as nearly as possible. Ah, we know it is not Raj Kapoor and it is not Nargis. But still it is a very impressive performance to see.
The film ‘Salaam Memsaab’ is produced under the banner of Roshan Films, Bombay and is directed by Asrani himself. The cast of actors includes Asrani, Zarina Wahab, Ranjeet, Manju Bansal, Rahman, Keshto Mukherjee, Asit Sen, Jugnu, Leela Mishra, Sulochana (Senior), Tom Alter, CS Dubey, Arvind Rathore, Anand Girdhar, Amol Sen, Dilip Tahil, Nilu Arora, Master Jeetu, Yusuf, and Raju, with friendly appearances by Ashok Kumar, Sunil Dutt, Yogita Bali, and Rishi Kapoor. The songs of this film are written by Majrooh Sultanpuri and the music is by RD Burman. Seven songs are listed for this film which have been rendered by Mohamed Rafi, Kishore Kumar, Lata Mangeshkar and Asha Bhosle.
This song, being a reuse, is not listed in Geet Kosh. And as I mentioned in an earlier episode of this series, it is not easy to track down such re-use songs, unless one has actually seen the film(s). I had also written that since I started this series, I have been getting inputs from many friends, from our bandwagon and also from others in our music lovers group, about such reuse songs. Since these songs are generally not listed, such inputs from friends has really added many interesting reuse scenarios that I was not aware of.
Today’s song was sent in as a suggestion from Anekant ji. He is a regular contributor in our comments section, and I am sure all are familiar with him. Not being aware of this reuse song, I am delighted to get this input from him. A real wonderful song, and a real wonderful reuse after twenty five years – from 1954 to 1979 to 2019 – and forty more, when we are now reading about it once again. 🙂
A reuse that takes you into a fantasy land of a dream of wide awake eyes. I am sure all of us have had some similar experience some time or another in our lives. Apologies for the digression, but I just remembered another such on screen ‘dream of wide awake eyes’ which I just cannot resist mentioning. 🙂 For all those who have seen and remember ‘Chhoti Si Baat’ (1972). Yes, I am referring to the song “Jaaneman Jaaneman Tere Do Nayan”. Amol Palekar is watching the film in a theatre. Onscreen the song is being performed by Dharmendra and Hema Malini. And within a few seconds, Amol Palekar goes into this ‘dream of wide awake eyes’, and through his eyes, we see the song being performed on screen by himself and Vidya Sinha. The reverie is quiet painfully broken as the villain appears at the end of the song and hits the hero with a belt. (Just from that split second profile, my feeling has been that it was actor Manmohan, the villain I mean.)
Ah so, we have a new category of songs to mull over – ‘dream of wide awake eyes’. And I am sure the readers will recall many such songs in Hindi films – yes, we do that a lot. 🙂
Enjoy today’s wonderful reuse treat and let’s wait for the next – what more such entertaining surprises are coming up.
Song – Pyaar Hua Iqraar Hua Hai (Salaam Memsaab) (1979) Singer – Manna Dey, Lata Mangeshkar, Lyrics – Shailendra, MD – Shanker Jaikishan
Manna Dey + Lata Mangeshkar
Lyrics
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
(aaa aaa aaa)
iqraar hua hai
(aaa aaa aaa)
pyaar se phir kyun darta hai dil
(aaa aaa aaa)
kaho ke apni preet ka
geet na badlega kabhi
tum bhi kaho is raah ka
meet na badlega kabhi
pyaar jo toota
saath jo chhoota
chaand na chamke ga kabhi
aaa haaa haaa
aaa haaa haaa
aaaaa haaa haaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
(aaa aaa aaa)
iqraar hua hai
(aaa aaa aaa)
pyaar se phir kyun darta hai dil
(aaa aaa aaa)
raaten dason dishaaon se
kahengi apni kahaaniyan
geet hamaare pyaar ke
dohraayengi jawaaniyan
main na rahoongi
tum na rahoge
phir bhi rahengi nishaaniyaan
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
(aaa aaa aaa)
iqraar hua hai
(aaa aaa aaa)
pyaar se phir kyun darta hai dil
(aaa aaa aaa)
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
(आ आ आ)
इक़रार हुआ है
(आ आ आ)
प्यार से फिर क्यों डरता है दिल
(आ आ आ)
कहो के अपनी प्रीत का
गीत ना बदलेगा कभी
तुम भी कहो इस राह का
मीत ना बदलेगा कभी
प्यार जो टूटा
साथ जो छूटा
चाँद ना चमकेगा कभी
आ हा हा
आ हा हा
आss हा हा
आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
(आ आ आ)
इक़रार हुआ है
(आ आ आ)
प्यार से फिर क्यों डरता है दिल
(आ आ आ)
रातें दसों दिशाओं से
कहेंगी अपनी कहानियाँ
गीत हमारे प्यार के
दोहराएंगी जवानियाँ
मैं ना रहूँगी
तुम ना रहोगे
फिर भी रहेंगी निशानियाँ
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
कहता है दिल
रास्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
(आ आ आ)
इक़रार हुआ है
(आ आ आ)
प्यार से फिर क्यों डरता है दिल
(आ आ आ)
Kahiye Kaisa Mizaaj Hai Aapka
Posted on: March 11, 2018
- In: Asha Bhonsle songs | Baag/Bagiya song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Kum Kum Dance Song | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Sudhir | Rafi duets अ से ह तक | Rafi songs | Rafi-Asha Bhonsle duet | Series of articles | Songs of 1960s (1961 to 1970) | Songs of 1961 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3523 | Post No. : | 14151 |
Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 8
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
/ औ, ऋ /
‘क’ – कहिए कैसा मिज़ाज है आपका
ना जाने कौन ये आवाज़ देता है॰ ॰ ॰
The sounds of his voice keep reverberating in the valleys of the mind – the voice that carries a million musical memories of an entire lifetime, unforgettable.
Today’s song in this series is a delightful exchange of young hearts in love. The film is ‘Salaam Memsaab’ from 1961. On screen, the song is performed by a very young Subiraj, and a very enchanting Kum Kum. It is always such a joy to watch Kum Kum on screen with that scintillating smile and the twinkle in the eyes that goes along with it. In a chirpy naughty mood, her expressions and her movements are such a pleasure to see. However, in this clip, I must say, her dance movements are just the typical signature dance steps of Bhagwan. Now Bhagwan is also in this film, and it is a matter of conjecture whether he had some say in the choreography and songs picurization. Maybe he did, the steps in this clip are so very much Bhagwan.
The film is produced by an entity that is called the Young Technicians Unit – Baria Films, and is directed by K Parvez. The star cast is listed as
Kumkum, Subiraj, KN Singh, Sheikh, Bhagwan, Meena, Wasi Khan, Arvind Kumar, Ahmed Patni, S Malik, Bir, and Naazi. Music for this film is composed by Ravi. The eight songs in this film are written by four songwriters – Asad Bhopali, SH Bihari, Priyadarshi and Qamar Jalaalabaadi. This particular song is from the pen of Asad Bhopali.
The singing voices are of Rafi Sb and Asha Bhosle. The song is a lover’s tete-a-tete with the young Subiraj pursuing Kum Kum. At first, he is responsible for making her fall, then he tries to appease her by asking her “कहिए कैसा मिजाज है॰॰॰”.
A fun song, that is also such a wonderful melodious memory from the radio listening days. Listen and enjoy.
Audio
Video
Song – Kahiye Kaisa Mizaaj Hai Aapka (Salaam Memsaab) (1961) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Asad Bhopali, MD – Ravi
Mohammed Rafi + Asha Bhosle
Lyrics
kahiye kaisa mizaaj hai aapka
hum se kya vaasta hai janaab ka
arey arey aap to bigadne lagey
nahin nahin aapko samajhne lagey
o kahiye kaisa mizaaj hai aapka
hum se kya vaasta hai janaab ka
arey arey aap to bigadne lagey
nahin nahin aapko samajhne lagey
o kahiye kaisa mizaaj hai aapka
jis din se pyaar hua
dil beqaraar hua
jeena dushvaar hua teri kasam
jis din se pyaar hua
dil beqaraar hua
jeena dushvaar hua teri kasam
yun na sataaya karo
dil na jalaaya karo
kasmen na khaaya karo jhoothe sanam
tera deewaana hoon teri kasam
kya bharosa hai mardon ki zaat ka
kya iraada hai aakhir janaab ka
arey arey aap to bigadne lagey
nahin nahin aapko samajhne lagey
kahiye kaisa mizaaj hai aapka
nazron ne jaan liya
dil ne pehchaan liya
lo hum ne maan liya apna tumhen
nazron ne jaan liya
dil ne pehchaan liya
lo hum ne maan liya apna tumhen
mushkil se baat bani
dil ko bas hai ye khushi
tumne samjha to sahi apna mujhe
dekho ji aise na dekho hamen
o saara jhagdha tha itni si baat ka
hum se kya vaasta hai janaab ka
arey arey aap to bigadne lagey
nahin nahin aapko samajhne lagey
o kahiye kaisa mizaaj hai aapka
ye rut ye pyaara samaan
dil ki duniya hai jawaan
ye baaten roz kahaan jaane wafaa
ye rut ye pyaara samaan
dil ki duniya hai jawaan
ye baaten roz kahaan jaane wafaa
aise mein dil bhi mera
masti mein jhoom utha
halka halka sa nasha chhaane laga
ab zindagi ka mazaa aane laga
kahiye kaisa mizaaj hai aapka
hum se kya vaasta hai janaab ka
arey arey aap to bigadne lagey
nahin nahin aapko samajhne lagey
kahiye kaisa mizaaj hai aapka
hum se kya vaasta hai janaab ka
aaa aaa aaaa aaaaa
ho ooo ooo ooo ooo ooo
aaa aaa aaaa aaaaa
ho ooo ooo ooo ooo ooo
aaa aaa aaaa aaaaa
ho ooo ooo ooo ooo ooo
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
कहिए कैसा मिज़ाज है आपका
हमसे क्या वास्ता है जनाब का
अरे अरे आप तो बिगड़ने लगे
नहीं नहीं आपको समझने लगे
ओ कहिए कैसा मिज़ाज है आपका
हमसे क्या वास्ता है जनाब का
अरे अरे आप तो बिगड़ने लगे
नहीं नहीं आपको समझने लगे
ओ कहिए कैसा मिज़ाज है आपका
जिस दिन से प्यार हुआ
दिल बेक़रार हुआ
जीना दुश्वार हुआ तेरी कसम
जिस दिन से प्यार हुआ
दिल बेक़रार हुआ
जीना दुश्वार हुआ तेरी कसम
यूं ना सताया करो
दिल ना जलाया करो
कसमें ना खाया करो झूठे सनम
तेरा दीवाना हूँ तेरी कसम
क्या भरोसा है मर्दों की ज़ात का
क्या इरादा है आखिर जनाब का
अरे अरे आप तो बिगड़ने लगे
नहीं नहीं आपको समझने लगे
कहिए कैसा मिज़ाज है आपका
नज़रों ने जान लिया
दिल ने पहचान लिया
लो हमने मान लिया अपना तुम्हें
नज़रों ने जान लिया
दिल ने पहचान लिया
लो हमने मान लिया अपना तुम्हें
मुश्किल से बात बनी
दिल को है बस ये खुशी
तुमने समझा तो सही अपना मुझे
देखो जी ऐसे नहीं देखो हमें
ओ सारा झगड़ा था इतनी से बात का
हम से क्या वास्ता है जनाब का
अरे अरे आप तो बिगड़ने लगे
नहीं नहीं आपको समझने लगे
कहिए कैसा मिज़ाज है आपका
ये रुत ये प्यारा समां
दिल की दुनिया है जवां
ये बातें रोज़ कहाँ जान ए वफा
ये रुत ये प्यारा समां
दिल की दुनिया है जवां
ये बातें रोज़ कहाँ जान ए वफा
ऐसे में दिल भी मेरा
मस्ती में झूम उठा
हल्का हल्का सा नशा छाने लगा
अब ज़िंदगी का मज़ा आने लगा
कहिए कैसा मिज़ाज है आपका
हमसे क्या वास्ता है जनाब का
अरे अरे आप तो बिगड़ने लगे
नहीं नहीं आपको समझने लगे
कहिए कैसा मिज़ाज है आपका
हमसे क्या वास्ता है जनाब का
आss आss आsss आssss
हो ओs ओs ओs ओs ओs
आss आss आsss आssss
हो ओs ओs ओs ओs ओs
आss आss आsss आssss
हो ओs ओs ओs ओs ओs
There have been at least two movies called “Salaam Memsaahab”. One of them was produced in 1979 and another one in 1961. Both these movies apparently proved to be lame ducks at the box office.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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